Nicolas Party Drawings and Watercolor Paintings

“Dreaming”, pencil and ultramarine tempera on paper, inspired by Matisse and Botero. Part of Nude in Interior series. Nude shown in a Victorian interior, in a cinematic view. In a di...

Waterlilies V: Modern, Abstracted Pencil Drawing of Flowers (Waterlilies) graphite drawing on paper Paper size: 16 x 35 inches This grap...

A new series inspired by architecture, décor and stylish personalities of the world of interior design. The worlds of fashion, society and pop culture are captured in the illustrati...

Academic life drawing of male nude with charcoal and graphite by Mark Beard graphite, Conte crayon and charcoal on Arches paper 30 x 19.5 inches unframed Signed, lower left Strong f...

Elisabeth Condon’s Memorial Flowers series reimagines the still life as a meditation on memory, impermanence, and renewal. Using gouache and ink, she stages vibrant floral arrangemen...

Reilly uses a toning technique to endow her graphite works with a smooth, seamless quality. Rather than distinct outlines, her flower petals glide gracefully into the surrounding spa...

Stacked river tube graphite drawing from Mary Robertson who is steeped in the Bay Area figurative movement. Her Mary oeuvre focuses on Northern California's Russian River, where she ...

Gouache and tea on masking tape Signed and dated, l.l. This artwork is offered by ClampArt, located in New York City. Born in New York City and educated at the Maryland Institute C...

Island for Umberto 04, 2014 Pencil on paper ( Signed and dated front lower-right corner, framed) 11.6 H x 16.5 W in. 29.5 H x 42 W cm "Island for Umberto" has the literary source in...

Graphite, ink wash and watercolor on handmade laid paper with a large, indistinguishable ovoid watermark with a bunch of grapes, 8 7/16 x 12 5/8 inches (225 x 320 mm), signed in brown ink in the lower left. With the Henry Scipio Reitlinger oval stamp in brown ink on the verso (Lugt 2274a). The condition of the image and paper is consistent with age, there is minor toning on the recto and some attenuation of the green pigment. The drawing is laid down to an 18th century laid paper support and has a small pencil notation in the lower right corner (modern), and scattered notations in pencil on the verso of the support (also modern, perhaps auction/accession notes). On the paper support is an ink drawing in red and black of what appears to be the floor plan for the wing of a large building. The drawing is top-up, adhered facing the verso of the drawing. The architectural drawing on the support is visible through to the recto of the composition when the sheets are viewed through raking light. There is a small area of stipple point spotting in brown ink on the verso of the support. Examination under black light shows no indication of repairs or additions, expert or otherwise. Provenance: Henry Scipio Reitlinger was born in either 1882 or 1885, attended Kings College...

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

A fine ca. 1938 graphite on paper, study of classical drapery by notable New York Modernist artist, Jan Matulka. The image is drawn on the back of a typewritten, folded sheet of bus...