North Carolina - Drawings and Watercolor Paintings

Sandy Litchfield found peace and inspiration in regular solitary walks through nature throughout the pandemic. Her most recent body of work diaristically documents her constitutional...

This artwork "Haitian Village" 1996 is a watercolor on paper by noted Haitian artist Martino Dorce, b.1943. It is signed and dated at the lower right cor...

This original California coastal watercolor by American Impressionist Charles Partridge Adams captures the atmospheric beauty and shifting light of the Pacific shoreline with remarka...

"Meeting Place" (2024) by Mo Myra is a watercolor painting on paper that depicts a landscape with tall trees and a river running through it. Mo Myra, born in 1990, is a Connecticut-...

**Title:** Modernist Rolling Hills Country Landscape Watercolour on Handmade Paper **Artist:** British School / European School, 20th century **Medium:** Watercolour on handmade pa...

Signed "Nell Blaine" upper left in pencil. Signed, titled, dated verso on sheet. Signed, titled, dated verso on backing panel. The artist. Exhibited at Fischbach Gallery, NYC, in 1994 (Gallery label verso, and wall label affixed verso). Purchased by private collectors c.1994. By descent. Tibor de Nagy Gallery, NYC (the artist's estate representative), exhibited 2020 (label verso). Exhibited at Fischbach Gallery, NYC, in 1994 (Gallery label verso, and wall label affixed verso). Tibor de Nagy Gallery, NYC (the artist's estate representative), exhibited 2020 (label verso). From her November 15, 1996 NYT obituary: Nell Blaine, a widely respected New York landscape painter and watercolorist, died yesterday at Mount Sinai Hospital. She was 74 and had homes in Manhattan and Gloucester, Mass. Ms. Blaine, who had been hospitalized since July, had been confined to a wheelchair since 1959, when she contracted polio. Ms. Blaine was born in Richmond, Va., in 1922, and first studied at the Richmond School of Art, now part of Virginia Commonwealth University. She moved to New York in 1942 to study painting with Hans Hofmann and later studied etching and engraving at Atelier 17 with Stanley William Hayter. During her first years in New York, her work, which had previously been tightly realist, turned abstract, inspired by Mondrian, Leger and Jean Helion. At one time she was the youngest member of the American Abstract Artists. She was also a founding member of the Jane Street Gallery, one of Manhattan's earliest artists' cooperatives, and had her first solo show there in 1945. Just as Ms. Blaine was becoming known as a promising abstract painter, and gaining the admiration of such critics as Clement Greenberg, she started to shift back to representation. Inspired in part by a trip with Larry Rivers in 1950 to Paris, where she was especially impressed by the work of Vuillard and Bonnard, she immersed herself in the tradition of 19th-century European painting. From the mid-1950's, she cultivated an increasingly painterly and colorful style, usually working directly from nature, or still life, with particular emphasis on the forms and hues of flowers. Her work retained a sense of all-over structure and pulsating energy that she nonetheless credited to abstract art. ''It all goes back to Mondrian,'' she would say. In the 1950's, Ms. Blaine was prominent among a circle of New York artists and poets that included John Ashbery, Frank O'Hara, Kenneth Koch, Mr. Rivers, Jane Freilicher, Leland Bell, Louisa Matthiasdottir, Robert De Niro Sr. and Rudy Burckhardt. She had her first solo show of representational work at the Tibor de Nagy Gallery in 1953 and was represented by the Poindexter Gallery until it closed in 1978, and, in recent years, by the Fischbach Gallery. During the 1950's she supported herself as a commercial artist, designing brochures for art galleries. In 1955, she designed the original logo, column heads and layout for The Village Voice. In 1957, Ms. Blaine was featured in Life magazine as one of five leading young female artists in America. In 1959, after several months of traveling and painting in Greece, she contracted severe bulbar polio on the island of Mykonos. ''To Nell Blaine,'' an exhibition organized at Poindexter to raise money for her hospital bills, included the work of 79 artists, including Saul Steinberg, Robert Motherwell, Elaine and Willem de Kooning, Philip Guston, Mr. Rivers, Ms. Freilicher and Robert Rauschenberg. After eight months in a New York hospital, including five months in an iron lung...

**Title:** Sierra Nevada Spain Mountain Landscape Modernist Watercolour on Handmade Paper **Artist:** European School, 20th century **Medium:** Watercolour on handmade paper, unframed **Size:** 7.75 x 11.25 inches **Signature:** Unsigned **Stamped verso:** No stamp visible from the images provided **Provenance:** Private collection **Condition:** Fair to good vintage condition. The handmade paper shows age toning, surface marks, pinholes, creasing, handling wear and irregular deckled edges. There are visible losses, nicks and roughness to the lower edge, with further wear and small losses to the corners and outer margins. The painted image remains atmospheric, decorative and visually appealing. **Description:** A striking 20th century European School watercolour landscape, painted on textured handmade paper and inscribed verso **Sierra Nevada Spain**. The composition depicts a dramatic mountain range with snow-covered peaks, layered slopes and a dark band of distant cloud or sea beyond. The scene has a bold, simplified quality, combining the atmosphere of a travel study with the structure of a modernist landscape. The painting is particularly appealing for its graphic treatment of mountain forms. The artist reduces the Sierra Nevada view into broad planes of muted blue, grey, brown, ochre and cream, allowing the snowy ridges and angular slopes to stand out clearly against the darker background. The result is atmospheric yet design-led, with the mountain landscape arranged almost as a series of abstract colour fields. The handmade paper adds considerable character to the work. Its warm natural tone, visible fibres, pinholes and irregular deckled edges give the piece a tactile, artisanal quality, enhancing the sense of the painting as an original travel study or plein air-inspired work. The painted area sits within the sheet, leaving the surrounding handmade paper visible and giving the work a distinctive object-like presence. The verso inscription identifies the subject as **Sierra Nevada Spain**, giving the piece useful topographical and search appeal. The Sierra Nevada mountain range in southern Spain has long attracted artists and travellers for its dramatic peaks, changing light and contrast between high mountain scenery and warmer Mediterranean tones. This watercolour captures that sense of rugged landscape through a restrained but expressive palette. This original work would appeal to collectors of Spanish landscapes, Sierra Nevada paintings...

"Summer Reverie" in Provence is an original Contemporary Expressionist landscape painting inspired by the sun-drenched beauty of Provence, Southern France. Created with watercolors a...

Original watercolor landscape painting of Niagra falls in the winter and in the spring. The pair of paintings are signed by the artist in the bottom corne...

“Venice, 1889” by Louis Ritter (American, 1854-1892). A fantastic example of Ritter’s renowned European watercolors. This beautifully poised composition captures the sun-washed faça...

Sunday on the Wye [2021] SOLD UNFRAMED Please note that insitu images are purely an indication of how a piece may look The artist comments "I painted 'Sunday on the Wye' after a day on the river canoeing with the family. It was a wonderful day meandering down stream near Symonds Yat. We turned the bend to see other boats congregated on the pebbles for a Sunday picnic. We beached our boat to take in the surroundings. The day was a great experience with sparkling light on the water and the sounds of the water over rocks. A few quick sketches and many photographs allowed me to then work at a large scale in the studio. It was painted with large brushes with watercolour. The chosen colours are blue and green. The painterly brush marks hold an energy and excitement of the days paddling." This work is sold unframed Artwork by artist Leigh Glover...

**Title:** Green Fields Country Landscape Modernist Watercolour on Handmade Paper **Artist:** European School, 20th century **Medium:** Watercolour on handmade paper, unframed **Size:** x inches **Signature:** Unsigned **Stamped verso:** No stamp visible from the images provided **Provenance:** Private collection **Condition:** Fair to good vintage condition. The handmade paper shows age toning, surface marks, pinholes, handling wear, creasing and irregular deckled edges. There is old tape or adhesive residue visible along the upper edge, with small nicks, roughness and wear to the outer margins. The painted image remains fresh, atmospheric and decorative. **Description:** A subtle 20th century European School watercolour landscape, painted on textured handmade paper and depicting an open countryside view with green fields, distant buildings and a low wooded hillside. The composition is arranged in soft horizontal layers, with pale green fields stretching across the foreground and a darker tree-covered slope rising to the left. The painting is particularly appealing for its quiet modernist treatment of landscape. Rather than describing the scene in exact detail, the artist reduces the countryside into broad washes of green, ochre, blue-grey and brown. The distant buildings and horizon line are lightly suggested, giving the work the feel of a travel study or plein air sketch, focused more on atmosphere and colour than strict topographical precision. The handmade paper adds considerable character to the piece. Its warm natural tone, visible fibres, pinholes and irregular edges give the work a tactile, artisanal quality. The painted image sits within the sheet, leaving the surrounding paper visible and giving the work an attractive object-like presence. The reverse bears an indistinct handwritten inscription, possibly a location or title, though it is not clear enough to confidently identify. The work is therefore catalogued broadly as European School. Its gentle palette and open rural subject would appeal to collectors of country landscapes, modernist watercolours, handmade paper artworks, European travel studies, green field paintings...