Alex Katz Art

TECHNICAL INFORMATION: Alex Katz Vivien with Hat 2021 Archival pigment ink on Innova Etching Cotton Rag fine art paper 36 x 48 in. Edition of 150 Pencil signed & numbered Accom...

“Vivien” is a figurative, silkscreen portrait by Pop artist, Alex Katz. The artwork is signed, in pencil, lower left "Alex Katz 43/60” Born in Brooklyn, New York, in 1927, Alex Katz...

Artist: Alex Katz Title: Red Dogwood 2 Year: 2021 Medium: Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper Edition: 100; signed and numbered in pencil Sheet...

7-color woodcut on Somerset white 500 gsm

'Blue Hat', 2003 Alex Katz Etching and Aquatint 33.5 x 66.9 in. / 85 x 170 cm Edition of 75, Signed by Artist The specific information regarding edition will be provided at the time...

ALEX KATZ (1927-Present) Sara, from Three Portraits Silkscreen Suite 32-color silkscreen on Rising museum board signed and numbered 23/60 in pencil. Published by Lococo Fine Art Pub...

Alex Katz (b. 1927) Coleman Pond III (Bauer 446) Heliorelief woodcut on tosa washi hanga natural paper Signed and numbered “Pres 1/6” in the lower margin. Printed by Tom Pruitt, G...

Alex Katz (born 1927) From GLORIA Gloria 6 Gloria 8 Gloria 19 Gloria 25 4 etchings on wove paper accompanied by poems by Bill Berkson, numbered 92 on a copy of the colophon (from the...

"Untitled" oil on canvas painting by artist Alex Katz. Signed and dated A. Katz 46 recto lower right. Painted in 1946, during the period when Katz was studying at Cooper Union in New...

This print is priced fairly, offered at the same wholesale discount extended to our partner galleries and private dealers. We strongly encourage prospective buyers to compare our lis...

Adored by collectors and art lovers around the globe, Alex Katz (b. 1927) is renowned for his elegant and distinctive version of figuration. Katz has been dedicated to art-making si...

Alex Katz (b. 1927) has been dedicated to art-making since the 1950's - however, it wasn't until the 60's when he established his signature 'flat' figurative style. Over the succeedi...

'Reflection', 2011 Alex Katz Etching in color 40.9 x 31 in. / 104 x 79 cm. Edition of 30, Signed by Artist The specific information regarding edition will be provided at the time of...

paper size 36 x 72 inches 40 x 76 inches framed

Pas de Deux IV (Vicki Hudspith and Wally Turbeville) is a serigraph on paper with an image size of 36 x 20 inches, signed ‘Alex Katz’ lower right and numbered 106/150. From the editi...

Adored by collectors and art lovers around the globe, Alex Katz is a renowned for his elegant and distinctive version of figuration and portraiture. Born in 1927, Katz worked as an...

Alex Katz Straw Hat 3, 2022 Archival Pigment ink print on paper Edition 29 of 100 75 x 42 in Alex Katz Prints: Catalogue Raisonné 1947–2023. Número de catálogo: CR no. 770 (p. 41...

Add to cart Adored by collectors and art lovers around the globe, Alex Katz is renowned for his elegant and distinctive version of figuration, with printmaking serving as an essentia...

Silkscreen in colors on Saunders Waterford High White HP 425 gsm fine art paper Edition of 50

Ada in Blue Hat 2004 Aquatint in 11 colors 33 1/2 x 67 in. Edition of 75 Pencil signed and numbered With flat planes of rich, lovely color, Alex Katz’s landscapes and portraits evok...

Alex Katz Autumn 6, 2023 is Silkscreen in colors on Saunders Waterford High White HP 425 gsm paper is hand-signed by Alex Katz (Brooklyn, 1927 - ) numbered from the edition of 75. C...

Alex Katz (b. 1927) has been dedicated to art-making since the 1950's - however, it wasn't until the 60's when he established his signature 'flat' figurative style. Over the succeedi...

Archival pigment print, 2021, on Innova Etching Cotton Rag 315 gsm paper, signed in pencil, numbered from the edition of 100, Lococo Publishing, Missouri, 80 x 119 cm. (31½ x 46¾ in.)

Alex Katz’s Big Smile (Vivien), 2021 is just one the artists portrayals of his daughter-in-law, Vivien Bittencourt. The soft colors of the monochromatic seafoam background help juxta...

Created by Alex Katz in 2013 in an edition of just 25, Ada with Black Hat is an original screenprint in three colors on Saunders paper. Hand-signed in pencil and numbered, the artwor...

Technical Information: Alex Katz Tree 10 2022 Screenprint 37 1/2 x 38 in. Edition of 60 Pencil signed and numbered

TECHNICAL INFORMATION Alex Katz White Visor 2003 Etching Aquatint 33 3/8 x 66 7/8 in. Edition of 75 Pencil signed & numbered Accompanied with COA by Gregg Shienbaum Fine Art ...

Archival pigment print, 2021, on Innova Etching Cotton Rag 315 gsm paper, signed in pencil, numbered from the edition of 100, Lococo Publishing, Missouri, 119 x 86 cm. (46¾ x 33¾ in.)

Alex Katz Vivien in White Coat, 2021 is a work of subtle admiration that the artist holds for her daughter-in-law, Vivien Bittencourt. The gentle hues...

Black Hat, 2012 Alex Katz Woodcut, on Somerset satin white Signed and numbered from the edition of 25 Printed by Collaborative Art Editions, Tampa Published by Lococo Fine Art Publi...

This work is edition number 33/50. Signed/numbered in pencil, lower lect. By reducing his subjects to their most essential visual components, Alex Katz engages in a reductive proc...

We are proud to present a brand new edition by Alex Katz. "Yellow Flags on Brown" is one of the latest works that has been published. It is an homage to his landscape and flower artworks...

Adored by collectors and art lovers around the globe, Alex Katz is renowned for his elegant and distinctive version of figuration. Born in 1927, Katz has been dedicated to art-makin...

Adored by collectors and art lovers the world over, Alex Katz is renowned for his elegant and distinctive version of figuration. Born in 1927, Katz has been dedicated to art-making s...

The set "Porcelain Beauty" consists of 6 porcelain enamel artworks on aluminum plate. Alex Katz was life-long influenced by advertising e.g. the Ame...

ALEX KATZ (1927-Present) Katz' 2020 'Dancer 2' is a cutout with UV-cured archival inks on shaped powder-coated aluminum, mounted to aluminum base. Incised 'Alex Katz', dated and num...

Created by Alex Katz in 2022, Ada I, from Ada Portfolio 1, is an original screenprint in 17 colors on Saunders paper. Hand-signed in pencil and numbered from the edition of 100, the ...

Alex Katz was born in Brooklyn, New York in 1927. In 1928, at the outset of the Depression, his family moved to St. Albans, a diverse suburb of Queens that had sprung up between the two wars. Katz was raised in St. Albans by his Russian parents. His mother had been an actress and possessed a deep interest in poetry and his father, a businessman, also had an interest in the arts. Katz attended Woodrow Wilson High School for its unique program that allowed him to devote his mornings to academics and his afternoons to the arts. In 1946, Katz entered The Cooper Union Art School in Manhattan, a prestigious college of art, architecture, and engineering. At The Cooper Union, Katz studied painting under Morris Kantor and was trained in Modern art theories and techniques. Upon graduating in 1949, Katz was awarded a scholarship for summer study at the Skowhegan School for Painting and Sculpture in Maine, a grant that he would renew the following summer. During his years at Cooper Union, Katz had been exposed primarily to modern art and was taught to paint from drawings. Skowhegan exposed him to painting from life, which would prove pivotal in his development as a painter and remains a staple of his practices today. Katz explains that Skowhegan’s plein air painting gave him “a reason to devote my life to painting.” Katz’s first one-person show was held at the Roko Gallery in 1954. Katz had begun to develop greater acquaintances with the New York School and their allies in the other arts; he counted amongst his friends’ figurative painters Larry Rivers and Fairfield Porter, photographer Rudolph Burckhardt, and poets John Ashbery, Edwin Denby, Frank O’Hara, and James Schuyler. From 1955 to 1959, usually following a day of painting, Katz made small collages of figures in landscapes from hand-colored strips of delicately cut paper. In the late 1950s, he moved towards greater realism in his paintings. Katz became increasingly interested in portraiture, and painted his friends and his wife and muse, Ada. He embraced monochrome backgrounds, which would become a defining characteristic of his style, anticipating Pop Art and separating him from gestural figure painters and the New Perceptual Realism. In 1959, Katz made his first cutout, which would grow into a series of flat “sculptures;” freestanding or relief portraits that exist in actual space. In the early 1960s, influenced by films, television, and billboard advertising, Katz began painting large-scale paintings, often with dramatically cropped faces. In 1965, he also embarked on a prolific career in printmaking. Katz would go on to produce many editions in lithography, etching, silkscreen, woodcut and linoleum cut. After 1964, Katz increasingly portrayed groups of figures. He would continue painting these complex groups into the 1970s, portraying the social world of painters, poets, critics, and other colleagues that surrounded him. He began designing sets and costumes for choreographer Paul Taylor in the early 1960s, and he has painted many images of dancers throughout the years. In the 1980s, Katz took on a new subject in his work: fashion models in designer clothing. In the late 1980s and 1990s, Katz focused much of his attention on large landscape paintings, which he characterizes as “environmental.” Rather than observing a scene from afar, the viewer feels enveloped by nearby nature. Katz began each of these canvases with “an idea of the landscape, a conception,” trying to find the image in nature afterwards. In his landscape paintings, Katz loosened the edges of the forms, executing the works with greater painterliness than before in these allover canvases. In 1986, Katz began painting a series of night pictures—a sharp departure from the sunlit landscapes he had previously painted, forcing him to explore a new type of light. Variations on the theme of light falling through branches appear in Katz’s work throughout the 1990s and into the 21st century. At the beginning of the new millennium, Katz also began painting flowers in profusion, covering canvases in blossoms similar to those he had first explored in the late 1960s, when he painted large close-ups of flowers in solitude or in small clusters. More recently Katz began painting a series of dancers and one of nudes, which was the subject of a 2011 exhibition at the Kestnergesellschaft in Hanover. Katz’s work continues to grow and evolve today. Alex Katz's work has been the subject of more than 200 solo exhibitions and nearly 500 group exhibitions internationally since 1951. In 2010, Alex Katz Prints was on view at the Albertina Museum in Vienna, which showed a retrospective survey of over 150 graphic works from a recent donation to the museum by Katz of his complete graphic oeuvre. The National Portrait Gallery in London presented an exhibition titled Alex Katz Portraits. In June 2010, The Farnsworth Art Museum in Rockland, Maine opened Alex Katz: New Work, exhibiting recent large-scale paintings inspired by his summers spent in Maine. Katz was also represented in a show at the Metropolitan Museum of Art, New York, curated by Marla Prather, entitled Facing the Figure: Selections from the Permanent Collection, 2010. In 2009-2010, Alex Katz: An American Way Of Seeing was on view at the Sara Hildén Art Museum, Tampere, Finland; Musée Grenoble, Grenoble, France; and the Museum Kurhaus Kleve, Kleve, Germany. In 2007, Alex Katz: New York opened at the Irish Museum of Modern Art, Dublin, Ireland. The show, which included approximately 40 paintings and aquatints, was the first exhibition to concentrate primarily on Katz’s relationship with his native city. The Jewish Museum, New York, presented Alex Katz Paints Ada in 2006-2007, an exhibition of 40 paintings focused on Katz’s wife, Ada, dating from 1957 to 2005. It coincided with an exhibition devoted to Katz’s paintings of the 1960s at PaceWildenstein, Alex Katz: The Sixties, on view from April 27 through June 17, 2006 at 545 West 22nd Street. Alex Katz in Maine, an exhibition of landscapes and portraits made over six decades, opened at The Farnsworth Art Museum and Wyeth...

Artist: Alex Katz Title: Peonies (from Flowers Portfolio) Year: 2021 Medium: Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper Edition: 100; signed and number...

Alex Katz (b. 1927) Ada 6 — From the ADA Portfolio, 2022, (/100) Silkscreen in colors on Saunders Waterford High White HP 425 gsm paper 54 x 40.50 in (137.16 x 102.87 cm)

Alex Katz was born in 1924 to a Jewish family in Brooklyn, New York, as the son of an émigré who had lost a factory he owned in Russia to the Soviet revolution. In 1928 the family moved to St. Albans, Queens, where Katz grew up. From 1946 to 1949 Katz studied at The Cooper Union in New York, and from 1949 to 1950 he studied at the Skowhegan School of Painting and Sculpture in Skowhegan, Maine. Skowhegan exposed him to painting from life, which would prove pivotal in his development as a painter and remains a staple of his practices today. Katz explains that Skowhegan's plein air painting gave him "a reason to devote my life to painting." Every year from early June to mid-September, Katz moves from his SoHo loft to a 19th-century clapboard farmhouse in Lincolnville, Maine. A summer resident of Lincolnville since 1954, he has developed a close relationship with local Colby College. From 1954 to 1960, he made a number of small collages of still lifes, Maine landscapes, and small figures. He met Ada Del...

"Ada 2 (Outline)" is a stunning piece of art. Usually, Katz is well known for his cut-outs, but this is an "outline" sculpture made of high glossy polished aluminum. It is light as a...

"Dancer 1" is from Alex Katz Dancer series. He is obsessed by fashion and the ballet and often works together with models and dancers. His works show ...

TECHNICAL INFORMATION Alex Katz Sunrise, from Sunrise Sunset Portfolio 2020 Archival Pigment inks on Innova etching cotton rag 315 gsm paper 55 x 42 in...

Alex Katz uses outline drawings, called “cartoons”, as templates to transfer full size images onto the canvas prior to painting. Rendered in red chalk or charcoal on brown paper, th...

TECHNICAL INFORMATION Alex Katz 2017 Archival pigment inks on Crane Museo Max 365 gsm fine art paper 46 x 21 in. Edition of 125 Pencil signed and numbered Accompanied with COA by G...

Technical Information: Alex Katz Tree 8 2022 Woodcut and Lithograph 39 3/4 x 39 1/4 in. Edition of 60 Pencil signed and numbered

Archival pigment print in colors on Crane Museo Max White paper. Hand signed in pencil by Alex Katz lower left. Annotated "RTP" in pencil lower left (a right-to-print proof, the ed...

Hand signed by Alex Katz lower left. Hand numbered PP 4/4 lower right (there is also a main edition of 50). Artwork size: 59 x 40 inches. Artwork is in excellent condition. About...

Paper Size: 31.75 x 53 inches ( 80.645 x 134.62 cm ) Image Size: 28 x 53 inches ( 71.12 x 134.62 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addition...

An artwork full of movement and texture, Autumn 5, by Alex Katz, was created by the artist in 2023 as an original screenprint in colors on Saunders paper. Measuring 54 x 71 in. (137 ...

Edition of 150 1 Color Woodcut on Somerset Satin White, 300 gsm

Alex Katz Purple Irises on Red 2023 Archival pigment ink print, on Innova Etching Cotton Rag 315 gsm 24 x 30 inches (61 x 76 cm) unframed Signed and numbered edition of 100 Alex Kat...

Created by Alex Katz in 2016, Daniel is a 2-color woodcut with 2-color pochoir on Somerset paper. Hand-signed in pencil and numbered from the edition of just 35, the artwork measures...

Artist: Alex Katz Title: Striped Jacket Medium: Lithograph in colors on Arches Roll Cover paper Image Size: 29 3/8" x 37 1/8" Frame Size: 39" x 47" Year: 1981 Edition: 41/58 Inscript...

Alex Katz Alex Katz Black and White (Hand signed by Alex Katz), 2017 Hardback monograph with no dust jacket as issued (Hand signed by Alex Katz) Hand signed by Alex Katz on the first...

This print is priced fairly, offered at the same wholesale discount extended to our partner galleries and private dealers. We strongly encourage prospective buyers to compare our lis...

Created by Alex Katz in 2018, Laura 3 is a two-color original etching, hand-signed in pencil and numbered, the artwork measures 42 x 42 in. (107 x 107 cm), unframed, from the edition...

Artist: Alex Katz Title: Eric from White Shirt series Year: 2021 Medium: Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper Edition: 50; signed and numbered in ...

Alex Katz uses outline drawings, called “cartoons”, as templates to transfer full size images onto the canvas prior to painting. Rendered in red chalk or charcoal on brown paper, th...