Chinese Metalwork

Antique Large Chinese Cloisonné Enamel Round Lidded Box on Fitted Wood Stand, depicting floral patterns. 10" in diameter n 6" in height, wood stand is 2 12" high.

Pair Chinese cloisonne enameled vases, each 26 inches tall and 16 inches across, depicting exotic birds, foliage and flowers.

FREE WORLDWIDE SHIPPING Chinese cloisonné enamel bottle vase attributed to Lao Tian Li (老天利製), dating to circa 1920. The vase is of wide flattened bottle...

Chinese Archaistic gilt bronze ritual bell with raised panthers on the sides, a stylized mask on front and back, incised and relief geometric decoration. With a wonderful verdigris p...

Presenting a very large and beautiful Chinese cloisonné enamel egg with intricated patterns made by hand seating on a wood stand, early 20 century. It's measured about 17" x 10" with...

Presenting a very large and beautiful Chinese cloisonné enamel egg with intricated patterns made by hand seating on a wood stand, early 20 century. It's measured about 16.5" x 10" wi...

This is a very good antique Chinese foo or lion dog sculpture, sometimes called a temple lions, made of bronze, with excellent detail, dating to the 19th century, Qing period or poss...

A fine & rare antique Imperial Chinese Qing dynasty solid gold & cloisonne enamel snuff bottle, Qianlong mark & period, 1736-1795, tests as 16k gold. It is rare to find a cloisonné e...

Presenting a pair of huge and beautiful Chinese cloisonné enamel eggs with intricated patterns of hundred butterflies made by hand seating on a wood stand, from the early 20 century....

An exceptional palatial quality pair of 19th century Chinese cloisonné Fu dogs featuring gold gilding over copper. Chinese cloisonné o...

Quality work, large pair of Chinese bronze cloisonné enameled vases depicting the scene of florals on a yellow ground with vivid colors of green, red, blue, and white. The items are ...

Antique Chinese cloisonné enamel round box with lid depicting floral patterns. A white base tone and colorful floral all around, from the 19th century.

A vintage Russian Orthodox silver-tone priest's cross. The front side is decorated with a relief depiction of Jesus Christ. Inscription in Church Slavo...

A Monumental Gilt-Lacquered Bronze Ornamental Buddha Sculpture of Vajravidarana: A Masterpiece of Sino-Tibetan Craftsmanship, Late 19th Century, Qing Dynasty This monumental gilt-lacquered bronze ornamental sculpture of Vajravidarana is an extraordinary and commanding piece of art, showcasing the pinnacle of Sino-Tibetan craftsmanship from the late 19th century. The figure of Vajravidarana, a powerful purification deity in Tibetan Buddhism, is meticulously sculpted to embody both spiritual authority and artistic excellence. Vajravidarana is primarily known for his role in removing spiritual impurities and negativities. Unlike other deities associated with wisdom or compassion, Vajravidarana’s function is centered on purification and healing. He is typically depicted holding a vajra and a bell, symbolizing the cutting away of delusions and the resonance of divine truth. In this striking sculpture, Vajravidarana is shown holding a vishva vajra (the double vajra), a unique and powerful variation of the traditional iconography, which signifies ultimate protection and the dispelling of negative karma. Vajravidarana: The Supreme Purifier and Protector Vajravidarana is revered in Tibetan Buddhism as the deity of spiritual purification, called upon to cleanse practitioners of defilements and negative influences. His vajra represents the indestructibility of truth, while his bell signifies the wisdom that resonates through purification rituals. In this sculpture, the presence of the vishva vajra, or double vajra, enhances his association with supreme protection, ensuring the destruction of all spiritual obstacles and afflictions. The figure’s powerful yet composed expression conveys a sense of unwavering resolve and divine authority. His posture, along with the carefully sculpted details of his robes and ornaments, highlights his function as a guardian against impurity. The inclusion of the vishva vajra rather than the usual single vajra reinforces his role as a supreme protector, capable of dispelling all forms of negativity and restoring balance. Symbolism of the Mantras and Aureole: Unlike deities that embody wisdom through duality, Vajravidarana’s iconography is centered on purification and exorcism. The aureole surrounding him is inscribed with sacred purification mantras rather than depictions of a consort. These mantras emphasize his function as a remover of obstacles and impurities, reinforcing his role in Buddhist healing rituals. The presence of the sacred inscriptions elevates the sculpture’s spiritual significance, making it a focal point for meditation and ritual purification. Practitioners often visualize Vajravidarana radiating purifying light, dissolving afflictions and negative karma. This theme is mirrored in the sculptural repetition of the purification symbols on the aureole, reinforcing the deity’s role as a divine cleanser. Gilt-Lacquered Bronze: The Artistry of Sino-Tibetan Metalwork: The craftsmanship of this monumental figure reflects the expertise of late 19th-century Sino-Tibetan metalwork, where traditional Tibetan themes were infused with Chinese artistic sensibilities. Cast in bronze and finished with a rich gilt lacquer, the statue has an otherworldly glow, giving it an ethereal, almost divine presence. The gilding process—applied with exceptional skill—gives the sculpture a striking luminosity that enhances the fine details of the facial features, flowing robes, jewelry, and other elements of the deity’s attire. The technique employed to create this figure speaks to the high level of craftsmanship that flourished during the late Qing Dynasty and early modern Tibetan art. The ornate details of the robes and the fine texture of the sculpture highlight the exceptional skill of the artisans who brought this work to life. The use of gold and lacquer not only reflects the preciousness of the sculpture but also its spiritual significance as an object meant to inspire reverence and meditation. An Ornamental Sculpture of Monumental Scale: Unlike smaller devotional objects, this sculpture is designed as an ornamental masterpiece, intended to make a grand visual and spiritual statement. Its monumental size allows it to dominate any space, offering a commanding presence that is both physically and symbolically impressive. In Buddhist practice, large sculptures of this nature are often placed in temples or meditation halls, where their imposing size and serene presence would encourage contemplation and devotion. The grand scale of the statue further amplifies the spiritual power it is meant to convey. As a representation of Vajravidarana, it is not only a physical object of beauty but also a conduit for meditation, purification, and enlightenment. The scale of the sculpture also emphasizes the divine stature of the deity, highlighting his importance in the Buddhist tradition as the ultimate force for spiritual cleansing and protection. Provenance: Acquired in China in circa 1900 1905 Private Buddhist Temple, Northeast, USA Private Sale Solomon Treasure...

A fine Chinese Export silver cup. By Wang Hing. In .900 silver. With floral repousse decoration to the entire exterior of the cup. With a script 'B' monogram to the base. Fully marked to the base. Simply a wonderful Chinese silver cup...

Chinese Cloisonné Bowl Carved Gem Stone/ Serpentine Medallion & Ring Handles China, Later 20th Century An exquisite Chinese cloisonné bowl from the 20th ce...

This slender metal container is a 19th-century white brass incense burner, used for storing and burning incense sticks. The small box has a rectangular form and a removable sliding t...

A Chinese Cloisonne Tray with Qianlong Mark, Early 20th Century Home decor, Interior design and collectibles. Provenance: Private Victoria Collection. ...

Large Chinese Cloisonne enamel bowl, Qing Dynasty Exceptional and finely decorated Chinese cloisonne punch bowl with gilt metal foot and rim. The bowl has slightly flaring sides ...

Chinese Export Silver and Enameled Articulated Carp on Lotus and Wave Stand, Circa 1900 Consisting of four pieces 1. The Carp (Yu 鱼) Form & Technique: The carp is constructed of mu...

This pair of antique cloisonne vases originate from China during the Early Republic period and done in the Chinese Export style. These vases are...

Presenting a supper large and beautiful Chinese cloisonné enamel egg with intricated patterns of "hundred birds" made by hand seating on a tripod bronze stand, from the Mid-20th Cent...

This is charming Chinese Export Silver Overlay small decanter that could be used as either a cologne bottle or aperitif decanter. The beautifully detailed reticulated Cherry Blossom design of the sterling (marked 950) overlay is finely cast and hand etched with all elements firmly fitted to the Pinch...

A ruyi (Chinese: 如意; pinyin: Rúyì; lit. 'as desired', 'as [you] wish') is a Chinese curved decorative object that serves as either a ceremonial scepter in Chinese Buddhism or a talis...

Antique Chinese Silvery bronze lobed “Beast and Birds” Mirror, Tang Dynasty. The eight-foliated barbed form having a a center cast relief knop in a four legged Beast form surrounded ...

Chinese patinated bronze censer with fine cloisonne inlaid enamel designs of a red dragon on imperial yellow ground in the Kangxi dynasty style measuring 16 by 19 by 12.5 inches and ...

This fantastic pair of etched brass hooks recreates those used throughout the Qing dynasty to hold open the gauzy curtains of traditional canopy beds. Each of the large hooks is affixed to an etching of the Daoist immortal Liu Hai and his animal companion, the three-legged Money Toad. Known as Jin Chan...

These are an excellent matching pair of large antique Chinese Foo or lion dog sculptures, sometimes called temple lions or Shishi, made of bronze with fine detail, originally hand enameled and gilded dating to the 19th century, Qing period or earlier. These are a very beautiful matching pair of large Bronze Chinese...

A finely crafted perfume burner in copper alloy with cloisonné enamel decoration. The vessel is adorned with polychrome depictions of playful children amidst flowering foliage, frame...

Designed to hold burning incense, censer bowls have been used throughout China for thousands of years. Incense made from dried aromatic plants and essential oils would be burned with...

A Chinese Bronze Tripod Censer with Mark, 19th Century Description: A bulbous body, three short legs, and two upright handles. It is a heavy, cast bronze object with a dark, mottled...

Chinese bronze vase with decoration in the Archaistic style and dragon mythical beast loop handles.

Pair of vintage Asian bronze incense burners A pair of bronze censers with lids, handles, and knobs as mythological animals, China circa 1...

A Chinese Bronze Cloisonné Enamel Incense Burner with Mark, Late 19th Century Description: A square censer supported by four feet and topped with two "rope" style vertical handles. ...

A Large Chinese Cloisonne Enamel Filigree and Gilt Boat with Wood Base The sails with colorful enameled birds, resting on a conforming carved ...

A beautifully decorated Chinese late Qing-dynasty (1644–1911) hot water bottle, originally used to heat a bed or warm the body. This piece is made of brass (it could be bronze but w...

A pair of beautiful bronze warrior motif knockers. The mythical warrior has large bulging eyes above wide open mouth. Curly hair surrounding the face, repeated in the eye brows which flanks the prominent forehead. Heavy cheekbones echoes the forehead, highlighting his masculine feature. Antiqued finish with mellow gold patina. Fantastic as door knockers or hand towel rings...

A fine Gong Set including Bronze Gong (27.5” diameter by 1.5” deep) , Padded Mallet and Stand. The Stand is very well made with excellent traditional Asian form and intricate base ...

Bronze Rectangular Censer with Base, Marked “Qin Shu Lu” A bronze rectangular censer with single side handle, resting on a tiered bronze base with small corner feet. The piece has a...

These rare tables have a spectacular presence due to their grand size and intricate work. Cloisonné, derived from the French word “enclosed” is an ancient technique of decorating met...

A Chinese Cloisonné Enamel Tripod Censer with Mark, 20th Century Description: Featured with a tripod form, standing on three feet. The body is decorated with vibrant enamel floral a...

18th Century Chinese bronze duck incense burner, Qing period Please note that one foot is missing, broken off, see detailed image.  

A Chinese enamel over brass vase. The vase has a globular shaped body and a tall neck. Adorned with polychrome enamel in foliage and geometric motifs made in the Cloisonne technique....

Antique Japanese Cloisonné Enamel Footed Tray A delicate technic and patient skill creating a Duck in the center and floral with leaves. The back also decorated with full circle pat...

A fine antique Chinese cloisonne enamel tankard. In a tapering cylindrical form with an ear-shaped gilt bronze handle. The body decorated with stylized lotuses on a yellow ground a...

A Chinese antique handbell made of copper alloy. I think it is from the late Qing dynasty to the end of the Qing dynasty. Although it is a casting, ...

A fine signed antique Chinese silver box. In solid silver. By Yang Qing He of Shanghai, active in the late 19th Century. Engraved to both the body and the lid with a dragon and a ...

A massive Chinese blue cloisonné vase or urn depicting a colorful imperial phoenix with gilt bronze wires among birds and butterflies in an imperia...

A pair of large antique Chinese cloisonne enamel crane figurines with long necks and legs. The bodies of the cranes and their bases are decorated with foliage patterns and dragon ima...

A stylish and heavily made antique Chinese Qing (1644-1911) twin handled bronze tripod censer dating from the 18/19th century. The censer stands raised on three simply formed legs wh...

A charming trio of antique Chinese miniature solid bronze incense burners, each displaying a distinct traditional form inspired by ancient ri...

Quality work, a large Chinese Cloisonné Hat Vase depicting floral patterns all around the entire vase with vivid colors of yellow, green, red, blue, brown, red, and cyan base. Qianlo...

Presenting a beautiful Chinese cloisonné enamel egg depicting flowers and birds with wood stands, early 20 century.

Sweet little Chinese export brass box with beautiful floral etched designs, looks like peonies to me. With a lovely white jade top carved in fretwork with a vase framed by the flower...

20th Century Chinese Elaborate Gilt Cloisonné Foo Dog Censor A stunning 20th Century Chinese Elaborate Gilt Cloisonné Foo Dog Censor, a masterwork of later craftsmanship. This exqu...

Chinese Export Silver Card Case, circa 1890, embossed and chased with a dragon among clouds on one side, featuring a single vacant shield-shaped cartouche; the reverse decorated with...

A fine pair antique Chinese Qing cloisonne standing Kylin Dragon figures with fine enamel detailing dating from the latter 19th century or possibly earlier. The standing figures have...

peach motif on blue ground

A large Chinese cloisonné enamel incense burner modeled as a caparisoned elephant on a stepped octagonal base, circa 1880. The body is worked in turquoise ground cloisonné with repea...

This fine old urn cast as an honorific nod to the ancient past of China was made circa 1600-1650. The shape or Hue was a common and well-represented form in the Han dynasty in pottery and bronze. This urn shows thin casting to the walls with incorporated toe tia or facial masks...