Jugendstil Furniture

Vintage Jugendstil coffee bowl and cream server is an original decorative pair of objects realized in the first years of the 20th century. Original tin. The lot has been design...

Jugendstil very rare pendant or hanging lamp by Otto Wagner, Vienna designed for the Viennese Stadtbahn, circa 1898 in Vienna. The hanging lamp was made out of the typical reseda gre...

Set of two W.M.F. silver plate flower vases and jardinière, Jugendstil period, Germany, circa 1900. Dimensions of the jardinière: Height 19 c...

Noted for his detailed and colorful work, Bergman was signing his creations with either a "B" in an urn-shaped cartouche, or "Nam Greb" for "Bergman" in reverse (these marks used to disguise his identity on the erotic works). They are also often inscribed ‘Geschutzt’, which refers to the model/design being ‘registered’ or copyrighted; or not marked at all, especially if the pieces are miniatures, circa 1900. Dimensions: Height 0.88 inches (2.2 cm) Width 0.94 inches (2.4 cm) Depth 2.07 inches (5.2 cm) Franz Xavier Bergmann...

Small vase with smooth walls and handles in shades of blue and brown. On the bottom stamped EL with crown (= Grand Duke Ernst Ludwig) as well as Großherzogliche Keramik Manufaktur Da...

Brass jugendstil chandelier with red crystals in excellent condition, rewired.

Pine wood double door from Switzerland. Early 20th century. Unrestored. Double door consisting of two originally half-glazed doors in frame and panel...

Jugendstil vintage coffee table or side table style Adolf Loos from solid oak, brass and copper in wonderful warm golden and copper color tones in a beautiful shape, Austria circa 19...

Pair of art nouveau floor lamps by Adolf Loos, looks like Woka lamps production from around 1960-70s.

Secession coffee table attributed to Adolf Loos or Kolo Moser. Both architects used square inlays and decoration.

Six legged jugendstil plant stand in excellent original condition.

Bentwood Thonet side table in very nice original condition.

W.M.F. Silver Plate jardinière with mirror plateau, Jugendstil period, circa 1900. With gondolier. Mirror plateau dimensions: 4 cm height, 60...

Jugendstil coffee table with brass edging with hammered decor. Professionally stained and repolished.

Black jugenstil coffee table with hammered brass leg edging. Professionally stained and repolished.

This exceptional Art Nouveau vitrine embodies masterful craftsmanship and timeless elegance. The slender black wooden frame exudes a refined aesthetic, while the four glass doors fea...

Children's Art Nouveau Armchair with original rattan seat by J&J Kohn in original condition.

Copper jugendstil umbrella stand with hammered decor attr. to Otto Prutscher - Wiener Werkstätte in very good original condition.

Jugendstil coffee table professionally stained and repolished.

Dimensions: 4.33 high x 2.25 wide x 2.75 deep This elegant desk-size statuette of a kneeled harlequin wearing a golden mask is a perfect example of the little masterpieces in cold...

Very rare armchairs nr.813 /1F by Josef Hoffmann for Jacob Josef Kohn in original vintage condition.

A Art Nouveau door from the early 20th century. Solidly crafted in softwood. Frame and panelled construction with ribbed glass and large iron fittings. Dimensions: 220 cm high / ...

The 5th drawing in the series, Free Mason Lodge, Schwind Gasse number 8. Listing- 4 working drawings, Free Masons, Lodge, 1930 There you will find more inf...

Striking large cobalt blue iridised Poschinger vase decorated with a large enamelled stork hovering over a pond covered in flowering lilies -A german vase in the classic Jugendstil s...

Step into the elegance of this artist engraved glass. Exceptional quality work. The artist thus far remains unidentified, but is of great talent. Possibly used existing glass to engr...

Dimensions Total Height: 7.5 inches Base Height: 2 inches Width: 2.75 inches Depth: 2.75 inches ABOUT This charming desk figurine in dark brown patinated Viennese bronze by the famous Austrian sculptor Karl Kaub stands out for the originality and humor of its subject matter. The author depicted with amazing subtlety a boy who jumped on one leg in fright, suddenly seeing a frog sitting on his arm. CARL KAUBA (Austrian, 1865-1922) was born August 13, 1865 in Vienna, Austria. The son of a shoemaker, Kauba chose to follow his calling into the world of art. Collectors now rank him in a class with Remington and Russell as one of the great portrayers of American Western. His subjects were typically American Indians, calvarymen, cowboys, and roughriders. In addition to his American bronzes, Kauba produced a lifetime’s worth of Austrian statuary. His work became fully appreciated on both sides of the Atlantic. Carl studied at the Academy of Fine Arts in Vienna under professor Laufenberg. Later he would study at the academies under Carl Waschmann and Stefan Schwartz. Next, he went to Paris in 1886 to further study before he set off for the U.S. In fact, some debate still remains as to whether Kauba ever visited the U.S. Kauba’s fascination with the West was fired by the stories of the German writer, Carl May, whose tales of Western adventure were well known throughout Europe. Most authorities feel that he was about twenty-five years old when he traveled widely throughout the American West. He then returned to Austria with voluminous notes, sketches, and several models of Western sculpture...

An early German modernist desk chair with seat and back rest composed of intersecting layers of leather straps. This chair is original but can be reproduced to meet your specifica...

Dimensions Height: 7.25 inches Width: 5.25 inches Depth: 4.5 inches. Markings Fully marked on the bottom with a "B" in an urn-shaped cartouche (for “Bergmann”), and “GESHUTZED” (German: “PROTECTED). ABOUT What distinguishes this unique bud vase from others is a perfect synthesis of a utilitarian object and a Fine sculpture. It is not only the amazing subtlety and taste of the author’s artist skills, but an extraordinary design and an absolutely outstanding original plot. Designed for a single flower only, it is nonetheless a very complex and multifaceted composition filled with warm humor and fantasy. Sitting on a vessel shaped as a gourd, clasping its goat legs with hooves and holding on to the neck with one hand in order not to fall of it; a playful and mischievous faun holds by the tail a fleeing lizard with the other hand. FRANZ XAVIER BERGMANN (Austrian, 1861–1936) was the owner of a Viennese foundry who produced numerous patinated and cold-painted bronze oriental, erotic and animal figures, the latter often humanized or whimsical, humorous objects d'art. Cold painted bronze refers to pieces cast in Vienna and then decorated in several layers with so-called dust paint; the expertise for the mix of this kind of paint has been lost. The color was not fired hence "cold painted". Mainly women working...

A small ornate Jugend Vase by danish manufacturer Michael Andersen & Son. Made in the first part of the 20th century. The vase is organically shaped with ...

Probably Austrian, this lovely Jugenstil desk-sized black-patinated bronze figurine on its original marble pedestal depicts a fawn youth, checking the size of his tail to see how muc...

This pair of challises is a rare example of the famous WMF early Jugendstil objects, famous among collectors for their unique style and an unusual combination of materials - in this ...

Made of a beautifully crafted patinated bronze, it proudly stands on its original magnificent marble base. Unsigned, the authorship is unidentified. Full of tasteful provocative ero...

Pair of Bruno Paul Articulating candelabras These are unmarked. Uncertain if they are German by Bruno Paul or if possibly by the Anderson Foundry executed in the early 20th century....

Pair of W.M.F. Silver plate and gilt bronze jardinière, Jugendstil period. Germany, circa 1900.

Enameled ceramic centerpiece. Germany, early 20th century.

The photos don't show the sophistication of these old WMF little plats, ( model 365 and 365) because there is the reflection of the light on the metal. Alloy of silver, lead and copper . Perfect to present sweets or for business cards and mail. Suitable also hanging under two wall lights , with fabric fans...

Pair of W.M.F. silver plate jardiniere with mirror plateau. Jugendstil style, Germany, circa 1900.

Set of two W.M.F. silver plate flower vases and jardinière with glass, Jugendstil period, Germany, circa 1900. W.M.F. silver plate flower vas...

Pair of W.M.F. silver plate jardinière with glass, Jugendstil period, circa 1900.

Pair of W.M.F. silver plate dishes, Jugendstil Period, circa 1900. With hunting dogs.

Pair of W.M.F. silver plate jardinière, Jugendstil period, circa 1900.

Julius Mulhaus or Hermann Pautsch Decorated Jugendstil Vase, circa 1910 Additional Information: Date: circa 1910 Origin: Bohemia Bowl Features: Richly gilded and enamelled wit...

Sterling silver American paperweight: an idea for an elegant gift - But You can use also as crumb collector... Very elegant for Your desk. A/2620 -

Yellow copper bowl in a shape of a lotus. The bowl is signed by Frans Zwollo sr.(1872-1945), by the design of Lion Cachet (1864-1945) Both were members ...

The clear lines and simplicity of this sleek design, together with the craftsmanship by which this clock has been manufactured make this piece stand out. The oval shaped tumbled foo...

Pair of W.M.F. silver plate jardinière with glass, Jugendstil period, circa 1900.

In this listing you will find a pair of antique armchairs done in ash wood and upholstered in shearling. The armchairs are done in Jugendstil, featuring clean lines, enhanced with th...

Pair of W.M.F. silver plate mirrors. Jugendnstil period, Germany, circa 1900.

In this listing you will find rare vintage dining chairs designed by Josef Hoffmann for Mundus - Model Prague. Chairs are done in black painted beech bentwood and upholstered in blac...

Alfonso Canciani (Italian-Austrian, 1863-1955) was a famous Italian-Austrian sculptor of the period of accession to the Viennese Secession. Son of a stonemason, after a realist period he managed to establish himself as a leading sculptor of the Viennese Secession. In fact, he worked in Vienna, where he had enrolled in 1886 at the Academy of Fine Arts, then at the Higher School of Sculpture and finally at the Special School, where he obtained the Rome prize for the sketch for Dante's Monument. He developed a notable business obtaining important prizes and numerous commissions. First among the sculptors of the Viennese capital, he was invited to join the Association of the Viennese Secession, of which Klimt was magna pars, after the exhibition of Dante's group in 1900 at the Secession exhibition, and obtained the most important Austrian artistic prize, the Kunstlerlpreis. This same work, presented in 1910 in Berlin, at the Great Art Exhibition, also received an important recognition here. He obtained the Rome prize in 1896, exhibited successfully in Munich and in 1899 at the III International Art Exhibition in Venice. In that period he made some statues of saints for the cathedral of Santo Stefano in Vienna, the monument to Wagner, the bust of Nietzsche for the University, the scepter and the gold chain of the University Rector, figures of Italian poets ( Petrarch, Boccaccio, Tasso, Ariosto). He submitted a sketch for the official monument to Empress Elizabeth, which was then built in Austrisn Gföhl and Pula. At the time of his accession to the Secession, he dedicated himself to decorating the facade of the Artaria house in Vienna in collaboration with the architect Max Fabiani. He later abandoned the symbolist decorativism of the Jugendstil for a more concentrated and vigorous style, approaching the Belgian sculptor Constantin Meunier for the theme of work, and preferring to exhibit at the Künstlerhaus. In Vienna, he was generous with advice and help with the Italians and in particular with his fellow citizens (such as the Brazzanese Luigi Visintin, then a university student). After the First World War, he returned to Italy and lived in Friuli, penalized by the fact that the Habsburg Empire had by now disappeared. Instead of large-scale public monuments, he then devoted himself to engraving medals (e.g. for Benedict XV and for the Italian mission in Vienna in 1919) and to designing funeral monuments (examples in Mali Lošinj and Trieste) and portrait busts (of Generals Carlo Caneva and Antonio Baldissera in Udine, sculptures of the War Memorial of Corno di Rosazzo). After all, he had already executed the Bab grave monument in the Döblinger cemetery in Vienna in 1909. He taught in Trieste from 1920 until 1935, at the local school of industrial art, where he had Marcello Mascherini...

Als Jugendstilbüste einer jungen lesenden Frau gestaltetes Tintenfass, Glaseinsatz (fehlend) unter abnehmbarem Deckel (fehlend) als Buchseite, auf polygonal gestalteter Plinthe mit o...

A scarce and stylish antique Austrian art pottery model of a pug dog naturaslistically cold painted and applied with glass eyes and dating from around 1900. The hand modelled terraco...