Prefab77 Art

TITLE: Jing Zhiyong "A Beacon" Contemporary Art Astronauts Series YEAR 2021 CLASSIFICATION: Limited edition to 50 prints. MEDIUM TYPE: Print MEDIUM/MATERIALS: Screen Print on Fine Ar...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Celebration B, Lino-cut on Drawing paper Edition: 3 of 5, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

Brice Marden Distant Muses 2000 Screenprint 23 1/2 x 19 1/8 inches; 60 x 49 cm Edition of 300 Signed, dated, and numbered in graphite (lower recto) Frame available upon request Available from Matthew Marks...

Artist: Dan May (American, 1955-) Title: "Dogs and Bones" *Signed and numbered by May in pencil lower left Year: 1986 Medium: Original Screenprint on unbranded white wove paper Limited edition: 15/25 Printer: the artist May himself, Oakland, CA Publisher: the artist May himself, Oakland, CA Sheet size: 34.13" x 29.88" Image size: 25.88" x 24" Condition: Some moderate edge wear around, and heavy wear with a repaired tear at lower right corner. In otherwise good condition with strong colors and clean paper. Will look great once framed and with its marginal imperfections covered Notes: Titled and dated by May in pencil lower right. Biography: Dan May is an American painter and printmaker born on March 11, 1955 in San Francisco, CA. Raised in aesthetic surroundings heavily influenced by his architect father, May grew up learning to view all things with an eye for design, color, and shape. At age 5, he remembers his father cutting up a book of drawings by Henri Matisse and hanging them on the walls of their home. The French master Matisse as well as Richard Diebenkorn and David Hockney are his favorite art influences. He began his first attempts at painting at age 15, and later began to experiment with printmaking, teaching himself various techniques such as woodblock printing, etching, silkscreen printing, and monoprinting. Monoprinting soon became May's medium of choice due to its wide range of expression and spontaneity that he felt other techniques lacked. May - "With monoprinting, you can only work a piece for as a long as the paint stays wet, so the resulting print has a feeling of movement and immediacy. I also like how monoprinting allows the brush strokes to transfer a transparent light quality to the print. For me, this is a technique that bridges drawing...

This is a 20 color screen print on Sommerset paper. The edition was printed at Brand X Editions in 1997. Ed Baynard’s paintings and graphic prints blend the contemporary and the cla...

Shepard Fairey Cold Chillin (Blue) Screen print on thick cream Speckletone paper Year: 2008 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 350 Signed by Shepard Fairey, dated and n...

"Gladiolus Common Blue" marks the latest project by Shizico Yi, a continuation of her renowned "Sunlit Series." Initiated in late spring 2023 and extending throughout the years where...

Shepard Fairey Peter Tosh: Legalize It Screen print on thick cream Speckletone paper Year: 2024 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 500 Signed by Shepard Fairey, dated a...

Artist: Yaacov Agam Title: Untitled Portfolio: Vertical Orchestration Medium: Silkscreen Year: 1980s Edition: 23/54 Sheet Size: 29 5/8" x 8 3/4"...

Silkscreen Print with Gold Metallic Inks 18 × 24 in 45.7 × 61 cm Edition 300 "Refers to the ripped 'One Earth' stamp in the lower right of the print and the fact that we only have ...

Shepard Fairey A Hard Rain’s A-Gonna Fall Screen print on thick cream Speckletone paper Year: 2025 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 500 Signed by Shepard Fairey, dated and numbered by hand COA provided *Edition number may vary from the image shown. In this portrait inspired by Bob Dylan, Shepard Fairey reflects on the enduring cultural and political significance of one of the most influential songwriters of the 20th century. While acknowledging that Dylan’s vast catalog varies in resonance for him personally, Fairey emphasizes the extraordinary impact of Dylan’s strongest work—particularly his socially conscious and protest-oriented songs—which helped redefine the role of music as a vehicle for commentary, dissent, and cultural transformation. The print takes its title from Dylan’s seminal song A Hard Rain’s A-Gonna Fall, a composition Fairey regards as emblematic of art that is both timely and timeless. The lyrics—filled with surreal, apocalyptic, and symbolic imagery—serve as a poetic meditation on violence, injustice, fear, and moral urgency. For Fairey, Dylan’s ability to combine lyrical complexity with emotional immediacy positions him not only as a musician, but as a “people’s poet” whose work continues to shape public consciousness across generations. Visually, the composition is based on a photograph by Daniel Kramer, who documented Dylan extensively during his rapid rise to prominence in the mid-1960s. Fairey’s interpretation captures both Dylan’s self-possession and his well-known resistance to being cast as the singular “voice of a generation.” Through bold graphic stylization and restrained symbolism, the portrait pays tribute to Dylan’s lasting influence on music, political expression, and artistic independence. Bob Dylan portrait...

"The Best Version Of Yourself" by Jisbar/ Jean-Baptiste Launay is a pop-art, street style UV print on cardboard Dibond (0.3 cm) created in 2023. The artwork is hand signed, dated, a...