Textile Textiles

Large vintage Mughal silk painting of a Maharaja Royal Procession, two royal couples on elephant, probably a wedding procession with servant walki...

A Rare Important Qajar 19th Century Ghalamkar Block Printed Tent Tigers Peacocks This extraordinary set of three monumental textile panels once formed part of a ceremonial tent from...

Antique Joseon Dynasty (possibly Li Dynasty period) needlepoint textile silk showing a blue water vase decorated with a peacock and flowers, with calli...

A superb and finely preserved Chinese silk rank badge (buzi) from the Qing Dynasty (1644–1912), later mounted into an early 20th-century wooden...

A Japanese festival kimono expertly mounted and displayed in a large acrylic shadow box. This impressive ceremonial garment circa late 19th-early 20th century was made from a thick l...

A beautiful and wonderfully designed/composed Japanese textile panel with embroidery floral natural landscape/flower decoration. The work is pr...

Vintage Burmese Kalaga Tapestry Circa 1960. Burmese Kalaga Elephant, Lion, Horse, Peacock and Turkey displayed on this intricate Silk Tapestry Wall Hanging Framed Textile Art...

Offered is a Qing Dynasty civil rank badge. Centered in the embroidery is a silver pheasant. Sight 9 by 9 inches circle Frame 14 ⅛ by 14 ⅛ inches

Rare and beautiful silk hand-embroidered suzani from Uzbekistan in stunning multi-colours in light blue and some red accent on a white background. Made from multiple pieces sewn toge...

Antique Tibetan Red Ground Thangka Painting Signed 19thC Measures - 23" x 14 1/2" x 1/16" A 19th-century Tibetan Thangka painting featuring a red ground with depictions of Buddhist...

A wonderful, handcrafted work of a Japanese monk/ old man doll shadow puppet who appears to be making an offering of some sort. Oshie, which translat...

A striking Japanese embroidery tapestry circa 1890s Meiji period presented in a gilt wood frame under glaze. The design features four dragons coiling and slithering in the clouds. The most auspicious mythological creature, dragon was a very popular motif in Japanese textile art. Viewing this particular piece, one is struck by the superb craftsmanship with the profuse use of silver threads in satin stitches and complex chain stich coiling that create the background. The slight relief technique was also used on parts of the dragon heads, rendering the piece a strong sense of dimension and motion. The textile itself measures about 32.5"x46". Japanese Meiji textiles were widely exhibited in the west during turn of the 20th century at the international exposition. It was used to showcase the Japanese aesthetics with the techniques at their pinnacle. These expositions solidified the country's images overseas and felled the Japanese craze in the west, which turned out to be a long-lasting influence on the western art. Many pieces were purchased and stayed in the west. As there is no brocade border present, the piece is likely the main part with the central motifs of a larger tapestry and was later framed for display. For two similar dragon tapestries...

An impressive Japanese embroidery tapestry circa 1890s Meiji period, presented with brocade border on linen canvas in a Lucite shadow box. The stunning design features three dragons coiling and flying in the clouds. The high relief technique used to render the dragons using mostly the silver threads gives this piece a tremendous sense of motion. The most auspicious mythological creature in Japan and China, dragons were a very popular motif in textile art. In this particular piece, it is the impressive size, the superb craftsmanship, the profuse use of silver threads and near perfect condition that set it apart. Japanese Meiji textiles were widely exhibited in the west during turn of the 20th century at the international exposition. It was used to showcase the Japanese aesthetics with the techniques at their pinnacle. These expositions solidified the country's images overseas and felled the Japanese craze in the west, which turned out to be a long-lasting influence on the western art. Many pieces were purchased and stayed in the west. It is likely this estate piece was from one of the expositions based on its high quality. For two similar dragon tapestries...

Three Antique Nigerian Yoruba Figural Beaded Pieces With Shells: 2 Sashes & 1 Bag, 19thC Measures - sash - 54" x 7 3/4" x 5/8" bag - 23 3/4" x 10 1/2" x 5/8" sash - 56" x 6 1/8" x...

An exceptionally large & exceedingly fine hand embroidered Chinese matrimonial 'Double Happiness' silk panel. The navy blue silk field richly decorated with hand-stitched gold, s...

A wonderful, beautifully ornamented and somewhat rare fully intact Japanese Buddhist monk/ priest's Kesa ceremonial silk robe featuring various colorful birds in flight. Kesa (which came from the Chinese word "kasaya") robes have been handmade/handstitched by monks/priests as an act of devotion as ceremonial robes for centuries in various Asian cultures (Japanese, Chinese, Korean, Vietnamese, Indian, etc.). The kesa is a rectangular garment designed to be worn over the left shoulder (see example image). The robes are made (often in a patchwork column pattern ranging from five, seven, nine or more pannels) specifically for fully ordained Buddhist monks, priests and nuns and are made from donations of exquisite textiles from wealthy patrons of Japanese Buddhist temples. The robes were used in daily ceremonies, temple gatherings, and private meditation. Antique Kesa robes...

This is an antique silk Azerbaijan embroidery woven during the 18th century and measures 76 x 74CM in size. It has an all-over highly geometric floral design with muted pastel colors...

Fabulous large Kakaga Burmese bead embroidered adorned with sequins and beads tapestry wall hanging . This vintage handcrafted needlework wall hanging tapestry shows ten different scenes from the ancient epic Hindu poem, the Ramayana, or from Buddhist mythology. You can imagine how many hours went into producing this piece of work. The figures are sewn using a combination of metallic threads and adorned with sequins, beads and glass stones. Most Kalagas are best hung in a frame but not under glass so that the detail and texture can be fully appreciated. They can also be hung as-is without a frame. Such a large tapestry could take months to complete. Asian figural Kalaga hand embroidered with jeweled tapestry...

Beautiful Large Batik Wall Decoration with Birds and Flowers - Handmade in Indonesia Add a touch of exotic beauty to your interior with this impressive la...

A group of three antique Chinese textiles embroidery arranged and professionally matted and framed. The museum quality display includes two Identical pieces symmetrically on the top ...

1950’s Handwoven Striped Folk Hungarian Wool Bedspread. We have been collecting these for some time, they are hard to find and very beautiful. We have a number of blankets often of...

A professionally framed antique hand-woven Turkish textile from Anatolia circa late 19th century. The panel was likely a storage bag face. It features a striking joined panels that s...

Kesa, known as "Jiasha" in Chinese and "Kasaya" in Sanskrit, is an out-layer garment worn by the ordained Buddhist monks. Bearing a basic rectangular form, it developed originally in...

Vintage cotton elephant, covered in Indian textiles, retailed in the 1950s by Harrods. Interior frame composed of wire and straw. Textiles originally s...

A Chinese silk hat from the late Qing period, displayed on a purpose made antique style ebonised wig stand. These head dressers traditionally worn by children and often displayed ...

1950’s Handmade Blue & Yellow Folk Hungarian Wool Bedspread. We have been collecting these for some time, they are hard to find and very beautiful. We have a number of blankets oft...

Pair of traditional embroidered frames, originally made from a bridal pillowcase flap and presented by a bride to her husband as part of her dowry in Korea’s late Joseon to early mod...

A collection of late 19th/early 20th century indigo dyed ‘boro’ cloth fragments. Japanese, c. 1900. Mounted on anthracite grey card in box frames with black...

Certified Kimono Meister work / Certificate of Authenticity included. One-of-a-kind Japanese textile art made from vintage obi fabrics. Sustainable artwork for modern interiors, collectors, boutique hotels, and lovers of Japanese aesthetics. [Size] 73cm x 53cm x 5cm [Materials] silk (outside-layer) , wooden frame (under-layer), bark (pine, oak, sawtooth oak, etc.) [Story behind the work] This artwork creatively uses tree bark to evoke the imagery of woods and mountains during both the morning and nighttime on left and right. It is elegantly framed with paulownia wood, a tree closely connected to kimono culture, and is filled with storytelling and sense of luxury. By incorporating both the front and back sides of the same obi fabric woven in different colors, the play of light and shadow on the mountains is depicted through the contrasting appearances of these surfaces. The intention behind this piece is to convey the exquisite beauty of Japanese mountains and the lush forests that inhabit them. To achieve this, traditional elements of Japanese culture, such as obi textiles and craftsmanship involving wood, were used. The outer and inner linings of the same obi, no longer suitable for clothing, along with bark material that would normally be discarded, have been repurposed to create this exceptional upcycle artwork. The fusion of Japanese natural materials – silk, paulownia wood, and pine bark for the central decoration – along with the so-called "Tozan" pattern, a unique Japanese natural design showing mountains from far-away point, captures the magnificent beauty of Japanese nature from various perspectives. The central bark decoration stands out as a distinctive feature of this work. Pine, oak, and other tree barks are interwoven among the mountains woven into the obi, creating a tangible and authentic natural atmosphere. [Period / Story] The obi used in this piece was originally crafted during the late Showa period (1960-80ies). [Explanation and meaning of pattern and colors] This upcycle artwork uses an obi with a tozan pattern woven in two colors. The design is inspired by a distant mountain range, a motif that has been used in paintings and crafts since ancient times. However, in this particular design, the mountains are depicted not as distant peaks but as graceful semicircles giving it a mild atmosphere. [Characteristics of the fabric] This upcycled Fukuro-obi (two-side oni) showcases a festive color pattern of mountains intricately woven with gold threads against a beige front and red on the back. The way this obi interacts with light allows it to shift in expression, much like a mountain revealing different facets over time. It can transform from deep shades of color to the appearance of gold shimmering against bright hues, depending on the lighting and viewing angle. [About the frame] Kiritansu - chest-of-drawers for kimono, is traditionally made from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos. Paulownia wood is known as the lightest wood in Japan, prased for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments. During the Edo period, it became customary to store cherished kimonos in paulownia chests...

1950’s Handmade Stripey Folk Hungarian Wool Bedspread. We have been collecting these for some time, they are hard to find and very beautiful. We have a number of blankets often of ...

Large Mughal-Style Embroidered Silk Textile, Rajasthan, India, circa 1950 An exceptional hand-embroidered and quilted textile from North India, showcasing the rich decorative traditi...

Known as Jinabori during 16th century when warfare was common in feudal Japan, the sleeveless jacket was created to be worn outside of the armor by samurai warriors. In addition to s...

1950’s Handmade Blue & White Folk Hungarian Wool Bedspread. We have been collecting these for some time, they are hard to find and very beautiful. We have a number of blankets ofte...

1950’s Handmade Light Blue Folk Hungarian Wool Bedspread. We have been collecting these for some time, they are hard to find and very beautiful. We have a number of blankets often ...

Vintage French Workwear Jackets Grey Jackets (Large). Adolphe Lafont is credited with the creation of the first classic French workwear jacket, in the mid 19th Century. The ‘Bleu de...

1950’s Handmade Light Green Folk Hungarian Wool Bedspread. We have been collecting these for some time, they are hard to find and very beautiful. We have a number of blankets often...

Vintage hand-stitched cross stitch alphabet sampler featuring multiple alphabet styles in upper and lowercase, numbers 0-9, floral and scrolling vine borders, paired birds, crowns, a...

1950’s Handmade Yellow & Brown Floral Folk Hungarian Wool Bedspread. We have been collecting these for some time, they are hard to find and very beautiful. We have a number of blan...

This is an antique Uzbekistan embroidery textile woven during the second quarter of the 20th century circa 1920-1950s and measures 194x 60CM in size. ...

1950’s Handmade Green & Yellow Folk Hungarian Wool Bedspread. We have been collecting these for some time, they are hard to find and very beautiful. We have a number of blankets of...

1950’s Handmade Yellow & Brown Folk Hungarian Wool Bedspread. We have been collecting these for some time, they are hard to find and very beautiful. We have a number of blankets of...

1950’s Handmade Green & Purple Folk Hungarian Wool Bedspread. We have been collecting these for some time, they are hard to find and very beautiful. We have a number of blankets of...

Vintage Burmese Kalaga, Mandalay. A wall hanging embroidered tapestry inspired from a scene in the Jataka Tales. The embroidery depicts a prince riding...

Franciscan Fabrics Linen Collectable 1970-1979 Time Period Manufactured Interiors Fabric. Franciscan Fabrics San Francisco hand block print upholstery fabric. Such a beautiful rich &...

A wonderful, handcrafted work of a regal Japanese samurai/warrior doll shadow puppet. Oshie, which translates as pressed pictures, is a traditional Ja...

Kesa, known as "Jiasha" in Chinese and "Kasaya" in Sanskrit, is an out layer garment worn by the ordained Buddhist monks. Bearing a basic rectangular form, it developed originally in...

1950’s Handmade Colourful Folk Hungarian Wool Bedspread. We have been collecting these for some time, they are hard to find and very beautiful. We have a number of blankets often o...

1950’s Small Handmade Rainbow Folk Hungarian Wool Bedspread. We have been collecting these for some time, they are hard to find and very beautiful. We have a number of blankets oft...

Moroccan Kaftan Black Velvet Vest with Gold Embroideries This Moroccan traditional kaftan is embroidered and embellished with gold trim. Evening Moroccan ...

This exquisite Malaysian textile, measuring an impressive 109 x 579 cm, is a remarkable example of traditional Southeast Asian craftsmanship. The piece showcases the rich cultural heritage and intricate artistry that has been passed down through generations in Malaysia. The textile is adorned with a densely packed scene featuring a variety of figures, animals, and symbolic motifs. The imagery includes horses, birds, and human figures, all depicted in a highly stylized manner with bold, vibrant colors. The figures are arranged in a way that suggests movement and interaction, bringing the textile to life. The piece is also characterized by its elongated form, which suggests it was likely created for ceremonial purposes or as a significant decorative element in a traditional setting. The fabric is densely patterned, with an interesting design that covers the entire length of the piece. The intricate motifs, which appear to be floral or geometric in nature, are woven with a level of detail that speaks to the high skill of the artisan. The color palette of the textile is dominated by warm, earthy tones—predominantly gold and rich reds—giving it a regal and timeless appearance. The upper section of the textile features a denser, more intricate patterning, which gradually transitions into a slightly more open design as you move down the length of the piece. This gradient in design adds depth and visual interest, making the textile not only a functional item but also a work of art. This textile is crafted using traditional weaving technique, which are common in Southeast Asian textile...

1950’s Handwoven Original Folk Hungarian Wool Bedspread. We have been collecting these for some time, they are hard to find and very beautiful. We have a number of blankets often o...

Probably one of the most beautiful batik textile designs from Indonesia, the wraparound skirt also known as Kain Panjang was an iconic design from Cirebon, North Coast of Java. The Cloud design...

1950’s Handmade Blue & Black Folk Hungarian Wool Bedspread. We have been collecting these for some time, they are hard to find and very beautiful. We have a number of blankets ofte...

Indonesian cloth finely decorated with floreal motives in yellow and green on a dark blue background. The item is not restored and is in very good co...

1950’s Handmade Purple & Blue Floral Folk Hungarian Wool Bedspread. We have been collecting these for some time, they are hard to find and very beautiful. We have a number of blank...

An oversized and impressive cape worn during ceremonial dancing by Miao people (also known as Hmong in English) from Guizhou Province, China circa 1940s-1950s in a rarely intact and well-preserved condition. Miao people are diverse minority groups living in Southern China as well as Southeast Asia with complex sub-affiliations based on attires, languages, cultural customs and art tradition. They are renowned for their textile and silver craftsmanship as well as singing and dancing traditions. This cape, rather heavy in construction and striking in bold red and black, was made from wool, hemp and cotton. The surface showcases elongated diamond patterns in complementary woven wool and couched plaque on top of the cotton part. The pattern strikes the viewer with a strong sense of dignity and power. The heavy material and pattern are strangely akin to some of the Navajo weaving. The cape is in a form a jacket with long and wide sleeves, and it was meant to be used in ceremonial occasions. Our research reveals that the piece was from the Northwest Guizhou in an autonomous county called Weining. The area is of subtropical highland and the generally cold weather was reflected in the heavy materials used in this piece, in comparison with other textiles made in the warmer lowland. There is an older paper label with price tag in Chinese inside the cape. It was purchased in Guizhou decades ago by a US collection in MA. With a span of over 94 inches long, it makes a very impressive textile art piece for wall hanging. Not framed and easily shipping folded up. For a similar jacket from Weining, see "Miao Textile...

The pillow features a traditional, handwoven design with geometric patterns and vibrant colors like red, yellow, white, and blue. This style is characteristic of folk or ethnic texti...

A 19th Century Turkish ottoman period kaftan Height 136cm, width 159cm This antique kaftan dates from the Ottoman period in Turkey during the 19th Cent...

1950's Handwoven Hungarian Folk Hanging. Heavy weight original folk blanket, cotton base with wool hand applique, used as a decorative wall hanging. Workshop Report: Our workshop ...

Probably one of the most beautiful batik textile designs from Indonesia, the wraparound skirt also known as Kain Panjang was an iconic design from Cirebon, North Coast of Java. The Cloud design...