Wally Ames Art

This expressive landscape was executed in Vadstena on 8 August 1946 and captures the dramatic moment just before or during a summer storm over the plains surrounding Lake Vättern. Er...

Erik Tryggelin (1878–1962) Sweden Cloud Study over Lake Vättern, Vadstena, 7 September 1935 signed and dated lower right E. Tryggelin 7/9 1935 inscribed Vadstena oil on canvas laid...

Albert Sheldon Pennoyer was born in Oakland, California in 1888. He was the son of a prosperous merchant who owned a store known as Taft And Pennoyer. At a young age, the family mov...

Lanscape France,Ocean, France , grey, blue, azure, Normandy signed lower right Henry Maurice CAHOURS (Paris, 1889 – Vence, 1974) He was born in Paris but spent his childhood and ...

This harbor scene oil painting is by noted Massachusetts artist Albert Rufus Thayer. Thayer was born in Concord in 1878 and studied in Boston and New York before returning to his hom...

Abstracted landscape by California artist Devon Brockopp-Hammer (American, b. 1986). The red and yellow underpaint has been allowed to peek through the ...

This lively city view from Vadstena was executed over two consecutive days in late October 1930. Erik Tryggelin records the scene with remarkable immediacy, capturing the fleeting at...

Erik Tryggelin (1878–1962) Sweden View over Lake Vättern from Vadstena, 29–30 August 1943 signed and dated lower right oil on canvas laid on masonite unframed 15 × 20 cm (5.9 ...

Erik Tryggelin (1878–1962) Sweden Sunset with Fisherman, 19–20 October 1930 signed and dated lower right E. Tryggelin 20/10 1930 inscribed lower left 19/10 oil on canvas laid on ma...

Erik Tryggelin (1878–1962) Sweden Sunlight Breaking Through Clouds over Lake Vättern, Vadstena, 17–18 August 1948 signed and dated lower right E. Tryggelin 18/8 1948 inscribed Vads...

This painting from early October 1927 captures the shifting colours of sunset over Lake Vättern as seen from the historic town of Vadstena. The composition is remarkably direct and f...

Very well executed oil on masonite painting of a sunset in Topeka, Kansas by the American artist, Pauline Haynes Shirer. Signed lower right. Circa 1950. Condition is excellent. Recently professionally cleaned. Newly framed in a custom gallery frame. Overall framed measurements are 17.5 by 20.5 inches. Provenance: A Long Island, New York collector. Pauline Haynes Shirer (1894 - 1975), American Born in Topeka in 1894, Pauline is said to have been at least partially raised by her aunt, Hannah Haynes Headlee (Pauline’s mother died when she was 8 years old). By 16, she was living as a ward in the Topeka home of Elizabeth Cunningham, a dressmaker. After graduating from Topeka High School, she attended the New York School of Fine and Applied Art (later Parsons School of Design), completing a two-year course in one year (1913-1914). At the same time, she took weekend classes at the Art Students League. Returning to Topeka, she studied and taught at Washburn College (now University) from 1914 to 1915 and instructed summer sessions at Kansas State Teachers College, Pittsburgh, during the same period. Afterward, she returned to the New York School of Fine and Applied Art, where she taught and took classes (1915-1918). She spent the summer of 1916 as an instructor at the Skidmore School of Art, Saratoga Springs, New York. In 1917, Pauline married Hampton F. Shirer, an architect from MIT, who was also an artist and came from a prominent Topeka family. The couple later settled in Wellesley, Massachusetts in 1921, living in a house which they built and decorated themselves. During the next 16 years, they raised two children and Pauline also found time to illustrate promotional brochures and primary school texts. During the early years of her career, Pauline focused on the applied arts – such as watercolor designs for curtains, silk fabrics, wallpaper as well as poster designs, theater backdrops and book covers. Later she would transition into creating her own representational works of art. Shirer returned to Topeka in 1937. During her career as a painter in oils and watercolors, she sketched in Europe four times and did paintings of New England subjects. However, most of her paintings were of the West. She executed Kansas views first, and they continued to hold her interest throughout her life. Typical were her studies of rustic buildings on the plains, glimpses of the prairie country, and the historic buildings of Topeka. She also painted New Mexico landscapes and Colorado mountain scenes. Among her exhibitions, mostly solo but occasionally with her husband, were those held at the Harlow and Harland’s Gallery, Boston (1922); The Scattery, Wellesley, MA (1925); Vose Galleries, Boston (1931); Topeka Art Guild (1952); Copley Society...