David Ligare Art

Pocket Pale Yellow Daffodil 201 (canvas size 5x5cm) is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil painting...

Pocket White-ish Anemone 204 (canvas size 5x5cm) is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, ...

Pocket Jam Doughnut 206 (canvas size 5x5cm) is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with ...

This piece titled "Untitled" is an original artwork by Jiaranai Apaipak. It's an oil painting on canvas. The piece measures 10”h x 10”w. Born in Thailand, Jiaranai grew up in India,...

Title: Yellow Flower Medium: Oil on canvas Size: 24 x 20 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...

Anne Harney is a representational painter beginning her work from observation and concluding with a mix of imagination. “I prefer to begin my work from life. My landscape paintings u...

wild petunia, ruellia, Mexican petunia, purple flowers, still life, Hawaiian landscape, contemporary painting, American artist, American art Minimalist still life with a wild petuni...

In this contemporary painting in oil on canvas, a cheerful interior scene is bright and inviting with a still life arrangement of coral red flowers in a green glass bottle next to a ...

Kathryn Markel Fine Arts is pleased to announce Sun Fog Rain, an exhibition of new paintings by Sara MacCulloch. This will be her fourth solo exhibition with the gallery. An opening ...

Still Life is an artwork realized by Ernesto Alcide Campestrini (1897-1983). Oil on Table. cm 50x60; 55 x 66 cm with frame. Hand signed in the lower left margin. Good condition. Alcide Ernesto Campestrini was born in Milan, where the family had moved in 1897. After the first rudiments of art with his father, from 1914 he was a student at the Brera Academy in Milan, under the guidance of Ambrogio Antonio Alciati. In 1919 he resumed his painting studies in Brera, interrupted by enlistment. He concluded them in 1922, the year in which he obtained his teaching qualification. He lived in Milan and in 1923 he exhibited Smiles of other times at the Palazzo della Società per le Belle Arti and Permanent Exhibition: the so-called Brera Biennale, at the following one in 1925, presented with Ultime note and El disperados. In 1926 he exhibited Porta Volta, at the First Art Exhibition of Milanese Artists organized by the Meneghina family, the contemporary Self-Portrait is one of the first works by him that we know so far today. He devoted himself to still life, figure painting and the alpine landscape, the Trentino one in particular, with a technique linked to his father's school and to the late nineteenth-century tradition. He held several personal exhibitions in Milan. The Campestrini family spends their holidays in Valsugana several times, sometimes as guests of Emma Campestrini's relatives. The painter falls in love with Lake Caldonazzo, depicted several times in his canvases, such as in the 1949 painting...

This piece is a bold and flowing depiction of tropical Bromeliads flowers swirling together in a colorful and expressive nature. The joyful pinks and greens are expressed wonderfully...