New York - Paintings

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses thick textured oils, glass, with silver leaf t...

An impressionistic depiction of a white porcelain vase with a burst of white, pink, orange, yellow and light red flowers exploding with color and bold marks. Alfaro bridges the Baroq...

A charming Impressionist scene depicting Grand Central Station in New York City. This piece is executed in an intimate yet energetic manner. Christopher is known for capturing the be...

Vintage American modernist abstract oil painting. Oil on canvas. Signed. Framed. Provenance from a Sag Harbor, NY collection. Handsomely framed in thin modernist wood molding. Excel...

Hunt Slonem "3 Across" Black and White Bunnies Three rabbits gestured in black on a white background in a vintage frame Unframed: 4.75 x 11.25 inches Framed: 5.5 x 12 inches *Painti...

This vibrant painting depicts the historic sidewheel steamboat Hendrick Hudson majestically cruising across the Hudson River at sunset. The grand three-deck vessel, with its distinct...

circa 1963. Oil on canvas board, 18 x 14 inches (448 x 356 mm). Signed in oil in the lower right. In very good condition, presented in a handsome white and silver wood frame. A love...

This painting depicts a whimsical bouquet of flowers in a beautiful white jug seated on a table with a background bursting with colors. The piece is done in a highly impressionistic ...

Abstract painting with green encaustic and light yellow flower petals on wood panel "Wallpaper 2" made by Allyson Levy in 2020 encaustic and flower petals on wood panel, 24 x 24 x 2 ...

Antique American sunset landscape oil painting. Oil on board. Framed. Unsigned. Measuring: 12 by 14 inches overall, and 8 by 9 painting alone. Excellent condition, ready to hang an...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on white background with thick use of paint. It is hou...

A stunning oil painting scene depicting figures by the beach in a sunny day at Nice, France done in the 20th Century. The vibrant colors and impressionistic brushwork is done with bo...

Antique American modernist equestrian landscape oil painting. Oil on board. Signed illegibly and dated. Framed. Measuring: 18 x 16 inches overall, and 12.5 x 10.5 painting alone. Ex...

This work is a bold display of geometrically strong pieces, with charcoal grey and light grey and touches of gold in the strong lines which create this Diptych. "Radio City Music Hall...

Antique American modernist still life oil painting. Oil on canvas, lain to board. Framed. Measuring: 29 by 23 inches overall, and 24 by 18 painting alone. Excellent condition, read...

A Fine depiction of colorful Tulips in a Zsolnay vase. These golden tulips and vibrant zinnias burst from a the glossy Zsolnay pumpkin-style vase in this lush still life. Painted wit...

David Horatio Winder English, Early 20th Century River Landscape with Swans at Sunset, circa 1907 Oil on board Signed lower left A beautifully tranquil Edwardian river landscape by...

An impressionistic portrayal of Japanese Koi fish jubilantly depicted with movement and enthusiasm. In a burst of motion, the fish joyfully swim in the clear light blue waters, as th...

This piece is a collaboration between Angel Ortiz (LAII) and Cindy Shaoul. They began collaborating in 2010 with their iconic "Street Cars" series, depicti...

This piece is a bold depiction of an abstract landscape with a colorful and expressive nature. Nemethy uses techniques borrowed from early Tiffany stained glass windows...

Francks Deceus's "Hero" is a 24 x 48 inches mixed media work on canvas with collage. The work is partitioned in two distinct images. On the left side the artist depicted a baseball player...

American modernist blossom landscape oil painting. Oil on canvas. Signed. Framed. Measuring: 36 by 25 inches overall, and 30 by 20 painting alone. Excellent condition, ready to han...

Photo-realist still life painting of lush green lotus plants on a soft grey sky background "Lotus Number Twenty-Eight", painted by Frank DePietro in 201...

Gabriella Rainer-Istvanffy (Austrian, 1886–1963) Cats at Play Oil on canvas, circa 1950 26 x 30 inches (framed) signed lower right This charming composition by Gabriella Rainer-Istv...

A charming depiction of Snow in Downtown New York City with figures walking dogs and cars in the distance. A cozy impressionistic street scene with colors of cobalts, light pink, whi...

This painting depicts an impressionistic scene of Pink Peonies in a glass Vase, a poetic piece with beautiful details. With marks similarly captured by the French impressionists, rem...

John Beerman 'Eastern Sky' 2001. Oil on canvas, 30 x 40 in. / Frame: 35.5 x 45.5 in. Signed on lower right. John Beerman (b. 1958) has spent more than 35 years creating luminous lan...

A wonderful composition Slonem's Hummingbirds. This piece depicts gestural figures of colorful Humming Birds and hibiscus flowers on a light pale green background with thick use of p...

A stunning depiction of a lively scene in Paris "De Grands Augustins". There is a boat situated on the water near the busy street as figures are scene throughout. The tree lined stre...

A stunning depiction of boats docked in a Cape Cod harbor. Nemethy uses a bold impressionistic technique with thick use of paint and wonderful impressi...

A whimsical oil painting depicting a Parisian Cafe scene in Paris, France by Luigi Cagliani. As an Italian Impressionist artist Cagliani most of his works were produced in the first ...

A beautiful oil on canvas painting by the French artist, Jean Salabet. Salabet was a Parisian painter known for his colorful cityscapes depicting the times of his generation. His wor...

5168 American Impressionist landscape oil painting Image size 18x23" Gilt frame

Antique English impressionist dog portrait oil painting. Oil on canvas. Signed. Exhibited. Framed. Measuring: 22 by 27 inches image alone. Handsomely framed in white wood molding....

Classically painted original oil painting, reminiscent of Caravaggio, shows the mythological monstrous Medusa, with swarms of snakes growing from her screaming head. This work is be...

This painting is a charming depiction of 42nd St. at the Public Library on a Snowy day in New York City. A cozy impressionistic street scene with colors of cobalt, light pink, yellow...

Vintage American modernist abstract oil painting. Oil on canvas. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 20 by 16 inches image alone. Handsomely framed in w...

This piece is an exceptional impressionistic cityscape scene by Paul Gagni of 'Boulevard des Italiens' in Paris. The boulevard des Italiens is one of the 'Grands Boulevards' in Paris...

Vintage American modernist oil painting. Oil on canvas. Unsigned. Measuring: 34 by 22 inches overall. Excellent condition, ready to hang and enjoy.

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

This painting captures an impressionistic scene at the beach with beautiful brushwork and whimsical colors. The work is a following of Edward Potthast, capturing the beach and times ...

A wonderful depiction of a colorful landscape with puffed trees by the country side. For this beautiful depiction, we find distinct elements that are unique to the earlier works of O...

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

3-D hand made artwork using Perler beads and mixed media in a gold frame the artist lives and works out of Sweden and is represented by Krause Gallery in NYC

A beautiful oil on canvas painting by the French artist, Jean Salabet. Salabet was a Parisian painter known for his colorful cityscapes depicting the times of his generation. His wor...

Vintage American impressionist landscape oil painting. Oil on board. Signed. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 16 by 22 inches overall. Handsomely fram...

Abstract geometric three-dimensional wood wall sculpture in bright pastel hues of sage green, light grey, and beige "Turnabout", hand-carved wooden wall sculpture by Hudson Valley ar...

This evocative antique still life presents a quiet arrangement of white roses, delicately rendered in oil on canvas and set against a warm, atmospheric ground. The composition center...

Vibrant, chaotic, and irresistibly fun — this piece explodes with color and imagination. Whimsical figures and spontaneous gestures fill the canvas with energy, humor, and emotion. I...

Original oil on canvas painting of a lavish interior dinner party scene by Venancio Zolla. Signed lower right. Condition is excellent. Bibliography printed label on frame verso. O...

In this piece, the artist depicts his subject in an abstract and impressionistic way, capturing the Arc de Triomphe busy street scene from the 20th Century with much life. The artist...

Antique American impressionist moonlit seascape oil painting. Oil on canvas. Signed. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 35 by 30 inches overall. Handsom...

A masterful oil painting depicting a view of a Venice Canal by Grace Paterson. As an Impressionist and orientalist painter, she was known for her detailed works depicting scenes from...

This large landscape oil painting by John Traynor captures a scene in New England. Cows are visible in front of a long picket fence, with a red barn and house behind the fence and lush green trees on either side and along the hills in the horizon. Fluffy, almost abstracted clouds sit above the hills, with a patch of blue skies shining through toward the top of the image. The painting is 48" x 72", and 58" x 82" framed. It is professionally framed in a classic, antiqued, gold leaf frame. It is signed by the artist in the bottom right-hand corner of the canvas, and is wired and ready to hang. John C. Traynor's painting style is reminiscent of some 19th century painters and the Dutch Masters. He uses his knowledge of light and color to create a certain mood in each of his works. The creation of atmosphere is an important element in Traynor's paintings. Painting outdoors, on location, is a prime source of inspiration and ideas for his landscapes. John travels extensively, painting the landscapes around him. John was born in 1961 and spent his early years in Chester and Mendham, New Jersey. His art studies began at Delbarton School in Morristown, New Jersey, and from there he furthered his education at Paier College of Art in New Haven, Connecticut. He studied figure painting at the Art Students League of New York, as a merit scholar, with Frank Mason. Traynor continued his studies in Vermont with Mr. Mason on landscape painting, drawing with Carroll N. Jones Jr. of Stowe, Vermont and sculpture with Brother Jerome Cox...

Antique American modernist sailor portrait oil painting. Oil on board. Framed. Unsigned. Measuring: 9 by 14 inches overall, and 7.5 by 13 painting alone. Excellent condition, ready ...

A masterful copy by an unknown artist, after the portrait of "Beatrice d'Este" by Leonardo Da Vinci also known as ‘Portrait of a Lady’ or ‘La Dama con la reticella di perle (The Lady With a Pearl Hairnet)’. The original work originally created in the 15th Century is currently on display in the Pinacoteca Ambrosiana Museum of Milan. Beatrice d'Este was the Duchess of Bari/Milan and was believed to be one of the most attractive princesses of the Renaissance. Her impeccable style won her many admirers throughout Italy and France, and she became a trendsetter of the highest order. This copy of the original painting, is an oil on canvas done in the 18th Century, and in this exquisite portrait, the artist has masterfully depicted the fine details with draped hair, pearls, royal dress, ornate headgear and sumptuous jewelry in front of a dark background. Once again, capturing the imagination with another enigmatic smile. It comes housed in an elegant period giltwood frame with ebonized trims and ready to be displayed with hanging wire on verso. Art measures 28 x 18 inches Frame measures 34.5 x 24.5 inches There is much debate and controversy over who actually painted the "Beatrice d'Este" was it Leonardo da Vinci (1452–1519), or Giovanni Ambrogio de Predis (1455–1508). So we may never know who executed the original portrait which hangs in the museum, but that need not deter from an appreciation of its singularity. Following the portraiture convention established by painters of the Quattrocentro, the artist has chosen to portray his sitter in profile. In doing so, he magnificently captures the essence of his sitter, a girl on the threshold of womanhood. Bedecked in the adornments—silk, velvet, pearls and embroidery (brocade) crafted of spun gold threads—afforded her by birthright and marriage, Beatrice looks forward in noble serenity. And at the same time her profile with its upturned nose and slight smile betrays an innocence that must have been the basis of the oft-repeated epithet: la più zentil donna in Italia” (“the sweetest lady in Italy”). It is believed the lady is Beatrice d'Este (1475-1497), duchess of Bari and later of Milan, the wife of Ludovico Sforza (known as "il Moro"). One of the most beautiful princesses of the Italian Renaissance, she was known for her good taste in fashion. Beatrice was a member of the Este-Sforza family, which joined by marriage two of the oldest reigning and already powerful houses in Italy. The house of Este, which held court in Ferrara, traced its lineage to the 11th century Dukes of Saxony and Bavaria. Beatriceʼs father, Ercole I ruled the Ferrara commune for 34 years, catapulting the city-state (and the Estes with it) to an unmatched level of economic prosperity and cultural prominence. The family was renowned for its love of letters and patronage of the arts. The first time Leonardo da Vinci’s name resounded in the Ambrosiana, it was through the pen of its founder, Cardinal Federico Borromeo, who attributed this little panel to the great Master, describing it as “A portrait of a Duchess of Milan, by the hand of Leonardo”. Following the Cardinal’s statement, the portrait was for long assumed to depict Beatrice d’Este, the wife of Ludovico il Moro. However, scholars have recently been more cautious and vague in their statements, with regard to both the artist (anonymous Lombard or Emilian...

This original mixed-media work by Amado Peña Jr. exemplifies the artist’s refined synthesis of Southwestern figuration, Indigenous textile traditions, and m...

With the medium of traditional oil paint, this charming piece by Chaval is exceptionally detailed and thought-provoking. Following a realist approach, yet depicting some playful impe...

Vintage American impressionist landscape oil painting. Oil on board. Framed. Signed. Provenance from a Sag Harbor, NY collection. Measuring: 20 by 18 inches overall. Handsomely fr...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...