First Period Worcester Chinoiserie Porcelain Bishop Sumner Pattern Deep Dish.

English ironstone platter circa 1890. Chinoiserie or Imari style, decorated with flowers.

This is a very decorative, Imperial Stone China (ironstone), large deep plate or soup bowl by John Ridgway, dating to the William IV period of the...

This is a beautiful square plate or dish produced by the Spode factory and made of porcelain, in the early 19th Century, Circa 1815 to 1827. The dish is well potted on a low foot ...

This is a very decorative dish or plate by Mason's Ironstone, Lane Delph, England in the Bamboo and Basket pattern, dating to the early 19th century, Georgian period, circa 1813-1820. The plate or dish is fairly deep and circular in shape with a notched rim. It is decorated in one of Mason's boldly colored chinoiserie...

English ironstone platter circa 1890. Chinoiserie or Imari style, decorated with flowers.

A very nicely made piece of 18th century porcelain decorated with a beautiful scene. Underglaze blue and overglaze other enamels done later in Europe. We have also added a picture of how a similar original Blue and white dish would have looked like. This is an example of British overdecoration.Provenance:Provenance: Doyle Sep 27, 2024 11:00 Boston Collects, Lot 1083 Six Chinese Porcelain Table Items 18th and 19th centuries Estate / Collection: Property of a Jamestown, Rhode Island Collector Often seen as ugly and black sheep of the porcelain world. British 1810-1820 Clobbered wares deserve better as they are historically very interesting. So lets call them George the IV or Regency Taste redecorated porcelain. And leave the clobbered behind us as it does no justice to what they are at all. Its not that because we live in a time were these super funky colours are out of taste that we should hate on these pieces. A short history! During the early 19th century, the Prince Regent (later King George IV) played a key role in cultivating a taste for the exotic Orient among the British elite, influencing interior design during the Regency era. His lavish projects, such as the Royal Pavilion in Brighton, epitomized this fascination. The Pavilion, with its blend of Indian, Chinese, and Gothic elements, became a symbol of the Prince’s extravagant taste. The interiors featured Chinese wallpaper, Indian textiles, and oriental furniture, reflecting the era’s growing interest in Chinoiserie and other oriental-inspired designs. This trend extended to the decorative arts, where clobbered Chinese porcelain—originally blue-and-white pieces—was reimagined with bright reds, golds, greens, and dragons to cater to the new European tastes. These colorful repainted pieces symbolized wealth, sophistication, and an affinity for the exotic, perfectly complementing the bold and opulent interiors of the time. The dragon, a powerful symbol in Chinese culture, was a recurring motif in these porcelain pieces, further aligning with the Regency’s romanticized view of the Orient. George IV’s penchant for luxury, eccentricity, and vibrant decoration influenced the wider aristocratic society, and clobbered porcelain...

This is a good stone China (Ironstone pottery) Small Dish or Bowl / Saucer, hand painted in the tobacco leaf pattern, number 2061, made by the Spode factory in the early 19th century...

A very beautiful English Spode porcelain 'jewelry' dish, Chinoiserie design style, circa early to mid-20th century, England. Piece has a beautiful design including its elevated footed form 'tazza'-like design. A great piece to hold jewelry (as demonstrated) or other small items on a desk, nightstand...

Antique Chinese Guangcai (Late 19th Century) export porcelain centerpiece bowl decorated with blue and orange patterned panels around a center scene of a woman walking with a large u...

This is a porcelain Saucer Dish or Bowl in the "Boy at the Door" pattern, made by Miles Mason (Mason's) dating to very early in the 19th century. This d...