Han Asian Art and Furniture

An Eastern Han Dynasty glazed terracotta funerary tower from Henan Province, China, created as a mingqi (spirit object) for an elite tomb burial. Architectural models of this type we...

China, Ancient Bronze “Money Tree” Yaoqian Shu with original pottery base, Han dynasty (25 BCE – 220 CE) Dimensions: 155cm, 62 inches high A sculpted terracotta pottery base in the form of a tortoise with attendants and inserted with five individual bronze pole segments with twenty four individual hanging bronze open work money “branches” attached in tiers, four per tier and topped with a figure of a bronze phoenix as apex most bearing varying degrees of malachite and azurite encrustation from ancient burial. Important Description Details: Pottery "tortoise" base: 14.5" high and 11" wide Bronze sections: 7pcs pole bronze sections approximately 8" length each 1pc top "phoenix" bronze section approximately 7" high and 6" wide 20 pcs long bronze hanging wings approximately 10" long and 5" wide each 4 pcs short bronze hanging wings (near top) approximately 7" long and 4" wide each Total 32 pcs with ancient green and blue azurite patina. Catalog reference: Schneible Fine arts catalog - 35 Years Collecting Treasures- Number 11p. 28 (see photos) Provenance: Provenance: Private family collection formerly exhibited “Asia Week” New York City, Fuller Building, Zabriskie Gallery, 2008. History of money trees: In the late Han Dynasty tombs...

Ovoid form escalating to a cylindrical neck with a flaring rim, adorned at the shoulder with three narrow grooved horizontal bands. Each side is equipped with an incised double-loop ...

A massive pottery pair of horses standing on all fours and striding with its right hoof forward. Extended snout ends in parted lips showing teeth beneath in a braying attitude. Low relief bridle on face and well defined eyes. Raised mane down back of the neck A fantastic example of the Wei dynasty horses. Large, exquisite walking Ferghana horses with great attention paid to anatomical detail were the choice of the wealthy. The horse was second only in importance to the dragon. It was supposed to possess magical powers which the early Chinese were eager to explore. It would be the horse that would carry the deceased to the next life and it would be the amount of horses that an individual owned that would guarantee his ongoing status in the hereafter. Thermoluminescence certificate from Madrid Labs included. In southern China, people turned to Daoism, and mingqi, as well as above-ground sculptures, became ever more infused with animal iconography and energized with dynamic lines. The north of China was eventually united by nomadic Tuoba invaders who founded the Northern Wei dynasty...

A Chinese Song Dynasty carved lotus ding bowl, of gently rounded conical profile, resting on a short narrow foot and sweeping to an elegantly everted rim, glazed overall with a rich ...

A pair of hand carved, large solid stone horse statues. The recumbent horses are crafted with two legs tucked under the body and tail flicked to o...

Western Han Dynasty, China, 206 BCE–8 CE Burnished black pottery jar known as a “Cocoon Jar,” representing one of the most distinctive ceramic forms of the Han Dynasty. Characterized...

China, a rare hand carved stone male figure from the Han dynasty (206 BCE-220 CE). Dimensions: 16 inches tall on its custom stand and and 6 inches wide Condition: old patina wi...

A rare and attractive Chinese bronze "garlic head" vase with an encrusted patina, Western Han Dynasty, 206 BC - 25 AD, China. Of classic form, the bronze vase is set on a short, s...

A pair of 20th century solid stone court lady statues. The full face is with long slender eyes under arched brows flanking a strong straight nose. Hair held...

This is a Korean large wood cabinet/chest. The cabinet has two drawers at the top with C-shaped iron handles and below it, there are 3 compartments....

Eastern Han Dynasty, Sichuan Province, China, 25–220 CE A Rare terracotta duck figure created as a mingqi funerary object during the Eastern Han Dynasty. Animal sculptures of this t...

Korean Earthenware Pedestal Vessel with a gray glaze, Three Kingdoms Period, 57 BC - 668 AD The circular body set on a pedestal foot carved with five rectangular apertures, the flare...

A vintage Han style bronze table lamp from the mid-20th century, with circular body, wired for the US. Created in Thailand during the mid-century period, this Han style vase...

China, a large votive model of a stone Ram Dimensions: 45cm, 18 inches high and 65cm, 26 inches length and 25cm, 10 inches wide A strongly conceived and...

A twentieth century Han dynasty style bronze recumbent horse with three legs tucked under the body and head slightly turned. The well incised mane gath...

Han Dynasty, China, 206 BCE–220 CE A Pair of finely painted terracotta horses created as mingqi funerary objects for an elite tomb during the Han Dynasty. These sculptures display th...

Han Dynasty, China, 206 BCE–220 CE Terracotta tripod ding vessel modeled after ancient Chinese ritual bronze forms. Raised on three sturdy legs and fitted with loop handles and a dom...

By the Western Han dynasty, basic household bowls, plates, basins, jars, etc. were produced in great quantity, not only for use in daily life, but also specifically for tombs as ming...

A fantastic Chinese Han Dynasty archaic bronze ritual wine vessel, hu, and cover, ex. Michael Goedhuis, Han Dynasty (206 BC - 220 AD), China. The archaic ritual bronze hu of typical...

A large and impressive solid high karat gold cuff from the Dian Kingdom, circa 2nd century BC, modern day Yunnan Province, China. . This striking cuff is crafted from hand hammered ...

This jar would have served as a mortuary object (mingqi), placed in a tomb as a substitute for the more valuable bronze and lacquer vessels. Along with a variety of other funerary earthenware objects, attendant figures, and animals, richly decorated vessels of this kind were intended to serve the spirit of the deceased in the afterlife. Period : Han dynasty Type : Jar Medium : Earthenware Dimension : 28.5 cm(Height) x 11cm(Mouth Diameter) Condition : Good(Overall in well-preserved ancient burial condition with some soil still adhering (showing minor abrasions and wear due to prolonged burial underground) Provenance : Acquired in late 1990s from Hongkong * Han Dynasty Earthenware...

A massive pottery horse with separately made head and tail, standing on all fours and striding with its right hoof forward. Extended snout ends in parted lips showing teeth beneath i...

A stunning and massive Chinese high fired gray pottery jar of remarkable size and girth, with impressed geometric design, Eastern Han Dynasty (25-220 AD), ...

Chicken-head celadon vessels are among the most distinctive and emblematic ceramic forms produced during the dynamic period spanning from the Han dynasty (206 BC–AD 220) through the ...

The vessel consists of a rounded cylindrical body, a gently curved upper section, and a small circular opening, suggesting that it was used for storing grain or valuable goods. Thre...

A sublime Chinese archaic bronze wine vessel, called a bianhu, Han Dynasty (206 BC - 220 AD), China. The bianhu with a flattened oblong body,...

A gorgeous and striking late Warring States (475 to 221 BC) or early Han Dynasty (221 to 206 BC) cast bronze and silver-decorated garlic head hu vessel. Of elegant bottle form, w...

A wonderful Han Dyansty (206 BC-200 AD) storage vessel. The circular body set upon three legs and fitted with a lid. The entirety covered in heavy leaded green glaze, imitating bronz...

This Han pottery figure of a foot soldier is molded and engraved with facial details. It has been fired at high temperatures. The color pigments are painte...

Han Dynasty, China, 206 BCE–220 CE Group of ten painted terracotta musician figures modeled as part of a ceremonial ensemble during the Han Dynasty. Created as mingqi funerary object...

Chicken-head ewers are among the most distinct and emblematic pottery pieces from the Han (206 BC ~ AD 220) to the Tang dynasties. Their production commenced during the Jin dynasty i...

Han Dynasty, China, 206 BCE–220 CE Painted terracotta model of a multi-level funerary structure, possibly a house or a pleasure house, for entertainment. It is populated with miniatu...

A Chinese Han style vase turned in to a tablelamp. Made from unglazed grey earthenware in a pot shape with subtle sandgrain patina. This vase has a grea...

Pottery figures of a mounted soldier and horse made from reddish-brown earthenware, constructed in a modular manner with the horse’s legs and tail, as well as the soldier’s hands, or...

The vessel’s plump ovoid body—rising from a low foot to a short neck with a flaring mouth—evokes the silkworm’s cocoon, a form that echoes the central role of sericulture in early Ch...

The dog faces forward, with clearly defined eyes that stand out. Its ears are slightly curled, giving the impression of a relaxed, natural stance. The collar around its neck, connect...

Han Equestrian This equestrian represents the standard of Western Han equestrian found in Yang Jiawan of Xian. The technique of making includes molding, engraving and cold painting....

Antique terracotta figures Han style from my private collection: collected about 35 years ago and never exibited to the public. One is very ancient, the other one is more recent. The prices are different, but an expert can understand the value. A certificate Oxford test would be needed: I don't have it, so I'm accepting offers: I want to close my activities and I have a beautiful Chinese collection, see the other ones published under my name enrica pasino.

Eastern Han Dynasty, Henan Province, China, 25–220 CE Glazed terracotta funerary tower created as a mingqi spirit object intended to accompany the deceased into the afterlife. Archit...

Eastern Han Dynasty, Sichuan Province, China, 25–220 CE Green-glazed terracotta model of a livestock enclosure created as a mingqi funerary object during the Eastern Han Dynasty. Det...

A Han dynasty green-glazed pottery vessel with a gently flaring rim and a stable high-footed base, covered overall in a green glaze. The exterior features motifs of deer, cicadas, an...

This artwork, acquired in Hong Kong during the 1990s, is presumed to have been produced in the same kiln from the Han dynasty, based on the head of the Sotheby's reference piece, which also originated from Hong Kong. Furthermore, given its almost identical shape to the piece from the Artemis Gallery...

The vessel has a rounded body rising to a tall neck, surmounted by a rare cover modeled in the form of mountain peaks. The entire surface is painted with layers of yellow, white and ...

The Boshan incense burner is particularly notable among Han dynasty incense burners for its unique shape. Designed to resemble a mountain or even a mythical mountain, it is characterized by its pointed peaks that rise upwards. These peaks often function as vents for the smoke, creating an effect reminiscent of a volcanic eruption. The body of the incense burner is typically round, with multiple small peaks surrounding a central, larger peak. The material used is mainly ceramic, although there are instances where they were made of bronze. It is presumed that this incense burner was used for religious or ceremonial purposes during its time. The colors of these burners are usually in shades of pale green or greyish brown, with the application of glaze to achieve a variety of colors on occasion. Such incense burners are often found in tombs or ritual sites, and their purpose was to burn incense for purification of space or to produce pleasant aromas. The Boshan incense burner also represents a significant cultural heritage, showcasing the craftsmanship and artistic values of the period. Today, it is considered a quintessential example of ancient Chinese art. Period : Han-Jin Dynasty Type : Incense Burner Medium : Yue celadon...

This terracotta goat characterized by stylized features common to the period. Such animal figures might have served ritualistic or religious purposes, ...

Chicken-head ewers are a distinctive ceramic form that developed during the Jin dynasty (265–420), originating in the southern Yue kilns of present-day Zhejiang province, and later s...

The modelled animal figures and landscapes of this piece represent the Daoist ideology of the Han dynasty. The mountain-shaped lid refers to the sacred dwellings of the immortals, th...

This Han pottery figure of a foot soldier is molded and engraved with facial details. It has been fired at high temperatures. The color pigments are painte...

A standing horse, back legs slightly apart and bent, tail erect, wearing a saddle with saddlecloth, and with bridal ornaments on forelock. This horse represents a breed from the Mong...

This Han Dynasty green-glazed dish exhibits significant signs of wear, indicative of its age and the long passage of time it has witnessed. The glaze, once vibrant, now shows substan...

The statuette shows traces of the original red, black, and white pigmentation. Ceramic statuette from the han Dynasty, depicting two court people, probably a musician. They are dress...

This pottery brazier, a burial artifact from the Han Dynasty, features quadrilateral sides that slope inward and a base with slits for ventilation. Each side is adorned with animal motifs and geometric patterns. The brazier stands...

This guardian figure represents a fusion of human and beast, a common motif symbolizing protection in Chinese lore. Crafted from pottery, the figure is a testament to the era's sculp...

19th century korean two part elm chest each finished off with brass adornments on a sleigh base. Composed of two parts Additional dimensions Measures: Height: 92cm I width: 77cm I...

An Eastern Han Dynasty terracotta model of an agricultural milling shed from Sichuan Province, China, dating 25–220 CE. Created as a mingqi funerary object, architectural models of t...

Western Han Dynasty, China, 206 BCE–220 CE Painted terracotta equestrian figure depicting a rider mounted on a sturdy horse with traces of original polychrome decoration remaining ac...

A tall and dramatic Chinese high fired gray pottery model of a standing lady wearing a hood and a flared skirt, Western Han Dynasty (202 BCE - 9 CE), Shaanxi, China. This striking ...

Han Dynasty, Sichuan Province, China, 206 BCE–220 CE Terracotta figure depicting a fish cook or food preparer, rendered with a lively expression and naturalistic posture characterist...

Chinese Painted Grey Earthenware Standing Female Tomb Figure, Western Han Dynasty. The tall slender court lady stands with knees and elbows slightly bent to reveal the hands, now lost with sockets remaining. The detachable rounded head has a delicately modeled face with small features and painted accents. The neck serves as an extended plug into the neckline of the hollow body ata slight cant as if eyes are downcast and bowing. The hair full at the hairline in form and painted black continuing on the back of the body on center to the waist. The body form of draped layers of long robes, crossing left over right over sloping shoulders with a stiff collar, deep full sleeves tied with a sash low on the waist and trumpet flared at the base, all outlined in red, white and black pigments. Custom black silk storage box in Chinese hinged lid style. Weight: 15.5 lbs. Western Han Dynasty 206 B.C. -  A.D. 9 Thermoluminescence testing of head and body with Bortolot Daybreak Corporation, Guilford, CT, 1989 sample #379A1. Date of firing 2300 +/- 600 years ago. Provenance: Upon Request For similar examples see: Oriental Ceramics, The World’s Great Collections, The Freer Gallery of Art, Washington D.C., Vol. 9, 1975, pl. 8 & 9. Mayuyama, Seventy Years, Vol. 1, 1976 p.53, pl.123 Sotheby’s New York, The Bernat Collection, November 1980, lot # 19. With hands covered and folded in front of the figure. Yutaka Mino and James Robinson, Beauty and Tranquility: The Eli Lilly...