Belle Époque Case Pieces and Storage Cabinets

An exceptional and high quality French 19th century Louis XVI st. Belle Époque period Mahogany, Kingwood, Tulipwood, burl wood, ormolu and white Carrara marble cabinet possibly by Ma...

A Very Fine Pair of Late 19th Century Gilt Bronze and Sèvres Style Porcelain Mounted Kingwood Cabinets Gillows of Lancaster and London The upper section with a pair of doors with Sèvres style porcelain plaques painted with a flower filled urn, the lower section with a frieze drawer with floral decorated plaques, raised by four legs joined by a “X” stretcher. Stamped on the wood drawer Gillow. Robert Gillow established his company around 1730. It was widely considered one of the most important British cabinet making firms. Trading first...

A Superb Late 19th Century Gilt Bronze Mounted Louis XVI Style Bureau à Cylindre Possibly François Linke for Maison Krieger In the manner of Adam Weisweiler, Possibly by François Linke for Maison Krieger Cajou, platane trellis-parquetry, ébène and buis stringings, the rounded corner marble top above three small drawers, the cylinder front opening to a gilt-tooled leather lined writing slide and five small drawers, the frieze fitted with three drawers, the central drawer, with spring-loaded secret release, is decorated with an ormolu relief plaque which depicts a group of putti at play, the two side drawers with hidden key...

Large late 19th century french neoclassical gilt metal mounted vitrine Measures: Height 184cm, width 121cm, depth 46cm This excellent display cabinet is a large late nineteenth c...

An Exquisite Late 19th Century Louis XVI Style Gilt Bronze Mounted Inlaid Marquetry and Parquetry Bureau a Cylindre The stepped rectangular top with pierced three quarter gallery ab...

A Fantastic Pair of Late 19th Century Louis XVI Style Gilt Bronze Mounted Demilune Vitrines By Paul Sormani Paul Sormani Each with balustrade galleries and raised on spiral decorat...

A Rare and Special Late 19th Century Louis XV Style Gilt Bronze Mounted Double Door Vitrine by Joseph Zwiener Joseph Zwiener The serpentine-shaped fleur de pecher marble top above ...

A Very Fine Late 19th Century Finely Casted Gilt Bronze Mounted Louis XVI Style Vitrine Surmounted by a pink breccia marble top above a gilt bronze motif depicting a pair of rams c...

A Nice Late 19th Century Gilt Bronze Mounted Transitional Style Parquetry Cabinet Marble top above two doors. each door centered by a Bacchus mask within sunburst veneer, the corner...

A Fantastic Pair of Early 20th Century Gilt Bronze Mounted Louis XV Style Inlaid Marquetry and Parquetry Commodes Each finely made commode with a shaped marble top over three short and two long dresser drawers...

A fine late 19th century gilt bronze mounted Transitional style Marquetry cabinet By Durand The marble top above two long inlaid floral doors which o...

An Excellent Quality Late 19th Century Louis XVI Style Gilt Bronze and Wedgwood Mounted Parquetry Vitrine The breakfront marble top above a scrolle...

An elegant and most unique French 19th century Louis XVI st. Belle Epoque Period Tulipwood, Kingwood, Ormolu, Marble and Wedgwood Porcelain commode/vitrine. The commode is raised on ...

An Exceptional Early 20th Century Louis XVI Style Gilt Bronze Mounted Parquetry Vitrine By François Linke François Linke – Index no. 458 The fleur de pêcher marble top above a scro...

An Interesting Late 19th Century Gilt Bronze Mounted Cartonnier / Dresser The tall cabinet with an upper section containing nine deep tooled leather veneer drawers, above two long d...

A Late 19th Century Louis XVI Style Gilt Bronze Mounted Mahogany Cabinet By François Linke François Linke – Index no. 1108 Surmounted with a Brèche d’ Alep marble top, above a frie...

An Interesting Late 19th Century Louis XVI Style Gilt Bronze and Wedgwood Mounted Parquetry Vitrine The breakfront marble top above a scrolled frie...

A Fantastic Quality Late 19th Century Louis XV Style Gilt Bronze Mounted Vernis Martin Cabinet By Paul Sormani Paul Sormani The upper tier of t...

A beautiful late 19th century Louis XVI style gilt bronze and Sèvres style porcelain mounted parquetry cabinet. A marble top above a single door adorned with Sèvres style porcelain plaques, the large plaque...

A very fine late 19th century gilt bronze-mounted Louis XV style Vernis Martin cabinet. By Joseph Zwiener. The central section finely decorated door panel displaying an allegorical 'Vernis Martin' scene, within a gilt bronze banded frame. With finely cast acanthus and figurative gilt bronze mounts. Stamped ‘NZ’ for Zwiener on the back of the escutcheons and reverse of the bronze mask to the base. Born in Herdon, Germany, in 1849, Joseph Emmanuel Zwiener followed the tradition of some of the best ébnistes of the 19th century. He moved to Paris establishing a workshop at 12, rue de la Roquette, between 1880 and 1895. He produced a wide array of the very finest furniture, modelling in his own interpretations of the 18th century Louis XV Rococo style, veneered with the highest and finest quality marquetry and 'Vernis Martin' panels. Exhibiting at the Exposition Universelle, Paris, in 1889, Zwiener was awarded a Gold Medal for what the jury reported as 'dè ses dèbuts à une Exposition Universelle, [il] s'est mi au premier rang par la richesse, la hardinesse, et le fini de ses meubles incrustés de bronze et fort habilment marquetés.' Zwiener was closely associated with François Linke and the two houses produced work which, at first glance, is remarkably similar and with occasionally identical mounts. The similarities are made more likely by the fact that the brilliant sculptor, Léon Messagé, worked initially for Zwiener and subsequently, upon Zwiener's departure for Berlin to work on furniture commissioned by Freidrich Wilhelm II, he was employed in the workshop of François Linke. It appears that Zwiener, unlike Linke, did not sign all his work, although some stamped pieces with his name and/or his "Z" initial are documented. There is some uncertainty between the recorded stamp E. Zwiener and the work of a Julius Zwiener...

A Great Quality Late 19th Century Louis XVI Style Gilt Bronze Mounted Vitrine By François Linke François Linke. The rectangular paneled top with three-quarter gallery, above a conf...

A Late 19th Century Gilt Bronze Mounted Louis XVI Style Vitrine By Paul Sormani Paul Sormani Bronze gallery above a centered glass door, flanked by glass panels, four bronze mount...

A Very Fine Late 19th Century Louis XVI Style Gilt Bronze Mounted Commode By Paul Sormani Paul Sormani Beautiful marble top, above a bronze frieze, with one long drawer above two d...

Imitation palisander Made in Czechoslovakia Made of wood, glass Original condition.

1920s precious and refined Venetian eclectic credenza sideboard with china cabinet by Testolini & Salviati. Splendid sideboard in all its parts. Beve...

From the American Golden Age, a very fine Belle Époque Sideboard or Buffet Cabinet in exquisite West Indies mahogany. New York City, circa 1880. Base features bowed center cabinet do...

Italy Credenza sideboard eclectic period belle epoque, in walnut, mahogany and maple inlay, circa 1910. Restored and polished to wax. Excellent conditions. Measure cm: H 205, W 170, ...

A lovely buffet in oak with a mirrored top over a cabinet with two drawers and two doors. Mirror frame has a split-pediment top with turned center finial and is flanked by fluted col...

American gilded age ebonized step back credenza with burled amboyna panels and finely articulated ormolu bronze doré mounts in the manner of NY cabinet makers Ringuet-Leprince, Marcotte and Co. The exquisite doré mounts and the European half mortise bayonet lock were imported from France. This was a typical manufacturing practice during the American Gilded Age as designers and cabinet makers like Leon...

A French Louis XV Style 'Belle Époque' Vitrine Cabinet Giltwood Carved Vitrine. The three panel curio cabinet, the center one with bowed-front glass, with twin side-doors and carved ...

PRESENTING A STUNNING and RARE 19C Portois & Fix Viennese Cabinet. Made by the famous and highly desirable maker, ‘Portois & Fix’ in Vienna, Austria ...

An Exceptional Late 19th Century Louis XV Style Gilt Bronze Mounted Lacquer Commode By Henry Dasson Henry Dasson A beautiful shaped Rosso Levanto marble top above two long and deep...

An Exceptional Late 19th Century Gilt Bronze Mounted Louis XVI Style Commode By Henry Dasson Henry Dasson A marble top above a frieze set with three drawers with pierced laurel decoration and ribbon tied foliate wreaths, over three garland-hung cupboard doors each with shelves, flanked by concave corners fitted with a freestanding baluster form column, the sides similarly decorated and standing on toupie feet. Signed Henry Dasson 1879 to the bronze mount on the side and stamped Henry Dasson 1879 twice to the back of the carcass. After the very famous 18th century model by Martin Carlin. Henry Dasson was considered one of the finest makers of gilt bronze mounted furniture in the nineteenth Century. He established a workshop at 106 rue Vieille-du-Temple, Paris, and specialised in the production of Louis XIV, Louis XV and Louis XVI style furniture using the very finest ormolu mounts with the highest quality mercury gilding. In 1871, Dasson purchase Charles-Guillaume Winckelsen business and remaining stock. Dasson exhibited at the 1878 and 1889 Paris Exhibition. He displayed Louis XV and XVI styles as well as pieces of his own modified eighteenth century design. The exhibits in 1878 included a table entirely in gilt bronze, purchased by Lord Dudley. Martin Carlin (ca 1730 – 1785) was a Parisian ébéniste, born at Freiburg, who was received master at Paris in 1766. Carlin worked at first in the shop of Jean-François Oeben, whose sister he married. He set up independently in the Faubourg Saint-Antoine, an unfashionable quarter of Paris, where few of his wealthy clientele would have penetrated. Carlin sold his works exclusively to marchands-merciers such as Simon-Philippe Poirier and his partner Dominique Daguerre, who acted as decorator-designers. It was only through these entrepreneurs that Carlin could acquire the Sèvres porcelain plaques that decorate many of his pieces. His earliest such pieces are datable by the marks on their porcelain to 1766; they followed designs supplied by the dealer Poirier. Although Martin Carlin made some larger pieces— secrétaires à abattant (drop-front secretary desks), tables, and commodes— he is best known for refined small furnishings...

A very fine 19th century French Belle Epoque mahogany and gilt bronze mounted display cabinet. Original marble top.

An exceptional and very high quality French 19th century Louis XVI st. Belle Époque period Mahogany, ormolu and Arabescato marble buffet attributed to François Linke. The two door four drawer buffet is raised by elegant circular tapered fluted legs with fine fitted mottled ormolu sabots and top caps. At the center are two doors each displaying recessed panels showcasing the beautiful Mahogany grain framed within a delicate mottled border and displaying lovely tied ribbon and berried laurel ormolu keyhole escutcheons. The doors open to reveal one adjustable shelf and all original handsome hardware. Flanking the doors are striking fluted columns with fine ormolu reserves and two open rounded shelves...

A stunning and extremely elegant French 19th century Louis XVI st. Belle Époque period mahogany, ormolu and Campan Rouge marble buffet, attributed to Maison Krieger. The four door, t...

This parquetry desk has the attributes one would expect when bearing the name to one of Paris leading retailers of objet deluxe. It is bombe...gently swelling and raised on cabriole legs. It is applied with oval porcelain panels which we have not dismounted but are to Sevres standard. It extensively mounted with bronze chutes sabots and moldings of various sorts. Including a bronze pierced plaque with the monogram of the owner. It is in a small way, highly evocative of 19th century Paris at its best. This company flourished between the consulate and 1867 when it closed. It enjoyed Royal patronage and was certainly a leading supplier of luxury goods of the highest quality. Maison Giroux, the famous curiosity and luxury goods shop, was situated at No. 7 rue du Coq-Saint-Honoré and in business from the time of the Consulate until the end of the Second Empire. The business was founded in 1799 by Francis Simon Alphonse Giroux, cabinetmaker and official restorer of Notre Dame. “Maison Alphonse Giroux” also known as “Giroux & Cie” specialized in producing ornate objects d’art and technically sophisticated furniture. Patronized by various members of the French Royal Family, including Louis XVIII, Charles X, Henri...

An Early 20th Century Gilt Bronze Mounted Louis XV Style Chest of Drawers By François Linke François Linke Surmounted by a Brèche d’Alep marble top above a pair of short drawers, a...

A Fantastic Late 19th Century Gilt Bronze Mounted Louis XVI Style Parquetry Commode By Zwiener Jansen Successeur Zwiener Jansen Successeur A marble top above a frieze set with three drawers with pierced laurel decoration and ribbon tied foliate wreaths, over three garland-hung cupboard doors each with shelves, flanked by concave corners fitted with a freestanding baluster form column, the sides similarly decorated and standing on toupie feet. The bronze mounts stamped to the reverse ‘’ZJ’ for Zwiener / Jansen Successeur. The Lockplates stamped MON THEAU/THIEFFINE SUCCR/SERRURIER/PARIS. After the very famous 18th century model by Martin Carlin...

A pair of late 19th century French kingwood bombe-shaped cabinets, dating to the Belle Époque period (circa 1870–1914), each surmounted by a white Carrara marble top with softly roun...

A superb Belle Époque-style breakfast buffet, crafted around 1900 in solid mahogany and adorned with finely crafted gilt bronzes. This stately piece is distinguished by its generous...

A unique late 19th century gilt bronze mounted parquetry cabinet by François Linke and Léon Messagé François Linke and Léon Messagé This unusual cabinet features a cube parquetry top with a back splash centered with a plume of bronze feathers and flowers, above a long single drawer with a bronze leaf-clasped scallop shell and two handles shaped as wings, the sides headed by foliate and flower-cast clasps. The cabinet was most likely made to store magazines or original phonograph records. Stamped FL under many of the bronze mounts, the lock stamped CT LINKE/PARIS Linke was born in Pankraz in Bohemia and was celebrated by the French as one of the greatest ébénistes of meubles de style at the turn of the century. He began his apprenticeship with a Bohemian master at the age of thirteen. Four years later, he toured Austria, settling and working in Vienna for two years. Linke arrived in Paris 1875, and by 1881 he had established his own small workshop at 170 rue du Faubourg St. Antoine. Taking 18th century styles as his starting point and adapting earlier styles to contemporary taste, Linke produced fine quality furniture, steadily expanding his business during the next 20 years. He firmly established his reputation after receiving a gold medal at the Paris Universal Exhibition of 1900 for his extraordinary Grand Bureau. He continued to use international fairs as a means of exploring new markets, exhibiting at the 1904 World’s Fair in St. Louis, the Liege in Belgium and the 1908 Franco-British exhibition in London. Linke’s highly original designs sprang from the Régence and Rococo styles but were imbued with something quite new, Rococo curves were laden with gilt-bronze sculptural mounts in the tradition of A.-C. Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke’s fusion of the Rococo with the liveliness and the fluidity of the ‘art nouveau’. The Revue called Linke’s creations entierement nouveau, and continued to say that ‘Linke’s stand...

A Beautiful Late 19th Century Gilt Bronze Mounted Louis XVI Sèvres Style Dressing Table This wonderful and rare table is mounted by over twenty three individual porcelain plaques de...

A great quality late 19th century louis xv style gilt bronze mounted kingwood vitrine. By François Linke - Varient of Index Number 38 and 1122. Surmounted by a Brèche d'Alep marble...

19th century French mahogany period Belle époque commode. Fine ormolu mounts and Sèvres Porcelain plaques.

A Lovely Late 19th Century Gilt Bronze Mounted English Cabinet / Server By Hampton & Sons By Hampton & Sons A reticulated bronze gallery above a single drawer, the upper structure ...

A Wonderful Late 19th Century Louis XVI Style Gilt Bronze Mounted Marquetry and Parquetry Cabinet by Maison Forest, Paris Maison Forest The breche violette marble top above a cente...

A Special Late 19th Century Louis XV Style Gilt Bronze Mounted Marquetry and Parquetry Bureau a Cylindre By François Linke François Linke – Index no. 393 The upper section with a s...

An Exceptional Pair of Late 19th Century Louis XVI Style Gilt Bronze Mounted Parquetry Cabinets The demilune shaped brèche marble top above a long single drawer, the two large diamo...

A handsome French 19th century Transitional st. Tulipwood and Ormolu cabinet vitrine.

An elegant and most unique French 19th century Louis XVI st. Belle Epoque period mahogany, burl elm, and ormolu desk attributed to Maison Krieger. The two drawer desk is raised by ci...

An elegant and very high quality French 19th century Louis XVI st. Belle Époque period Mahogany, ormolu and Sarrancolin marble buffet, signed ‘Haentges Frères...

A Marvelous Quality Louis XVI Style Dore Bronze and Sèvres Porcelain Mounted Parquetry Cabinet with a Hand-Carved Marble Top. The large centra...

A Wonderful Late 19th Century Louis XV Style Gilt Bronze Mounted Two Door Vernis Martin Vitrine Surmounted by a marble top above a frieze with scrolling foliage, above two glass doo...

A Lovely Early 20th Century Louis XV Style Gilt Bronze Mounted Parquetry Vitrine Table By François Linke François Linke The oval shaped table with a beveled glass top encircled by ...

A Very Fine Late 19th Century Louis XVI Style Gilt Bronze Mounted Vitrine Bronze gallery above a centered glass door, flanked by glass panels on top of a single, spring released dra...

A stunning and extremely high quality French 19th century Louis XVI st. Belle Époque period Kingwood, Wedgwood, ormolu, and Vert de Patricia marble cabinet. The one door, one drawer ...

A Fantastic Late 19th/Early 20th Century Louis XV Style Gilt Bronze Mounted Commode By François Linke François Linke – Index no. 599 Brèche d’ Alep marble top above one long bronze mounted drawer, the center two drawers bronze mounted with floral wreath and bird, the base mounted with a tambourine and flowing curtains. Signed F. Linke to the right-hand chute, locked stamped Ct. Linke and the number 599. Pictured on Page 493 and Daybook Entry on Page 477 in “François Linke 1855-1946 The Belle Epoque of French Furniture” By Christopher Payne. Designed in 1900, this model commode was conceived en suite with a dressing table, index number 600, and a double bed, number 601. Although clearly started in 1899, a note in the Blue Daybook shows that the ciseleur enriched the chasing on the bronzes much later, in September 1902, and with a fleur de pêcher marble top costing 110 francs. Whereas two of the matching beds and dressing tables were made, Linke made five versions of this commode between 1899 and 1910, with one example made for the compagnie nationale de Buenos-Aires in 1908. Linke was born in Pankraz in Bohemia and was celebrated by the French as one of the greatest ébénistes of meubles de style at the turn of the century. He began his apprenticeship with a Bohemian master at the age of thirteen. Four years later, he toured Austria, settling and working in Vienna for two years. Linke arrived in Paris in 1875, and by 1881 he had established his own small workshop at 170 rue du Faubourg St. Antoine. Taking 18th century styles as his starting point and adapting earlier styles to contemporary taste, Linke produced fine quality furniture, steadily expanding his business during the next 20 years. He firmly established his reputation after receiving a gold medal at the Paris Universal Exhibition of 1900 for his extraordinary Grand Bureau. He continued to use international fairs as a means of exploring new markets, exhibiting at the 1904 World’s Fair in St. Louis, the Liege in Belgium and the 1908 Franco-British exhibition in London. Linke’s highly original designs sprang from the Régence and Rococo styles but were imbued with something quite new – Rococo curves were laden with gilt-bronze sculptural mounts in the tradition of A.-C. Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke’s fusion of the Rococo with the liveliness and the fluidity of the ‘art nouveau’. The Revue called Linke’s creations entierement nouveau, and continued to say that ‘Linke’s stand...

A stunning and extremely high quality French 19th century Louis XVI st. Belle Époque period rosewood, satinwood, tulipwood, ormolu and white Carrara marble "Bonheur du Jour" desk, signed by Roux et...

Late 19th Century Gilt Bronze Mounted Louis XVI Style Inlaid Marquetry and Parquetry Cabinet By Theodore Millet By Theodore Millet The large marble t...