Hokusai Katsushika

For centuries, the wave has been a central motif in Japanese art – from Katsushika Hokusai’s celebrated woodcut The Great Wave off Kanagawa to Hiroshi Sugimoto’s meditative seascapes.

For centuries, the wave has been a central motif in Japanese art – from Katsushika Hokusai’s celebrated woodcut The Great Wave off Kanagawa to Hiroshi Sugimoto’s meditative seascapes.

For centuries, the wave has been a central motif in Japanese art – from Katsushika Hokusai’s celebrated woodcut The Great Wave off Kanagawa to Hiroshi Sugimoto’s meditative seascapes.

For centuries, the wave has been a central motif in Japanese art – from Katsushika Hokusai’s celebrated woodcut The Great Wave off Kanagawa to Hiroshi Sugimoto’s meditative seascapes.

For centuries, the wave has been a central motif in Japanese art – from Katsushika Hokusai’s celebrated woodcut The Great Wave off Kanagawa to Hiroshi Sugimoto’s meditative seascapes.

For centuries, the wave has been a central motif in Japanese art – from Katsushika Hokusai’s celebrated woodcut The Great Wave off Kanagawa to Hiroshi Sugimoto’s meditative seascapes.

For centuries, the wave has been a central motif in Japanese art – from Katsushika Hokusai’s celebrated woodcut The Great Wave off Kanagawa to Hiroshi Sugimoto’s meditative seascapes.

For centuries, the wave has been a central motif in Japanese art – from Katsushika Hokusai’s celebrated woodcut The Great Wave off Kanagawa to Hiroshi Sugimoto’s meditative seascapes.

He is widely recognized as the greatest spiritual successor to Katsushika Hokusai and a key pioneer of modern Japanese caricature and manga.

For centuries, the wave has been a central motif in Japanese art – from Katsushika Hokusai’s celebrated woodcut The Great Wave off Kanagawa to Hiroshi Sugimoto’s meditative seascapes.

Hand painted silk shades after a Katsushika Hokusai “Poppies in the Wind” and detail of “Mallow plants” by  Yamamoto Baiitsu.

"Thirty-six Fujis" was inspired by Katsushika Hokusai's "Thirty-six Views of Mt. Fuji."

Partly inspired by Katsushika Hokusai’s popular Thirty-Six Views of Mount Fuji, Hiroshige took a softer, less formal approach with his Fifty-Three Stations of the Tokaido (1833–34), ...

For centuries, the wave has been a central motif in Japanese art – from Katsushika Hokusai’s celebrated woodcut The Great Wave off Kanagawa to Hiroshi Sugimoto’s meditative seascapes.

For centuries, the wave has been a central motif in Japanese art – from Katsushika Hokusai’s celebrated woodcut The Great Wave off Kanagawa to Hiroshi Sugimoto’s meditative seascapes.

For centuries, the wave has been a central motif in Japanese art – from Katsushika Hokusai’s celebrated woodcut The Great Wave off Kanagawa to Hiroshi Sugimoto’s meditative seascapes.

For centuries, the wave has been a central motif in Japanese art – from Katsushika Hokusai’s celebrated woodcut The Great Wave off Kanagawa to Hiroshi Sugimoto’s meditative seascapes.

For centuries, the wave has been a central motif in Japanese art – from Katsushika Hokusai’s celebrated woodcut The Great Wave off Kanagawa to Hiroshi Sugimoto’s meditative seascapes.

For centuries, the wave has been a central motif in Japanese art – from Katsushika Hokusai’s celebrated woodcut The Great Wave off Kanagawa to Hiroshi Sugimoto’s meditative seascapes.

For centuries, the wave has been a central motif in Japanese art – from Katsushika Hokusai’s celebrated woodcut The Great Wave off Kanagawa to Hiroshi Sugimoto’s meditative seascapes.

For centuries, the wave has been a central motif in Japanese art – from Katsushika Hokusai’s celebrated woodcut The Great Wave off Kanagawa to Hiroshi Sugimoto’s meditative seascapes.

The "Weaver of Dreams" Set is inspired by the gemstone’s natural patterns, resembling delicate spider webs that echo the “Mount Fuji Behind a Spider Net” by Katsushika Hokusai (shown...

The "Weaver of Dreams" Set is inspired by the gemstone’s natural patterns, resembling delicate spider webs that echo the “Mount Fuji Behind a Spider Net” by Katsushika Hokusai (shown...

Benton drew upon his career as an architect, the strong influence of Eastern art, and artists such as Mark Rothko and Katsushika Hokusai in the creation of his works. He also incorp...

Shunga is a style that was painted by some of the best ukiyo-e artists of the day, including Kitagawa Utamaro and Katsushika Hokusai (Hokusai’s most famous shunga, which features som...

Many of the themes in the pieces were inspired by Katsushika Hokusai's "There is no end to seeing" creation (shown in the listing images).

Fuji. was inspired by Katsushika Hokusai's . This work is an abstract piece that is typical of Hagiwara.

This print illustrates Toulouse-Lautrec’s taste for and influence of Japanese "ukiyo-e" prints by artists such as Katsushika Hokusai and Ando Hiroshige. For more information: MOMA -...

Partly inspired by Katsushika Hokusai’s popular Thirty-Six Views of Mount Fuji, Hiroshige took a softer, less formal approach with his Fifty-Three Stations of the Tokaido (1833–34), ...

John's artistic style draws inspiration from the iconic Japanese ukiyo-e artist Katsushika Hokusai, renowned for his woodblock print series, "Thirty-Six Views of Mount Fuji."

John's artistic style draws inspiration from the iconic Japanese ukiyo-e artist Katsushika Hokusai, renowned for his woodblock print series, "Thirty-Six Views of Mount Fuji."

John's artistic style draws inspiration from the iconic Japanese ukiyo-e artist Katsushika Hokusai, renowned for his woodblock print series, "Thirty-Six Views of Mount Fuji."

John's artistic style draws inspiration from the iconic Japanese ukiyo-e artist Katsushika Hokusai, renowned for his woodblock print series, "Thirty-Six Views of Mount Fuji."

Partly inspired by Katsushika Hokusai’s popular Thirty-Six Views of Mount Fuji, Hiroshige took a softer, less formal approach with his Fifty-Three Stations of the Tokaido (1833–34), ...

Twenty-five years earlier, Katsushika Hokusai (1760-1849) included the bridge in his series, 'Unusual Views of Famous Bridges in the Provinces', depicting figures crossing the loopin...

In his production, Guérard was strongly influenced by the work of the Japanese engravers Ukiyo-e like Katsushika Hokusai, Kitao Masayoshi and Utagawa Kuniyoshi, embodying in his work...

Since the Edo period (1603-1868) many artists have depicted Mount Fuji in their art, from laquerware and paintings to ukio-e or woodblock print, which was the most popular art form f...

Influenced by the works of Expressionists like Henri Matisse and the woodblock prints of early modern Japanese artists like Katsushika Hokusai, Ruth Grotenrath's 'O'Tannenbaum' combi...