Ewart Johns Art

Provenance: with Leo Blumenreich and Julius Böhler, Munich, 1924 Dr. Frederic Goldstein Oppenheimer (1881-1963), San Antonio, Texas; by whom given to: Abraham M. Adler, New York, until 1985; thence by descent to the present owners While old inscriptions on the verso of this panel propose its author to be Hans Holbein and the sitter Sir John More—a lawyer, judge, and the father of Sir Thomas More—this fine portrait has long been recognized to be by a Flemish hand. Max Friedländer gave the painting to Bernard van Orley (1487/1491 – 1541) in 1924, but did not include it in the volume dedicated to the artist in his Early Netherlandish Paintings...

DESCRIPTION: Perhaps the best Romney in private hands. If Vogue Magazine existed in the late 18th century, this image of Lady Caroline Price would be ...

A Radiant, 1950s Mid-Century Modern Studio Portrait of a Seated Female Nude Model. Painted in a sensuous color palette of wonderfully expressive reds and cool creams, the painting e...

A strong modernist oil painting depicted in the 1950s by Russian, American painter Helen Stein. Mostly known for her abstract figures on canvas, this piece...

A Striking Modernist Abstract Studio Scene by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Depicting a female nude model seated on a blanket beside a black cat in a colorf...

Agostino Carracci (1557-1602) Circle of Andromeda and the Sea Monster Oil on canvas 75 x 59 cm. - In frame 96 x 77 cm. The subject of the painting, derived from Ovid's Metamo...

Antique American modernist oil painting. Oil on canvas. Signed. Framed. Measuring 31 by 21 inches overall and 30 by 20 painting alone.

Signed "Cresswell" in the lower right corner. This evocative oil painting presents a poetic, symbolist-inspired scene of a nude female figure, likely a nymph, gently adorning a sculpted bust with flowers in a secluded garden setting. The composition unfolds in a softly lit, atmospheric space, where warm, earthy tones and delicate transitions of light create a sense of intimacy and reverie. The artist employs a fluid, painterly technique, allowing forms to emerge through subtle gradations rather than sharp definition. The figure’s elongated silhouette and graceful posture recall the classical tradition, while the blurred contours and tonal harmonies align with late 19th-century aesthetic sensibilities. The presence of sculptural elements and floral offerings suggests allegorical undertones, possibly referencing themes of beauty, transience, and devotion. Stylistically, the work sits at the intersection of Academic painting and Symbolism, with a strong affinity for the intimism and softness associated with artists influenced by Impressionism. The muted palette, combined with expressive brushwork, enhances the dreamlike quality of the scene. Both refined and sensual, this painting would appeal to collectors of Symbolist art, fin-de-siècle painting, and classical-inspired figurative works. symbolist painting, nymph painting, nude female figure oil painting, allegorical art, classical nude painting...

Title Seated Female Nude Blue Interior French Modernist Mixed Media Artist Jacqueline Boisselot French late 20th century Medium Oil pastel and mixed media on artist paper unframed Si...

Nude woman is an artwork attribuited to Edgar Stoebel (1909-2001).  81 x 45 cm; no frame. Oil painting on canvas. Good conditions. 

A large, impressive 1930s painting of standing female nude by notable Chicago Modern artist Francis Chapin, in a gold-toned frame. Artwork size: 43 3/4 x 29 3/4 inches; Framed siz...

Title Mid Century French Cubist Nude Figure Interior Modernist Oil Painting Key Details Artist: French School, mid 20th century Title: Nude Figure in Interior Medium: Oil painting on...