Paintings in Milan

Marina Con Veliero signed and dated John Henry Mohrmann 1908, oil painting on canvas depicting the three-masted brig Giuseppina with Italian flag as she sails along the coast of the ...

Early 18th century Italian Venetian inland painting, a large size oil on canvas Baroque mountain landscape with stream, bridge, waterfall, wayfarers and a village in the background. The woodland is animated by figures, a caravan with horsemen fishermen. This monumental Italian Baroque landscape painting has a strong impact and an excellent composition balance, as it depicts in the center the luminous perspective of a fortified village, whose side wings consist of two mountain rocks with dark wooded vegetation crowded by characters, horsemen, paths, streams.On the left side, with respect to the observer, there is a path that runs alongside a stream that flows into a waterfall in the center of the composition. from a caravan of travelers on foot and on horseback traveling along it in both directions: going up the slope on the mountainous coast you can see a church and a village near the top. The right part of the painting depicts a more sparse and dry vegetation, painted in the chromatic tones of ocher, inside of which there are dead plant, dry branches and a smaller number of figures on the rugged mountain. The iconographic inspiration of this wooded representation seems to be in the large trunk of the withered conifer in a central position, which represents a dead tree, as a? reminder of the transience of everything in life, whose phases are summarized in the two mountainous coasts. In the background a village painted in light and soft blue colors, in stark contrast to the previous scene, seems  to reassure and project us into a future season. With a suggestive theatrical effect, more than 250 cm wide, this Baroque Italian painting comes from a private collection of Milan, the canvas has been lined and shows minor painting retouches at a horizontal seam of the canvas. It is unframed, it has just a wooden profile covering the canvas edge. It is an antique Italian landscape, the perfect opportunity to make a statement. Get the perfect size painting for a great living room, to create that eye-catching focal point. You can make an impact with a single large work by hanging this early 18th century Italian Baroque painting...

Artwork by Enrico Baj, Italian artist, framed silkscreen print on tiled plastic Stunning framed serigraphy of Enrico Bay Enrico Baj (31 October 1924 – 16 June 2003)[1] was an Itali...

Cangiullo Francesco View of Naples Pallonetto in Santa Lucia 1900, oil-on-board painting by the multifaceted Neapolitan futurist artist Francesco Cangiullo (Naples 1884- Livorno 197...

Mary Magdalene the Penitent oil painting on canvas, of Italian, Lombard origin, dates from the 17th century and is unframed, has been lined and restored to a new frame; this ancient...

19th century, by Giovanni Battista Salvi, known as Sassoferrato (Sassoferrato, 1609 - Rome, 1685) Praying Madonna Oil on canvas, 44 x 54 cm Framed, 88 x 60 cm Giovanni Battista S...

17th century, Flemish School Adoration of the Magi Oil on copper, diam. 19.5 cm Framed 35.3 x 35.3 cm Engraved on the back in seventeenth-century calligraphy "Fiamingo" Vivid wo...

Splendid 17th-century Italian painting by unknown artist, but certainly a follower of Caravaggio, relying on style and drawing. The painting has a very beautiful gilded wooden frame, with a subtle greek with spheres and an overlying rectangular frame with sinuous flowers on each corner, very elegant and beautiful. The painting depicts one of the most depicted religious scenes ever, the scourging of Christ, and is entirely done in oil on copper. The scourging of Jesus is an episode narrated in the Gospels (Mk15:15-16; Mt27:26-27; Lk23:16-26; Jn19:1-17[1]). Scourging is a flogging, particularly bloody, by means of sticks, rods or cat-o-nine-tails, the latter instrument consisting, in the Roman typology, of a short stick to which were secured several strings ending in metal claws, leads and bone splinters that caused tremendous lacerations and fractures to the tortured person. Chains are used in this scene, both to immobilize Jesus Christ and to flog him, as we can see in the upper right hand of the scourger. According to some personal research, it turned out that the actual scourging of Christ was mostly depicted at the column, while this Christ is on the ground, so presumably Christ here is scourged during the Way of the Cross at one of those stages where he fell. The painting has a very dark coloring, which is why this painting is believed to faithfully follow Caravaggio's style of dry, authoritarian brushstrokes. The painting shows a figure agonizing on the ground that continues to receive beatings and floggings of all kinds, representing Christ; his face is crucified in a loquacious expression of pain, he turns his eyes to heaven as if to invoke God, but at the same time those same eyes admonish the wickedness and arrogance inherent in humanity. Christ has one hand resting on the ground in the act of holding himself, while the other takes a completely unnatural stance against the barren ground. His body appears hardened to wanting to parry the blows, his legs are curled up on his knees as he takes kicks from the soldier above him. Christ is depicted pinned down from the neck with a very large and strong black iron bolt held by the other soldier. The soldier on the right in the foreground wears a one-shoulder tunic with an orange tunic and blue pants. On his feet he wears gray shoes, at his waist he has a belt with an iron helmet...

Tuscany, 16th century Christ crowned with thorns Oil on copper, 17 x 30 cm - with frame, 26 x 39.5 cm This fine oil on copper from the late 16th century represents an emblematic w...

The work is attributable to the painter Mario Barbieri, dated 1977. The scene depicts two monumental, stylized, and geometric male figures clutching a bunch of grapes or a branch of ...

A late 16th century oil on copper painting by Nicolò Cercignani, an Italian Old Masters artist of the late-Renaissance or Mannerist period, depicting the Raphaelesque transfiguration...

Asian Batik painting of Indian religion in wood frame, 1900-1990s Painting painted with the batik technique on fabric. The structure of the painting is divided into 5 circles, one at...

A northern early XVIII century oil on canvas painting by Francesco Perezzoli (1661–1722), depicting The Birth of Venus. The work is housed in a period giltwood frame, smooth in its c...

Guglielmo Napoli (Pavia, 1868 - Genoa, 1945) The betrothed Oil on panel, 46.6 x 68 cm Frame 73 x 81 cm Signed lower left "Gugl . mo Napoli Dipinse" The work in questi...

Oil painting on canvas depicting a natural summer landscape, created by Henry Markò in the early twentieth century. Ø cm 49 h cm 105 Henry Markò, descendant of the Austrian paintin...

Miniature depicting a Vanitas Memento Mori, painted in tempera on paper. The frame, made of ebonized fruitwood and finished with black wax, is oval in shape, with an internal oval bo...

Dalmatian school, 17th century Annunciation Oil on panel, 37 x 32 cm Framed, 49 x 45 cm The panel under consideration highlights the distinctive features of the painting current ...

Italian Mid-Century Modern Anamnesi acrylic paint work on canvas by Lucio Del Pezzo, 1960s. Colored acrylic paint work on canvas entitled Anamnesi with abstract subject with multicolored geometric shapes, on a mustard-colored background, and wooden frame with friezes with a golden finish. Drawing by Lucio Del Pezzo from around 1960s. Good conditions. Measures in cm 91x3x70h If you are interested in this product or need photos or additional information, we are available to respond any question as soon and quickly as possible. Remember to check our product in the listing of this our store, where we present fantastic original vintage products...

18th 18th Century Education of the Virgin Embroidered and gold-painted panel, 38 x 32.5 cm

Santi di Tito (Florence, December 5, 1536 – July 25, 1603) Portrait of Domenico di Lorenzo Passerini with His Son Lorenzo Oil on panel, 115 x 82.5 cm – with frame, 130 x 100 cm Pa...

Dipinto Fiammingo del 1600 a olio su rame raffigurante uno scorcio di paesaggio con figure, una scena di genere con una moltitudine di personaggi affollati in una strada con delle ar...

A print mixed technique: the portrait of a German shepherd dog’s head. Signed. Solid wood frame in briar veneer wood. Germany circa 1930.

Portrait of a Bishop with a Crosier, 1700. The painting depicts a holy bishop or a high-ranking prelate, shown in a half-length portrait with his face in three-quarter profile to the...

19th Century Views of the Bosphorus Oil on canvas, 75.5 x 105 cm Framed, 89 x 118 cm In the full nineteenth-century taste for travel and Orientalism, the two splendid views captu...

Galliano Mazzon – Abstract Geometric Composition, Collage, 1973 Collage on cardboard A refined abstract composition linked to the geometric explorations of Galliano Mazzon (1896–1978...

Italian mid-century modern oil painting with wood-effect gold-pastel frame, 1950s Rectangular painting with a finely crafted wood-effect gold-pastel frame. The oil painting depicts a...

Dipinto religioso italiano di Scuola Lombarda Madonna con Bambino e San Giovannino circa 1650 con una buona composizione equilibrata ed armoniosa al centro della quale si trova il Bi...

Italian liberty Canvas painting with flowers and butterfly in metal frame, 1970s Canvas painting depicting blue and pink colored flowers, in perfect Art Nouveau style. At the top of ...

An oil painting on Paesina stone. The frame, made of ebonized walnut wood finished in wax, has a rectangular shape with an internal molding that flares out towards the inside to acco...

Italian modern oil painting with gold wooden frame by Paolo Turri, 1990s Oil painting with a rectangular gold-colored wooden frame. The painting depicts a natural landscape. In the ...

Landscape with resting shepherdess, sheep and cow, Tschaggeny 1849, signed and dated lower right by the Flemish Romantic painter and engraver Charles Philogene Tschaggeny, Bruxelles 1815-1894. This antique oil on oak panel painting, set in modern carved gilt-wood frame, depicts a resting shepherdess seated in the shade of a tree, stroking a cow. In front of them sits a sheep with a little lamb. The foreground scene is framed by a rural landscape with architecture in the background. In excellent condition, set within a carved and gilded wooden frame, this antique Belgian painting...

The painting is entitled "La Vucciria," which is one of the most famous historic markets in Palermo, Sicily. The subject of the painting-with stalls, vegetables, hanging meat, and hu...

Christoph Schwarz (Ingolstadt, 1548 – Munich, 1592) Rest on the Flight into Egypt Oil on panel, 32 × 23.5 cm With frame, 63.5 × 56.5 cm Christoph Schwarz’s oil painting on wood ...

Peter Götz Pallmann (Berlin, 1908 - 1966) Santa Trìnita bridge in Florence Oil on canvas applied to wood, 35 x 40 cm Frame 45.5 x 50.5 cm Signe...

A follower of Baldassarre Franceschini, known as “il Volterrano” (Volterra, 1611 – Florence, 1690) Maddalena Oil on canvas, 46 x 35 cm With frame, 56 x 44.5 cm The work, an oil o...

Miniature depicting a Memento Mori painted in gouache on paper, grisaille technique. The frame, in ebonized fruitwood and finished with wax, black in color, is oval in shape with an ...

A painter in the style of Cortona, 17th century Immaculate Oil on copper, 26.5 x 21 cm Framed, 48 x 39 cm A small oil painting on copper, in an elongated octagonal shape, depicti...

17th century Mystical marriage of Saint Catherine Measures: Oil on canvas, 98 x 81 cm - with frame 119 x 102 cm The scene represents the mystical marriage between Catherine of A...

Oil painting on iron plate, depicting a Vanitas with skull and fruit. Octagonal frame in interlocking ebonized wood with flaring to match the painting and gold profiling on lead. Ita...

Nineteenth century Evaluation of the art expert Measures: Oil on canvas, 97 x 77 cm Frame 112 x 92 cm Signed "Morselli" The canvas depicts a young married couple intent o...

Italian mid-century modern oil painting Malinconia by Ernesto Tramezzani, 1971 Oil painting on canvas titled Malinconia, depicting a seated man. The predominant colors are blue, brow...

Hubert Sattler (Vienna, 1817 – Salzburg, 1904) View of Nice Oil on panel, 11.5 x 16 cm Framed, 19.5 x 24 cm Signed in the lower right corner with the pseudonym “L.” "Ritschard" ...

Florentine school, 17th century St. John Baptist Oil on canvas, diameter cm 20 - with frame diameter 30 In this small round-format canvas, St. J...

Emilian sole, 16th century Annunciation Oil on panel, 56.5 x 43 cm Framed, 72 x 56 cm The panel under examination depicting the sacred episode of the Annunciation, which can be a...

Two worlds in comparison, defined by the temporal boundary but deeply united. Extraordinary works that cut through the time and look at the present, at Kiril's works. And evaluate it...

An anatomical lithographic print on paper, depicting the male genital system. Black lacquered fir wood frame with golden ramin wood batting. N. H. Jacob, Paris mid-19th century.

Orazio Orazi (1906-1979) Tempera on canvas "The bullfight at Cheval" 1949 signature and date on the front Italian painter very active abroad, recognized by the name of Orazì and m...

XVII Century Female Portrait oil on copper, 8 x 6.6 cm Framed, 18 x 14.5 cm

Miniature depicting a Vanitas Memento Mori painted in pencil on paper. The frame, made of ebonized fruitwood and finished with black wax, is round with a circleinside, bordered by a ...

Entitled Lampare, this evocative painting is by Vittorio Colucci, an artist known for his ability to translate Mediterranean emotions and landscapes into intense and contemplative pi...

Anonymous 19th century Church of St. John and Paul, Venice oil on canvas, 82x113 cm (115x146 cm with frame)

Rare anatomical engraving on paper, dedicated to angiology, a medical specialty reserved for the study of the circulatory system and the lymphatic system, i.e. the veins, arteries and lymphatic vessels. Taken from the complete treatise on the anatomy of man, by Bourgery, Jean Baptiste Marc (1797-1849). The artist of the illustrations was Nicolas-Henry Jacob...

Painted painting by BOWES DAVID, Untitled from 1986. Details: Signature and year at upper left. Technique : drawing on Fabriano Watermark. His figures have a theatrical air, especially those with the appearance of Pierrot and Columbine and other Commedia dell'Arte characters. Consciously flirting with the decorative, Bowes often compresses the background and foreground, as in wallpaper, and there is a suggestion of fabric design in the way he repeats his patterns at intervals on the surface. In some images, patterns emerge. In others, the pattern overwhelms itself Provenance; Lucio Amelio Collection, Naples; Private collection. Slight defects. David Bowes...

Orazio Orazi (1906-1979) Tempera on canvas Untitled (The Fountain) 1949 Italian painter very active abroad, recognized by the name of Orazì and member of the Ecole de Paris. His ...

Miniature with female subject, watercolor depicting a young girl. The frame, in waxed fruit wood, black in colour, is oval shaped with the oval interior delimited by a golden brass ...

Farfa, Vittorio Osvaldo Tommasini (1897–1964), Gufi in camera da letto (1922), subtitled A sfida degli incubi notturni (“Defying Nightmares”), is a compelling example of the artist’s...

Painting by artist BomberBax from 2021 with mixed media on canvas with barbed wire insert. His vibrant colors are characterized by a sensual use of color and canvas work. The artist with this painting wants to depict two fates...

Contemporary painting made by the artist Bomberbax from 2021. The painting is made with mixed media on canvas and newspaper applications inspired by the vintage circus world. Iconogr...

17th century, Roman School Mystical marriage of Saint Catherine of Alexandria Oil on canvas, 32 x 23 cm Frame cm 45 x 36 The saint is depicted in front of the Virgin holding the Child portrayed with the wedding ring in his hand, enriched with a precious stone. According to the Golden Legend, Catherine of Alexandria was a very beautiful young woman, the only daughter of the king of Costa, who had refused to marry the emperor Maxentius because she was a Christian and devoted to Christ. Maxentius, unable to convince her to sacrifice to idols, had sent to call the wisest men and fifty philosophers and orators who presented themselves and tried to divert her from faith in Christ. Catherine, however, played so well that she was able to convert them, arousing the anger of the emperor who condemned them to the stake. Catherine, however, who had criticized Maxentius for the new persecutions against the Christians, was sentenced to prison without food. Abandoned for twelve days, she was fed by a dove sent by God. Maxentius then decided to execute her with the torture of the toothed wheel become her attribute iconographic; but by divine intervention this broke and the young was saved. Finally, she was beheaded and milk flowed from her neck. Catherine’s princely status is witnessed here by her sumptuous dress. The iconography of the mystical marriage was born in the fifteenth century, probably because the traditional iconographic attribute, the wheel, was sometimes so small as to look like a ring, and refers to a vision that will always remain present in the mind and heart of the saint. In Heaven she appeared to her, among the Angels and Saints, Christ the Child, in the arms of the Virgin. He took a precious ring that the Virgin Mary handed to her and put it in her finger, saying "I, your Creator and Saviour, take you in marriage; confident that you will keep you pure until you celebrate your eternal wedding with me, in Paradise" When Catherine was laughing, she found in her finger the same ring that she had seen and had in Heaven, and she considered herself forever the bride of Christ. In this extraordinary episode we can see the heart of Catherine’s religious sense, and of all her spirituality. For her, Christ is like the bridegroom, with whom there is a relationship of intimacy, communion and fidelity; he is the beloved, whom she loves above all...

Paolo Piazza, known as Cosimo da Castelfranco (Castelfranco Veneto, c. 1560 – Venice, 1620), attributed to Sacred Family Oil on panel, 30 x 33 cm The painting under analysis, a re...