Bon Jane Art

This stylish artwork, 'Gloves & Handbag' taken at the glamorous retro event Goodwood Revival, perfectly captures feminine sophistication with a vintage vibe. This artwork featured in...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1 of 10 If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph This exhibition is a visual dance of contradictions. Whimsical and sophisticated. Stylistic and simple. Studied and carefree. That’s what emerges when you take a photojournalist by study, fashion photographer by trade and fine artist by instinct and leave him alone with his camera and a muse. Burris’ work is influenced by his early career spent working with fashion photographer Bill King and inspired by the decisive moment made known by the Henri Cartier Bresson. He defies the confines of either discipline. It is not fashion photography, which is by nature produced, but rather purely spontaneous. Todd left the world of fashion photography after building his own career in Milan and New York to go to LA and find his niche. He embraced his fascination with flea markets and penchant for discarded items that wouldn’t ever be chosen because they were trendy but because they were interesting. Burris packed his 1979 white Pontiac station wagon with his finds. When he came upon a stage that fit the props, he called on his muses and created a visual story on the spur of a moment. The collection of black and white images conveys a sense of effervescence and Élan. It includes photographs from Burris' time in Los Angeles as well as earlier experimental work in Milan and New York City. Anything but superficial, the invitational image, "Paget #1" challenges the traditional symmetry of beauty. We see a dramatic close up of a woman’s face, her intense eyes framed by the stark contrast between her porcelain skin and jet black hair. The lighting is such that her face is divided by shadow, one half dark and mysterious, the other half light and classically beautiful. The effect is deeply engaging. The viewer doesn’t know when the photo was taken but you want to know more. In “Mercer Street...

Street photography was a passion of Art's and it shows in this delightful shot taken at Brookfield Zoo in 1974. The photograph is signed on the bottom right hand corner. It is matted with a heavy white mat and framed in a simple black metal frame. Art Shay Two Leopards...

Henry Jones #3237-6 Stamped and inscribed in blue ink, verso Vintage silver print 6.875 x 4.875 inches, sheet 6.5 x 4.5 inches, image

This photograph by Bill Costa is offered by CLAMP in New York City.

This photograph by Bill Costa is offered by CLAMP in New York City. Untitled 1993 Signed, dated, and numbered in ink, recto; Also titled and dated in pencil, verso Gelatin silver ...

In this seductive black and white photograph the model poses with his back to the camera wearing John Paul Gautier's sheer Tattoo shirt. The artist uses t...

This photograph by Bill Costa is offered by CLAMP in New York City.

Torso, black and white photograph of a man's torso by Victor Carnuccio 1991 Signed, titled, dated, and numbered, verso Gelatin silver print (Edition of 25) 14 x 11 inches, sheet 1...

Selenium-toned gelatin silver print (Edition of 20) Signed and numbered on label, verso From the series, "Before the Camera" This artwork is offered by ClampArt, located in New York...

Two of the famed Rat Pack are shown here is this playful photograph by Art Shay. Dean Martin carries Frank Sinatra across the stage while the other members enjoy the antics in this ...

Children play and laugh in a backyard with makeshift playgrounds. Lined with a thin black border, framing options available. Art Shay Backyard Olympics silver gelatin print, printed...