Paul Delvaux Figurative Prints

This original lithograph is hand signed by the artist in pencil "P. Delvaux" at the lower right margin. It is also hand numbered 8 in pencil from the edition of 100, at the lower lef...

La Voyante is an original contemporary artwork realized by Paul Delvaux in 1974. Color Lithograph on Arches Paper. Hand signed and numbered on the lower margin. Edition of 25/75. ...

Construction d’un temple – Plate n. 4  is a b/w original etching and dry-point  realized in 1971 (as reported on plate on the lower right margin) by Paul Delvaux. From the collection “ Construction d’un temple en ruine à la déesse Vanadé ”, this original print originated from the collaboration that lasted four years among the French author, a member of the Nouveau-Roman group  Alain Robbe-Grillet (1922-2008), and the Belgian artist Paul Delvaux (1897-1994). Firstly, Robbe-Grillet wrote a text, to which Delvaux replied with a wonderful engraving; Robbe-Grillet then responded with a second text. This is how the building blocks of this outstanding book merged together:  it was constructed like a temple.  The book was printed in an edition of 187 copies, of which  only 40 contain the illustrations by Paul Delvaux.   Our copy is unnumbered and printed on  “Arches”  ivory colored paper with the  Bateau Lavoir watermark  (on the lower right corner), and  “Richard Bas ” watermark (on the lower left margin). This beautiful artwork, representing an enigmatic composition with seven women pictured like ancient Greek marble...

This original lithograph in colour is hand signed by the artist in pencil "P. Delvaux" at the lower right margin. It is also inscribed in pencil “H.C.” an Hors Commerce [out of trade...

Construction d’un temple – Plate n. 8  is a b/w original etching realized in 1972 (as written on plate on the lower right margin) by Paul Delvaux. From the collection “ Construction...

Construction d’un temple – Plate n. 3  is a b/w original etching realized in 1973 (as reported on plate on the lower right margin) by Paul Delvaux. From the collection “ Construction d’un temple en ruine à la déesse Vanadé ”, this wonderful original print   came into being from the collaboration of four years between the French author and a member of the Nouveau-Roman , Alain Robbe-Grillet (1922-2008), and the Belgian artist Paul Delvaux (1897-1994). At first, Robbe-Grillet wrote a text, to which Delvaux then replied with a wonderful engraving; Robbe-Grillet then responded with a second text. This is how the building blocks of this beautiful book came together: it was constructed like a temple.  The book was printed in an edition of 187 copies, of which  only 40 contain the illustrations by Paul Delvaux .  Our copy is unnumbered and printed on  “Arches”  ivory colored paper with the  Bateau Lavoir watermark  (on the lower right corner), and  “Richard Bas ” watermark (on the lower left margin). This beautiful artwork, representing an enigmatic composition with seven women realized like ancient Greek marble...

Construction d’un temple – Plate n. 10  is a  b/w   original etching  realized in 1973 (as reported on plate on the lower right margin) by Paul Delvaux. From the collection “ Constr...

Construction d’un temple – Plate n. 11  is a b/w original etching and dry-point  realized in 1973 (as stated on plate on the lower right margin) by Paul Delvaux. From the collection...

The Secret 1966 Lithograph on wove paper with watermark arches 20in x 25in (64cm x 50cm), paper size 29inx22in and (39inx33in) framed under glass. Pencil signed and numbered, edition 34/75. Ref. no. 4, in: Cahier Paul Delvaux, no. 1, printed by Mourlot, published by Galerie Bateau Lavoir, Paris. Paul Delvaux, (born September 23, 1897, Antheit, Liège, Belgium—died July 20, 1994, Veurne), Belgian Surrealist painter and printmaker whose canvases typically portray transfixed nudes and skeletons in mysterious settings. From 1920 to 1924 Delvaux studied architecture and painting at the Académie des Beaux-Arts in Brussels. His early work was influenced by Post-Impressionism and Expressionism, but after discovering the work of Salvador Dalí, Giorgio de Chirico, and his fellow Belgian René Magritte, Delvaux converted to a Surrealist style in the mid-1930s. He traveled through Italy before World War II, and the Classical architecture he encountered there developed into recurring motifs in his work. During that trip he was also greatly influenced by early 16th-century Italian Mannerist...

A very good impression of this large and scarce etching. 1969. Signed and numbered 8/50 in pencil. Printed by Lacourière, Paris. Catalogue reference: Jacob 29

Construction d’un temple – Plate n. 9  is a b/w original etching realized in 1972 (as stated on plate on the lower right margin) by Paul Delvaux. From the collection “ Construction ...

This original lithograph is hand signed by the artist in pencil "P. Delvaux" at the lower right margin. It is also hand numbered 15 in pencil from the edition of 100, at the lower le...

This original lithograph is hand signed by the artist in pencil "P. Delvaux" at the lower right margin. It is also hand inscribed ‘HC 10’ in pencil at the lower left margin. This is ...