Gabor F. Peterdi Art

Artist: Joan Mitchell (American, 1925-1992) Title: "Fields I" Portfolio: Fields *Signed and numbered by Mitchell in pencil (on second sheet) lower right Year: 1992 Medium: Original E...

James Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotated “Wunderlich” and signed again with the butterfly verso. Reference: Kennedy 413, first state (of 5). Glasgow 457, second state (of 6; see discussion below) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011) On laid paper, in very good condition, trimmed just outside of the platemark all around except for the tab by the artist, 6 1/4 x 9 3/8 inches. A very fine impression of this great rarity, printed in black/brown ink with a slight veil of plate tone. provenance: H. Wunderlich & Co., New York Louis B. Dailey, New York (Lugt 4500) sale, Sotheby’s, New York, October 31, 2003, lot 69 literature; Neue Lagerliste 122: James McNeill Whistler – Etchings...

James Whistler (1834-1903), J.H. Woods’ Fruit Shop, Chelsea, etching and drypoint, 1887-88. Signed with the butterfly on the tab and annotated “imp,” also signed with the butterfly in pencil verso and numbered “1”. References: Kennedy 265 second state (of 2), Glasgow 327 second state (of 4). Trimmed by the artist around the plate mark except for the tab, in excellent condition. Printed in black ink on ivory laid paper, 3 3/4 x 5 1/8 inches. A fine impression of this great rarity; the print was never published. Glasgow accounts for four impressions. watermark: partial arms of Amsterdam(cf. Spink/Stratis/Tedeschi, watermark nos. 12ff.) This is before the third state in which heavy shading was added around the woman at the center, and the heads of figures at right and left of the figure are defined. In Glasgow’s fourth state the shading and the figure were removed; no impression is known of this state, but the state is inferred from the cancelled plate. According to Glasgow “Joseph Henry Wood had a greengrocer’s shop at 1 Park Walk...

Signed, titled and numbered in pencil by the artist. Edition size: 50. Abstract landscape. Christian Bozon was born in Lons-le-Saunier, France in 1969. He was trained at the Art Sch...

Artist: Dale Chihuly (1941) Title: Venetian Series Year: 2018 Medium: Lithograph, silkscreen and acrylic on Waterford paper Edition: 79/125 Size: 37 x 25 inches Inscription: Signed a...

This is a modernist view of a New York City park. It's interesting because we're given so much detail and yet it's drawing style also keep things hidden. Really I think it's about Cu...

Artist: Dale Chihuly (1941) Title: Composition, Basket Series Year: 2015 Medium: Intaglio and acrylic on Waterford paper Edition: 43/175 Size: 37 x 25 inches Inscription: Signed and ...

Artist: Dale Chihuly (1941) Title: Composition, Float Series Year: 2014 Medium: Intaglio and acrylic on Waterford paper Edition: 63/175 Size: 37 x 25 inches Inscription: Signed and n...

Myril Adler Untitled c.1960s Collagraph ink on paper 10"x8.25" unframed Estate stamp on reverse Myril Adler, was born on September 22, 1920 in Vitebsk, Russia (now Belarus), and imm...

A very good impression of this scarce color etching and drypoint. Fourth state (of 4). Signed and numbered 54/100 in pencil, lower margin.

Beulah Stevenson, 'Flowers in Light', lithograph, c. 1935, edition 14. Signed and titled in pencil. Annotated 'Edition of 14 – print #3' in the bottom center margin, in pencil. A fin...

Drypoint etching on paper, edited in 1945. Limited edition, printed by Galerie Rive Gauche, Paris, as a New Year’s card. The technique (“Pointe sèche d'Asger JORN”) and the date are ...