Skip to main content

John Marin Landscape Prints

American, 1872-1953
John Marin was born in Rutherford, New Jersey in 1870. His father was a public accountant; his mother died nine days after his birth. He was taken to his maternal grandparents with whom he lived in Weehawken, New Jersey. His grandparents, with their son and two daughters were the only parents Marin was to know; it has been suggested that his father seems to have ignored him. As a child of seven or eight Marin began to sketch and when he was a teenager he had completed his earliest watercolors. His education in the schools of New Jersey was interspersed with summers of hunting, fishing and sketching; he traveled in the Catskills, and as far away as Wisconsin and Minnesota. But formal training was almost incidental to his development as an artist. He is to America what Paul Cezanne was to France - an innovator who helped to oppose the influence of the narrative painters, the illustrators who were more interested in subject than form, in surface than substance. Marin brought to his work a combination of values which, at the turn of the century, was unique in this country: an aliveness of touch, colors that have both sparkle and solidity, and forms that are vibrant with an energy characteristic of our age. Marin established himself as a practicing architect. In the early 1890s, he worked for four architects and by 1893 had designed six houses in Union Hill, New Jersey. At the age of twenty-eight, he decided to become a professional artist and studied briefly at the Pennsylvania Academy of Fine Arts in Philadelphia and the Art Students League in New York City. As a watercolorist he had no equal. He used this fluid, spontaneous medium to abstract from objects - skyscrapers, boats, mountains and seas - a simplified anatomy of color and form and to define the pulsation of stresses and movements in the relationship of objects. It was a great disappointment, all his life, that his oil paintings did not achieve the popularity that his watercolors did. From 1905 to 1910 he worked in Europe, where he was influenced by Whistler's watercolors. It was Alfred Stieglitz, Marin's lifetime friend and dealer, whose firm faith in his genius made his position in the art world possible. He developed a distinctive style that he used most characteristically in powerful watercolors of the Maine coast. During the 1920s he provided the dominant force in the movement away from naturalistic representation towards an art of expressive semi-abstraction. He married Marie Jane Hughes after he returned to New York. They had one son, who grew up to run his father's considerable affairs. Marin continued to work at the same steady fast pace as long as he lived. Since 1908 he had produced 1700 paintings, an average of forty a year. He had made the frames for them as well. At the age of seventy-nine, he began to taper off from the days when he painted one hundred watercolors in a summer. He died in 1953.
to
1
6
Overall Width
to
Overall Height
to
4
1
1
15
182
152
150
130
8
4
2
4
2
7
4
2
2
2
1
1
1
1
8
1
1
1
1
1
8
Artist: John Marin
'Bridge, Venice' — Turn of the Century American Impressionism
'Bridge, Venice' — Turn of the Century American Impressionism

'Bridge, Venice' — Turn of the Century American Impressionism

By John Marin

Located in Myrtle Beach, SC

John Marin, 'Bridge, Venice', etching, 1907, Zigrosser 59. Signed in pencil. Signed and dated 'Marin 07' in the plate, lower center; titled 'Le Pont Venezia' in the plate lower right. A superb, delicately inked impression, on antique cream laid paper, the full sheet with margins (5/8 to 3/4 inches); slight lightening to the paper within the original mat opening, otherwise in excellent condition. Printed by George Haskell, New York. Matted to museum standards, unframed. Image size 5 x 7 1/16 inches; sheet size 6 5/8 x 8 11/16 inches. Literature: 'John Marin: Peintre Graveur', Charles Saunier, L' Art Décoratif, Paris, January, 1908 (illustrated). 'The Complete Etchings of John Marin', Carl Zigrosser, Philadelphia Museum of Art, 1969 (illustrated). Impressions of this work are in the following museum collections: Art Institute of Chicago (Stieglitz Collection), Cleveland Museum of Art, Fine Arts Museums of San Francisco, Metropolitan Museum of Art, and the Philadelphia Museum of Art. ABOUT THE ARTIST "How to paint the landscape: First, you make your bow to the landscape. Then you wait, and if the landscape bows to you, then, and only then, can you paint the landscape." —John Marin “I would say to a person who thinks he wants to paint, go and look at the way a bird flies, a man walks, the sea moves. There are certain laws, certain formulae. You have to know them. They are nature's laws and you have to follow them just as nature follows them... You don't create the formulae... You see them." —John Marin, conversation with Dorothy Norman...

Category

Early 1900s American Impressionist John Marin Landscape Prints

Materials

Etching

Meaux Cathedral II
Meaux Cathedral II

Meaux Cathedral II

By John Marin

Located in Middletown, NY

Paris: Gazette de Beaux Arts, 1907. Etching with aquatint on cream wove paper, 8 7/8 x 11 1/2 inches (225 x 292 mm), narrow lefthand margin, with a full margin with a deckle edge on ...

Category

Early 20th Century English School John Marin Landscape Prints

Materials

Handmade Paper, Etching, Aquatint

CANAL BRIDGE AMSTERDAM
CANAL BRIDGE AMSTERDAM

CANAL BRIDGE AMSTERDAM

By John Marin

Located in Santa Monica, CA

JOHN MARIN (1872 -1953) CANAL BRIDGE AMSTERDAM, 1906 (Zigrosser 13 i/ii) Etching, drypoint and plate tone. A PROOF IMPRESSION of the 1st state, Annotated...

Category

Early 1900s American Impressionist John Marin Landscape Prints

Materials

Etching

Brooklyn Bridge No. 6 (Swaying)

Brooklyn Bridge No. 6 (Swaying)

By John Marin

Located in New York, NY

John Marin (1870-1953), Brooklyn Bridge No. 6 (Swaying), 1913, Etching. Z112. Edition c. 12 (Steiglitz); 1924, unknown but small (New Republic). Signed in pencil. Signed and dated...

Category

1910s Cubist John Marin Landscape Prints

Materials

Etching

John Marin "Clock Tower of Santa Maria Zobenigo, Venice, Italy" Etching c.1907
John Marin "Clock Tower of Santa Maria Zobenigo, Venice, Italy" Etching c.1907

John Marin "Clock Tower of Santa Maria Zobenigo, Venice, Italy" Etching c.1907

By John Marin

Located in San Francisco, CA

John Marin "Clock Tower of Santa Maria Zobenigo, Venice, Italy" Original Pencil Signed Etching c.1907 Rare pencil signed etching by listed American artist John Marin (1870-1953) Pl...

Category

Early 20th Century Impressionist John Marin Landscape Prints

Materials

Etching

St. Germain-Des-Pres, Paris

St. Germain-Des-Pres, Paris

By John Marin

Located in New York, NY

John Marin (1870-1953), St. Germain-Des-Pres, Paris, etching, 1906. Signed in pencil lower right and titled lower left [also signed and dated in the plate]. Zigrosser 47, only state,...

Category

Early 1900s American Impressionist John Marin Landscape Prints

Materials

Etching

Woolworth Building, No. 2
Woolworth Building, No. 2

Woolworth Building, No. 2

By John Marin

Located in New York, NY

A superb, richly-inked impression of this extremely scarce etching and drypoint. Second state (of 2). Edition of approximately only 10. Signed in pencil by Marin in lower right margi...

Category

1910s Modern John Marin Landscape Prints

Materials

Drypoint, Etching

Ponte di Donna Onesta, Venice
Ponte di Donna Onesta, Venice

Ponte di Donna Onesta, Venice

By John Marin

Located in Missouri, MO

Very rare etching by John Marin. "Ponte di Donna Onesta, Venice" 1907 Original Etching Hand Signed Lower Right Titled Lower Left Edition: c. 30 Cat. Rais: ...

Category

Early 1900s Abstract John Marin Landscape Prints

Materials

Etching

Related Items
Arch Beach, California
Arch Beach, California

Arch Beach, California

Located in San Francisco, CA

This artwork titled "Arch Beach, California" c.1910 is an original etching on Wove paper by American artist Harley DeWitt Nichols, 1859-1939. It is hand signed and titled in pencil by the artist. The plate mark (image) size is 6.5 x 9.5 inches, framed size is 13 x 17 inches. it is custom framed in a wooden silver frame, with off white matting. It is in excellent condition, especially considering the age. About the artist: Born in the small rural Wisconsin town of Barton, Harley lived a peripatetic life. As a young child, he accompanied his family to Lincoln, Nebraska where he found great excitement in the roaming herds of buffalo and Native Americans. It was in these years that a talent for drawing was discovered. In 1870, after several years of hardship, his father moved the family back to Wisconsin. At the age of 11 he became a water boy...

Category

Early 20th Century American Impressionist John Marin Landscape Prints

Materials

Etching

Untitled Abstract Seaside Lithograph, Cubist, Mid-20th Century, Signed
Untitled Abstract Seaside Lithograph, Cubist, Mid-20th Century, Signed

Untitled Abstract Seaside Lithograph, Cubist, Mid-20th Century, Signed

By François Desnoyer

Located in Belgrade, MT

Pencil signed black and white lithograph original limited edition pencil signed , Guilde De La Gravure. Mid 20th Century, part of my private collection. Very Good condition.

Category

Mid-20th Century Cubist John Marin Landscape Prints

Materials

Lithograph

The Horseshoe Etching and Watercolor Print, Signed, 1943, Contemporary

The Horseshoe Etching and Watercolor Print, Signed, 1943, Contemporary

By Luigi Bartolini

Located in Roma, IT

The Horseshoe is an original artwork realized by the Italian artist Luigi Bartolini (1892-1963) in 1943. Etching and watercolor. Original title: Il ferro di cavallo Hand-signed, t...

Category

1950s Contemporary John Marin Landscape Prints

Materials

Etching, Watercolor

"Rio Ca Foscari, Venice" original etching

"Rio Ca Foscari, Venice" original etching

By Edgar Chahine

Located in Henderson, NV

Medium: original etching. Catalogue reference: Tabanelli 220. This impression on watermarked laid paper was printed in 1906 and published by Gazette des Beaux Arts. Plate size: 8 5/8...

Category

Early 1900s John Marin Landscape Prints

Materials

Etching

George Elbert Burr Rocky Mountain Color Aquatint Etching, Longs Peak
George Elbert Burr Rocky Mountain Color Aquatint Etching, Longs Peak

George Elbert Burr Rocky Mountain Color Aquatint Etching, Longs Peak

By George Elbert Burr

Located in Denver, CO

An exceptional original color aquatint etching by renowned American printmaker George Elbert Burr (1859–1939), depicting the iconic peaks of Longs Peak and Mount Meeker in Colorado's...

Category

1920s American Impressionist John Marin Landscape Prints

Materials

Aquatint

Provence : Sainte Victoire Mountain - Etching and aquatint engraved by J. Villon
Provence : Sainte Victoire Mountain - Etching and aquatint engraved by J. Villon

Provence : Sainte Victoire Mountain - Etching and aquatint engraved by J. Villon

By Paul Cézanne

Located in Paris, IDF

Paul CÉZANNE (after) Provence : Sainte Victoire Mountain Etching and aquatint Engraved by Jacques Villon after the painting of Cezanne Signature printed in the plate On Arches vellu...

Category

1950s Impressionist John Marin Landscape Prints

Materials

Etching, Aquatint

A Signed Etching of a Pastoral Scene in Picardy, France by Paul Emile Lecomte
A Signed Etching of a Pastoral Scene in Picardy, France by Paul Emile Lecomte

A Signed Etching of a Pastoral Scene in Picardy, France by Paul Emile Lecomte

By Paul Emile Lecomte

Located in Alamo, CA

A beautiful aquatint etching of a serene pastoral scene in the Picardy region of northern France by Paul Emile Lecomte (1877-1950). A mother and child are seen walking down a path in...

Category

Early 20th Century Impressionist John Marin Landscape Prints

Materials

Aquatint

Diptych of Ancient Theatres, Blue Tones Cyanotype, Greek and Roman Architecture
Diptych of Ancient Theatres, Blue Tones Cyanotype, Greek and Roman Architecture

Diptych of Ancient Theatres, Blue Tones Cyanotype, Greek and Roman Architecture

By Kind of Cyan

Located in Barcelona, ES

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Diptych of Ancient Theaters + Year: 2023 + Edition Size: 50 + Stamped and Certificate of Authenticity provided + Measurements : Two panels of 70x100 cm (28x 40 in.), a total of 70x200cm (28x80 in.) + All cyanotype prints are made on high-quality Italian watercolor paper WHAT IS A CYANOTYPE? The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's. Cyanotypes were then made famous by Anna Atkins...

Category

2010s Analytic Cubist John Marin Landscape Prints

Materials

Lithograph, Monotype, Paper

View From Bridge, Abstract Colored Etching, 1958, 19.25 x 10.75 in
View From Bridge, Abstract Colored Etching, 1958, 19.25 x 10.75 in

View From Bridge, Abstract Colored Etching, 1958, 19.25 x 10.75 in

By Jack Bilander

Located in New York, NY

Jack Bilander (Polish/Amercan 1919-2008) , "View From Bridge" , Abstract Colored Etching/ Aquatint, 19.25 x 10.75, Mid-Late 20th Century, 1958 Colors: Black, White, Red Jack Biland...

Category

1950s Abstract John Marin Landscape Prints

Materials

Etching, Aquatint

Abstracted Lithograph of The Louve Museum with I.M. Pei Pyramids
Abstracted Lithograph of The Louve Museum with I.M. Pei Pyramids

Abstracted Lithograph of The Louve Museum with I.M. Pei Pyramids

By Bu King

Located in Soquel, CA

Abstract Lithograph of The Louve with I.M. Pei Glass Pyramids Limited edition lithograph of an abstracted urban landscape, with fractured yellow and green color fields, by Bu King (...

Category

Late 20th Century Analytic Cubist John Marin Landscape Prints

Materials

Paper, Ink, Aquatint, Lithograph

Broad Street (Wall Street)
Broad Street (Wall Street)

Broad Street (Wall Street)

By Bror Julius Olsson Nordfeldt

Located in Myrtle Beach, SC

B.J.O. Nordfeldt, 'Broad Street (Wall Street)', etching, edition not stated, c. 1915. Signed in pencil. A superb impression, with rich burr, selectively wiped plate tone, and inky plate edges, on cream wove paper; the full sheet with margins (3/4 to 1 1/4 inches), in excellent condition. Printed by the artist. Matted to museum standards, unframed. Impressions of this work are in the permanent collections of the Fine Arts Museums of San Francisco, Princeton University, Smithsonian American Art Museum. A view looking down Broad Street past the New York Stock Exchange Building on the right with the columned Federal Hall...

Category

1910s American Impressionist John Marin Landscape Prints

Materials

Etching

Previously Available Items
Quartier de la Maison Blanche

Quartier de la Maison Blanche

By John Marin

Located in New York, NY

A superb, dark impression of this extremely scarce, early etching on Japan paper. Edition of approximately only 12. Signed and titled in pencil.

Category

Early 1900s American Modern John Marin Landscape Prints

Materials

Etching

Downtown, the El — early 20th-century modernism
Downtown, the El — early 20th-century modernism

Downtown, the El — early 20th-century modernism

By John Marin

Located in Myrtle Beach, SC

John Marin, 'Downtown, the El', etching, 1921, Zigrosser 134. Signed in pencil. Signed and dated in the plate, lower right. A fine, richly-inked impression, with skillfully controlle...

Category

Early 1900s American Modern John Marin Landscape Prints

Materials

Etching

Downtown, the El
Downtown, the El

John MarinDowntown, the El, 1921

Sold

H 6.88 in W 8.63 in

Downtown, the El

By John Marin

Located in Myrtle Beach, SC

John Marin, 'Downtown, the El', etching, 1921, Zigrosser 134. Signed in pencil. Signed and dated in the plate, lower right. A fine, richly-inked impression, with skillfully controlle...

Category

Early 1900s American Modern John Marin Landscape Prints

Materials

Etching

THE LOBSTER FISHERMAN
THE LOBSTER FISHERMAN

THE LOBSTER FISHERMAN

By John Marin

Located in Portland, ME

Marin, John. LOBSTER FISHERMAN. Z.172. Etching, 1948. Edition of 125 published by Twin Editions in 1950. Signed in pencil, and titled, signed and dat...

Category

1940s John Marin Landscape Prints

Materials

Etching

Pont-Neuf, Paris
Pont-Neuf, Paris

John MarinPont-Neuf, Paris, 1905

Sold

H 7.88 in W 5.44 in

Pont-Neuf, Paris

By John Marin

Located in Myrtle Beach, SC

John Marin's atmospheric evocation of the historic Pont Neuf, the oldest standing bridge across the river Seine in Paris (the first stone was laid by Henry ...

Category

Early 1900s Post-Impressionist John Marin Landscape Prints

Materials

Etching

John Marin landscape prints for sale on 1stDibs.

Find a wide variety of authentic John Marin landscape prints available for sale on 1stDibs. You can also browse by medium to find art by John Marin in etching, aquatint, drypoint and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the Impressionist style. Not every interior allows for large John Marin landscape prints, so small editions measuring 8 inches across are available. Customers who are interested in this artist might also find the work of Frances H. Gearhart, Camille Pissarro, and Don Hatfield. John Marin landscape prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $400 and tops out at $45,000, while the average work can sell for $2,850.