France - Art

Pastel drawing realized by Mino Maccari in 1975 ca. Hand signed in pencil lower right. Very good condition.

A contemporary Abstract Expressionist Color-Field acrylic on canvas by French artist, Christian Manoury. Signed to the back of the canvas. Inspired by the wonderful countryside surr...

Dali The Work and the Man by Robert Descharnes Hardcover coffee table art book. Master artist Salvador Dali large coffee table book. Dated 1984. This 453-page book is in English...

Created in 1896 by Henri de Toulouse-Lautrec, this original lithograph was designed for the Catalogue d’Affiches Artistiques published by A. Arnould, one of the leading Parisian deal...

This circa 1960 Soviet propaganda poster is a powerful visual representation of communist ideology, prominently featuring Vladimir Lenin, Friedrich Engels, and Karl Marx—the foundati...

Etching and aquatint realized by Henry Alken in 1846. Plate from "The Analysis of the Hunting Field". Very good condition. Henry Alken (1765-1851) was en english painter and engrav...

The original 1898 lithography entitled "Le Concert" by Henri de Toulouse-Lautrec is a work of great artistic finesse, capturing both the artist's distinctive style and the elegant scene of society at the time. This lithograph features a well-dressed, wealthy couple in a red theater box. The gentleman is Gabriel Tapié de Céleyran and the lady is Émilienne d'Alençon. The woman is dressed in fur and wears an elaborate black hat, exuding undeniable elegance and sophistication. Lautrec meticulously captures the details of their clothing and expressions, creating a striking depiction of 19th-century high society. This lithograph was commissioned from Toulouse-Lautrec by Ault and Wiborg, American manufacturers of lithographic ink. It was part of a limited edition printed in Paris, with the original zinc plates subsequently shipped to America for printing in the main edition. The four original zinc plates are now housed at the Art Institute of Chicago. This work is all the more remarkable as it is believed to be the only lithograph Lautrec...

In this semi-abstract expressive artwork named "Evidence" I experience the world of nature through various colors such as purple, green, blue, red. While painting, I sought to capt...

The 1936 original poster by Ludwig Hohlwein, created for Deutsche Lufthansa, presents a striking image that intertwines aviation and Olympic symbolism. This poster, though not an off...

Contemporary Oil Painting – Original Artwork on Stretched Canvas, Ready to Hang (60 × 50 × 1.5 cm / 23.6 × 19.7 × 0.6 in) – "Wine-Tasting Holiday in Provence" “Wine-Tasting Holiday ...

Sophie Dumont transports us to a peaceful realm through her painting "Abstract Silence." With soft tones of beige, green, and orange, she evokes the tranquility of the dune landscape...

This painting "Under the Maltese sun" , created by French artist Natalya Mougenot, is part of her Nature series. Completed in the summer of 2023, it reflects the artist’s desire to c...

In 1974, the legendary Catalan artist Joan Miró was commissioned to create a commemorative poster for the 75th anniversary of Futbol Club Barcelona (1899-1974). The result was a stri...

Edouard MANET The Absinthe Drinker, 1860 Original etching Printed signature in the plate On Japan paper 45 x 40 cm (c. 18 x 16 inch) REFERENCES : Catalog raisonnes Guerin n°9 and F...

This oil on canvas by Sophie Dumont presents a structured composition where curved forms and vertical elements intersect in a finely balanced architectural space. Built through succ...

Hubert AICARDI (1922-1991) Cloud, circa 1960 Oil on isorel panel Signed lower left 10,5 × 16 cm frame 18 × 22,5 cm Hubert Aicardi is a painter from the Provençal school, born in Mar...

In Tentationem - From "Pater Noster" is a very interesting illustration (offset lithograph) by Salvador Dalí, from the volume "Pater Noster" published by Rizzoli Editore, Milan, 1966...

This original poster was published in 1982 for an exhibition at the Art Institute of Chicago, showcasing one of Edward Hopper’s most iconic paintings: Nighthawks (1942). The painting...

Early 20th Century French Barbizon School of a lake and cottage by G Jouyet. The painting is signed bottom left and there is a birthday inscription, signature and title to the back o...

Rosa is a bronze sculpture by French contemporary artist Marie Louise Sorbac, dimensions are 56 × 50 × 13 cm (22 × 19.7 × 5.1 in). The sculpture is signed and numbered, it is part of...

Subject : Small oil painting of a landscape in the French countryside, in excellent condition. Origin: from a private collection in France Medium : Oil on archival oil painting paper...

Josef Carl Berthold Püttner (Planá, Bohemia, 1821 – Vöslau, Austria, 1881) Locomotive Speeding Through the Snow in Winter, 1873 Oil on canvas Signed and dated lower right: “JCB Pü...

The 1953 original exhibition poster by Raoul Dufy for the Musée National d'Art Moderne is a vibrant and captivating piece that captures the essence of Dufy's iconic style and celebra...

Etching and aquatint realized by Henry Alken in 1822. Table from "The Sporting Repository", first edition. Very good condition. Henry Alken (1765-1851) was en english painter and e...

Mid Century Abstract in polymerised macro-molecular paint on canvas applied to a painted wooden board by Belgian artist Paul H Saffre. Signed and dated {1963) on the board below the ...

Woodcut print realized by Escher in 1948. Hand signed in pencil and annotated in pencil lower right "eigen druck". Monogrammed and dated in the plate "MCE/X-'48 upper right. One o...

The 1957 original exhibition poster titled Pâtes Blanches: Empreintes Originales éditées par Madoura et Gravures Rares by Pablo Picasso is a significant piece that reflects the artist's deep involvement with ceramic art and printmaking during that period. The poster was created to promote an exhibition at Galerie 65 in Cannes, France, showcasing Picasso’s ceramics and rare engravings, with a particular focus on his work with pâtes blanches, or white clay. By the late 1940s, Picasso had become increasingly involved with ceramics, producing a vast number of pieces at the Madoura pottery studio in Vallauris, France. The studio, owned by Georges and Suzanne Ramié, became a creative haven for Picasso, where he could explore new forms of expression beyond painting and sculpture. His work with ceramics brought forth a unique blend of classical forms and modernist abstraction, often infusing traditional pottery with his distinctive artistic style. The term pâtes blanches refers to the white earthenware clay that Picasso used for creating his ceramic pieces. This material allowed him to experiment with various textures and finishes, which he combined with his characteristic line work and engraving techniques. The poster advertises this innovative work, highlighting the original prints and rare engravings that were part of the exhibition. The exhibition at Galerie 65 in Cannes ran throughout the summer of 1957 and offered art lovers and collectors the opportunity to view and acquire some of Picasso's rarest ceramic works and prints. It was a testament to Picasso's versatility as an artist, showcasing his ability to transcend different mediums while maintaining the boldness and originality that defined his career. The poster itself, with Picasso's handwritten details and a depiction of one of his engravings, serves as both a promotional tool and a work of art in its own right. It reflects Picasso's personal touch and his deep connection to the work he produced during this period. Today, this exhibition poster remains a coveted item for collectors of Picasso’s works and 20th-century art, representing a unique moment in Picasso's extensive and varied artistic journey. Exhibition - Galerie 65 Cannes...

Evan Venegas studied at the San Francisco Art Institute and earned his BFA in Painting in 1998. Evan Venegas creates artwork that lives at the intersection of geometry and atmosphere...

Horse II-S is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 43 × 33 × 11 cm (16.9 × 13 × 4.3 in). The sculpture is signed and numbered, it is part of...

Henri Bellery-Desfontaines Enigma (Apparition in a Blue Dream), 1897 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) ...

Pierre-Yves Tremois Thésis and Pelée Original etching, 1970 Handsigned by the artist Numbered / XXIV copies (total edition of 90 + XXIV) Size 57 x 45 cm (c. 22,4 x 17,7 in) Very goo...

➡️ Landscape Woodland and waterfall⬅️ ⏩It is signed Rohlfs 1903⏪ ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐19.5x24.3cm /7.7x9.6 inc...

Late 19th Century French Barbizon School oil on wood panel of poplar trees in a landscape by Richard. The painting is signed bottom left. The painting is on a quality chamfered panel. A very charming, almost impressionist, rendition of a line of iconic French trees in a landscape. Before them an earth drive has been ploughed up by the wheels of passing carts and horses. Richard has created a wonderful perspective that draws us in to the painting and he has created a contrast between the strong greens of the trees and fields against the whites and blues of the sky. The painting is reminiscent of the works of Monet from the 1890s. to whom the poplar trees were a continuing inspiration. The Barbizon school of painters was part of an art movement towards Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870. It takes its name from the village of Barbizon, France, on the edge of the Forest of Fontainebleau, where many of the artists gathered. Most of their works were landscape paintings, but several of them also painted landscapes with farmworkers, and genre scenes of village life. Some of the most prominent features of this school are its tonal qualities, colour, loose brushwork, and softness of form. The leaders of the Barbizon school were: Théodore Rousseau, Charles-François Daubigny, Jules Dupré, Constant Troyon, Charles Jacque, and Narcisse Virgilio Díaz. Jean-François Millet lived in Barbizon from 1849, but his interest in figures with a landscape backdrop sets him rather apart from the others. Jean-Baptiste-Camille Corot was the earliest on the scene, first painting in the forest in 1829, but his work has a poetic and literary quality which sets him somewhat apart. Other artists associated with the school, often pupils of the main group, include: Henri Harpignies, Albert Charpin, François-Louis Français and Émile van Marcke. In 1824 the Salon de Paris exhibited works of John Constable, an English painter. His rural scenes influenced some of the younger artists of the time, moving them to abandon formalism and to draw inspiration directly from nature. Natural scenes became the subjects of their paintings rather than mere backdrops to dramatic events. During the Revolutions of 1848 artists gathered at Barbizon to follow Constable's ideas, making nature the subject of their paintings. The French landscape became a major theme of the Barbizon painters. Millet extended the idea from landscape to figures — peasant figures, scenes of peasant life, and work in the fields. In The Gleaners (1857), for example, Millet portrays three peasant women working at the harvest. Gleaners are poor people who are permitted to gather the remains after the owners of the field complete the main harvest. The owners (portrayed as wealthy) and their laborers are seen in the back of the painting. Millet shifted the focus and the subject matter from the rich and prominent to those at the bottom of the social ladders. To emphasize their anonymity and marginalized position, he hid their faces. The women's bowed bodies represent their everyday hard work. In the spring of 1829, Jean-Baptiste-Camille Corot came to Barbizon to paint in the Forest of Fontainebleau, he had first painted in the forest at Chailly in 1822. He returned to Barbizon in the autumn of 1830 and in the summer of 1831, where he made drawings and oil studies, from which he made a painting intended for the Salon of 1830; "View of the Forest of Fontainebleau'" (now in the National Gallery in Washington) and, for the salon of 1831, another "View of the Forest of Fontainebleau"'. While there he met the members of the Barbizon school: Théodore Rousseau, Paul Huet, Constant Troyon, Jean-François Millet, and the young Charles-François Daubigny. During the late 1860s, the Barbizon painters attracted the attention of a younger generation of French artists studying in Paris. Several of those artists visited Fontainebleau Forest to paint the landscape, including Claude Monet, Pierre-Auguste Renoir, Alfred Sisley and Frédéric Bazille. In the 1870s those artists, among others, developed the art movement called Impressionism and practiced 'plein air' painting. In contrast, the main members of the school made drawings and sketches on the spot, but painted back in their studios. The Post-Impressionist painter Vincent Van Gogh studied and copied several of the Barbizon painters as well, including 21 copies of paintings by Millet. He copied Millet more than any other artist. He also did three paintings in Daubigny's Garden. The Barbizon painters also had a profound impact on landscape painting in the United States. This included the development of the American Barbizon school by William Morris Hunt. Several artists who were also in, or contemporary to, the Hudson River School studied Barbizon paintings for their loose brushwork and emotional impact. A notable example is George Inness, who sought to emulate the works of Rousseau. Paintings from the Barbizon school also influenced landscape painting in California. The artist Percy Gray...

Salvador DALI (1904-1969) Tribute to Leonardo da Vinci, Electronics, 1975 Original etching Signed in pencil Justified trial proof (Essai) On Arches vellum 56 x 76 cm (22 x 29.9 in) ...

Accords Intérieurs Oil on canvas, 80 x 80 cm (31.5 x 31.5 in) Framed dimensions: approx. 87 x 87 cm (34.3 x 34.3 in) Floating frame available in black or natural wood. French contem...

This rare mythological scene depicting the Greek author Homer on the island of Scyros. You will notice the Trojan War being fought in the background. Our painting, dating from 1864, is unsigned, but has a solid attribution to academic artist Henri-Léopold Lévy...

Mokuchu URUSHIBARA White-billed Pie, c. 1930 Woodcut after on an ink drawing Signed with the artist's stamp On paper 32 x 26.5 cm (c. 12.59 x 10.23 in) INFORMATION : Engraving pub...

The original Château Mouton Rothschild 1988 label, created by American artist Keith Haring, is an emblematic work of art combining the excell...

“Nature’s Summer” is a vibrant celebration of movement, warmth, and color — a landscape that seems to pulse with the energy of a Provençal afternoon. The painting is built around the...

Lithograph realized by Virgilio Guidi in 1960s. Hand signed on the lower margin. Numbered on the lower left margin Edition of 75 Good conditions except for some lights foxing and...

This striking 1971 Soviet poster by V. Govorkov is a powerful visual synthesis of ideology, technology, and national ambition at the height of the Cold War. Conceived as a monumental...

Anamorphose II is a unique sculpture by French contemporary artist Frédérique Domergue. This piece is made with oak wood clad in patinated bronze. Dimensions are 43.3 × 11.4 × 4.7 in...

Feline VII is a bronze sculpture by French contemporary artist Pierre Yermia. This bronze sculpture represents a walking feline. Its slender silhouette evokes that of a cheetah, whil...

This powerful 1941 Soviet poster by Dmitri Shmarinov is a striking example of wartime propaganda produced during the early months of the German invasion of the Soviet Union, known as...

Portrait  is a Screen Print Artwork realized by Salvatore Fiume in 1970s. Very good condition on a cream colored cardboard. Hand-signed and numbered with pencil by the artist on th...

François Maurice LARD Paris, 1864 – Paris, 1908 Portrait of the actor Raphaël Duflos as Ruy Blas Oil on canvas 55 x 38 cm (67 x 49 cm with the frame) Signed and dated top right “FM L...

Camille HILAIRE Ther Sluice Original lithograph Handsigned in pencil On Vellum 40 x 30 cm (c. 16 x 12 in) Excellent condition

Alphonse Mucha Seasons: Autumn, 1903 Original lithograph Printed signature in the plate Printed on paper 71 x 31 cm (c. 27.9 x 12.2 inches) On paper linen on canvas, 75 x 35.5 cm (c...

White Seascape, Manjae-do, Shinan, South Korea. 2012 © Michael Kenna Silver gelatin print Edition of 45 Signed and dated lower right Copyright ink stamp and countersigned on rever...

Lithograph on paper. Hand signed. Edition of 100. Colored artist's proof.

I8th century allegorical oil on canvas, a female figure and cherubs. The work is not signed and is probably an overdoor or trumeau from a larger decorative room scheme. It is present...

Title: Tipping Point This original oil painting by French contemporary artist Sophie Dumont explores the fragile balance between structure, movement, and silence. Composed of interl...

This powerful original lithograph by Bernard Venet exemplifies the artist’s signature exploration of line, gesture, and abstraction. Renowned for his conceptual rigor and minimalist ...

Feline IV is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 24 × 90 × 20 cm (9.4 × 35.4 × 7.9 in). The sculpture is signed and numbered, it is part o...

Bold, raw, and unmistakably Picasso — this original 1963 exhibition poster was created for the “Les Potiers” summer ceramics show held in Vallauris, the small town on the Côte d’Azur...

Costume Design is an original modern artwork realized in 1970s by Erté (Romain de Tirtoff). Mixed colored gouache on paper. Hand signed on the lower m...

Woman is a vintage Lithograph realized by Claude Garache in the 1975. Cover for Derrière Le Miroir. Maeght Editor, France on the rear. Good conditions.

Bronze sculpture, inches 6.69 x 5.11 x 3.93 / 17 × 13 × 10 cm. Straight out of childhood, the bear appears in Eric Valat’s bestiary sculptural vocabulary. The sculpture shows an ela...

Etching with pochoir and gold overlay. Edition of 121/250. Hand signed and numbered in pencil. Ref. Michler-Lopsinger 477c. Very good condition. The artwork is from the series So...

Abstraction 50-122 13 is a painting by French artist Nicolas Galtier. The artist uses a mixed technique combining pigments, binders, glues and various metal powders and sheets. The c...