E. Simms Campbell Figurative Paintings

A beautiful mid century nude figure study of a red haired woman standing with plants by California artist Genevieve Rogers (American, 1904-1984). Unsigned, but acquired with a collec...

1780's-1800 Fine English School Ink & Watercolor Galloping Horses Study Dynamic Racing Scene Late 18th / Early 19th Century English School circa 1780–1800 ink drawing with watercolou...

1780's-1800 Fine English School Ink & Watercolor Armoured Cavalier Carrying Lady on Horseback Romantic Scene Late 18th / Early 19th Century English School circa 1780–1800 ink drawing...

1780's-1800 Fine English School Ink & Watercolor Fantastical Scene Late 18th / Early 19th Century English School circa 1780–1800 ink drawing with watercolour wash on artist paper...

Josine Vignon (French 1922-2022) ...

A striking Art Deco watercolor created after an original design by René Vincent (1879-1936), this lively golfing scene captures the playful elegance and graphic charm associated with...

An allegory of loyalty, with the subject's dog pictured seated, holding his master's chisel in his mouth; fidelity personified. Italian School, 18th century Ink wash in gray and bl...

“I thought the world was turned upside down when I started this body of work right after the 2016 presidential election. Little did I know. I had gone to the Woman's March in Washing...

Drawn from life this model is obviously at ease which has allowed Angela to present a relaxed and subtle figurative work. Her colors are warm and this is a beautiful, graceful piece....

In this painting, I delved deeply into the interplay of expression and surrealism. The fiery palette and swirling forms symbolize a riot of emotions and thoughts that transcend the...

Signed and titled oil on board nude circa 1905 by Belgian neo-impressionist painter Georges Lemmen. The work titled 'Reverie' depicts a red-haired lady who is kneeling down and resting her head on her arm. Signature: Signed lower right and titled on original artist's label verso Dimensions: Framed: 16"x19" Unframed: 10"x13" Provenance: Original artists label verso for Georges Lemmen at 96 Avenue Coghen , Brussels Private collection - Brussels Georges Lemmen was the son of an architect and studied under Amédée Bourson at the academy in St Joost-ten-Node. He was invited in 1889 to join the Group of Twenty ( Cercle des XX) which had been launched in 1884 by Oscar Maus and had in the interim emerged as an influential force in Belgian artistic circles, not least by bringing to public and critical attention the work of such artists as Georges Seurat and Paul Signac. The Cercle des XX would be reborn in 1894 as La Libre Esthétique. In the early days of the Cercle des XX, Lemmen espoused a pointilliste technique. His earlier painting was clearly influenced by the Neo-Impressionists; over time, however, his style became more subtle and nuanced - recalling, perhaps, that of his compatriot Van Rysselberghe, another Cercle des XX member. With the group's rebirth as the Libre Esthétique, Lemmen's work became more intimiste in character, most notably in his portraits, nudes and still-lifes, where the influence of Bonnard and Vuillard is unmistakable, as is that of Renoir, particularly after Lemmen's travels in the Midi in 1911. From this point onwards, he would go on to make a major contribution to the renewal of the graphic and decorative arts in terms of his input to the new 'free' aesthetic and to Art Nouveau. Although his draughtsmanship retained its essential purity and elegance of line, his painting became more fleshy, imprecise and sensual, his compositions governed less by technical considerations than by the urgent need to express his emotions. Between 1889 and 1893, Lemmen exhibited at the Salon des Indépendants in Paris, aligning himself with the Neo-Impressionists. In 1893, Henry van de Velde invited him to participate in the Pour l'Art association that had been created in Antwerp. He travelled to the south of France in 1911. By this juncture, he had already exhibited solo on two occasions (in 1906 and 1908) at the Galerie Druet in Paris. A further solo exhibition in 1913, his first in Brussels, cemented Lemmen's reputation. Museum and Gallery Holdings: Bremen (Kunsthalle): Standing Nude Combing her Hair Brussels (Mus. royaux des Beaux-Arts de Belgique): Children's Room (watercolour); Reading; Couture; Young Girl by the Sea...

Nude Female by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back pencil drawing on artist paper, unframed measures: 8 high by 10 inches wide condition: o...