Symbolist Art

L'image est pleine de significations et de messages cachés ! et seul un collectionneur attentif découvrira son sens secret Je te tisser...

Joseph André Mussler (1904-1980) was a Swiss painter known for his works depicting natural landscapes, often focusing on scenes from the Alps, such as mountain valleys and alpine hut...

L’agonie is an original colored etching on paper realized by Félicien Rops in 1886, 3rd state of colours proof n°8, from Pellet éditeur, inscribed in p...

"The Tides", is a symbolist oil painting on canvas by Andrée Bars. In this composition at once cosmic and contemplative, the artist explores the invisible motion that connects time...

Le Liseur is a prototype reproduction realized after Odilon Redon. They belong to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Felury in 1923. Titl...

The artwork measures 22 x 30 inches and is on paper. Signed by the artist in the lower right. Emil Kazaz’s oil paintings are distinguished by their masterful balance between classica...

Firmado en la parte inferior por el autor Estado de conservación aceptable Se presenta enmarcada la obra Medidas de la obra: 50 x 65 cm. Medidas del marco: 59 x 73 cm. :::::::::...

Gregory Kitterle's Sogno di Oro (Golden Dream) is a 39 x 50 inch horizontal figurative symbolist painting on canvas. This work brings the viewer in a magical setting of lapis lazuli ...

Seaside from Intermezzi belongs to a series of prints called Intermezzi realized by Max Klinger, published by Nurnberg: Stroefer, 1881. Etching on paper. Signed on the plate Good ...

André Eugène Costilhes (1865-1940) A Pensive young woman pencil on paper 29.5 x 22.5 cm (view) In good condition, except some traces of stains Framed : 55.5 x 41.5 cm (vintage frame...

Etching realized by Fritz Schwimbeck in 1918. Edition of 125 realized in Munich on mulberry paper. Hand signed in pencil.

Art Nouveau coloured drawing of a young lady beauty before a mirror by Edmon Aman-Jean. The work is signed in pencil bottom left and presented in a plain wood frame with mount, under glass. A very charming early 20th century drawing capturing a young beauty admiring herself in front of a dressing mirror. n the background a fine interior with a louis XVI commode...

Fernand Blondin (1887-1967) was a Swiss painter and teacher, celebrated for his depictions of idyllic rural life, interiors, female nudes, portraits, still-lifes, religious subjects ...

Amor, Tod und Jenseits, (Cupid, death and afterlife) is an original etching and aquatint on paper Chine collé, realized by Max Klinger in 1881, plate XII from “Intermezzi” Opus IV,...

Chez les Passants is an original Rare Book written by Philippe-Auguste, comte de Villiers de l'Isle-Adam (7 November 1838 – 19 August 1889) and illustrated by Félicien Rops (Namur, 7 luglio 1833 – Essonnes, 23 agosto 1898) in 1890. Original First Edition. Published by Comptoir d’édition, Paris. Format: in 12°. The dimensions and the weight are indicative. The book includes 320 pages with full page frontispiece etching. Good conditions. Félicien Victor Joseph Rops (7 July 1833 – 23 August 1898) was a Belgian artist associated with Symbolism and the Parisian Fin-de Siecle. He was a painter, illustrator, caricaturist and a prolific and innovative print maker, particularly in intaglio (etching and aquatint). Although not well known to the general public, Rops was greatly respected by his peers and actively pursued and celebrated as an illustrator by the publishers, authors, and poets of his time and provided frontispieces and illustrations for Jules Barbey d'Aurevilly, Charles Baudelaire, Charles De Coster...

Charcoal drawing,1904. Dimensions: 62 x 50 cm Provenance: Galleria d’Arte Moderna Alberto Grubicy, Milan. A number of symbolist drawings done by Fornara in 1902 are known, includin...

This large artwork figures a bamboo forest in the night. The artist impasto technique is light, with textured painting and a few small reliefs. This artwork is not framed. Françoi...

Das Grausen is a lithograph realized after a work by Alfred Kubin in 1903, Hand-signed and titled, plate from Faksimiledrucke nach Kunstblättern, edition H. Von Weber. Included a...

Menashe Kadishman, Sheep head, Symbolist painting, colored painting, Israeli art, Israeli art

Symbolist school, follower of Eugene Carriere, "The Mother's Kiss," unsigned oil on canvas, early 20th century. Fascinating and magnetic painting, extremely decorative. The first t...

Kampfende Faune is an artwork realized by Franz von Stuck in the early 20th Century. Etching.

Memento Mori is a modern artwork realized by Franz Biedermann (attr.) in 1902. Large-format drawing depicting a skull lying on an open book, in front of a large crucifix...

Menashe Kadishman, Sheep head, Symbolist painting, colored painting, Israeli art, Israeli art

Aurelia is an original modern rare book written written by Gérard Labrunie (Paris, 1808 – Paris, 1855) and illustrated by Alfred Leopold Isidor Kubin (Leitmeritz, 1877 – Zwickledt, 1959) in 1910. Original First Edition. Published by Georg Muller, München/Leipzig. Format: Large 8°. The book includes 146 pages with 57 drawings (several are full page drawings). Binding by Paul Renner Mint conditions. Alfred Leopold Isidor Kubin (Leitmeritz, 1877 – Zwickledt, 1959) in 1910. He was an Austrian printmaker, illustrator, and occasional writer. Kubin is considered an important representative of Symbolism and Expressionism. Kubin is considered an important representative of Symbolism and Expressionism and is noted for dark, spectral, symbolic fantasies, often assembled into thematic series of drawings. Like Oskar Kokoschka and Albert Paris Gütersloh, Kubin had both artistic and literary talent. He illustrated the works of Edgar Allan Poe, E. T. A. Hoffmann, and Fyodor Dostoevsky...

“The Call of Spring”, is an original oil painting on linen by Andrée Bars. Set in a soft forest bathed in golden ochre, misty beige, and earthy browns, this dreamlike composition c...

Signed and dated oil on canvas portrait by French symbolist painter Lucien Victor Guirand De Scevola. The work depicts a brunette woman in an embellished off the shoulder white dress hand holding a sleepy ginger cat in one arm. Signature: Signed and dated 1905 lower right Dimensions: Framed: 35"x31" Unframed: 26"x22" Provenance: The collection of Barbara Taylor Bradford O.B.E. Lucien Victor Guirand de Scevola Biography View full artist profile Guirand de Scévola was a student of Cormon at the École des Beaux-Arts in Paris. He exhibited at the Salon des Artistes Français in Paris. He then became a committee member of the Société Nationale des Beaux-Arts in Paris, where he also exhibited. He became an officer of the Légion d'Honneur in 1914. Making rigorous accuracy his main concern, he had a brilliant career as a society portrait artist. As such, his works became widely known. He painted portraits of a variety of subjects, including the Duke of Massa, Henri Farman, the Duchess of Uzès and the Duchess of Brissac. Museum and Gallery Holdings: Mulhouse: Woman with a Veil...

Fireplace Farm Sign Springs, East Hampton NY, Archival Pigment Print, $550, Ed. 1/5, 2014 Printed to Order Also available in 20"x30" Edition of 10 $725 *Photography: U Wash Truck...

Les Pavots Noirs is a prototype reproduction realized after Odilon Redon. They belong to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Felury in 1923....

Image dimensions: 23 x 35 cm. Original Title: Von Piraten überfallene Burg am Meer Pirates attack the Castle on the sea is a black and white xylograph on Japon applied on ivory-colored paper, after Arnold Böcklin...

“I still look at and learn from the art of the past, and enjoy making interpretations of works which I admire.” Henry Moore Infanta, Floating Balance, Point in Time, and Visionary are monoprints with Chine collé from Suzanne Benton's Paintings in Proust series. This grouping also includes the dry-point etching with Chine collé. Infanta (edition of 10). The monoprints (unique prints) employ the collage technique, chine collé (glued paper). Collé papers are pre-inked and hand-painted. Dimensional printing plates emboss texture onto the prints. The plates are inked individually for each solo print. The images and collé papers are then laid onto the plate and adhere to the printmaking paper as the plate and paper run through the etching press. Other monoprint series have been devoted to Indian and Turkish miniature painting...

The European Macabre Dance N.38 is a hand-colored lithograph, from the Series "La Danza Macabra Europea" illustrated by Alberto Martini (Oderzo, 1876 – Milan, 1954) in 1915. Signed ...

Etching realized by Fritz Schwimbeck in 1918. Edition of 125 realized in Munich on mulberry paper. Hand signed in pencil.

Walpurgis Nacht is a drawing with pen and Indian ink on paper, realized by Alfred Kubin in 1920, Hand-signed. Provenance Zevi Collection Milan. Included a frame. In very good co...

Etching realized by Fritz Schwimbeck in 1918. Edition of 125 realized in Munich on mulberry paper. Hand signed in pencil.

Menashe Kadishman, Sheep head, Symbolist painting, colored painting, Israeli art, Israeli art

Drypoint and aquatint (brown ink) on cream paper. Signed "Rehn" in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. Fr...

Sky Travelers is an original acrylic on canvas painting by David Davtian, blending imagination, symbolism, and refined technical skill. The composition depicts an unexpected and sur...

Monogrammed "TG", Late 19th Century Symbolist / Pre-Raphaelite Oil Painting A captivating late 19th-century oil painting imbued with imaginative symbolism and strong Pre-Raphaelite ...

Etching realized by Fritz Schwimbeck in 1918. Edition of 125 realized in Munich on mulberry paper. Hand signed in pencil.

John Gilbey Bowles (British, 1929–2011) Jesus and the Disciples in the Wilderness Signed ‘J BOWLES’ (lower right) Oil on board 22 ¾ x 27 ⅝ in. (57.8 x 70 cm) Jesus and the Disciples ...

Profil De Lumière is a lithograph realized after Odilon Redon. It belongs to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Felury in 1923. Good cond...

ROGELIO DE EGUSQUIZA Spanish, 1845 - 1915 A REVERIE DURING THE BALL signed and dated "Rog. Egusquiza 1879" (lower right) oil on canvas 21-3/4 x 33-5/...

Etching on paper. Hand signed and titled and annotated in pencil. A powerful and emotionally charged etching by Walter Richard Rehn, Awakening II presents a dramatic, almost apocaly...

KK Kozik is an artist living and working in Sharon, CT and Brooklyn, NY. Her paintings have ben exhibited widely in the United States and abroad and have been reviewed in publications such as The New York Times, Artforum, The New Yorker and Art in America, among others. Images of her commission for the New York MTA, stained glass windows at the Rockaway Beach...

Ex Libris - Mantero is a Woodcut print created by Michel Fingesten. Hand Signed on the lower right margin. Very Good condition. Michel Fingesten (1884 - 1943) was a Czech painter...

“I still look at and learn from the art of the past, and enjoy making interpretations of works which I admire.” Henry Moore Infanta, Floating Balance, Point in Time, and Visionary are monoprints with Chine collé from Suzanne Benton's Paintings in Proust series. This grouping also includes the dry-point etching with Chine collé. Infanta (edition of 10). The monoprints (unique prints) employ the collage technique, chine collé (glued paper). Collé papers are pre-inked and hand-painted. Dimensional printing plates emboss texture onto the prints. The plates are inked individually for each solo print. The images and collé papers are then laid onto the plate and adhere to the printmaking paper as the plate and paper run through the etching press. Other monoprint series have been devoted to Indian and Turkish miniature painting...

The Rider is an original impressive color lithograph, realized in the first half of the XX century by Franz Müller-Münster. The artwork represents a naked rider with two horses on the beach...

Figure is an original etching artwork realized by Fingesten. The state of preservation is good except for a line of folding. Stamp on the rear "MICHEL FINGESTEN" The artwork repre...

Second Edition of 6 copies plus 3 Artist’s Proofs, realized in 1990 after the famous homonymous sculpture realized by Wildt in 1918/19. Authorized by Wildt's heirs, from the original...

Drypoint and aquatint (brown ink) on cream paper. Signed "Rehn" in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. Fr...

Rosenwalzer is a colored cliché from watercolor on cream-colored cardboard realized by Choisy Le Conin, as is remembered Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Mappe, a...

Albert Auguste FOURIE (1854-1937) The Naiad And The Swan Oil on Wood signed low left New golden and invory stick frame Dim wood panel : 35 X 27 ...

Etching and aquatint on cream paper. Signed in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. Plate in excellent co...

Drypoint and aquatint (brown ink) on cream paper. Signed "Rehn" in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. Fr...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

The painting size is 47"x39.25" on canvas. Artist signed lower left . This imaginative acrylic painting presents a whimsical, dreamlike scene blending fantasy with architectural cha...

Georges Antoine Rochegrosse (1859-1938) Study for "Le Cocher" carbon pencil on thin paper 14.5 x 13 cm In good condition Framed : 36.7 x 31 cm Provenance: Estate of the artist and...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

Menashe Kadishman, Sheep head, Symbolist painting, colored painting, Israeli art, Israeli art

Framed 21.2 X 25.5 Unframed 17 X 21 Signed and dated 1920. Nina Karasek (Joële) born 1883 Kuttenberg, Czech Lands, Austro-Hungarian Empire, died in 1952 (I have also seen the date recorded as 1933) Vienna, Austria. Nina Karasek was an Austrian Impressionist & Modern artist who was born in 1883. Her work was featured in exhibitions at the Es Baluard, Museum of Modern & Contemporary Art and the Bildraum Bodensee. Little is known of Nina Karasek's life. She was born in 1883 in Kuttenberg (Kutná Hora) in Bohemia, studied art at the Kunstschule für Frauen und Mädchen (Art School for Women and Girls) in Vienna, Austria, under Adalbert Seligmann and Tina Blau. She studied at the Frauenakademie in Vienna and Munich. In the 1920's she worked first as a landscape painter and an illustrator, later turning toward symbolism, painting mystical subjects after her interest in spiritualism. Her conventional works were shown at various exhibitions. At the age of 44, while she was copying a work by Rembrandt in an Italian museum, she fell into an altered state of consciousness. Rembrandt appeared to her, took possession of her arm, and immediately her hand started to draw something quite different from what she had intended. From then on, for the rest of her life Nina Karasek was in “supernatural” contact with a series of great masters like Rembrandt, Albrecht Dürer, Goya, Raphael, Leonardo da Vinci, Gustav Klimt and others. Under their guidance and inspiration, she drew and painted works "in the style" of the masters. But very soon her works became stylistically more and more unrestricted and Symbolist, showing an enormous range of creative expression, ranging from symbolic and allegorical motifs to bewildering images with a fantastic arsenal of figures and private characters, signs, and symbols, and to frantic, gestural sketches and abstract compositions. From then on, she often signed her works with her esoteric “primordial name” Joële. (Nina Karasik-Joel) Almost everything we know about her life was from what she noted on the reverse of her drawings: sometimes diary-like notes of her horrible living conditions during World War II, but often strangely impenetrable explanations of the depicted motifs – often as fascinating and mysterious as the drawings themselves. In her works and notes, an exciting private cosmology and mythology unfolds, a drama of hidden powers and principles that flow through macrocosm as well as microcosm. Shortly after their discovery, Nina Karasek's Spiritualist, mediumistic works have found their way into galleries and major international collections. SELECT EXHIBITIONS 2019 The Medium’s Medium: Spiritualist Art Practices From the Turn of the Century and Beyond. The Gallery of Everything, London, (she showed with Madge Gill, Augustin Lesage, Fleury-Joseph Crépin...