Horizontal Portrait Prints

Billy Childish The Mountain that is God, 2022 38.3 x 30.5 cm, edition 49 of 200 hand-signed and numbered by the artist Billy Childish is a prolific British artist, musician, and wr...

The original painting comes from the Gospel Project. The gospel project is an art cycle of Dmitry Vrubel, begun in 1993. He combines modern news photos with quotes from the gospel, c...

Peter Milton’s Daylilies is a haunting meditation on memory, mortality, and the layered complexity of personal and cultural history. Like much of Milton’s work, the print operates le...

Marc Chagall Femme à l’oiseau Lithograph in colors Numbered 872/970 from the edition of 970 Signed in the plate From "Douze Contemporains" by Jacques Lassaigne and published by Editi...

Paul Kostabi Untitled Giclee on handmade cotton paper Year: 2025 Size: 19.5 x 24 inches (49.5 × 61.0 cm) Signed in pencil COA provided (gallery issued) Paul Indrek Kostabi (also kn...

Jean MARAIS (1913–1998) The Gallant Knight Offset print Signed with the artist’s stamp Also signed on the plate On vellum, 29.5 x 38 cm (11.4 x 14.9 in) Four-colour print produced t...

FLYING HEAD OVER OCEAN is an original limited edition lithograph by the Dutch artist Karel Appel printed using hand lithography techniques on Arches paper, 100% acid free. FLYING HEA...

Lambda print in colors, on Fuji color photographic paper dry-mounted to PVC (as issued). Hand signed and numbered in black marker on the reverse. Edition of 34/50. Published by Ala...

Hand signed and numbered by the artist. Serigraph on paper. Sheet size 32 x 42 inches. Image size 27 x 36 inches. Edition of 275. Artwork is in excellent condition. Certificate...

Original Orangina vintage horizontal poster. This poster is not linen-backed and is in Grade A—A—condition, ready to be framed. It was designed in 1984 and is documented as image #38...

"Pioneer," canvas print, limited edition. The original picture was painted by Dmitry Vrubel in the 90s in Berlin. Origin: from the collection of the artist's family. Each copy is acc...

Image of "Radiant Angel", on wove paper. Hand signed, numbered & dated by the artist in pencil. Published by Martin Lawrence Editions Ltd., New York. Edition 154/200. Littmann...

RABBI TEACHING is an original hand drawn, limited edition lithograph printed in sepia brown ink on archival Arches printmaking paper 100% acid free from a hand drawn lithography stone using traditional hand lithography techniques, not a photo reproduction or digital print. RABBI TEACHING is a realistic, detailed portrait depicting an elder Rabbi teaching a young boy. RABBI TEACHING is in good condition, superb craftsmanship, never been framed or mounted, pencil signed AP (Artists Proof) by Vladimir Dashevsky, printers chop mark embossed on lower corner, from the master printers private collection. Print size - 22" x 30", unframed, good condition, slight handling on print margins, pencil signed by Vladimir Dashevsky Year printed - 1975 Master Printer - Joseph Kleineman, J K Fine Art Editions.Co., NYC Judaic Art...

Shepard Fairey Harmonious Elements Screen print on thick cream Speckletone paper Year: 2025 Size: 18 x 24 inches (45.72 x 60.96 cm) Edition: 500 Signed by Shepard Fairey, dated and n...

Giclee in colors with hand embellishments on canvas. Hand signed lower right by Michael Godard. Hand numbered 189/450 lower right. Canvas size: 21 x 26.87 inches. Frame size: 32....

Peter Milton’s Hidden Cities: Continuum transforms the grandeur of the Galleria Vittorio Emanuele into a layered meditation on architecture, memory, and the passage of time. The Gall...

"Bunraku" by Al Hirschfeld from the "Kabuki Suite," a series of 12 color lithographs on Arches paper capturing Hirschfeld's impressions from a trip to Japan in 1975 of the country's ...

London: The Satirist, 1811. Etching with aquatint on buff wove paper with an 1808 watermark, 9 3/4 x 13 inches (248 x 330 mm), wide margins. Scattered paper repairs on the verso, as...

A view of historical and evocative watercolor landscapes of early California and the Southwest, portraits and figurative work from the 1930’s and 1940’s throughout her prolific 57 ye...

Washington and His Family published in Philadelphia in 1884 by Bradlee & Co. This impressive mezzotint was engraved by William Sartain after a painting by the well-known Philadelphia artist Christian...

Silkscreen in colors on Saunders Waterford High White HP 425 gsm fine art paper Edition of 50

A fierce battle scene with women warriors. (after Perino del Vaga) Engraving on oval-shaped light laid paper, 8 1/4 x 10 3/4 inches (260 x 274 mm), the full sheet, trimmed at the pl...

Medium: original lithograph. Printed in 1969 at the atelier of Rene Guillard and published by Pierre de Tartas for the "Parallèlement" portfolio. This impression is from the edition ...

"Vika and Brando the American," Grey Exhibition project, canvas print, limited edition. Origin: from the collection of the artist's family. Each instance is accompanied by a certific...

Etching and aquatint in colors on wove paper. Hand signed in pencil lower right. Signed and titled in plate lower center. Superb impression in vibrant colors. Full margins.  A st...

Medium: linocut Year: 2023 Image Size: 24 x 24 inches Edition Size: 10 An hommage to the low riders of Southern California chicano car culture, complete with zoot suits, made famou...

PORTRAIT OF MONET is an original limited edition lithograph printed using traditional hand drawn lithographic plates, one color at a time, on archival Arches printmaking paper, 100% acid free, not a photo reproduction or digital print. PORTRAIT OF MONET is a humorous portrayal of the famous French impressionist painter, Claude Monet, posed in front of his masterpiece Water Lilies with paint laden wood palette...

Technical Information: Alex Katz Alex and Ada 1984 Screenprint 30 x 36 in. Edition of 75 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art

"V. Putin," project "Putiniana," 2001, print on canvas, limited edition. Origin: from the collection of the artist's family. Each instance is accompanied by a certificate of authenti...

La Roulette in the Casino, from Monte Carlo from -Album n.15 – Planche n.12 is an original vintage reprint from the 1920 color lithograph by French c...

Mixed media on canvas painting. Hand signed on front by the artist. Canvas size 48 x 72 inches. Frame size 58.5 x 82.75 inches. Artwork is in excellent condition. Certificate of...

"Borgia" lithograph by Jose Luis Cuevas from his "Crimes by Cuevas" portfolio of 11 images which addresses criminality throughout history. This lithograph depicts brother and sister Cesare and Lucrezia...

Lithograph on paper. Hand signed lower right by Al Hirschfeld. Hand numbered 90/100 lower left. Sheet size: 21 x 27 inches. Frame Size: 27 x 33 inches. Artwork is in excellent...

Serigraph by Mexican painter Rafael Coronel. Edition of 100. Certificate of authenticity included.

This rare, limited-edition serigraph titled "La Parasol" (1986) is a masterful example of Modern Post-Impressionism by the renowned British artist Mark King (1931–2014). Drawing hea...

HAPPY COUPLE I is a limited edition lithograph by the Dutch artist Karel Appel printed in 1978 in New York City using traditional hand lithography techniques on archival printmaking...

PONT NEUF is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arche...

Screen print on hand torn archival art paper, hand finished with a silver splash by the artist. Hand signed and numbered on front, thumb print on verso by the artist. Edition 73/80...

Hand signed and numbered by the artist. The artwork is in overall excellent condition. Due to its age, there is some normal signs of aging on the white margins. There is some blue pr...

Jean Jansem (1920-2013) La soupière bleue, 1990, Lithographie sur papier Japon Signée en bas à droite et justifiée en bas à gauche 50 x 65 cm / 54 x 76 cm Edition à 120 exemplaires sur Arches plus 30 épreuves d'artiste. Ce rare exemplaire d'une édition à 30 épreuves sur papier Japon numérotées en chiffre romain. Bibliographie: Imprimeur: Mourlot, Paris Editeur: Galerie 10, Paris Bibliographie: Jansem Lithographe, 1984-1993, Flora Jansem, Paris, n. 50, reproduit p. 56, référencé p. 109. "Ma première lithographie date de 1954. Elle représente un enfant en haillons portant deux seaux d'eau, d'après un croquis rapporté de Cordoue lors de mon voyage en Espagne en 1952. Je l'exécutai sur pierre, au pinceau et à l'encre lithographique. Je fus déçu du résultat et n'en tirai qu'un essai et une épreuve. Quatre ans plus tard, je réalisai une dizaine de nouvelles lithographies, toujours sur pierre, la plupart en noir. Au lieu d'employer l'encre et le crayon...

Lithograph on paper. Hand signed lower right by Al Hirschfeld. Hand numbered 218/350 lower left. Sheet size:18 x 19 inches. Frame Size: 26 x 27.5 inches. Artwork is in excelle...

Frankfurt: c1549. Engraving on laid paper, 7/8 x 5 3/8 (22 x 136 mm), thread margins. Fine impression. A fine first state (of 3) impression, with the collector's stamp of Pieter M.M....

Kate Moss Amy Winehouse Kentish Town Cafe by Jake Chessum Amy Winehouse captured in a Primrose Hill cafe during a photo shoot with Jake Chessum in February 2004. Jake recalls, “At ...

Lithograph in colors on wove paper. Hand signed lower right margin by Jacques Villon. Hand numbered 'epreuve d’artiste' (artist proof) lower left margin. Image size: 4.25 x 6.75 i...

Francisco Souto has created his self portrait working on the plate of a mezzotint. This is impression #14 from an edition of only 23. Souto received a BFA from Herron School of Art ...

Screen print on Hahnemuhle 308gsm cotton rag paper with hand embellished elements by Jeff Gillette and Roamcouch. Titled 'Skid Row.' Each of the 15 hand embellished screen prints ar...

This offset lithograph card depicts Duane Hanson's famous 1988 sculpture "Traveler", which is famously installed in Terminal A at Orlando International Airport -- to the delight and ...

Serigraph by Mexican painter Rafael Coronel. Edition of 100. Certificate of authenticity included.

This vibrant Tom Wesselmann poster is original serigraph from 1968. Although in good condition, please note that there is foxing present. Pleas...

This is an original 19th century John James Audubon hand-colored lithograph entitled "Nine-banded Armadillo", No. 30, Plate CXLVI, from Audubon's "Viviparous Quadrupeds of North Amer...

Etching and aquatint in colors on wove paper. Hand signed in pencil lower right. Signed and titled in plate lower center. Superb impression in vibrant colors. Full margins.  A st...

Lithograph on paper. Hand signed and numbered in pencil. Edition of 99. Excellent condition.

Lithograph in colors, on Arches paper. Hand signed, dated & numbered by the artist. Edition of 150. Published by David R. Godine Publishers and the Center for Constitutional Ri...

Etching on paper. Hand signed, titled and numbered by the artist. Sheet size 12 x 15 inches. Image size 5.75 x 7.75 inches. Edition of 300. Artwork is in excellent condition. Cer...

'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by. This artwork is a...

This is the perfect piece to celebrate America's 250th anniversary! This colorful print captures the 'Spirit of Independence' with an abstract edge. If you are interested in this pie...

Brice Marden's Studio Offset lithograph poster on wove paper (hand signed by Brice Marden in 2015) This print was published on the occasion of Brice Marden's 1996 exhibition at the Matthew Marks Gallery in Chelsea, New York City. The image is based on Nan Goldin's 1995 photograph of Marden working in his studio. The print was signed by Brice Marden for the present owner. A collectors item when hand signed! About Brice Marden: Ultimately I’m using the painting as a sounding board for the spirit. . . . You can be painting and go into a place where thought stops—where you can just be and it just comes out. . . . I present it as an open situation rather than a closed situation. —Brice Marden Brice Marden (1938–2023) continuously refined and extended the traditions of lyrical abstraction. Experimenting with self-imposed rules, limits, and processes, and drawing inspiration from his extensive travels, Marden brought together the diagrammatic formulations of Minimalism, the immediacy of Abstract Expressionism, and the intuitive gesture of calligraphy in his exploration of gesture, line, and color. Born in Bronxville, New York, Marden received an MFA from Yale University’s School of Art and Architecture, where his teachers included the painters Alex Katz and Jon Schueler. After graduation he worked as a guard at the Jewish Museum in New York. There, during a 1964 Jasper Johns retrospective, Marden studied Johns’s early works extensively and considered them in relation to the Baroque masters he has long admired, such as Francisco de Zurbarán, Francisco Goya, and Diego Velázquez. Marden’s paintings from the 1960s include subtle, shimmering monochromes in gray tones, sometimes assembled into multipanel works, in a manner similar to the black paintings and White Paintings of Robert Rauschenberg, who hired Marden as a studio assistant in 1966. A trip to Greece in the early 1970s led Marden to create the Hydra paintings (1972), which capture the turquoise hues of the Mediterranean, and Thira (1979–80), a painting composed of eighteen interconnected panels inspired by the shadows and geometry of ancient temples. To heighten the effect of each color, plane, and brushstroke, Marden developed the unique process of adding beeswax and turpentine to oil paint and applying the mixture in many thin layers. Marden employed this technique for the Grove Group paintings (1972–76)—exhibited at Gagosian’s Madison Avenue gallery in New York in 1991, along with related works—and the Red Yellow Blue paintings (1973–74)—five permutations of the primary trio—which were united for the first time since their making at Gagosian, 980 Madison Avenue, New York, in 2013. In the 1980s Marden began to incorporate organic, intersecting lines, creating rhythmic patterns over fields of color. Exploring these winding lines, he experimented with blank space, erasure, and references to the natural world. He sought to create a mystical experience through the creation of elusive abstract spaces. As his many themes and techniques have overlapped, Marden brought them together in cohesive, often multipart works, which he has described as his “summation paintings.” Among them is The Propitious Garden of Plane Image, Third Version (2000–06), held in the collection of the Museum of Modern Art in New York, where he had his first comprehensive retrospective in 2006. In his later years Marden continued his exploration of the qualities of monochrome. This engagement with muted colors informed his calligraphic drawings and works on canvas, such as the Nevis Stele paintings (2007–15), inspired by Chinese stone carvings from the late eighth century. In 2017 he turned his gaze to the expansive possibilities of terre verte (green earth), an iron silicate clay pigment, which he first used in the Grove Group. These paintings incorporate many different brands of terre verte, each a variation on the indefinable hue. Marden thinned his slow-drying paint and applied it gradually to the canvas in many successive layers, leaving a visible residue of the painting process at the lower edge of each canvas. Courtesy of Gagosian Gallery About Nan Goldin: The camera is as much a part of my everyday life as talking or eating or sex. —Nan Goldin Emerging from the artist’s own life and relationships, and including herself as a subject, Nan Goldin’s work has transformed the role of photography in contemporary art. Her photographs and moving-image works address essential themes of identity, love, sexuality, addiction, and mortality. Uniting art and activism, Goldin has confronted the HIV/AIDS epidemic since the 1980s and today brings international attention to the overdose crisis. Born in Washington, DC, in 1953, Goldin grew up outside of Boston. She left home at age fourteen, and at sixteen enrolled in the Satya Community School in Lincoln, Massachusetts, where she acquired her first camera. Goldin’s early black-and-white photographs, which convey the beauty, vulnerability, and joy of her friends in Boston’s transgender community, were initially shown in her first solo exhibition in 1973 at Project, Inc., Cambridge, Massachusetts. Attending Boston’s School of the Museum of Fine Arts beginning in 1974, she would start working principally with Cibachrome prints and 35mm slides, taking photographs in saturated color. Relocating to New York in 1978, Goldin began documenting members of her chosen family in a milieu of New Wave clubs, No Wave cinema, and post-Stonewall gay culture. Capturing moments of revelry and friendship, intimacy and loss, she titled this body of work The Ballad of Sexual Dependency after a song from The Threepenny Opera (1928) by Kurt Weill and Bertolt Brecht. Constantly evolving, it grew into a multimedia presentation of almost seven hundred slides accompanied by an eclectic soundtrack. Initially projected in nightclubs, it was included in The Times Square Show in 1980, the Whitney Biennial in 1985, and countless other museum exhibitions around the world. It was published by Aperture in 1986 as the first of Goldin’s many books and was recently reprinted for the twenty-first time. Goldin unflinchingly documents the struggles and courage that defined her community’s response to the devastating AIDS epidemic. In 1989, she organized Witnesses: Against Our Vanishing at New York’s Artists Space, the first exhibition featuring the work of artists who were living with or had died from AIDS, or whose art responded to the disease, including David Armstrong, Peter Hujar, Greer Lankton...

Offset print on paper realized by Sisal-Totip in 1970s. Very good condition except for some foxing.

Artist: Kaiko Moti – Indian/French (1921-1989-) Title: Lioness Year: 1978 Medium: Color Aquatint on Arches paper Sight size: 19.5 x 23.25 inches. Sheet size: 25 x 30 inches Signa...

Artist: Ralph Steadman Title: Mean Mouse Medium: One color silkscreen on White Rising Stonehenge Deckle Edge Paper Size: 15 x 22 Inches Edition: of 180 Year: 2001 Notes: Hand Signed...