Sweden - Tables

Side table, anonymous, Sweden, 1960s. Rosewood with metal frame and legs. Dimensions: L: 63 cm/ 2' 3/4" D: 39.5 cm/ 1' 3 1/2" H: 46 cm/ 1' 6"

Occasional table anonymous, Denmark. 1950s. Brazilian rosewood. Irregular form. Dimensions: H: 58 cm/ 22 3/4'' L: 80 cm/ 31 1/2'' D: 60 cm/ 23 1/2''

Bench/table designed by Sigvard Nilsson for Söwe-Konst, Sweden, 1970s. Elm. Dimensions: L: 137 cm/ 54" D: 70 cm/ 27 1/2" H: 48 cm/ 18 7/8"

Occasional table designed by Thomas Sandell for Asplund, Sweden, 1990s. Birch and lacquered tubular steel. Dimensions: H: 49 cm / 1' 7 1/4" L: 120 cm / 3' 11 1/4" D: 63.5 cm / 2' ...

Set of five tables designed by Palle Suenson for J. C. A. Jensen, Denmark. 1930's - 1940's. Solid Bangkok teak. Measurements: H: 72,5 cm/ 2' 5" L: 105 cm/ 3' 5 3/4" W: 73 cm/ 2' 5 ...

Pair of bedside tables, anonymous for DUX, Sweden. 1960s. Cane, rattan and teak. The colonial-style combination of cane, rattan, and teak makes this Scandinavian bedside table desi...

Coffee table designed by Frode Holm for Illums Bolighus, Denmark. 1950's. Rosewood. Measurements: H: 56 cm/ 22'' L: 121 cm/ 4' W: 61 c...

Beech legs and original wool upholstery. Measures:  46 cm/ 18" W 40 cm/ 15 3/4" H 24 cm/ 9 1/2" for lower side and 36 cm/ 14 1/4" for the higher one.

Occasional table/ Bench model 5274, designed by Börge Mogensen for Fredericia Stolefabrik, Denmark. 1950s. Oak and cane. Measurements: W: 69 cm/ 27" D: 69 cm/ 27" H: 35 cm/ 13 3/4"

Occasional table designed by Josef Frank for Svenskt Tenn, Sweden. 1950s. Mahogany. H: 45 cm L: 80 cm D: 40 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best...

A Gustavian tray table from southern Sweden with a carved wooden monogram on both sides of the apron. The table is freestanding. It features carved decorative details, such as flutin...

Occasional table/ Bench model 5274, designed by Börge Mogensen for Fredericia Stolefabrik, Denmark. 1950's. Oak and cane. Measurements: W: 69 cm/ 27" D: 69 cm/ 27" H: 35 cm/ 13 3/4"

Wall hung table designed by Helge Vestergaard Jensen, for Peder Pedersen, Denmark. 1950's. Brazilian rosewood. Dimensions: H: 73 cm/ 28 3/4'' L: 90 c...

Console Tables in Wengé and Aluminium by Torsten Thorup & Claus Bonderup, 1950's Price listed is / table. Additional Information: Material: Wengé and aluminium Style: Mid century, ...

A tray table with a removable faience top made at the Rörstrand faience factory in Stockholm during the 1780s/90s. The motif depicts a naval battle i...

A Swedish folding table, likely painted by Pehr Hörberg (1746-1816), depicting the Ascension of Christ. The original paint has been carefully res...

Rare table model A2 designed by Bengt Johan Gullberg. Produced by Gullberg Trading Company in Sweden. Can be adjustable to coffee / dining / bar table. Dimensions (W x D x H): 120 x ...

High-class Stockholm piece from around 1790. Crafted in veneered and partially solid mahogany with carved wooden decorations of corner florets. The core material is pine and alder. T...

Very rare tray table designed by Eric Chambert. Produced by AB Chamberts Möbelfabrik in Norrköping, Sweden.

Rare coffee table designed by Ole Wanscher. Produced by P. Jeppesens Møbelfabrik in Denmark.

An interest in early forms of architecture has profoundly influenced Nick Ross’ approach to design. The way in which humans have arranged stones and other materials to construct stru...

The artisanal process of creating our Clam Side Table gives each piece an individual soul and patina, as the temperature, humidity and hands at work all contribute to its distinctive...

Duk Quartz Sand Wall Mounted Side Table by Studio TOOJ Designed by T. Woon Dimensions: W 35 x H 32 cm. Materials: Quartz sand. The wall-mounted corner table stands...

Big Roll Walnut Coffee Table by Studio TOOJ Designed by Johan Wilén Dimensions: D 75 x W 150 x H 35 cm. Materials: Walnut wood. A true testament to the designer’s signature style, r...

Torque Walnut Side Table by Studio TOOJ Designed by Johan Wilén Dimensions: D 44 x H 51 cm. Materials: Walnut wood. A true testament to the designer’s sig...

Levitaar Quartz Sand Coffee Table by Studio TOOJ Designed by Johan Wilén Dimensions: D 120 x W 120 x H 30 cm. Materials: Quartz sand. The Swedish designer's latest striking creation...

Tio Mahogany Side Table by Studio TOOJ Designed by Johan Wilén Dimensions: D 50 x W 50 x H 50 cm. Materials: Mahogany wood. A true testament to the design...

Contourage Quartz Sand Console Table by Studio TOOJ Designed by Johan Wilén Dimensions: D 38 x W 140 x H 76 cm. Materials: Quartz sand. Also available in travertine. Please contact ...

Pilast Sculptural Side Table by SNICKERIET Dimensions: D 32 x W 28 x H 55 cm. Materials: Stone composite. Pilast can be customisable in color. Please contact us. Pilast is a sculptural piece of occasional furniture. It is inspired by the early 19th-century neoclassical style ’Swedish Empire’ and serves as both a side table and a stool. Pilast is crafted using traditional wood bending techniques applied to a modern, pure white stone composite. The result looks as if carved from marble, but a closer inspection reveals an unexpected precision in both material and shape. As an amalgam of classical clues, traditional craft, and modern material, Pilast has an unusual presence. SNICKERIET is a furniture studio with an explorative approach to traditional woodworking craft and philosophy. Projects are initiated as research into topics revolving technique, construction, decoration and material properties. The findings are released in the form of individual pieces of furniture. The studio was founded in 2011 and is based in Stockholm and Gothenburg. Karl-Johan Hjerling, designer, creative director, founder Gunnar Dahl, Production manager, founder Hannu Hietamäki, Lead cabinet...

Ettore purple coffee table by Asa Jungnelius Dimensions: 43 x 67 x 100 cm Materials: Dichroic glass, brass and stainless steel. Each table is ...

White and natural Trip side table by Storängen Design Dimensions: D 35 x H 62 cm Materials: birch wood. Also available in other colors. Trip is our smallest table, a lightweigh...

Sten side table, stool by Lucas Tyra Morten 2020 Limited Edition of 15. Dimensions: D 80, W 80, H 45 cm. Material: Waxed concrete. A solid stone that grows elegantly from the ground and shapes an undefined sense to the context. Sten stool does not have a defined bottom and top which enables the observer to interact in many different ways. Objects comes with a “Certificate of Authenticity”. Objects are signed on hand casted tin...

Oak Lahmu X stool by Sizar Alexis Limited edition of 10 pieces Dimensions: D 70 x W 90 x H 50 cm Materials: Burned American oak. Available in natural cherry, natural oak, or burned ...

Pilier side table by Sizar Alexis Signed and Numered Edition of 12 Dimensions: Length 40 x width 34 x height 39 cm Materials: Blackened steel Weight: ~ 15kg   A series of boldly sculpted furnitures and objects, an appreciation of the raw metal feel and texture. The series is made in steel without any welds. Assembled by Sizar Alexis in Eskilstuna, where various parts goes into one and another then locked in place by custom made threaded pins and nuts that looks like the supporting pillars. About Sizar Alexis Sizar Alexis is a Swedish-Iraqi product and furniture designer that experiments with objects that display serenity through geometrical shapes, while remaining robust in volume. His trademark style is built on creating objects bear a strong character, accomplished through the use of raw and imperfect surfaces in combination with a deep interest in Brutalism and the rich cultural and architectural heritage from ancient Mesopotamia. He uses the delicate character of noble materials juxtaposed with Brutalist angular shapes to create objects that stand the test of time. Background and history Sizar Alexis was born in Ankawa, just outside the city of Erbil in northern Iraq. His Chaldean roots puts his lineage in a straight line back to 5000 BC...

Small Lahmu Console by Sizar Alexis Limited Edition of 10 Dimensions: D 40 x W 44 x H 36 cm Materials: Solid natural oak. Available in natural cherry, natural oak, or black stained ...

Coffee table, Denmark, 1950/60s Rosewood. H: 60.5 cm / 1' 11 3/4" W: 108 cm / 3' 6 1/2" W: 54 cm / 1' 9 1/4"

Bar table, anonymous, Italy 1950s Silver plated metal. Dimesnions: H: 77 cm/ 30 1/4'' Diam: 51 cm/ 20''

Desk/dining table, anonymous, Denmark, 1950s. Teak top with lacquered wood base. Measures: H 72 cm/ 28 ½” L 175 cm/ 5' 9” D 75 cm/ 29 ½”.

A Swedish drop-leaf table from the mid-18th century, in late Baroque, featuring a contoured tabletop in late Baroque shape. The top is decoratively marbled in shades of blue. The bas...