Large Antique Bronze, The Lion of Senegal Attacking an Antelope-Delabrierre 1866

Lion Devouring an Antelope A fine bronze cast of a lion, representing the carnivore who has just killed an antelope, by Georges Gardet (1863-1939). An old cast with a dark brown sha...

ANTOINE-LOUIS BARYE French, 1795-1875 "Tigre Dévorant une Gazelle (second edition)" Verde and autumnal patinated bronze Signed in cast "BARYE", incised "F. Barbedienne Fondeur" c...

A nice early 20th century casting of Paul-Édouard Delabrierre's Tiger Carrying a Gazelle, the present model features a nice overall chiseled surface with the stripes of the tiger bro...

A family of lions having green patination depicting a male lion feeding two cubs; mounted on a naturalistic base - signed and applied entitled plaque "Lion 1st Gibier" Paul Edouard Delabrierre, Paris born, was a member of the school of Animalier painters, active in the late 19th Century. He studied with was born in Paris, France on March 29th 1829. He was an important member of the Animalier school in late 19th century Paris, and the last two years of his career, introduced cast iron as a legitimate material for sculpture. Delabrierre studied art under the painter Eugene Delestre...

ANTOINE-LOUIS BARYE French, 1796-1875 "Tigre Surprenant une Antilope (terrasse sans profil)" (1862) Green, brown and red patinated sand-cast bronze over original raised rim signed...

Lion animal bronze patina 19th century medallion signed Fratin on the terrace dimension 53 cm long 31 cm high 15 cm deep Additional information: Materi...

Antoine-Louis Barye (Paris, 1795–1875) Lion Crushing a Snake Bronze with brown patina, signed “Barye”; mounted on a black marble base A powerful bronze sculpture depicting the drama...

ANTOINE-LOUIS BARYE French, 1795-1875 "Tigre Dévorant une Gazelle (second edition)" Medium-brown autumnal patinated sand-cast bronze Signed in cast "BARYE", incised "F. BARBEDIENN...

A very good quality late 19th-early 20th century Bronze study of a male lion and lioness, Signed; L. Riche, French, 1877-1949.

Initially modeled by Barye in 1846 as a commission by Louis-Phillipe for the Tuilleries Gardens at a cost of 10,000 francs, the life-size sculpture sat near to Barye's Lion au Serpent until it was later moved in 1867 to the grand entrance to Pavilion de Flore and a pair was crafted for it using a mechanical technique. This incensed Barye, as he insisted a mate must be sculpted to oppose Lion Assis...