Stockholm

A lovely turquoise naturally shaped vase designed by Ewald Dahlskog at Bo Fajans, Sweden in the 1930s. The vase is 15 cm (6") high and in excellent condition. It has a lovely glaze.

We are delighted to present an exquisite painting by the Swedish artist Ferdinand Hernlund, depicting a serene sunset over a lush, flower-dotted meadow. This captivating work is a qu...

This exquisite painting by the artist Otto Lindberg (1880-1955) is a mesmerizing depiction of a spring sunset. Crafted in 1952, this piece stands as one of Lindberg's final paintings...

Pair of elegant fire place chairs by Fredrik Kayser, with teak frames, beautifully sculpted. Neat size. Backs and seats upholstered with offwhite sheepskin.

An exceedingly rare set of six cups with saucers, whose beauty captures both the eye and the imagination. The hand-blown opaline glass cups are shaped as delicate tulip blossoms, the...

A beautiful beige ceramic vase with handles in shape of a classical roman urn, the vase is designed by Harald Östergren at Upsala Ekeby between 1937-1938. It is 21 cm (8.4") tall and...

The splendour of the tragic sea Francesco Guardi and maritime painting in Venetian art No Venetian painter was a stranger to the sea. After all, Venice was not only one of the most prominent ports of the Mediterranean, but indeed a city literally submerged in the ocean from time to time. Curiously however, the famous Venetian school of painting showed little interest in maritime motifs, favouring scenes from the iconic architecture of the city rather than seascapes. That is why this painting is a particularly interesting window into not only the painter Francesco Guardi himself – but to the significance of the element of water in art history, in absence as well as in the centre of attention. Whether it be calm, sunny days with stunning views of the palaces alongside the canals of Venice or – more rarely – stormy shipwrecking tragedies at sea, water as a unifying element is integral to the works of painter Francesco Guardi (1712–1793). During his lifetime, Venetian art saw many of its greatest triumphs with names like Tiepolo or Canaletto gaining international recognition and firmly establishing Venice as one of the most vibrant artistic communities of Europe. While the city itself already in the 18th century was something of an early tourist spot where aristocrats and high society visited on their grand tour or travels, the artists too contributed to the fame and their work spread the image of Venice as the city of romance and leisure to an international audience, many of whom could never visit in person. Still today, the iconic image of Venice with its whimsical array of palaces, churches and other historic buildings is much influenced by these artists, many of whom have stood the test of time like very well and remain some of the most beloved in all of art history. It was not primarily subtility, intellectual meanings or moral ideals that the Venetian art tried to capture; instead it was the sheer vibrancy of life and the fast-paced city with crumbling palaces and festive people that made this atmosphere so special. Of course, Venice could count painters in most genres among its residents, from portraiture to religious motifs, history painting and much else. Still, it is the Vedutas and views of the city that seems to have etched itself into our memory more than anything else, not least in the tradition of Canaletto who was perhaps the undisputed master of all Venetian painters. Born into his profession, Francesco lived and breathed painting all his life. His father, the painter Domenico Guardi (1678–1716) died when Francesco was just a small child, yet both he and his brothers Niccolò and Gian Antonio continued in their fathers’ footsteps. The Guardi family belonged to the nobility and originated from the mountainous area of Trentino, not far from the Alps. The brothers worked together on more challenging commissions and supported each other in the manner typical of family workshops or networks of artists. Their sister Maria Cecilia married no other than the artist Giovanni Battista Tiepolo himself, linking the family to the most renowned Venetian name of the time. During almost a decade, Guardi worked in the studio of Michele Giovanni Marieschi, sometimes simply known as Michiel, a painted similar in both style and motif. Canaletto is, however, the artist Guardi is most often compared to since they shared a mutual fascination for depicting the architecture and cityscape of Venice. During the course of his career, Guardi tried his hand in many different genres. He was as swift in painting landscapes, Vedutas of Venice, sacred motifs, interiors and architectural compositions as he was in a number of other motifs. His style is typical of the Venetian school but also distinct and personal once we look a little closer. There is an absolute certainty in the composition, the choice of which sometimes feels like that of a carefully calculated photograph – yet it is also very painterly, in the best sense of the word: fluid, bold, sensitive and full of character. The brushwork is rapid, intense, seemingly careless and extraordinarily minute at the same time; fresh and planned in a very enjoyable mixture. His interiors often capture the breath-taking spacious glamour of the palaces and all their exquisite decor. He usually constructed the motif through remarkably simple, almost spontaneous yet intuitively precise strokes and shapes. The result was a festive, high-spirited atmospheric quality, far away from the sterile and exact likeness that other painters fell victim to when trying to copy Canaletto. The painting here has nothing of the city of Venice in it. On the contrary, we seem to be transported far away into the solitary ocean, with no architecture, nothing to hold on to – only the roaring sea and the dangerous cliffs upon which the ships are just moments away from being crushed upon. It is a maritime composition evoking both Flemish and Italian precursors, in the proud tradition of maritime painting that for centuries formed a crucial part of our visual culture. This genre of painting is today curiously overlooked, compared to how esteemed and meaningful it was when our relationship to the sea was far more natural than it is today. When both people and goods travelled by water, and many nations and cities – Venice among them – depended entirely on sea fare, the existential connection to the ocean was much more natural and integrated into the imagination. The schools and traditions of maritime art are as manifold as there are countries connected to the sea, and all reflect the need to process the dangers and wonders of the ocean. It could symbolize opportunity, the exciting prospects of a new countries and adventures, prospering trade, beautiful scenery as well as war and tragedy, loss of life, danger and doom. To say that water is ambivalent in nature is an understatement, and these many layers were something that artists explored in the most wondrous ways. Perhaps it takes a bit more time for the modern eye to identify the different nuances and qualities of historic maritime paintings, they may on first impression seem hard to differentiate from each other. But when allowing these motifs to unfold and tell stories of the sea in both fiction and reality – or somewhere in between – we are awarded with an understanding of how the oceans truly built our world. In Guardi’s interpretation, we see an almost theatrically arranged shipwrecking scene. No less than five ships are depicted right in the moment of utter disaster. Caught in a violent storm, the waves have driven them to a shore of sharp cliffs and if not swallowed by the waves, crushing against the cliffs seems to be the only outcome. The large wooden ships are impressively decorated with elaborate sculpture, and in fact relics already during Guardi’s lifetime. They are in fact typical of Dutch and Flemish 17th century ships, giving us a clue to where he got the inspiration from. Guardi must have seen examples of Flemish maritime art, that made him curious about these particular motifs. One is reminded of Flemish painters like Willem van de Velde and Ludolf Backhuysen, and this very painting has indeed been mistakenly attributed to Matthieu van Plattenberg...

A very rare and an iconic example of a Danish mid century three seater sofa model "V11" in thick original light brown and beautifully patinated leather with beautiful matching wooden...

This "like new" solid pine wood, eight arm chandelier was created in this “golden age of Scandinavian design”, a period that saw the revival of an elementary, undecorated visual lang...

Wall Lamp in the Style of Italian 50’s Stilnovo Arredoluce. Stilnovo Wall Lamps perfect as kitchen wall lamps or as a reading light. Handmade lamp structure in brass and shades in me...

An exceptional and rare Swedish pewter compote bowl made by Edvin Ollers in 1907, a celebrated figure in early 20th-century Scandinavian design. This sculptural centerpiece exemplifi...

A very rare and iconic set of four French mid century wooden "V-Type" dining chairs in light teak and rattan designed by Pierre Jeanneret and produced for Chandigarh India, 1950s. I...

This Pierre Jeanneret daybed model PJ-L-12-A was made for a special commission to the city of Chandigarh, India, - Punjab University Administrative buildings and a few private residences. They were produced between circa 1952 and 1957. This daybed with compass legs and frame in solid teak, is upholstery in forest green hide. Provenance: Sourced from gallery Fiftiesdesign in Brest, who imported the furniture from India...

Hans-Agne Jakobsson pair of Swedish Modern Wall Lights by Hans-Agne Jakobsson AB in Markaryd, Sweden. 1960s. Exquisite pair of wall lights by Hans Agne Jakobsson for his Markaryd st...

Lovely stoneware “Argenta” vase by Wilhelm Kåge in a curvesome form. Decorated with a motif of a contemplative mermaid. Lovely attention to detail. “Argenta” was introduced at the S...

Beautiful Art Noveau vase in black patinated bronze, designed by Hugo Elmqvist. Neat curvesome form with embossed decor of leaves around the mouth.

Newly reupholstered in fabric "Mons" from Astrid Textiles. Very good condition. Produced by A.P. Stolen in Denmark.

Luxurious coffee table by Mogens Lassen, made from rosewood. Circular tabletop with beautiful woodgrain and rounded profiled edges. Neat sled base with X-shaped legs and cool brass e...

Produced by Vatne möbler in Norway, 1970s. Leather cushions in good condition with minor signs of usage.

Swedish rollakan rugs, also known as "rolakan" rugs, are traditional handwoven wool creations from Sweden, cherished for their intricate designs, exceptional quality, and versatile f...

Stunning ceiling light by Vicke Lindstrand, model called “Arsenal”. Six glass discs with etched lines enclose an amber colored center. Chrome details.

Eclectic Colorful Pink Italian Murano Chandelier ’CENTI’ in Traditional Italian Mid-Century Style, produced during the 21th Century. The chandelier is composed of 107 light pink crys...

Beautiful desk by Josef Frank, made from mahogany with a smooth look. Clean lines and subtly rounded forms, a timeless piece. There are some dents in the table top that have been pr...

“Farsta” vase with thick, blue glazed walls balancing on an unglazed base decorated with etched stripes. Production year inscripted on the base. “Farsta” stoneware is recognized a...

Designed by Hans-Agne Jakobsson. Produced by Hans-Agne Jakobsson AB in Markaryd, Sweden, 1960s. Height: 150 cm (can be extended up on request) Diameter: 70 cm    

A green bowl with a stunning glaze designed by Carl-Harry Stålhane at Rörstrand, the bowl is 19.5 x 17 cm (7.8" x 6.8") in diameter and 5 cm (2") tall. It is in excellent condition, ...

The view from Månberget at sunset, as captured by Gottfrid Kallstenius in this 1912 oil painting, displays a warm golden light over Djupsundet, framed by the silhouette of a gnarled ...

Produced by Viska Möbler in Kinna, Sweden, 1960s. Original green upholstery.

A very rare and beautiful example of an iconic Danish mid century "3317 / Egg" armchair in original cognac brown leather designed by Arne Jacobsen and produced and labeled by Fritz H...

A beautiful Midcentury Danish Classic, a six-armed brass and opaline glass chandelier designed and produced by Fog & Mørup, Denmark c. 1960s. Brass with nice patina, glass in good c...

A refined bronze lidded box designed by Sune Bäckström, Sweden, 1930. The piece reflects the early development of Scandinavian modernism, where clarity of form and material quality t...

A rare and iconic American contemporary pop art "Untitled" artwork by Keith Haring from the "The Blueprint Drawings" signed and dated, 3rd of February in 1981. In good original condi...

The Rex easy chair was designed by Mats Theselius for Källemo in 1995 and produced in a limited edition of 200 examples. The chair combines a metal-plated iron frame with wood edging...

A very rare French mid century "Bloc" sideboard cabinet in black lacquered metal, dark stained veenered mahogony wooden top and bottom with three black and white laminated sliding do...

Mahogany serving trolley by Josef Frank. Simplistic to the core with a clean silhouette and great proportions.

A rare and sculptural pair of Danish mid century "Razorblade" high back armchairs with decorative carved armrests and backs in oak designed by Henning Kjærnulf and produced by EG Kva...

Door Handle / Knob 'Blunt' by Spaces Within, Dark Brass Dimensions mm: 40 x 20 x 32 Weight: 98 g A harmoniously balanced oval, BLUNT is pure, essential...

An elegant and well-proportioned pewter vase by GAB Guldsmedsaktiebolaget, Sweden, dated 1933. This refined example of Scandinavian Art Deco / early Functionalism showcases a beautif...

Pair of teak bedside tables by Severin Hansen with drawers and rattan shelves under the table tops. Severin Hansen’s characteristic diagonal, seamless joinery at the corners.

Set of ten “Sawbuck” dining chairs by Hans J. Wegner, made from beech with teak backrests and cognac leather seats. Wonderful rustic design, great to sit on.

J Dauphin Multi Chain Bracelet — Silver Plated Brass, Paris 2008 Designer: J Dauphin Made in Paris, 2008 From the J Dauphin archives One of a kind Bracelet composed of multiple str...

A lovely large green speckled egg-shaped vase designed by the Swedish ceramicist Hans Hedberg, who lived and worked in Biot, France. It is 28.5 cm (11,4") high. It is in excellent co...

Pair of cool brass wall lights from Falkenbergs Belysning, in a brutalist boxy design that emits a warm glowing light through the halftone screens.

A sculptural and substantial crystal bowl designed by Vicke Lindstrand for Orrefors in the 1950s, from the celebrated Platina series. The form is a softly rounded square with a deep...

A striking Swedish Art Deco pewter vase by renowned silversmith CG Hallberg, dating to the early 1930s. This elegant piece features a refined flared silhouette with beautifully engra...

Skull Bones Ring on two sticks, Double Finger Ring, Gold Plated Brass, Vintage Size: This has two rings. Us Size 5 1/2 J Dauphin, founded in 2006 by Johanna Dauphin, is a brand sy...

Door Handle / Knob 'Blunt' by Spaces Within, Polished Brass Dimensions mm: 40 x 20 x 32 Weight: 98 g A harmoniously balanced oval, BLUNT is pure, essen...

Swedish Cabinet 'Ståndskåp' from Hälsingland, Sweden, late 1800s Years of sun, wear, and neglect have transformed it into what it is today – a beautiful Swedish blue painted cabinet...

A Baume & Mercier Catwalk wristwatch in stainless steel with a quartz movement and sapphire crystal. The rectangular case is softly curved and integrated into the bracelet, givin...

Safari chair model Sirocco in good condition. Original cognac leather. Designed by Arne Norell, produced by Arne Norell AB in Aneby, Sweden, 1970s.  

Rare modernist floor lamp from ASEA, made from black lacquered metal with beautiful brass and leather details. Stands on a round, black lacquered cast iron base from which two slende...

An elegant Swedish pewter bowl designed by Edvin Ollers and produced by the renowned Stockholm workshop Schreuder & Olsson in 1975. The bowl features a softly rounded, shallow form ...

Midcentury Small Glass Table Lamp in Beautiful Organic, Sculptural Design. The Glass body is designed by Börne Augustsson for Åseda Glasbruk, Sweden, 1950s. The lamp’s graceful, org...

Early 20th century Swedish hand-crafted Pot Jardiniere Planter with two handles. An alloy of different metals (heavy pot!! BUT you can still lift it with one hand) most probably bron...

Signed, titled and dated on the back. Acquired directly from the artist. Free shipment worldwide Inspired by nature and his 60 pet birds, Hunt Slonem is renowned for his distinct n...

Rattan and cane. Good condition, small signs of usage.

A refined and sculptural Swedish Art Deco bronze jardinière designed by Jacob Ängman and produced by GAB (Guldsmedsaktiebolaget) in the 1930s. This exceptional piece embodies the qui...

A fantastic pair of rather large matching vintage brass space age table lamps, from NAFA, Nybro, Sweden. These lamps are simple in the design, with 3 round spheres. The shapes are si...

Swedish long Bench 1870c Made out of pine wood. Sold in as-is condition. Height: 42 cm/16.5 inch Depth: 27 cm/10.6 inch Widht: 132 cm/51.9 inch

This atmospheric painting depicts Kornhamnstorg in Gamla stan during the quiet hours of evening. The scene unfolds along the waterfront where the historic square meets the water, wit...