Ming Ceramics

A Chinese stoneware day bed model circa Ming dynasty (15th-17th century). The miniature models were traditionally made as burial offering objects. Pottery models of daily life necess...

Lovely and rare Chinese porcelain plate from the early 17th century. Central scene of the well known Shou Lao, God of Longevity, flying on a crane among the clouds. In the front of him are the 8...

This elegant ceramic vessel is a Ming-dynasty (1368-1644) bottle originally used for storing oil or sauces. Dated to the 15th/16th century, the bottle has a gracefully curved form kn...

The Ming period or Great Ming Period is the last Han ruled dynasty in Chinese history. Considers a high mark culturally and influenced by great events at ho...

A very nicely and rare decorated plate. Transitional / Early Qing, late 17th century. Decorated with lotus pond Condition 1 line, 2 small glaze line to rim (1 only visible out...

A very nicely decorated plate. Late Ming. Boys playing For similar examples of this listing see: S. Marchant & Son (2008). Ming Porcelain for the Japanese Market: ko-sometsuke ...

A very nicely decorated plate. Late Ming. Condition: 2 line and rimfritting/mushikui. Size: 146 x 30mm Period: 17th century transitional (1620-1661).

A very nicely decorated plate with a rare size 14-11-18-1-1 Condition Overall condition a (Good) lots of rimfrits as to be expected from this type of kraak porcelain. ...

Chinese Jin Dynasty 12th Century Cizhou Ware Crouching Tiger Pottery Pillow .Tiger pillow, Jin dynasty, 12th century (circa 1150) The pillow is assembled ...

A Chinese Deep Brown Glazed Footed Bowl, 15th Century Provenance: The Collection of Dr. John Yu AC Dimension: Height: 7.3 cm. Dimension: 15.5 cm Dr. Yu was the Founding Chair of V...

A stoneware shrine model with a figurine made in Ming dynasty (15th-17th century) in China and used as funeral burial objects. It is not known whether the two objects were originally associated, but they display similar glaze and oxidation and were in the same collection. The stoneware building is an architectural rendering of a typical ancestor shrine used at the time. It features a single room behind an elaborate front with double doors, under a multiple layered eaves. There are great architectural and decorative details throughout. The green glaze shows a wonderful silvery oxidation, an indication that the piece was buried in the ground. The side appears to be glazed lightly originally and some scrape marks and oxidized glaze residues remains. The back is unglazed. The figure is a typical tomb figurine...

A pair of Chinese stoneware horseshoe cross chairs circa Ming dynasty (15th-17th century). The miniature models were traditionally made as burial offeri...

This Ming-dynasty (1368-1644) bowl is attributed to the kilns of Yunnan province, painted in dark cobalt underglaze with floral motifs and sweeping brushstrokes. Dated to the 15th/16...

This petite ceramic vessel is a Ming-dynasty (1368-1644) bottle originally used for storing cooking oil or condiments. Dated to the 15th/16th century, the bottle has a gracefully cur...

A stoneware figure depicting a seated armored warrior with a striking pose circa 15th-17th century. He is likely one of the four heavenly kings, th...

This elegant ceramic vessel is a Ming-dynasty (1368-1644) bottle originally used for storing oil or sauces. Dated to the 15th/16th century, the small bottle has a gracefully curved f...

A large Chinese Ming Dynasty polychrome porcelain dish, circa 1620. Late Ming Dynasty. Painted in turquoise, black and red enamels with a central 'Split Pagoda' pattern scene, the cavetto with four landscape vignettes alternating with stylised seals. Many Mid-Century studio potters were inspired by the shapes and designs of ancient Chinese and Ming pottery. We believe this dish is a good example of this, which is why it will fit with both antique and modern interiors, making it the perfect cross-collecting piece. See Bonhams Lot 168 from Asian Art sale...

Lovely plate great scene of a monk Marked at base. Condition 1 line to rim and some rimfritting/mushikui. 2 firing flaws in base, 1 next to rim and 1 in circle. Size: 188 x 23...

Impressive Funeral Ensamble of 10 Terracotta Glazed Figures in green and caramel colors depicting a votive procession with a palanquin, his four carriers, a horse, a stableman, two musicians, and an offering carrier. This ensemble is accompanied by a Certificate of Authenticity, and Certificate of Expertise by Jean-Yves Nathan - Specialist in Asian Arts for the CEDEA (The European Confederation of Art Experts). Burial figurines of graceful dancers, mystical beasts, and everyday objects reveal both how people in early China approached death and how they lived. Since people viewed the afterlife as an extension of worldly life, these figurines, called mingqi, sometimes referred as “spirit utensils” or “vessels of ghosts” disclose details of routine existence and provide insights into belief systems over a thousand-year period. The Ming dynasty was the ruling dynasty of China – then known as the Empire of the Great Ming – for 276 years (1368–1644 AD). Founded by Chu Yuan-chang, the rebel leader that was successful in removing the mongols from the throne. Chinese control was re-asserted in China and eastern Asia. Literature became more important, schools were created, and the justice system was reformed. The Ming dynasty is described by some as "one of the greatest eras of orderly government and social stability in human history,” was the last imperial dynasty in China ruled by ethnic Han Chinese. The practice of burying ceramic objects with the deceased went into decline from the 10th to the 14th Century AD. There was a revival in placing miniature representations of glazed terracotta objects such a furniture, food offerings, horses, miniature statues...