Mahogany Dining Room Tables

Two-tone large 45" deep dining room table with two 24" leaves by John Stuart. Total maximum expending length is 114". Beautiful ebonized base and legs.

Late 20th Century extending mahogany dining table in George III style with reeded edge to top. Supported on three reeded tripod pillars. Circa 1970.

This antique mahogany dining table from 1860 exudes timeless elegance and sophistication. Crafted with exquisite attention to detail, it showcases the rich beauty of mahogany wood, a...

Art Nouveau table, Poland, 1920s. Very good condition, after professional renovation. Wood: mahogany dimensions: height 79 cm width 125 cm depth 77 cm

The mahogany dining table, designed by the renowned Ole Wanscher and produced by P. Jeppesen in 1960, represents an elegant and timeless piece of Danish furniture design. The mahoga...

You are viewing an incredible Regency style centre table with an intricate spyrogaph design made from inlays of various woods including, fruitwood, mahogany, walnut, oak all imbedded...

This is a made-to-order large traditional mahogany banquet/dining table made in the Leighton Hall shop. It features a classic scallop corner design with a field of slip-matched swirl...

This Mid-Century Modern flip-top dining console table was designed by the popular American designer Harvey Probber during the 1960s. This table is true to Probber's aesthetic - simpl...

Chinese solid mahogany wood round dining table in excellent condition from the 1970s The table has a closed size of 112 x 112 cm with 4 faceted legs. In height it measures 79 cm with...

Great Empires take centuries to build, and those who rise after taking a fall find their true strength. It goes without saying that great decisions are taken around powerful tables a...

Good Quality Mahogany 2 Leaf Extending Dining Table. Circa 1880 Raised Upon Square Fluted Tapered Legs With Inset Castors. The Frieze of The Table Also Being of a Fluted Form. The To...

Cityscape Dining Table, Paul Evans Material: Mahogany burl veneer, Chrome-plated Steel, Glass

This is a mahogany breakfast table made-to-order in the Leighton Hall shop in Suwanee, Georgia. It is very versatile and can have multiple uses. It can be used as a breakfast table...

The Rungstedlund dining table, designed by Ole Wanscher and manufactured by P. Jeppesen in the 1960s, is a stunning example of mid-century Danish craftsmanship. Constructed from rich...

Extreme simplicity, contemporary aesthetic and seductive power: these are the characteristics reflected in each detail that make the Bonsai love at first sight. Relating to Boca do L...

Antique French Empire Mahogany Draw Leaf Dining Table with Bronze Mounts exudes elegance, and is extraordinarily versatile with two leaves that are always there when you need them, t...

The TED 240cm dining table by Greyge is handcrafted in Italy from solid Sapelli mahogany, combining sculptural contemporary design with refined Italian craftsmanship. Defined by dee...

For sale is a good quality mahogany circular extending dining table with 5 additional leaves. The table is in very good condition, showing minor signs of wear commensurate with age a...

An Italian oval dining table with rose marble top with carved mahogany dolphin motif decoration base.

Good Quality Mahogany 2 Leaf Extending Dining Table. Circa 1880 Raised Upon Square Fluted Tapered Legs With Inset Castors. The Frieze of The Table Also Being of a Fluted Form. The To...

Rectangular mahogany table with eight legs ending in small metal wheels. It has a system of "endless screw" under the board that allows its extension to reach six meters. The legs ha...

Early 19th Century oval mahogany tip-up breakfast table crossbanded in rosewood held on a pod supported by three splayed legs on brass castors. C. 1820

Period early 19th century English rosewood center table or breakfast table of Thomas Hope Pyramidal Form. Tilt top mechanism. Well matched Rosewood. Paw feet. All orginal Provenan...

A model 4229 dining table in solid mahogany with two extension leaves.

Dining table in mahogany with two folding leaves. Additional length: 2 x 50 cm. Ole Wanscher / A.J Iversen.

his exquisite piece celebrates the artistry of woodworking, where birch and mahogany woods elegantly merge on the surface, seamlessly blending into the solid mahogany edge. The bril...

Mahogany on solid wood. Eightfold bent column shaft. Beneath it there are three volute-shaped curved legs. Straight cheeks for round tabletop. A strict form of early-Biedermeier time...

Impressive pair of mahogany circular dining tables in the Regency style Circa 1920 These dining tables stand upon 4 swept and fluted legs with brass lions paw castors and a gun barre...

Round table in Makorè mahogany veneer with high gloss polyester finish. Fixed top, metal base with Giorgio Collection logo. Inlaid veneer top. Details in light gold chrome stainle...

William IV mahogany 8 - 10 seat extending dining table 19th Century antique This table is raised upon typical william iv turned and fluted legs with brass castors The table extends b...

Massive mahogany. Round column shaft, below which are three volute-shaped curved legs. Straight cheeks for round tabletop. The table is equipped with a folding mechanism. On the rev...

Mahogany dining table with extensions by G Poisson. Located in NY Two leaves of 50 centimetres could be added.

Franco Albini & Franca Helg. Dining table model no. TL22. Manufactured by Poggi, Italy, 1958. Mahogany. Measurements: 180.3 cm x 104.1 cm x 73 H cm. 70.98 in x 40.98 in x 28.74 in. Literature: Giuliana Gramigna, Repertorio 1950/1980, Milan, 1985, p. 123. Franco Albini, was born in 1905 and died in 1977. He spent his childhood and part of his youth in Robbiate in Brianza, where he was born. Albini, as an adolescent moved with his family to Milan. Here he enrolled in the Faculty of Architecture of the Polytechnic and graduated in 1929. He started his professional activity in the studio of Gio Ponti and Emilio Lancia, with whom he collaborated for three years. At the 1929 International Exhibition in Barcelona (where Gio Ponti curated the Italian pavilion and Mies van der Rohe realized that of Germany) and in Paris where, as Franca Helg recounted, he had the opportunity to visit the studio by Le Corbusier. In those three years, the works he carried out are admittedly of the twentieth century imprint. It is the meeting with Edoardo Persico that marked a clear turning point towards rationalism and the approach to the group of editors of "Casabella". The partly ironic and partly very harsh comments of the Neapolitan critic to a series of drawings, made by Albini for the design of some office furniture, caused him a great disturbance. “I spent days of real anguish - Albini recalls - I had to answer all the questions. I also had a fever, a large and long fever. " The meted provoked Albini to openen a professional studio in via Panizza with Renato Camus and Giancarlo Palanti. The group of architects began to deal with public housing by participating in the competition for the Baracca district in San Siro in 1932 and then building the IFACP neighborhoods: Fabio Filzi (1936/38), Gabriele D'Annunzio and Ettore Ponti (1939). During this period, Albini also worked on his first villa (Pestarini), which Giuseppe Pagano, architect and critic of the time, presented as follows: “This coherence, which the superficial rhetoric of fashionable jugglers calls intransigence, and which is instead the basis of understood between the fantasy of art and the reality of the craft, in Franco Albini, it is so rooted that it transforms theory into a moral attitude ". But it is above all in the context of the exhibitions that the Milanese master experienced his compromise between that "rigor and poetic fantasy" of which Pagano speaks, coining the elements that became a recurring theme in his . The opening in 1933 of the new Triennale headquarters in Milan, in the Palazzo dell'Arte, was an important opportunity to express the strong innovative character of rationalist thinking, a gym in which to freely experiment with new materials and new solutions, but above all a "method". "Cultivated as a communication laboratory, the art of setting up was for the rationalists of the first generation what the perspective had been for the architects of humanism: the field open to a hypothesis of space that needed profound reflections before landing the concreteness of the construction site ". Together with Giancarlo Palanti, Albini on the occasion of the V Triennale di Milano set up the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and with the coordination of G. Pagano), for which he also designed the 'furniture. At the following Triennale of 1936, Persico dided, together with a group of young designers gathered by Pagano in the previous edition of 1933, Franco Albini took care of the preparations of the home exhibition. The setting up of Stanza per un uomo, at that same Triennale, allows us to understand the acute and ironic approach of Albini, as a man and as a designer: "Celebrating the beauty of mechanics was the imperative to which, for example, the surprising displays by Franco Albini who managed, in the subtle way of a refined and rarefied style, to sublimate their practical content in the metaphysics of daring still lifes: flying objects which marked in the void refined frames and metal intricacies the nodes of a fantastic cartography where industry finally became art free from purpose ". That same year Albini and Romano designed the exhibition of the Ancient Italian Goldsmithery: vertical uprights, simple linear rods, designed the space. A theme, of the "flagpole", seemed to be the center of the evolution of production and the creative process. The concept is reworked over time, with the technique of decomposition and recomposition typical of Albinian design: in the preparation of the Scipione Exhibition and contemporary drawings (1941) the tapered flagpoles, on which the paintings and display cases were hung, are supported by a grid of steel cables; in the Vanzetti stand (1942) they take the V-shape; in the Olivetti shop in Paris (1956) the polished mahogany uprights support the shelves for the display of typewriters and calculators. The flagpole is found, however, also in other areas. In the apartments he designed, it is used as a pivot on which the paintings can be suspended and rotated to allow different points of view, but at the same time as an element capable of dividing the spaces. The Veliero bookcase...

Embark on a journey through time with the Century dining table—an exquisite piece that effortlessly blends sophistication and artistry. This made-in-Italy masterpiece is a testament...

A rare and most unusual late George III pair of mahogany console tables which convert into a twin pillar dining table, each of the two ...

Oval table in mahogany. Top in 4 mirrored sheets of mahogany laid in herringbone bordered with fillet and veneer laid on top completed with four-tier frame. Under elegant threaded fl...

A fully restored rectangular mahogany dining table, designed by Frank Lloyd Wright for Heritage-Henredon as part of the 1955 “Taliesin” collection, Model No. 2002. Featuring two leav...

Exquisite oval drop-leaf dining table designed by Kurt Östervig for Jason Möbler, Denmark, 1950s. Dramatic V-shaped mahogany gatelegs an...