Andrée Ruellan Art

Henry Ottmann (1877-1927) "Orée du bois par brume", A forest in the mist signed lower right pastel on paper 24 x 32 cm In good condition In a vintage frame : 43.5 x 53 cm The gilding on the frame is missing in many places Henry Ottmann particularly excelled in the pastel technique, as can be seen here. This is due to the fact that this delicate material obviously lends itself very well to the artist's characteristic vaporous style and manner. We should also note the great modernity of this landscape and its fades, which go almost as far as abstraction. Henry Ottmann was born on 10 April 1877 in Ancenis. He made his debut at the Salon La Libre Esthétique in Brussels in 1904 and took part in the Salon des Indépendants in Paris from 1905, the Salon d'Automne, the Salon de la Société Nationale des Beaux-Arts and the Salon des Tuileries. In 1911 and 1912, Ottmann exhibited at the Artistes de la Société Moderne at the Gallery Paul Durand-Ruel together with Armand Guillaumin, Henri Lebasque and others. In 1912, he exhibited at the gallery Eugène Druet. In 1920, Ottmann exhibited at the gallery Marcel...

Pop art scene of abstracted Greek pillars and green leaves. Drawings in black and white, pale blue, red and grey compose this colorful print. Layers of p...

Touched by the influence of Andy Warhol, champion of a young Jean-Michel Basquiat, Rene Ricard served as enfant terrible of the 1980s New York art scene. This red and black lithograp...

Siebe Johannes ten Cate (1858-1908) A Dune Landscape Signed lower right Pastel on paper 25.5 x 39.5 cm in good condition, very fresh, traces of pinholes in the upper corners barely...

Nelson Mandela, Hand of Africa, Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of leaving a legacy for his ...

Pablo Picasso (1881 - 1973) Au Vieux Sculpteur au Travail I (Old Sculptor at Work I), c. 1933 Medium: Etching on Montval Laid Paper with Vollard Watermark Edition: Edition of 260 Artwork Size: 10.5 x 7.6 in Framed Size: 28.5 x 24.25 x 1.5 in This work is Framed Etching on Montval Paper, from the Vollard Suite, c. 1933 Image Size: 10.5 x 7.6 inches From the small margins edition at 260 proofs, unsigned Published by Vollard, Paris Printed by Lacourière, Paris Pablo Picasso’s Vollard Suite...

Offset print with silver and high gloss varnishing Edition 202 of 300 71 cm (28 in) Diameter Signed, numbered, dated and titled on the front Excellent, with a soft crease on the left...

Jorge Castillo - MARIENZA EN DOMINGO Date of creation: 1972 Medium: Etching on paper Edition: 150 + H.C. Size: 56 x 70 cm Condition: In perfect conditions and never framed Observatio...

Romantic black and white etching of a pair of ballet dancers performing on stage by artist Ernst Oppler (1867-1929), circa 1920. Signed lower right, numbered 88 of 100 lower left. ...

A great rare piece from Raymond's exhibition 'One More Line'. Etching with hand water-colored thumbnail. 60/75

Very atmospheric night scene of Lahore. painted circa 2003 Watercolour and partel on paper. well framed Framed 26.5" x 34.5". Image 21" x 29" Signed and titled verso Throughout the 1990s Robert Macdonald lived in an isolated cottage with no road access high in the hills overlooking the Usk Valley. His work became a meditation on the landscape, the farming life and also the legends of the Brecon Beacons area. Three years ago he became the first elected president of the Royal Watercolour Society of Wales and he is a past chair of the Welsh Group, the senior association of artists in Wales, and a director of the Swansea Print Workshop. Before coming to Brecon he worked and painted for many years in London and his move to Wales, prompted by his Welsh-born wife Annie, was in a way a return to his own rural roots. Born in 1935, much of his early life was spent in rural communities, not in Wales but as a war-time evacuee on Somerset farms and, from the age of 10, in the New Zealand back country. His family emigrated to New Zealand in 1945 and lived on the Northland Peninsula where there was a considerable Maori presence. Maori carving...

An unfinished but spirited plein-air composition of what appears to be the Shenandoah or Potomac River valley with the Blue Ridge Mountains in the distance. Watercolor on board with...