The Rectangular Console Table in Medium Hammered Brass has the proportion that Hollywood Regency interiors use for entry consoles: 72 inches wide, 30 inches tall, entirely in Medium Hammered Brass metal, with a smooth polished centre strip that runs the full length of the top and continues down both sides through the hammered field. The no-leg parsons form keeps the silhouette clean. In Medium Hammered Brass, the contrast between the hammered surface and the smooth band shifts with the light across the day.
The wood structure is clad in Medium Hammered Brass metal sheets fitted by hand across all three surfaces. The craftsmen work two distinct textures into the piece: Medium Hammered Brass hammering across the outer areas, and a smooth centre band polished separately. The corner joints are marked with flush-set nails. No handles, no hardware, no applied ornament beyond the metal surface itself.
Measures 72 by 16 by 30 inches. Functions as a console table, entry table, hall table, or sofa table. The parsons-style form with no legs suits placement in entry halls, corridors, and large living rooms. Available in medium and fine hammered finishes. Custom sizing available. Made entirely to order.
Designed by Alison Spear for Stephanie Odegard Collection. Alison Spear is an AIA award-winning architect and interior designer based in New York, with a practice recognised for both residential and hospitality work. She designed this table during a visit to Rajasthan with Stephanie Odegard, specifying the two-texture hammering approach directly with the local craftsmen. Produced in Udaipur.
Made to order, each piece may show slight variations that are a natural result of handmade metal-clad production. The Medium Hammered Brass surface will gradually mellow in tone over time, which is part of the material's natural character.
The images shown in this listing may be photographed in different lighting conditions or may include 3D illustrations created to represent the available finishes. We warmly encourage customers to request an individual sample or a complete sample set of all twelve finishes to experience the surface, tone, and character firsthand.
Please note that moisture in the air, seasonal climate shifts, and the natural movement of wood over time may cause the metal surface to develop slight wrinkles or occasional bubbling. We use well-seasoned reclaimed teak and high-quality marine-grade MDF wherever technically possible to minimise these natural effects, but complete stability of metal cannot be guaranteed.
None of our metal-clad pieces are sealed with a permanent protective coating. This allows the metal to age naturally and beautifully over time. We polish every piece carefully before packing. A clear PU coat can be applied on request.
The antiqued white bronze finish will react with natural elements the fastest in the beginning, but it too will stop reacting and settle into a stable state like copper after 6-12 months. Since it is already antiqued and looks intentionally tarnished, this early reaction does not change the overall appearance. In that way, this surface is the most forgiving.
The antiqued white bronze finish is done by applying an acidic chemical over the white bronze to recreate a natural patination. Like the aging of silver, copper, or brass, the final result and colour uniformity cannot be guaranteed. The goal of this finish is to achieve rainbow-like tones with dull, shiny, cloudy, and lightly streaked patches to give an illusion of antiquing.
As a default practice, we offer a protective wipe-on PU coat only on this finish. If a designer prefers the natural, uncoated aging, we can leave it untreated just like the other finishes. A PU coat helps keep the surface looking the same as when shipped, but it does not create a fully uniform patina; natural variation will always remain part of this finish.