Forms And Surfaces Door Pull

where both proportion and usability are essential. Surface-mounted brass door pull installation: This

through tone and texture. The combination of a matte gunmetal surface and a warm golden accent forms a

cabinet pull with textured surface: The handle is produced using a traditional brass foundry casting

constant visual weight throughout the curve. The form appears compact yet fluid, designed to be read as a

: Aluminum Aluminum pull handle to suit cabinetry. Each piece is sand cast and rumbled finished. Aluminium

Two pairs of round double door 1960's push and pull handles in clear glass with subtle wave relief

Two sets of oval double door push and pull handles in clear glass with swirls of old pink and

A pair of oval double door push and pull handles in clear glass with swirls of old pink and

balance and visual calm, allowing the form to integrate naturally into both doors and furniture surfaces

a round form to square. Dimensions: Approx. 32"h x 42"w x 19"d Condition: Good, scattered surface

leather front box form drawers with flip tops and metal pulls. The desk with a center leather writing

drawer pull for doors and furniture: Available in dimensions of 16 cm × 6.7 cm and 10.9 cm × 5.5 cm

feature. Large hand-forged strap hinges in black wrought iron run across the door stiles, while the pulls

on double doors. Rounded brass cabinet pull with four-lobe grip: The grip area is formed by four

form accented by subtle molded panel detailing on the door, lending quiet architectural interest. A

ideal for concealed storage. The doors close with brass ring pulls, their simplicity well-matched to the

Spanish workshop, four-door sideboard, solid oak, Spain, 1950s. The doors of this sideboard are

to Ando, Brazil, circa 1950s. The cabinet presents a disciplined architectural form elevated by the

walnut tambour-door piece elegantly combines form and function. A reeded tambour door slides up to reveal

signature geometric cross-panel relief — raised mouldings forming a bold cruciform motif across each door

designed by Edward J. Wormley for Dunbar in 1957. Showcasing a refined balance of form and function, the

cupboard for secure storage.  Below, a pull-out surface provides additional functionality, resting over the

-leg stretcher base. The central door is faced with a pierced, fret-cut wood overlay that screens the

19th century Danish column cabinet crafted with mahogany veneer in a slender cylindrical form. The

above the central door. The drawers pull is a horizontal ribbed wooden bar, carved from solid oak in

cabinet shows similarities) The large four-door cabinet was carved in oak, as was most of the other

, timeworn patina and simple architectural form. Crafted from solid elm wood, this impressive cabinet

-finished composition, balancing gesture and structure through tonal contrast and rhythmic form. The surface

storage, with one section featuring two stacked pull-out drawers lined in pink felt. The sliding door

This low profile wooden sideboard features a clean rectangular form with two oversized pull-out

doors, each with integrated recessed pull handles typical of Scandinavian modern design. Behind the

This bedside cabinet features a compact rectangular form with a richly figured veneer on the front

form. Locks function inconsistently; keys are present and may best be used as pulls. The cabinets have

detailing framing two hinged mesh panel doors, each with diagonal X-formed bracing and a central circular

, proportion, and composition define the surface. The doors present a modular arrangement of curved and

A stylish, modern bar cabinet with a rectangular, vertical form featuring two front-opening doors

, preparation, and surface composition within a single integrated form. The doors feature a layered, hand

doors with elegant recessed pulls - Adjustable interior shelving for versatile storage - Finished backs

Pair of 19th century Swedish sideboards crafted in pine. Each cabinet features two doors with

shaped panel doors framed with molded cartouches. The craftsmanship is further elevated by its original

doors. The glass slabs are cast by directing molten glass into a mold where it solidifies. The surface

surface bordered by fine ebony mouldings and animated by a sculptural, sunburst-form bronze pull at the

, circa 1880. Crafted in pine, the case features an elegant half-round form with softly curved ends, a

doors that glide smoothly open to reveal ample interior storage, blending utility with refined style

constructed from warm, finely grained teak with a balanced combination of drawers and a sliding tambour door

A vintage mid-century modern credenza with rattan door panels, bamboo trim, and a warm wood case

An English 19th-century oak and walnut sideboard, designed with a handsome breakfront form, warm

minimalist, modernist forms. The surface is reminiscent of silver leaf it emits that same lustrous glow—but

original branded presentation plinth and incorporates a pull-out writing surface used for demonstrating

grained teak surfaces. Sliding doors with organically shaped recessed pulls open to reveal a beautifully

A very early Oak Spice Chest with fine English form, handsome decorative panel doors and 24 drawers

intricate pulls adds dimension and contrast. The doors open to reveal two interior shelves and a concealed

forms with clean surfaces. The working methods were often complicated and the materials exclusive, which

drawers, 2 on either side with brass knob pulls, a shelf above and storage below with a wide work surface

. Inside, the cabinet includes adjustable shelving and a pull-out drawer with a felt-lined surface

arched doors and simple forged drop pulls serve the three drawers below. Behind the doors and within the

the light in alternating ribbons of shadow, while the sculpted iron pulls arc like calligraphic