Charles II More Furniture and Collectibles

This is an antique county map of Suffolk. A Dutch, framed atlas engraving by Joan Blaeu, dating to the 17th century and later. A treat for the collector or county native, with this ...

Royal House Antiques Royal House Antiques is delighted to offer for sale this absolutely stunning and totally original, folded iron Ships Anchor dati...

Royal House Antiques Royal House Antiques is delighted to offer for sale this important, Museum Quality German safe circa 1680-1720 attributed to Johann Gottlied Dittman and Sigmund Gatchen Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price Where to begin, if you are looking at this listing then the chances are you know something about antique safes, if you do, then you will recognise just how rare this piece is, I have in all my online research only found one other that was in a terrible condition, it sold in the Sotheby’s Carlton Towers sale on the 4th November 2009, the sale price was £73,250 plus commission which at the time was 30% making the final sale amount £95,225 This example was missing the original key, all the silver finish had polished off and it was rusty, mine by comparison is in absolutely sublime order throughout The original key is present, it operates the exceptionally heavy top lock which has 22 separate locks, each lock works independently so if a thief tried to force one open, it would have no affect on the remaining 21 locks The front of the safe depicts a bird possibly an eagle, the top has a medieval locking plate cover which splits down the middle to reveal the entrance to the lock, it looks similar to a fleur de lis, it springs closed when the key is removed and has its own lock, it has a secret to unlock it, if you don’t know it, you can never fit the key. The sides have oversized handles as they need to be, the safe must weight in excess of 100kgs, the rear has a similar medieval crest The finish is sublime, truly exquisite, this is a work of art and will be the centre piece and pride of any collection, I have absolutely no desire to sell it whatsoever, if it stays in my collection forever so be it, I will never have the chance to own such a piece again and it is an absolute pleasure to see it each day For a similar strong box signed to the interior by Dittman and Gatchen and worthy of comparison see a very fine example from The Alphonse de Rothschild Collection which was sold on the 26th of March 1973 at the De Rede sale in Monaco as lot 167. The Rothschild box...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning, mid 17th century German Wrought Iron painted safe chest with the original key Please note t...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning, early 17th century German Wrought Iron painted safe chest with the original key Please note...

Cosmography & Astrology Large oval engraved plate with inscriptions outlining the various parts of cosmography and astronomy; below, two emblematic figures with scientific instruments either side. Lettered with title, dedication, and various inscriptions. To his Excellency Roger Palmer, Earle of Castelmain and Baron of Limerick in Ireland, Embassador Extraordinary from his majesty King James II to his Holyness Pope Innocent 11th anno dom 1686. This plate is humbly DD by Richard Blome. On paper and retaining its original coloring. Sheet width 26 ½ cm., 10 ½ in., height 41 ½ cm., 16 ½ in., In a part-gilded Sansovino frame...

Each with a damask pattern of scrolling foliage, peonies, tulips and fruit. Massive pattern repeat, see image. Original braid. Cleaned and conserved. Measures: Two height 315 cm., 124 in., width 107 cm., 42 in., One height 295 cm, 116 in., width 109.5 cm., 43 in., From the collection of the 1st Viscount Cowdray, Cowdray Park, Sussex, supplied by Lengyon & Co, circa 1910. Francis Lenyon, Lenyon & Co, Lenyon & Morant Born in England in 1877, Lenyon was trained as a cabinetmaker and studied at the South Kensington Museum in London. By 1900, he found work with Art Workshops, Ltd., and soon after with Charles Duveen, son of Sir Joseph Duveen. Employed by C.J. Charles for several years, Lenyon became well-known as cabinetmaker to England's aristocracy. He opened his own firm, Lenyon & Co., in 1904, and in 1912 merged with Morant & Co., to become Lenyon & Morant, holding royal warrants under four successive British kings. In 1910, Lenyon made his first visit to the United States to supervise the interior decoration of Whitlaw Reid, and soon opened a New York branch of his firm. As in England, Lenyon 's American clients were wealthy and sophisticated and relied on Lenyon to furnish authentic and reproduction interiors in period styles. In the 1930s, Lenyon was hired by Nelson Rockfeller to serve as a major consultant to the reconstruction of Colonial Williamsburg in Virginia, and selected all the furnishings for the Governor's Palace there. Lenyon was widely known for his expertise in 17th and 18th century British furniture...

This is an antique Stafford County Map. An English, framed atlas engraving of Staffordshire, dating to the 17th century and later, circa 1676. Superb cartography reproduction of St...

This is an antique Devon county map. An English, framed atlas engraving of Devonshire, dating to the 17th century and later, circa 1650. A fascinating and highly decorative cartograp...

This is an antique county map of Cheshire. A Dutch, framed atlas engraving by Johannes Janssonius, dating to the 17th century and later. A treat for the collector or county native,...

This is an antique county map of Northamptonshire. An English, framed atlas engraving by Richard Blome, dating to the 17th century and later. Fascinating cartography, oriented 90 d...

The continuation of the road from London to St Davids, commencing at Abingdon Com Berks and extending to Monmouth By John Ogilby Esq, His Majesties Cosmographer. From Abingdon to Farringdon, to Lechlade, to Fairford, to Barnsley to Gloucester showing Monmouth as the destination. A road map from Britannia, 1675/6. No 15. Hand coloured and floated on a cream mount within a brown painted and gilded ogee frame. Some foxing and creasing, uneven edge of sheet, all commensurate with age Provenance : purchased as pair from a collector with no 25 London to Lands End. Framed as a pair. Sheet width 46.5cm., 18 ¼ ”., height 37.5cm., 14 ¾ “ Frame width 66.5cm., 26”., height 56cm., 22 ” In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman. While he was still a child, the family moved to London. When the elder Ogilby was imprisoned for debt, the young John invested his savings in a lottery, won a minor prize, and settled his father's debts. Unfortunately, not enough money was left to secure John a good apprenticeship; instead, he was apprenticed to a dance master. Ogilby was soon dancing in masques at court but, one day, while executing a particularly ambitious leap, he landed badly. The accident left him with a permanent limp, and ended his dancing career. However, he had come to the attention of Thomas Wentworth, later Earl of Strafford, Charles I's most senior minister. Ever one to exploit his contacts, Ogilby became a dance instructor in Strafford's household. When Strafford was sent to Ireland, Ogilby accompanied him as Deputy-Master of the Kings Revels, and then Master of Revels. In Dublin, he built the New Theatre, in St. Werburgh Street, which prospered at first, but the Irish Rebellion, in 1641, cost Ogilby his fortune, which he estimated at £2,000, and almost his life. After brief service as a soldier, he returned to England, survived shipwreck on the way, and arrived back penniless. On his return, Ogilby turned his attention to the Latin classics, as a translator and publisher. His first faltering attempt, in 1649, was a translation of the works of Virgil, but after his marriage to a wealthy widow the same year, his publishing activities received a considerable boost. One means by which Ogilby financed these volumes was by subscription, securing advance payments from his patrons, in return for including their name and coats-of-arms on the plates of illustrations. Another approach was to secure a patron, preferably in the court circle. Ogilby's first patron was Strafford, who found out too late that all leading ministers are dispensable when Charles I assented to his execution in 1641. As he re-established himself, Ogilby sought a new patron, the King himself. In 1661, Ogilby was approached to write poetry for Charles II's coronation procession; he later published 'The Relation of His Majesties Entertainment Passing Through the City of London', and a much enlarged edition the following year, which included a fine set of plates depicting the procession. Royal favour was bestowed in 1674 when John Ogilby received the title of 'His Majesty's Cosmographer and Geographick Printer' with a salary of £13.6s.8d per annum. In 1665, Ogilby left London to avoid the Plague then ravaging the capital. The following year, in the Great Fire of London, Ogilby claimed that he lost his entire stock of books valued at some £3,000, as well as his shop and house, leaving him worth just £5. As he sought to restore his fortunes, Ogilby was already looking in new directions. The initial opportunity he seized on was the reconstruction of London's burnt-out centre. He secured appointment as a "sworn viewer", whose duty was to establish the property boundaries as they existed before the Fire. Ogilby was assisted in the project by his step-grandson, William Morgan...

John Ogilby (British 1600-1676) Cosmographer and Geographick Printer to Charles II. A road map from Britannia, 1675/6. The road from London to Kings Lynn, showing Royston to Downham. In oak and gilded frame. In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman...

The road from London to the lands end. Commencing at the Standard in Cornhill and extending to Senan in Cornwall. By John Ogilby His Majesties Cosmographer. A road map from Britannia, 1675/6. No 25. Continuing 308 miles, 3 furlongs. London Southwark to Brentford, to Hampton Court, to Hounslow, to Windsor, to Cobham, to Farnham, to Basingstoke to Winchester The handcoloured sheet free floated. In a brown painted and gilded, ogee moulded frame. Some foxing and creasing, uneven edge of sheet, all commensurate with age Provenance : purchased as pair from a collector with no 15 London to St David's. Framed as a pair. Sheet width 48cm., 19 ”., height 38cm., 15 “ Frame width 66.5cm., 26”., height 56cm., 22 ” In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started i Black Linear Border around Map Length 44cm., 17 1/8" Height 32cm., 12 1/2" Full Sheet Length 58cm., 22 3/4" Height 38cm., 15" Frame Length 66cm., 26"., Height 56cm., 22" In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman. While he was still a child, the family moved to London. When the elder Ogilby was imprisoned for debt, the young John invested his savings in a lottery, won a minor prize, and settled his father's debts. Unfortunately, not enough money was left to secure John a good apprenticeship; instead, he was apprenticed to a dance master. Ogilby was soon dancing in masques at court but, one day, while executing a particularly ambitious leap, he landed badly. The accident left him with a permanent limp, and ended his dancing career. However, he had come to the attention of Thomas Wentworth, later Earl of Strafford, Charles I's most senior minister. Ever one to exploit his contacts, Ogilby became a dance instructor in Strafford's household. When Strafford was sent to Ireland, Ogilby accompanied him as Deputy-Master of the Kings Revels, and then Master of Revels. In Dublin, he built the New Theatre, in St. Werburgh Street, which prospered at first, but the Irish Rebellion, in 1641, cost Ogilby his fortune, which he estimated at £2,000, and almost his life. After brief service as a soldier, he returned to England, survived shipwreck on the way, and arrived back penniless. On his return, Ogilby turned his attention to the Latin classics, as a translator and publisher. His first faltering attempt, in 1649, was a translation of the works of Virgil, but after his marriage to a wealthy widow the same year, his publishing activities received a considerable boost. One means by which Ogilby financed these volumes was by subscription, securing advance payments from his patrons, in return for including their name and coats-of-arms on the plates of illustrations. Another approach was to secure a patron, preferably in the court circle. Ogilby's first patron was Strafford, who found out too late that all leading ministers are dispensable when Charles I assented to his execution in 1641. As he re-established himself, Ogilby sought a new patron, the King himself. In 1661, Ogilby was approached to write poetry for Charles II's coronation procession; he later published 'The Relation of His Majesties Entertainment Passing Through the City of London', and a much enlarged edition the following year, which included a fine set of plates depicting the procession. Royal favour was bestowed in 1674 when John Ogilby received the title of 'His Majesty's Cosmographer and Geographick Printer' with a salary of £13.6s.8d per annum. In 1665, Ogilby left London to avoid the Plague then ravaging the capital. The following year, in the Great Fire of London, Ogilby claimed that he lost his entire stock of books valued at some £3,000, as well as his shop and house, leaving him worth just £5. As he sought to restore his fortunes, Ogilby was already looking in new directions. The initial opportunity he seized on was the reconstruction of London's burnt-out centre. He secured appointment as a "sworn viewer", whose duty was to establish the property boundaries as they existed before the Fire. Ogilby was assisted in the project by his step-grandson, William Morgan...

A road map from Britannia, by John Ogilby Esq., Cosmographer and Geographick Printer to Charles II. Containing 293 miles. No 32. From Standard in Cornhill London to Andover thence to Amesbury, to Shruton, to Warminster, to Maiden-Bradley, to Bruton, to Weston, to Ascot and to Bridgewater Hand coloured, some foxing and creasing, commensurate with age. Floated in a cream mount with a gilded linear border within a burr walnut, ebonised and gilded frame. Provenance : purchased as pair from a collector with no 15 London to St Davids. Framed as a pair. Measures: Black Linear Border around Map Length 44cm., 17 1/8" Height 36cm., 14". Full Sheet Length 51cm., 20" Height 39cm., 15 1/4" Frame Length 62cm., 24 1/2 " Height 52cm., 20 1/2" Literature: In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman. While he was still a child, the family moved to London. When the elder Ogilby was imprisoned for debt, the young John invested his savings in a lottery, won a minor prize, and settled his father's debts. Unfortunately, not enough money was left to secure John a good apprenticeship; instead, he was apprenticed to a dance master. Ogilby was soon dancing in masques at court but, one day, while executing a particularly ambitious leap, he landed badly. The accident left him with a permanent limp, and ended his dancing career. However, he had come to the attention of Thomas Wentworth, later Earl of Strafford, Charles I's most senior minister. Ever one to exploit his contacts, Ogilby became a dance instructor in Strafford's household. When Strafford was sent to Ireland, Ogilby accompanied him as Deputy-Master of the Kings Revels, and then Master of Revels. In Dublin, he built the New Theatre, in St. Werburgh Street, which prospered at first, but the Irish Rebellion, in 1641, cost Ogilby his fortune, which he estimated at £2,000, and almost his life. After brief service as a soldier, he returned to England, survived shipwreck on the way, and arrived back penniless. On his return, Ogilby turned his attention to the Latin classics, as a translator and publisher. His first faltering attempt, in 1649, was a translation of the works of Virgil, but after his marriage to a wealthy widow the same year, his publishing activities received a considerable boost. One means by which Ogilby financed these volumes was by subscription, securing advance payments from his patrons, in return for including their name and coats-of-arms on the plates of illustrations. Another approach was to secure a patron, preferably in the court circle. Ogilby's first patron was Strafford, who found out too late that all leading ministers are dispensable when Charles I assented to his execution in 1641. As he re-established himself, Ogilby sought a new patron, the King himself. In 1661, Ogilby was approached to write poetry for Charles II's coronation procession; he later published 'The Relation of His Majesties Entertainment Passing Through the City of London', and a much enlarged edition the following year, which included a Fine set of plates depicting the procession. Royal favour was bestowed in 1674 when John Ogilby received the title of 'His Majesty's Cosmographer and Geographick Printer' with a salary of £13.6s.8d per annum. In 1665, Ogilby left London to avoid the Plague then ravaging the capital. The following year, in the Great Fire of London, Ogilby claimed that he lost his entire stock of books valued at some £3,000, as well as his shop and house, leaving him worth just £5. As he sought to restore his fortunes, Ogilby was already looking in new directions. The initial opportunity he seized on was the reconstruction of London's burnt-out centre. He secured appointment as a 'sworn viewer', whose duty was to establish the property boundaries as they existed before the Fire. Ogilby was assisted in the project by his step-grandson, William Morgan...

John Ogilby (British 1600-1676) cosmographer and geographick printer to Charles II. A road map from Britannia, 1675/6. No 5, The road from London to Barwick: London to Stilton In a grey painted and gilded frame. In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman. While he was still a child, the family moved to London. When the elder Ogilby was imprisoned for debt, the young John invested his savings in a lottery, won a minor prize, and settled his father's debts. Unfortunately, not enough money was left to secure John a good apprenticeship; instead, he was apprenticed to a dance master. Ogilby was soon dancing in masques at court but, one day, while executing a particularly ambitious leap, he landed badly. The accident left him with a permanent limp, and ended his dancing career. However, he had come to the attention of Thomas Wentworth, later Earl of Strafford, Charles I's most senior minister. Ever one to exploit his contacts, Ogilby became a dance instructor in Strafford's household. When Strafford was sent to Ireland, Ogilby accompanied him as Deputy-Master of the Kings Revels, and then Master of Revels. In Dublin, he built the New Theatre, in St. Werburgh Street, which prospered at first, but the Irish Rebellion, in 1641, cost Ogilby his fortune, which he estimated at £2,000, and almost his life. After brief service as a soldier, he returned to England, survived shipwreck on the way, and arrived back penniless. On his return, Ogilby turned his attention to the Latin classics, as a translator and publisher. His first faltering attempt, in 1649, was a translation of the works of Virgil, but after his marriage to a wealthy widow the same year, his publishing activities received a considerable boost. One means by which Ogilby financed these volumes was by subscription, securing advance payments from his patrons, in return for including their name and coats-of-arms on the plates of illustrations. Another approach was to secure a patron, preferably in the court circle. Ogilby's first patron was Strafford, who found out too late that all leading ministers are dispensable when Charles I assented to his execution in 1641. As he re-established himself, Ogilby sought a new patron, the King himself. In 1661, Ogilby was approached to write poetry for Charles II's coronation procession; he later published 'The Relation of His Majesties Entertainment Passing Through the City of London', and a much enlarged edition the following year, which included a Fine set of plates depicting the procession. Royal favour was bestowed in 1674 when John Ogilby received the title of 'His Majesty's Cosmographer and Geographick Printer' with a salary of £13.6s.8d per annum. In 1665, Ogilby left London to avoid the Plague then ravaging the capital. The following year, in the Great Fire of London, Ogilby claimed that he lost his entire stock of books valued at some £3,000, as well as his shop and house, leaving him worth just £5. As he sought to restore his fortunes, Ogilby was already looking in new directions. The initial opportunity he seized on was the reconstruction of London's burnt-out centre. He secured appointment as a "sworn viewer", whose duty was to establish the property boundaries as they existed before the Fire. Ogilby was assisted in the project by his step-grandson, William Morgan, and by a number of professional surveyors. The result was an outstanding plan of London, on a scale of 100 feet to an inch, on 20 sheets, although it was not printed until after Ogilby's death. Ogilby then turned his attention to publishing geographical descriptions of the wider-world. In 1667, he issued 'An Embassy from the East India Company of the United Provinces to the Grand Tartar Cham, Emperor of China.' Buoyed by the response to this volume, Ogilby conceived an ambitious project, a multi-volume description of the world. The volumes were joint collaborations, in conjunction with the Dutch publisher Jacob van Meurs. 'Africa', published in 1670, was the least original of the three, both in terms of the text, maps and illustrations. In a similar vein, he issued the 'Atlas Japannensis' (1670), the 'Atlas Chinensis' (1671), and 'Asia' (1673). In 1671, Ogilby published the 'America', translated from Arnold Montanus' Dutch text. The 'America' is certainly the most original, and most important, of Ogilby's various geographical volumes, and its influence and popularity was immediate. With its completion, Ogilby turned to a project nearer his heart, the description of Britain. Ogilby originally intended to devote one volume to Britain, but as the project evolved, he became more ambitious, as revealed in a prospectus issued in about 1672: "This having oblig'd our Author to take new Measures ... to compleat within the space of two Years a Work ... considering the Actual survey of the Kingdom, the Delineation and Dimensuration of the Roads, the Prospects and Ground plots of Cities, with other Ornamentals ... into six fair volumes. The Four first comprehending the historical and geographical description of England, with the County-Maps truly and actually survey'd. ... The fifth containing an Ichnographical and Historical Description of all the Principal Road-ways in England and Wales, in two hundred copper sculptures, after a new and exquisite method. The sixth containing a New and Accurate Description of the famous City of London, with the perfect Ichnography thereof ..." In the proposals, Ogilby emphasised the scale of the undertaking; no-one before him had attempted such a vast project. He estimated the total costs would be £20,000, a staggering amount. The cost of the complete set of six volumes was to be £34. At that time, Wenceslas Hollar...