Cubist Prints and Multiples

The Art of Conversation (Three characters on...) Etching, 1958 Signed in pencil lower right: “Gromaire” (see photo) Edition: 110 (18/110) see photo Printed on RIVES paper Publisher: ...

Léopold Survage (French/Russian, 1879-1968), "Rythmes Colorés", 1967-1968 Lithograph on Vélin d'Arches paper, Printed by Mourlot, Paris Hand signed in pencil and numbered "AN 16/75"...

Wearing a hat, the woman is represented with a series of black and white shapes that surve alongside one another. Accented by a mustard yellow, the portrait features different persp...

Artist: Jacques Villon, French (1875 - 1963) Title: Maternite Year: 1952 Medium: Etching, signed in pencil Edition: 75 (un-numbered) Image Size: 11 x 7.5 inches Size: 16 x 13 in. (40...

Page size: 27 x 20 in. Frame size: 32 x 25 in. Signed in pencil, bottom right: "ALVAR" Numbered in pencil, bottom left "54/100" A dreamy, abstract litograph in misty blues, grays, w...

Marcel GROMAIRE (1892-1971) At the Cafe : Sharing a Drink Original etching Printed signature in the plate On vellum, 28.5 x 38 cm (c. 11 x 15 in) INFORMATION: This etching is authe...

Color lithograph after a gouache by Georges Braque from the edition of 398 published by Armand & Georges Israel in 1988. Printed signature. Artwork entirely made in France: from th...

Jean-Emile Laboureur (1877-1943), Sur la Marne, engraving, 1924, signed in pencil lower right [with the initial lower right in the plate]. Reference: S. Laboureur 277, third state (o...

Andre MINAUX Young Girl in Dressing Room Original stone lithograph Handsigned in pencil Numbered / 140 ex On vellum 60 x 50 cm (c. 24 x 20 inch) Bears blind stamp of the editor (Pe...

Artist: Max Papart Title: Five Dancers Year: Circa 1980 Medium: Aquatint Etching with Carborundum, signed and numbered in pencil Edition: 3/25 Image Size: 34 x 34 inches Paper Size: ...

Georges BRAQUE Leda and the Swann Stone lithograph (Art-Litho workshop, Paris) Printed signature in the pate Limited to 399 copies unumbered On Arches vellum 18 x 23" (45 x 58 cm) E...

Artist: Antoni Clave, Spanish (1913 - 2005) Title: Carmen Year: 1978 Medium: Intaglio Etching with Aquatint, signed and numbered in pencil Edition: XXV/XXV Size: 30.25 in. x 22.5 in....

Lithograph by Georges Braque. Still life. Signed on plate. Framed

This screenprint and collage was created by Ivan Chermayeff, a noted graphic designer who created the now-famous logos for companies and institutions such as the Smithsonian, Nationa...

Artist: Andre Minaux, French (1923 - 1986) Title: Linge from the Helene Portfolio Year: 1974 Medium: Lithograph, signed and numbered in pencil Edition: 15...

Artist: Pablo Picasso Title: Abstract Design (Plate VI) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Sheet Size: 13" x 10 3/16" Signed: No (signed ...

Artist: Enrico Baj, Italian (1924 - 2003) Title: Baj Chez Picasso 2 Year: 1969 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 86/100 Image Size: 15 x 22 inches...

Artist: Enrico Baj, Italian (1924 - 2003) Title: Baj Chez Picasso 6 Year: 1969 Medium: Aquatint Etching with collage, Signed and numbered in pencil Edition: 58/100 Image Size: 19.5 x...

Dynamic forms crafted in stone explore the interplay of surface texture and geometric abstraction... Elegant shadows play across sculptural forms revealing curves and angles in monoc...

Figurative Abstract Etching on Paper Titled Companions by Joseph Passalacqua (20th Century) This striking black-and-white print by Joseph Passalacqua, titled Companions, demonstrat...

This etching is in very good condition, it is signed and numbered by the artist but I was unable to identify the artist. It is a piece from my private collection of artists from the ...

George BRAQUE Elegant flight Lithograph on vellum after a painting Printed signature in the plate 399 copies unnumbered On Arches vellum 18 x 23" (45 x 58 cm) Excellent condition

This original lithograph was designed for the Tapestries at Pace exhibition held at Pace Columbus in 1974. Though the exhibition featured works connected to Pablo Picasso, this litho...

Artist: Pablo Picasso Title: Monogram "L" with Landscape (Plate XXXIII) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Sheet Size: 13" x 10 3/16" Sig...

"Braque Graveur" is an original color lithograph poster. It depicts a moth or butterfly landed on a black abstract form. There are blue and reddish-brown abstract shapes as well, and...

Paper Size: 11.5 x 8.25 inches ( 29.21 x 20.955 cm ) Image Size: 10.25 x 7.5 inches ( 26.035 x 19.05 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addi...

Rodolphe-Théophile Bosshard Cubist Portrait, 1930 Original stone lithograph Printed signature in the plate On Arches vellum 28 x 22 cm (c. 11 x 9 inch) Excellent condition

Jean Émile LABOUREUR The Harbor Cafe, 1921 Original etching Signed in pencil by the artist Numbered on / 50 copies On vellum 32.5 x 39.5 cm (c. ...

Pablo Picasso (after) Histrion Head, 1965 Linocut (Printed in Arnera studios) On paper 90 x 58 cm (c. 36 x 23 in) REFERENCES : Catalog raisonne Czwiklitzer #262 Very good conditon...

The series ‘In Between the Shadows’ consists of structural and geometric photographs that take their inspiration from the cubist movement. The works aim to challenge the conventional perception of depth within the medium of photography by showing different viewpoints at the same time and within the same space. The chiaroscuro lighting embraces shadows and light as juxta- positional tools to deconstruct familiar objects and transform them into surreal compositions. Sander Vos...

MEDIUM : Lithograph PRINTER : Atelier Art-Litho EDITOR : Armand ISRAEL, Paris SIGNATURE : Printed LIMITED : 399 copies unumbered PAPER : Arches vellum SIZE : 18 x 23" CONDITION : Ex...

after Georges BRAQUE Char of the Sun MEDIUM : Lithograph PRINTER : Atelier Art-Litho EDITOR : Armand ISRAEL, Paris SIGNATURE : Printed LIMITED : 399 copies unumbered PAPER : Arches ...

Jean-Emile Laboureur, Anzacs, woodcut, 1918-22, signed and numbered (7/45), the second state (of 2). Reference: Sylvain Laboureur 713. In good condition, with remains of old hinges ...

Jean-Emile Laboureur (1877-1943), Le Souper des Dockers, engraving, 1919-1920, signed in pencil lower left, titled lower left, and numbered (27/35) lower right. Reference: Laboureur ...

Artist Name : Sander Vos Width (cm) x Height (cm): 30 x 21Year : 2021Edition : Edition of 7 + 2 AP Medium : Photography, Print Description: The series ‘In ...

Jean-Emile Laboureur (1877-1943), Bar en Pennsylvanie, etching, 1914. Signed in pencil lower left and numbered 21/35 lower right [also signed and dated lower in the plate lower left]...

Jean-Emile Laboureur (1877-1943), Le 14-Juillet au Village, engraving and roulette, 1925, signed in pencil lower left and numbered lower right (30/100) [also initialed and dated in t...

Max Papart — “Blue Harlequin” Original Lithograph • Artist’s Reserved Proof • Pencil‑Signed A vibrant and highly collectible Max Papart lithograph (Aquatint medium) featuring the ic...

This original lithograph in colours is hand signed in pencil by the artist "G. Braque" at the lower right margin. It is also hand numbered in pencil 75 from the edition of 75, at the...

Jean-Emile Laboureur (1877-1943), Chez la Fleuriste, etching, 1919-1920, unsigned [with initials and date in the plate]. Reference: Laboureur 192, second state (of 2), from the editi...

Jean-Emile Laboureur (1877-1943), L’ile Desert, etching, 1914, signed in pencil lower left and numbered lower right (33/35). Reference: Laboureur 135, only state, from the edition of...

Untitled is an artwork realized by Ossip Zadkine in the mid-20th Century. Lithograph, 50 x 65 cm, no frame. Numbering (copy 29 / 65) in pencil in the front. Blind stamp Atelier ...

Jean-Emile Laboureur (1877-1943), La Petite Plage, 1926, etching and engraving, signed in pencil lower left [inscribed lower margin as a trial proof; also wi...

Jean-Emile Laboureur (1877-1943), Le Facteur Rural, engraving, 1924, signed in pencil lower right. Reference: Laboureur 283, third state (of 3), from the total printing of about 80. ...

Jean-Emile Laboureur (1877-1943), Le Promenade au Phare, engraving, 1925, signed in pencil lower left and numbered lower right (24/70) [with the initial in the plate lower left]. Ref...

Jean-Emile Laboureur (1877-1943), La Fille aux Oies, engraving, 1916, signed in pencil lower left, numbered (4/40) lower right and inscribed “imp,” also titled lower left margin edge...

Jean-Emile Laboureur (1877-1943), Le Policeman, Londres, 1913, etching on zinc. Signed lower left in pencil [also with the signature and date in the plate]. Reference: Godefroy, Sylv...

Jean-Emile Laboureur (1877-1943), Le Marché aux Fleurs ou la Rencontre, 1914, Engraving. Sylvain Laboureur 127, second state (of 2). Edition of 35. Signed, titled, and numbered 2/35 ...

Jean-Emile Laboureur, Lassitude, 1912, woodcut, signed and numbered (24/35) in pencil. Reference: Sylvain Laboureur 682, third state (of 3). From the edition of about 35, published b...

Bird-of-paradise is an original drawin in mixed-media realized by Gian Paolo Berto, in 1974. Good conditions. Hand-signed on the lower right. Includes frame: 53.5 x 48 The artwor...

The gloves is an original lithograph on paper realized by Fernand Léger (1881-1955). Very good conditions except for some little foxings. Sheet dimension: 21.5 x 30.5 The artwork ...

Quartier de Boef is an original lithograph on paper realized after Fernand Léger (1881-1955). Very good conditions except for some little foxings. Sheet dimension: 30 x 24 On both...

Cin Cin is an original etching artwork realized by G. I Brook, Signed on the plate. In very good condition. Included a White Passepartout: 49 x 34 cm. The a...

Lithograph after Georges Braque. Signed in the plate Edition of 150 Dimensions: 76 x 117 cm Bibliography: « Les Métamorphoses de Braque» of Heger de Loewenfeld and Raphaël de Cuttoli , Editions FAC, Paris, 1989. In 1961 Georges Braque decided with his laidary friend Heger de Loewenfeld to pick up certain of his works to in order to create artworks, this beautiful litograph is one of them. Héméra in the Mythology: In Greek mythology Hemera was the personification of day and one of the Greek primordial deities. She is the goddess of the daytime and, according to Hesiod, the daughter of Erebus and Nyx (the goddess of night). Hemera is remarked upon in Cicero's De Natura Deorum, where it is logically determined that Dies (Hemera) must be a god, if Uranus is a god. The poet Bacchylides states that Nyx and Chronos are the parents, but Hyginus in his preface to the Fabulae mentions Chaos as the mother/father and Nyx as her sister. She was the female counterpart of her brother and consort, Aether (Light), but neither of them figured actively in myth or cult. Hyginus lists their children as Uranus, Gaia, and Thalassa (the primordial sea goddess), while Hesiod only lists Thalassa as their child. The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote...

"Le Pacte", Paris: Editions Forcade, 1930. In Gold Leaf Frame. Original etching printed in black ink on japon. Hand signed with artist’s monogram lower left, an impression of the f...

Lithograph on paper. Hand signed, dated and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 195. Image size: 16.5 x 27.5 i...

Léopold Survage (French/Russian, 1879-1968), "Rythmes Colorés", 1967-1968 Lithograph on Vélin d'Arches paper, Printed by Mourlot, Paris Hand signed in pencil and numbered "AN 16/75"...

Arnold Hoffmann, Jr., American (1915 - 1991) - First, Year: circa 1970, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 16/50, Image Size: 27.25 x 20.75 inches...

PABLO PICASSO 1881-1973 Málaga 1881- 1973 Mougins (Spanish) Title: The Workshop L’atelier, 1927 Technique: Original Hand Signed and Numbered Etching on Wove Paper Paper size: 47...

Pablo Picasso (after) Helene Chez Archimede Medium: engraved on wood by Georges Aubert Dimensions: 44 x 33 cm Portfolio: Helen Chez Archimede Year: 1955 Edition: 240 (Here it is on...