Furniture

Venetian School, first third of the seventeenth century
Presumed Portrait of Paolo Giordano II Orsini, Duke of Bracciano (1591–1656)
Oil on canvas; contemporary carved and giltwood f...

Workshop of Justus Sustermans (Antwerp, 1597 – Florence, 1681) Portrait of Ferdinand II de' Medici, Grand Duke of Tuscany Oil on canvas, 77 x 63 cm
 Inventory number on the reverse: ...

Roman portrait of a young North African Man Middle of the 3rd century 27 x 19 x 20 cm Marble on a modern stand Provenance : Collection of M. G. (1936), a French collector and writer...

Roman School ANTINOUS Hadrian villa’s type Marble Rome, 19th Century After the Antique, Rome: Vatican Museums, Pio-Clementino Museum, Sala rotonda 9,Inv. No. 251 Provenance: Priva...

Twisted Cloister Column with Crocket Capital 
Italy, 14th Century
 127 × 29 × 27 cm This refined white marble column is a distinguished example of Italian Gothic architectural sculp...

MICHEL RICO (b. 1946)
Untitled, 1979
 Welded bronze proof with nuanced patina
 Signed and dated on the reverse
 Mounted on a natural wood base
 50 x 36 x 10 cm This circular sculptu...

Saint John the Baptist Central Italy, 16th century Carved limestone, traces of polychromy H 43,5 x L 24 x P 15 This remarkable carved limestone sculpture depicts Saint John the Bap...

Young Boy - after Charles-Antoine Bridan Italy, 19th Century Marble H 57 cm x W 18 cm x D 15.5 cm This delightful Carrara marble sculpture depicts a young boy playfully holding a bi...

Fragment of an Inscribed Stone
 France, 15th century
 Limestone
 14 × 24.5 × 5 cm This evocative limestone fragment preserves the refined vestiges of a Gothic inscription carved in ...

Dragon relief Limestone architectonic fragment North of France, 14th century 13 x 38 x 16 cm This finely grained limestone block is carved in low relief with a dragon in motion, r...

Trilobed Gable with Plain Copings
 France, 14th–15th century
 Limestone 26 x 38 x 14 cm Architectural fragment in limestone, comprising a triangular gable with plain copings, distin...

Renaissance Fragment: The Grotesque Candelabrum
 Italy, 16th century
 Marble 29 x 21 x 12,5 cm This fragment of a white marble pilaster constitutes a remarkable testament to the orn...

Rare architectural Corbel with Foliate Mask known as "Green Man" France, 14th century Limestone 16 x 35 x 12 cm Architectural fragment in grey limestone, featuring a relief anthropo...

Arm Holding a Shield Spain, 17th century Wood 18 x 47 x 15 cm This remarkable fragment depicts a right arm grasping a shield, most likely detached from a monumental figure of a knig...

Gothic Armorial Shield with Rampant Lion
White veined marble · Tuscany, probably Pisa · first half of the 14th century 26 x 24 x 12 cm This panel of white veined marble is carved in...

Covered Pot with Gadrooned Decoration Green marble, bronze Venice, 16th century Height: 26 cm; Diameter: 21.5 cm. An elegant covered pot carved from richly veined green marble, char...

Ancient red porphyry is a magmatic effusive lithotype characterized by a Bordeaux-red color, composed of a cryptocrystalline matrix in which floating phenocrysts of pale pinkish whit...

Ancient red porphyry is a magmatic effusive lithotype characterized by a Bordeaux-red color, composed of a cryptocrystalline matrix in which floating phenocrysts of pale pinkish whit...

Pair of Renaissance Alabaster Columns Attributed to Cornelis Floris de Vriendt Flemish, Mid-16th Century 
Alabaster 
H: 27 cm; D: 10 cm This refined pair of all’antica alabaster col...

Head of a Holy Woman 
Burgundy, c. 15th century
 Stone (limestone) H 21 x L 16,5 x P 14 This fragmentary head is a poignant testament to Burgundian sculpture of the fifteenth centur...

Gothic Corbel France, 15th century limestone 36 x 44 x 45 cm This imposing culot, carved in stone and dating from the fifteenth century, exemplifies the expressive vitality and imag...

Fragments from a Large Relief of Saint Hubert and the Stag
 Northern France, c. 1400–1420 
Limestone 
56 × 42 x 16 cm and 56 x 37 × 16 cm These finely carved fragments—showing a ric...

The Good and the Bad Thief Brabantine workshop, c. 1480–1490
 Carved walnut with traces of polychromy
 56 x 42 x 11 cm 58 x 43 x 11 xm Provenance: 
Formerly in the collection of Ca...

Antonio Domenico Gabbiani (Florence 1652 – 1726) Portrait of a Nobleman Oil on canvas
 89 × 52.5 cm This refined half-length portrait exemplifies Antonio Domenico Gabbiani’s mature ...

Saint Crispin
Loire Valley, 16th century
tuffeau stone Height: 67 cm Provenance: Private French collection since the 1960s This fragmentary limestone sculpture represents Saint Cris...

Capital decorated with foliage and grapes France, 13th century Limestone 33 x 39 x 35 cm This 13th-century French capital, carved in a pale limestone, has a broad, slightly flaring...

Sleeping Eros Rome, 16th century
 Carrara marble, on a wooden base
 of an ancient collection 31 × 44 x 17 cm Carved from a fine block of Carrara marble, this sculpture depicts Eros ...

Marble Helmet
 France, 17th century
 Marble
 25 × 27 × 18 cm This finely carved marble helmet, adorned with a grotesque mask, exemplifies the 17th-century fascination with antique-i...

Hispano-Moresque Mudéjar Bone-Inlaid Walnut Chest
 Spain, 16th–17th century 
Walnut, bone inlay, iron fittings
 44.5 × 30.5 × 18 cm This rectangular walnut chest, richly ornamented ...

Decorative Carved Panel France, 19th Century 15,5 x L 30,5 x 3 cm Carved in richly grained wood, this 19th-century decorative panel draws direct inspiration from Renaissance ornamen...

Large carved stone rosette France, 18th century Diameter: 29.5 cm This carved rosette likely adorned a ceiling. This rounded vault key exhibits a delicately crafted decor, with deep...

Renaissance Harpy bronze Italy, 16th century 15 x 12 x 5,5 cm This expressive bronze figure represents a harpy, a mythological creature with the body of a bird and the head and tor...

Study of a Satyr Bronze, cast using the lost-wax (cire perdue) method Italy, early 19th century 14 x 7 x 10 cm This evocative bronze sculpture represents a satyr, the half-human, h...

Rare and Large Imperial Black Porphyry architectural fragment partially polished, 23,5 x 15 x 12 cm Porfido Nero is a rare Black Variety of Imperial Porphyry from Gebel Dokhan (th...

Small reclining lion in finely chased bronze Italy, 15th century Traces of gilding H 4,8 x L 6 x P 2 cm Delicately worked bronze depicting a lion in repose, characteristic of early ...

AFTER A MODEL BY GIAMBOLOGNA (1529–1608)
 Pacing Bull
17th century
 Bronze, on an ebonised wood base H totale 15 x L 11,5 x P 8,2 cm Since antiquity, the bull has been venerated as ...

Italian School, 18th century Pacing Horse Bronze with brown patina, on a rectangular marble base H 8 x L 8,5 x P 3 cm H totale 11 cm

Circle of Pierpaolo and Jacobello Dalle Masegne (Venice, late 14th century) San Bartolomeo high relief 'en applique' white marble 52 x 30 x 14 cm Provenance : Collection South of...

Renaissance Winged Cherub Relief
Florence, Second Half of the 15th Century
Stone with traces of polychromy Provenance: Important private collection, Northern Italy This exceptional...

Bacchus 
Southern Italy, late 17th century
 Alabaster Sculpture
 H: 20 cm A finely carved 17th-century alabaster sculpture of a naked Bacchus. This Italian alabaster figure depicts ...

Followers of Jean de la Huerta, Jean de Blany ? Saint Jerome Limestone Burgundy, second half of the15th century 60,5 cm ALR Ref : S00248050 This exquisite sculpture of Saint Jerome, carved from soft, nearly white limestone typical of eastern France, exemplifies the exceptional craftsmanship of 15th-century Burgundian art. The figure of Saint Jerome, a key figure in Christian history renowned for translating the Bible into Latin, is depicted wearing a cardinal’s hat and holding the Vulgate Bible...

Veneto- Saracenic candlestick Engraved bronze 15th century 12,5 x 6,2 cm This rare candlestick exemplify exquisite craftsmanship, featuring a bell-shaped base with a flared foot ado...

Veneto- Saracenic candlestick Engraved bronze 15th century 13 x 8,5 cm This rare candlestick exemplify exquisite craftsmanship, featuring a bell-shaped base with a flared foot adorn...

Roman Lion's Protome Sandstone Gallo-Roman, 2nd century AD - 3rd century Provenance : Private Collection Prof. Giesen (Konstanz on Bodensee), pré 1945 Most likely from the Chateau a...

Rare Canaanite Anthropoid Coffin Lid Terra Cotta 12th – 10th Century BC Provenance: Public Auction Paris (2022) Private Collection F. Antonovich (Paris – 1980s) Art Loss Register...

Rare Bronzes Depicting two Figures in Turkish Attire Possibly Suleiman the Magnificent at two different ages bronzes, alabaster bases Venice, early 17th century 19,5 x 6 x 5 cm These two rare bronze statuettes represent two figures dressed in elaborate "Turkish" attire. They are mounted on alabaster bases with bronze reliefs—one featuring the winged lion of Venice, and the other possibly symbolizing Turkey with a wolf depiction. One figure wears a grand külah, a spherical turban with a cone top, signifying royal authority, while the other has a wrapped turban, denoting rank and religious identity. Their garments are richly detailed with intricate engravings, suggesting luxurious fabrics of the Ottoman court. The statuettes may represent Suleiman the Magnificent at two different stages of life, as both young and old. The sultan depicted alongside the winged lion corresponds to a description from a Venetian delegate in 1534, when Suleiman was 43. At that time, he had conquered Iraq from the Safavids and achieved a decisive victory over the Papal fleet at the Battle of Preveza. He was described as having large eyes, an aquiline nose, and long red mustaches—traits visible in Cristofano dell'Altissimo’s portrait of Suleiman in the Uffizi Gallery in Florence. Unlike Mehmed II, who commissioned portraits by European artists for diplomatic purposes, Suleiman did not directly order such representations. Instead, his likeness spread through works by artists like Albrecht Dürer, based on sketches made by diplomats. Following his capture of Belgrade in 1521, his victory over Hungary in 1526, and his siege of Vienna...

Circle of Pietro Cavallini (Rome, 1250–1330)
 St. Bartholomew
 Fresco transferred onto canvas Umbria, 14th century
66.5 x 40 cm Provenance: Collection of Raymond Van Marle (The Hagu...

Head of a crowned Virgin Lorraine, first half of 14th century. H26 x 14 x 14 cm Provenance : - Private Collection, Paris France (1960) Private Collection Tuscany, Italy (1980) Ex...

Bolognese School of the 16th Century Mummy of Saint Catherine of Bologna
Oil on Panel 20,5 x 7 x 0,8 cm This rare painting depicts Saint Catherine of Bologna as a mummy, housed in a ...

Kapati Textile
Byzantine Period; 4th–5th Century C.E.
Materials: Plant and Animal Fibers, Wool 9,5 x 9,5 cm This woolen fabric is woven in the traditional Coptic Kapati style, characteristic of Egypt during the Christian era. The name "Kapati" refers to the Copts of Egypt and describes a weaving technique that does not use embroidery or printing. It is said that Al-Muqawqis, the governor of Egypt, offered the Prophet garments made from Kapati fabric. At the 1900 Exposition Universelle in Paris, the French archaeologist Albert Gayet showcased the results of his excavations from the winter of 1898-1899. Around one hundred Coptic textiles and fragments were displayed at the Palais du Costume. Their aesthetic generated considerable enthusiasm, particularly among artists like Auguste Rodin and Henri Matisse. This led to a "Coptomania," which, among other things, influenced fashion designers. The square fragment features black decoration on a beige background; the two squares at the center are separated by scalloped edges, from which hang various ornaments or geometric motifs. At the center of the fragment is an image of a dancing figure surrounded by geometric decorations. This piece dates back to a time when ancient...

Christ
 Umbria, Orvieto?
 Second half of the 15th century
 77 x 16.5 cm

Vittorio Amadio (Italy, 1934) African Masks Acrylic on canvas Signed on the back, 2004 30 x 40 cm Authenticity certificate Vittorio Amadio experiments with non-form as an essenti...

17th century apothecary's ivory mortar Apothecary's ivory mortar 9 Indo-Portuguese 17th century Cites certificate number IT/CE/2023/MI/01108 11 x 9,5 cm

Child Jesus Polychrome and gilded wood Umbria, first half of the 16th century H 40 cm Entirely naked, the Child is standing, leaning on his left leg, his right leg forward; he keep...

Walnut Table "a lira" - Tuscany, XVII century Table “a lira” Walnut Tuscany, XVIIth century 71 X 90 X 49,5 cm Beautiful patina.

Large apothecary's ivory mortar Indo-Portuguese 17th century 16,7 x 10,4 cm Cites certificate number 2022/BE01446/CE

Renaissance relief depicting two female figures dressed in a chiton Italy, probably Rome, 16th century Marble, wooden frame (provenance label on the back) 28 x 20 x 5 cm This beau...

large 17th century turned apothecary's ivory mortar and pestle Germany 17th century Cites certificate number IT/CE/2023/MI/01110 18,6 x 7 cm ; pestl...

Paolo di Giovanni Sogliani (Florence 1455-1522) Processional Cross Florence, around 1515 Enameled, chiseled, engraved, stippled, and gilded copper; wooden core ; Inscription: "OPA...

Vintage Coat rack and umbrella stand in leather and steel with integrated light Leather and steel Italy, ’70 172 x 42 x 41 cm The coat rack features 5 hooks and space for storing um...