Kristian Schuller Photography

"Shannon", Edition 1/10, 20x30cm, 2017, digital Print, printed on Velvet Watercolor, 310gsm, Bright White, Acid Free, Signature label and Certificate. Published in Tao Ruspoli's Mon...

35" 42"" fine art photograph, hand signed by the artist. This color photograph depicts a basketball court in Van Cordlant Park, Bronx, NY. The photo show a basketball court, shiny, a...

'This Slap' (Movie Stills) Edition of 10, 20x30cm, 2008, Archival Print. Signature label and Certificate. Published in Tao Ruspoli's Monography 'Midway...

'Untitled' from the Dwell Series, 2018, Edition 1/10 plus 2 Artist Proof, 20x24cm. Art Print based on an original Polaroid photograph on Hahnemuhle photo rag paper, not mounted. Si...

'Us', 2018, Edition 1/10 plus 2 Artist Proof, 20x24cm. Digital Print based on Polaroid on Hahnemühle photo rag paper, not mounted, Signed and certificate. Published in Elston Gunn. ...

Roisin Davis (Thailand), Edition 1/10, 20x30cm, 2012, digital Print, printed on Velvet Watercolor, 310gsm, Bright White, Acid Free, Signature label and Certificate. Published in Tao...

In the Witch's Cave (Journey to the Center of the Earth) - 2019 60x50cm, Edition of 10. Photograph printed on Canson Barita Fiber Rag 340gr, based on the original reclaimed Fuji I...

'Into the Woods', 2016, Edition 2/10 plus 2 Artist Proof, 20x24cm, Digital Print based on an original Polaroid on Hahnemühle photo rag paper, not mounted. Signature label and certif...

limited edition of 5, signed on reverse by the artist, Phillip Buehler. This photograph depicts the remnants of a Sam Goody shopfront in the now closed and demolished, Wayne Hills M...

24"x30" photograph, limited edition of 5, signed on reverse by the artist, Phillip Buehler. Barricaded with a wall of gnarled metal, the abandoned mall's entrance is blocked by a wall of debris. Phillip Buehler's photograph captures the unsettling scene of the closed mall, seemingly taken from a post-apocolyptic, science-fiction scene. This photograph is a featured in a solo exhibition of Phillip Buehler's photographs, entitled: “Mallrat to Snapchat: The End of the Third Place.” Front Room Gallery is proud to present “Mallrat to Snapchat: The End of the Third Place,” on view November 29th - January 12th. January recent work by photographer Phillip Buehler documenting the death of the Wayne Hills Mall in Wayne, New Jersey. This is Buehler’s second solo show at Front Room Gallery. Buehler’s exhibition is part photography, part installation, part cultural critique, mixed in with nostalgia and genuine affection for this very American economical and sociological experiment— The Mall. Buehler takes a very intimate look at the beginning, and possibly ending, of mall culture in the United States featuring not only photographs, but also artifacts from the mall and its opening year, 1973. Under a photograph of a desolate Sam Goody will be a bin filled with almost 100 albums from that year, that visitors can flip through and play in the gallery on a vintage record player...

limited edition of 5, signed on reverse by the artist, Phillip Buehler. This photograph depicts an interior view looking out of the closed and deserted Wayne Hills Mall, in Wayne, N...

24"x30 contemporary color photograph, limited edition of 5, signed on reverse by the artist, Phillip Buehler. The shuttered gate of Waldenbooks appears as an ineffectual effort in the dilapidated scene captured by Phillip Buehler. The once brilliant sign has been removed, yet you can see the aura of the letters, appearing as black signage against a grey-black surface. Debris and trash litter the flooded corridor, creating a errie feeling. This photograph is a featured in a solo exhibition of Phillip Buehler's photographs, entitled: “Mallrat to Snapchat: The End of the Third Place.” Front Room Gallery is proud to present “Mallrat to Snapchat: The End of the Third Place,” on view November 29th - January 12th. January recent work by photographer Phillip Buehler documenting the death of the Wayne Hills Mall in Wayne, New Jersey. This is Buehler’s second solo show at Front Room Gallery. Buehler’s exhibition is part photography, part installation, part cultural critique, mixed in with nostalgia and genuine affection for this very American economical and sociological experiment— The Mall. Buehler takes a very intimate look at the beginning, and possibly ending, of mall culture in the United States featuring not only photographs, but also artifacts from the mall and its opening year, 1973. Under a photograph of a desolate Sam Goody will be a bin filled with almost 100 albums from that year, that visitors can flip through and play in the gallery on a vintage record player...