Carved Figurative Sculptures

Vintage African-style carved rosewood head sculpture

Art Deco Terracotta Sculpture Black Color Woman Head France 1940 Signed

Figural wooden carving of the Blessed Virgin Mary (Immaculate Conception). Carved in folkloric style, this well-preserved statue retains its original coat of polychrome paint. Its flesh tones, light-blue, and silver-gilding vividly shine through a natural patina that has become glossy from a century’s worth of handling. The Virgin as the "Immaculata" (conceived in immaculate purity), is posed on the globe of the world, in triumph over sin, represented by the serpent that tempted Eve with a forbidden apple. The sculpture's facial features include glass eyes and eyelashes. This rare antique sculpture is perfect for a collection of sacred antique...

Collection of Six Mwana Hiti Dolls Crested Hair Tanzania Africa. Mwana hiti, a term that means some variant of "child made of wood", refers to iconic figures that depict a highly st...

Figurative Hand Carved Wood Sculpture - Juneau, Alaska 1984 Hand carved wooden sculpture, presented on a dark wooden base. The sculpture is somewhat figural, but rather abstract. Th...

Sculpture Samuraï Puppet Musha Nyngyo B Set of 2 with structure in wood, hand-carved wood, hand-painted wood, hand-lacquered wood, covered with hand-...

Modernist Wood Sculpture of Female Nude Unsigned - Artist Unknown "In the Style of Picasso" Vertical Grain Douglas-Fir Geometric Carving near "Hip" Nice Color and Grain Mahogany Wo...

An intriguing example of a fully articulated circus puppet marionette, in the form of a clown. This figure is fully articulated with iron strings support...

An elegant early 20th-century Art Deco large cold-painted silver bronze figure of a young beauty captured in a graceful pose. Mounted on a marble base adorned with a delicate beaded ...

African Gabon / Congo 20th Century Kota Mahangwe carved wood reliquary guardian figure in flattened geometric form with protruding eyes and nose, a rope-wrapped finial, decorative te...

Rare & fabulous Antique Napoleon lll clock garniture with incredible quality bronze sculptures. You will rarely see a clock garniture with bronzes of this quality and detail. The bearded thinker/philosopher on top of the marble clock is simply astonishing. His natural poisture, his hair, face and hands, but also his clothes, it is all of a quality and detail that only a master sculptor can achieve. And the patina also is just perfect. The philosopher is marked on the back and it reads 'BE x'. The two bronze female (classical maiden) sculptures are in fact two stunning candle holders and they too stand on beautifully shaped black marble bases with cartouches. These majestic candle holders are marked on the sides 'L.V.E. ROBERT' (Louis Valentin Elias Robert) and on the back they read 'AD x'. The black marble clock comes with a circular dial face with gilt Roman numerals and this clock has a well working movement. The movement is stamped 'DENIERE / A PARIS' and '2165'. On the bottom it reads A.Blacher and there also is a cachet with 'MEDAILLE D'OR / Paris / 1827'. If you like this one of a kind, clock set as much as we do then you will love our price. Especially, since perfect packing (in a custom made crate) and worldwide delivery from our store to your door in just 4 days are complimentary. Maximum clock height x width x depth: 22 x 17 x 8.5 inches. The large figure candle holders...

Italian Renaissance oak carved sculpture featuring a semi-nude woman gasping looking upwards with hellenistic drapery wrapped around her arms and abdomen holding a staff and a cub in...

Rose blossom sculpted entirely by hand starting from a solid block of white statuary marble. Dimensions: D 12 x H 12 cm. Available in different marbles, ...

This grouping of 3 figurines and 9 sculpture head figures were obtained directly from Dr. Harley Niblack by the consignor's father (who was also a woodt...

A refined and unique sculpture, crafted from carved wood and gilded with pure gold leaf. It depicts a young man running while holding a blown Murano glass cornucopia, which branches ...

The Brendan Bass Estate Collection pays homage to the beauty of vintage and antique pieces, each artfully concealing endless stories collected through the generations in which they ...

A simple exterior of black lacquer belies the splendor within this late 19th-century Japanese traveling shrine (zushi). The hinged doors open to reveal a lustrous gold interior and a...

On offer is a hand-carved wooden statue representing the Madonna and Child. The Virgin Mary holds the infant Jesus in the style of traditional European Romanesque or early Gothic rel...

A delightful carved sandstone sculpture of an unidentified male deity, Khmer, Angkor Period, style of the Baphuon, 11th century. The smil...

18th century Italian gilded hand-carved fragment crest mounted on a golden, polished hematoid slab and adorned with baroque pearls. The gilded fragment was originally from a historic...

Large Antique Indian Hand-Carved Brown Wooden Elephant Sculpture Indian, c. 1900 Height 99cm, width 104cm, depth 50cm This finely carved wooden elephant, crafted in India around t...

Three hand-carved wooden dolls, hand painted in vivid colors. The two on the left side were made by the Swedish artist Benedicte Bergmann. Part of the hand carved wooden dolls "Mytho...

A very fine and exceptionally carved Italian 19th-20th century Baroque Revival style whimsical white Carrara marble wishing wellhead, raised on an octagonal two-step marble base. The intricately carved marble relief circular wellhead depicting carved figures of dancing and cheerful children (Putti) among vines, flowers and fruits, dancing and playing musical instruments with a backdrop of castles, landscapes, forests and wreaths, Florence, circa, 1900. Note: We have part II video of this amazing Wishing Wellhead. Please feel free to request a copy. Literature: A similar wellhead was sold by Jan's & Co. Fine French Antiques, Inc. in 1999, provenance the Atkinson/Kirkeby Estate and it is illustrated in "The Estates of Beverly Hills" by Charles Lockwood and Jeff-Hyland, page 150. Another similar is currently on display at the gardens of "The Elms" mansion a public museum part of the Newport Mansions by The Preservation Society of Newport County in Newport, Rhode Island. Yet another similar wellhead carved with frolicking putti with musical instruments and a dentil molded rim is located at Cranbrook House, Bloomfield Hills, Michigan, and is illustrated in B. Israel, Antique Garden Ornament...

A Chinese early Qing Dynasty carved and lacquered wood figure of Guanyin, Southern China, 17th/18th century. Guanyin, the Bodhisattva of Compassion and Mercy, is portrayed seated in dhyanasana, one hand raised in viktara mudra, the gesture of teaching and discourse. The great bodhisattva is dressed in heavy, loose robes tied at the chest, with a mantle draped over his shoulders. He looks serenely outwards from heavily lidded eyes. Guanyin's face carved beautifully with somewhat feminine features. A large five pointed crown sits upon his head. The larger leaves of the crown carved with indistinct images of the Buddha. The statue was originally fully lacquered in the deep red gilt lacquer typical of Southern Chinese Buddhist sculpture...

Set of two 16th century oak panels, one representing a character accompanied by a dog, the other a character in flames, probably saints. These ...

Pair of 1987 David Fisher “Mysterious I & II” Sculptures for Austin Productions An iconic pair of Postmodern figurative bust sculptures titled “Mysterious I” and “Mysterious II,...

This is truly a wonderful piece with clear age and a nice patina to it. Very unique. We have not seen another quite like it. The monk appears to have glass eyes which gives his expression a very humanistic feel. The head is removable (please see the last image). From a collection of Japanese arts and artifacts. Most likely dates back to the Edo period. Would make for a nice addition to any Japanese or Asian artifacts...

This table lamp, is a sculpture, representing a male and Females face, carved in the wood. The wood has this light brown color of this wood, with the old patina. This lamp was made i...

This 1950s finely carved wood statue of a Thai Woman is exquisite from every side. An elaborate headdress with carved openings adds lightness to the piece. Hair is shown tied in the ...

Expressive Carved Wooden Lady Towel Holder ca. 1900 Item e7351 A large unique towel rail, hand carved and painted. Modeled as a beautiful Victorian maid carrying a bar as a towel hol...

An exceptional Mid-Century Modern hand-carved wood sculpture of an elongated hand, dating to the 1960s. Strongly influenced by the 20th-century Surrealist movement, this striking des...

Provenance - Private collection Dr. Angelo Bergamo, New Jersey, USA, acquired in the 1970s in Harmer Rooke Galleries, New York. - Private collection, East Coast, USA. Thence by desce...

PATINATED AND PARCEL-SILVERED AND GILDED BRONZE OKIMONO OF A SAMURAI WARRIOR Japan, Meiji period, probably late 19th century Unmarked 9 1/2" H x 6 3/4" diameter ref. 512DMB06P A J...

Contemporary American sculptor Wendy Hendelman's Alabaster Head Sculpture on a black marble base. Hendelman’s work reflects her love of the primitive and the ancient. The small scale...

Circe Italian Neoclassical Sculpture of Early 1800s the figure is a fascinating depiction of the Goddess Circe, made in Italy in the early 19th century. The pine wood carving and ebo...

Italian plaster cherub with polished agate coral wings on an 18th century Italian gilded candlestick base with polished agate slices. The Italian 18th century gilded base is origina...

Pair of Carved Wood Putti on Carved Base from the 1700s are two naked cherubs covered only by their golden loincloths; apparently two heralding angels without wings, they stand on ti...

Saint Statuette – Mid-20th Century Charming religious statuette carved in fir wood, dating from the mid-20th century. Dark stain highlights the natural grain of the wood as well as ...

Gabonese late 20th century reliquary figure hand carved by the Kota Mahongwe people depicting a figure in a shocked expression, crafted of hammered brass, copper strips and ebonized ...

A Very Fine, Large and Charming Italian Late 19th to early 20th-Century Carrara Marble Sculpture Group Titled “The Village Celebration” by Professor Antonio Garella (Italian, 1863-1919). The intricately, impressive and exceptionally carved statuary marble group depicting a joyful dancing and singing group of Italian villagers, in a lively embrace, holding hands and arms. The happy celebratory scene includes a figure playing an accordion, another holding a wicker basket, and a hunter with a rifle slung over his back, accompanied by his hunting dog. The sculpture is elegantly mounted on a swiveling, carved green marble pedestal. Signed: Profre A. Garella – Galleria P. Bazzanti, Firenze. Circa: Florence, 1900. Antonio Giuseppe Garella (1863–1919) was an Italian sculptor renowned for his work in marble, alabaster, and bronze during the late 19th and early 20th centuries. Born in Ferrara (some sources cite Bologna), he trained at the Accademia di Belle Arti in Florence and in Bologna before establishing himself in Florence, where he became a prominent figure in the city’s artistic community. Often referred to as "Professor Antonio Garella," he was closely associated with the Galleria P. Bazzanti, a prestigious hub for sculpture sales and exhibitions. Garella’s career spanned the fin-de-siècle period, blending neoclassical influences with romantic, narrative themes inspired by everyday Italian life and classical antiquity. His sculptures, known for their intricate carving and emotional expressiveness, include lively portrayals, as seen in The Village Celebration. Other notable works include The Love Letter, a white marble figure of a young woman reading, evoking tender emotion; La Notte (The Night), a nude sculpture of a flying maiden above an orb; Diane of Gabii, a life-size marble inspired by classical antiquity; and Apollo and Daphne, a large marble sculpture modeled after Gianlorenzo Bernini’s 17th-century masterpiece in the Borghese Villa, Rome. In Apollo and Daphne, drawn from Ovid’s Metamorphoses, Garella captures the myth of the chaste nymph Daphne, pursued by the young god Apollo, who is bewitched by Cupid to fall in love with her. As Daphne prays to her river-god father to escape Apollo’s advances, she transforms into a laurel tree. Garella, like Bernini, sensitively carves Daphne’s feet and hands morphing into leaves and branches, while Ovid notes that Apollo can still feel her heart beating beneath the bark. Garella’s monumental commissions further highlight his prominence, including a 1904 statue of Garibaldi in Pistoia and two statues, L’Architettura and La Musica, for the Vittorio Emanuele II Monument in Rome. Though not as celebrated as Antonio Canova (1757–1822), Garella significantly contributed to Florence’s marble sculpture tradition, bridging academic styles with emerging 20th-century trends and influencing decorative arts. His masterpieces, often crafted through ateliers like Galleria P. Bazzanti, remain highly valued in European and American private collections, with limited auction records due to their scarcity in the antiques trade market. Related Literature: A. Panzetta, Nuovo dizionario degli scultori italiani, Turin, 2003, vol. I. Museums: • Museo Civico di Prato (Prato Civic Museum) - Prato, Italy Ritratto di Filippino Lippi (Portrait of Filippino Lippi) Bronze and marble bust portraying the Renaissance painter Filippino Lippi (1457–1504), reflecting Garella's skill in portraiture and historical homage. • Fondazione Sgarbi (Sgarbi Foundation; a private cultural institution with museum-like functions, focused on art collections) - Ro Ferrarese, Italy Saffo (Sappho) Polymaterial bust (likely marble and other media) depicting the ancient Greek poet Sappho, emphasizing classical themes. • Muzeum Palac-Herbsta – Łódź, Poland...

A late 19th century Italian statuary marble sculpture of a neoclassical maiden wearing a headdress and carrying two ceremonial torches or standard bearers as if in procession. She is...

This 21st century hand-carved stone portrait bust is expertly hewn from a striped gray and tan stone. The artist expertly and intentionally utilized the natural veining of the stone ...

Standing figure of Bacchus as child holding a bunch of grapes This is a great antique sculpture of Bacchus as a child created in the northern Europe region, back in the 18th century...

Stunning signed antique hand-carved wooden sculpture of Saint Teresa of Ávila, also known as Saint Teresa of Jesus. This superb quality devotional work of art dates from the early 1...

A rare and captivating 18th-century hand carved sculpture in limewood, depicting a noble or royal figure — probably King Louis XV — shown in heroic posture with one hand clasped to h...

A fine & large antique 17th Century French carved walnut statue of Saint Peter, circa 1680. The statue is finely carved from walnut and depicts Saint Peter holding a bible in his ha...

This exquisite sculpture depicts Diane the Huntress in all her glory, after Houdon. The beautiful bronze sculpture taken from the famous marble masterpiece by J Houden, exhibited at ...

ERNEST DUBOIS French, 1863-1931 "Le Pardon" (The Return of the Prodigal Son) Patinated sand-cast bronze Signed Ernest Dubois, foundry cachet for Casa Bellas Artes Avda De Mayo 625 ...

This stone statue of Nyoirin Kannon was created between the end of the Edo period and the Taisho period (late 19th century to early 20th century). The Nyoirin Kannon is a Buddha imag...

A hand-carved, solid agate Buddha. He is depicted sitting with his robe open, cinched with a bow under his belly, an expression for great allowance. The h...

Pair of Continental Carved and Polychromed Wooden Cornucopias, 19th Century These finely carved and polychromed wooden cornucopias exemplify the enduring symbolic power of the horn of plenty in European decorative arts. Each composition is rendered in high relief, the ribbed horn issuing an abundant cascade of fruit and vegetables—pomegranates, grapes, melons, pumpkins, gourds, citrus, corn, and floral sprays—arranged with exuberant Baroque fullness. Now mounted on forged iron bases for display, the pair measures 20" high × 28" wide × 3.5" deep, including stands 12.5" x 6" (carvings alone 28" wide × 17" high × 3.5" deep). The Cornucopia in History Originating in antiquity, the cornucopia (Latin cornu copiae) was first associated with Amalthea, the goat who suckled the infant Zeus, whose horn became a miraculous source of nourishment. In Roman culture it was carried by deities of abundance—Fortuna, Abundantia, and Ceres—as an emblem of civic prosperity and the cycles of nature. Revived in the Renaissance and Baroque periods, the cornucopia became a favored motif in architecture, painting, and decorative arts, symbolizing divine blessing, seasonal plenty, and the wealth of the natural world. Iconography of the Fruits and Vegetables The profusion of produce is not merely decorative but encodes symbolic meanings rooted in both classical and Christian traditions: Pomegranates—fertility, eternal life, and resurrection. Grapes—festivity, vintage, and the Eucharistic blood of Christ. Melons and Watermelon Slices—sensual abundance, refreshment, and ephemeral pleasure. Pumpkins and Gourds—autumn harvest, transformation, and the cycles of plenty. Corn (Maize)—sustenance and prosperity, reflecting New World influence on European symbolism. Citrus Fruits—health, luxury, and Mediterranean prosperity. Floral Sprays—seasonal beauty and the transience of life, underscoring vanitas themes common in still-life art. This allegorical language aligns the carvings with the broader European tradition of abundance imagery found in still-life painting, silverwork, and architectural ornament. Continental Style and Possible Origin The sculptural density, dramatic overlapping of forms, and naturalistic rendering suggest a Continental origin, likely Austrian, German, or Italian, c. late 19th century. While Swedish decorative carving of the same era tends toward flatter surfaces and folk stylization, these examples embody a more theatrical Baroque and Rococo inheritance, later enhanced with a polychrome or silver-toned surface to heighten their decorative impact. Originally conceived as architectural appliqués...

Art Deco Style Barometer with Mercury Thermometer Weather Station Antique Decorative Cherrywood Wall Barometer Austria 1920s Please don't hesitate to get in touch with any further q...

A beautiful and exceptionally 18 inches tall Sosaku Kindai Kokeshi doll from Japan. Handcrafted of wood and hand-painted in the the early 20th century. In good condition with charmin...

Majestic majolica Amphora vase, with a height of 200 cm (78,7 in) and a diameter of 70 cm (27,5 in): a unique piece, entirely handmade and hand-painted in Gubbio, Central Italy, in 1...

An Incredible and Large Gilt and Patinated Bronze Group of Gloria Victis, a Winged Figure of Victory with a Fallen Warrior. This incredible bronze piece was cast after a model by Maarius-Jean-Antonin Mercié, This model is signed 'F. BARBEDIENNE FONDEUR PARIS' demonstrating that it was cast by Ferdinand Barbedienne's foundry, the best bronzier of the 19th century. The base is further signed 'A. Mercie' and stamped 'Réduction Mécanique' with an inscription of '659'. The figure is mounted on a Belgian noir marble base with various stepped edges. Gloria Victis is one the most well-known and important bronze casts of the 19th Century. The quality of this particular model is absolutely incredible and all the marking indicate that this particular piece is one of the finest produced by the Foundry. A student of Jouffroy and de Falguière at the Ecole des Beaux-Arts, Marius-Jean-Antonin Mercié (1845-1916) won the Grand Prix de Rome at 23 years old with his work Thésée vainqueur du Minotaure. In 1872, he sent the plaster model of his work David vainqueur to the Salon, for which he won the first class medal. At the same time, he received La croix de la Légion d'honneur at the Villa Medici. His return to Paris, in 1874, issued in a long and brilliant career with numerous commissions, notably the monuments for Louis-Philippe and Queen Marie-Amélie for the Royal Chapel at Dreux (1886). By the age of 30 Mercié was already very well-known and his Gloria Victis received resounding success when it was exhibited at the Salon, in 1874 (in plaster) and in 1875 (in bronze). This work exalted the heroism and the patriotic sentiments aroused by the disasters of 1870. His predilection for patriotic subjects is shown in many of his works such as Quand même...

18th century Italian Carrara marble angel in a bleached turtle shell mounted on a polished alabaster base.  The bleached turtle shell emulates a bath for the angel. The angel is cra...

Meticulously carved from beechwood, this cherub pair recalls the iconic Renaissance style of the fifteenth and sixteenth centuries. Better recognized by their Italian name, putti—the singular putto refers to the Latin putus, meaning “boy” or “child”—these types of figures often recur in religious artwork as symbols of God...

Mid-20th century varnished wood sculpture of crouched lady by spanish author Godofredo Paino By: Godofredo Paino Material: wood Technique: varnished, carved, hand-carved, hand-craft...

A beautiful and exceptionally 18 inches tall Classic traditional Kokeshi doll from Northern Japan. Handcrafted of wood and hand-painted in the the early 20th century. In good conditi...

An antique Indian early 20th century hand carved architectural temple carving from Gujarat, depicting a smiling woman. Originating from Gujarat, India, this antique early 20th-century hand-carved architectural temple carving is a captivating depiction of a smiling woman. This exquisite sculpture captures the essence of traditional Indian artistry, with the woman carved in a frontal position while her legs are delicately portrayed in profile. Her serene expression, enhanced by a slight tilt of her head, radiates a sense of calm and contentment. The intricate details of her headdress, attire, and jewelry highlight the craftsmanship and cultural richness of the region. The woman's features are beautifully rendered, showcasing a blend of grace and elegance. The carving, with its weathered appearance, speaks to its historical significance and journey through time. The back of the sculpture remains unfinished, adding an authentic touch to its architectural origins, as it was likely meant to be a part of a larger structure or placed against a wall. This temple carving serves as a striking decorative piece, perfect for adding an exotic and cultural element to any interior space. Whether displayed in a living room, hallway, or study, it brings a sense of history and artistry to the environment. Its craftsmanship and evocative presence make it a conversation piece, inviting viewers to appreciate the skill and cultural significance embedded in this work of art. This early 20th-century Indian temple carving...