Human Hand

Sculpture Human and Child bronze all in green solid bronze, lost wax bronze technic.

This unique terracotta sculpture by Ricardo Mesa, executed in the 1980s, consists of two independent, interlocking ceramic elements: a stylized, voluminous female figure known as a "...

Hand-carved eucalyptus wood sculpture by the artist Álvaro de la Vega (1954, Lugo, Spain) in 20006.

Strange scenes of hybridizing forces, swarming elements, and bleeding overabundance portray Nature unleashed by technology and the human hand.”

Slight variations in colors, as well as irregularities in manufacturing are intrinsic to these pieces due to the individual handmade production, their beauty lies in the signs of the...

This is a truly genuine one-of-a-kind Hand Knotted Antique Shiraz Design, Geometric Medallion, Oriental Rug. It has been Knotted for months and months in the centuries-old weaving cr...

If you look at all the brick houses made by bricks, made to fit the human hand, then scale becomes a perspective. That’s what the shape of this vase is about.

A beautifully preserved stone axe, crafted by our early ancestors from a flint nodule. Almost ionic of the Neanderthals of the Middle Palaeolithic, this technology - known as Levallo...

If you look at all the brick houses made by bricks, made to fit the human hand, then scale becomes a perspective. That’s what the shape of this vase is about.

If you look at all the brick houses made by bricks, made to fit the human hand, then scale becomes a perspective. That’s what the shape of this vase is about.

If you look at all the brick houses made by bricks, made to fit the human hand, then scale becomes a perspective. That’s what the shape of this vase is about.

It has hardly been touched by human hands, and there are only carving marks on the head, but everything else is unprocessed.

The ash's only surface treatment is handling by human hands for more than 100 years.

These small irregularities are not imperfections, but a reflection of the human hand behind each piece. Designed to be both timeless and functional, our throws combine traditional cr...

These small irregularities are not imperfections, but a reflection of the human hand behind each piece. Designed to be both timeless and functional, our throws combine traditional cr...

Just time, intention, and the quiet choreography between human hand and growing tree. The result is both implement and inevitability: a tool shaped not by carving, but by collaborati...

The hard edges and geometric shapes make the work feel structured and architectonic, while sumptuously oozing trails of paint drip freely, betraying an embrace of the accident, and a...

The hard edges and geometric shapes make the work feel structured and architectonic, while sumptuously oozing trails of paint drip freely, betraying an embrace of the accident, and a...

This approach resulted in jewelry that appeared as if it had been shaped by natural forces rather than human hands, giving each piece a unique and sculptural quality. 5.5" inner cir...

These small irregularities are not imperfections, but a reflection of the human hand behind each piece. Designed to be both timeless and functional, our throws combine traditional cr...

These small irregularities are not imperfections, but a reflection of the human hand behind each piece. Designed to be both timeless and functional, our throws combine traditional cr...

These small irregularities are not imperfections, but a reflection of the human hand behind each piece. Designed to be both timeless and functional, our throws combine traditional cr...

The enlarged scale amplifies the emotional charge of the gesture, turning the familiar human hand into an iconic contemporary form. Each sculpture in the REACHING OUT SERIES is uniqu...

The hard edges and geometric shapes make the work feel structured and architectonic, while sumptuously oozing trails of paint drip freely, betraying an embrace of the accident, and a...

The hard edges and geometric shapes make the work feel structured and architectonic, while sumptuously oozing trails of paint drip freely, betraying an embrace of the accident, and a...

The hard edges and geometric shapes make the work feel structured and architectonic, while sumptuously oozing trails of paint drip freely, betraying an embrace of the accident, and a...

The hard edges and geometric shapes make the work feel structured and architectonic, while sumptuously oozing trails of paint drip freely, betraying an embrace of the accident, and a...

The hard edges and geometric shapes make the work feel structured and architectonic, while sumptuously oozing trails of paint drip freely, betraying an embrace of the accident, and a...

The hard edges and geometric shapes make the work feel structured and architectonic, while sumptuously oozing trails of paint drip freely, betraying an embrace of the accident, and a...

The hard edges and geometric shapes make the work feel structured and architectonic, while sumptuously oozing trails of paint drip freely, betraying an embrace of the accident, and a...

The hard edges and geometric shapes make the work feel structured and architectonic, while sumptuously oozing trails of paint drip freely, betraying an embrace of the accident, and a...

The hard edges and geometric shapes make the work feel structured and architectonic, while sumptuously oozing trails of paint drip freely, betraying an embrace of the accident, and a...

The hard edges and geometric shapes make the work feel structured and architectonic, while sumptuously oozing trails of paint drip freely, betraying an embrace of the accident, and a...

The hard edges and geometric shapes make the work feel structured and architectonic, while sumptuously oozing trails of paint drip freely, betraying an embrace of the accident, and a...

The hard edges and geometric shapes make the work feel structured and architectonic, while sumptuously oozing trails of paint drip freely, betraying an embrace of the accident, and a...

The hard edges and geometric shapes make the work feel structured and architectonic, while sumptuously oozing trails of paint drip freely, betraying an embrace of the accident, and a...

The hard edges and geometric shapes make the work feel structured and architectonic, while sumptuously oozing trails of paint drip freely, betraying an embrace of the accident, and a...

The hard edges and geometric shapes make the work feel structured and architectonic, while sumptuously oozing trails of paint drip freely, betraying an embrace of the accident, and a...

The hard edges and geometric shapes make the work feel structured and architectonic, while sumptuously oozing trails of paint drip freely, betraying an embrace of the accident, and a...

The hard edges and geometric shapes make the work feel structured and architectonic, while sumptuously oozing trails of paint drip freely, betraying an embrace of the accident, and a...

The hard edges and geometric shapes make the work feel structured and architectonic, while sumptuously oozing trails of paint drip freely, betraying an embrace of the accident, and ...

The hard edges and geometric shapes make the work feel structured and architectonic, while sumptuously oozing trails of paint drip freely, betraying an embrace of the accident, and ...

The hard edges and geometric shapes make the work feel structured and architectonic, while sumptuously oozing trails of paint drip freely, betraying an embrace of the accident, and ...

The hard edges and geometric shapes make the work feel structured and architectonic, while sumptuously oozing trails of paint drip freely, betraying an embrace of the accident, and ...

The hard edges and geometric shapes make the work feel structured and architectonic, while sumptuously oozing trails of paint drip freely, betraying an embrace of the accident, and ...

The hard edges and geometric shapes make the work feel structured and architectonic, while sumptuously oozing trails of paint drip freely, betraying an embrace of the accident, and ...

The hard edges and geometric shapes make the work feel structured and architectonic, while sumptuously oozing trails of paint drip freely, betraying an embrace of the accident, and ...

The Arts & Crafts movement rejected the anonymity of industrial production in favor of authorship, material honesty, and the evidence of the human hand. This piece doesn’t just r...

Wortley (British 19th century) Medium: graphite pencil drawing on artists paper laid down on support sheet image size: 11.5 x 16.25 inches (height x width) Signed: inscribed lower ri...

These subtle variations are part of the material’s character and reflect the human hand behind the work. Custom sizes and finishes are available, allowing the mirror to be tailored ...

These subtle variations are part of the material’s character and reflect the human hand behind the work. Custom sizes and finishes are available, allowing the mirror to be tailored ...

Over hundreds of freehand repetitions, the natural imperfections of the human hand accumulate and amplify — producing a surface of extraordinary visual complexity from a rule of abso...

Taking from sculptural practice, Ah Um makes furniture that is clearly hand-built, striving for an aesthetic that resonates with warmth and reflects the human hand that crafted it.

The Arts & Crafts movement rejected the anonymity of industrial production in favor of authorship, material honesty, and the evidence of the human hand. This piece doesn’t just r...

Taking from sculptural practice, Ah Um makes furniture that is clearly hand-built, striving for an aesthetic that resonates with warmth and reflects the human hand that crafted it.

These sculptures represent pride as preservation by enclosing these reminiscent implements in custom vinyl slipcovers, painting them gold where the human hand would touch them, thus ...

These sculptures represent pride as preservation by enclosing these reminiscent implements in custom vinyl slipcovers, painting them gold where the human hand would touch them, thus ...