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Cubist Prints and Multiples

CUBIST STYLE

Inspired by the nontraditional ways Postimpressionists like Paul Cézanne and Georges Seurat depicted the world, Pablo Picasso and Georges Braque pioneered an even more abstract style in which reality was fragmented into flat, geometric forms. Cubism majorly influenced 20th-century Western art as it radically broke with the adherence to composition and linear perspectives that dated back to the Renaissance. Its watershed moments are considered Picasso’s 1907 Les Demoiselles d’Avignon, in which nude figures are fractured into angular shapes, and Georges Braque’s 1908 painting show, which prompted a critic to describe his visual reductions as “cubes.”

Although Cubism was a revolutionary art movement for European culture, it was informed by African masks and other tribal art. Its artists, which included Fernand Léger, Alexander Archipenko, Marcel Duchamp, Juan Gris and Jean Metzinger, experimented with compressing space and playing with the tension between solid and void forms in their work. While their subjects were often conventional, such as still lifes, nudes and landscapes, they were distorted without any illusion of realism.

Cubist art evolved through different distinct phases. In Analytic Cubism, from 1908 to 1912, figures or objects were “analyzed” into pieces that were reassembled in paintings and sculptures, as if presenting the same subject matter from many perspectives at once. The palette was usually monochromatic and muted, giving attention to the overlapping planes. Synthetic Cubism, dating from 1912 to 1914, moved to brighter colors and a further flattening of images. This unmooring from formal ideas of art would shape numerous styles that followed, from Dada to Surrealism.

Find a collection of authentic Cubist paintings, prints and multiples, sculptures and more art on 1stDibs.

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Style: Cubist
Georges Braque, Bird at Sunset, from Le Solitaire, XXe siecle, 1959 (after)
Georges Braque, Bird at Sunset, from Le Solitaire, XXe siecle, 1959 (after)

Georges Braque, Bird at Sunset, from Le Solitaire, XXe siecle, 1959 (after)

By Georges Braque

Located in Southampton, NY

This exquisite lithograph and pochoir after Georges Braque (1882–1963), titled Oiseau au couchant (Bird at Sunset), from the album Georges Braque, Le Solitaire (The Solitary), originates from the 1959 edition published by XXe siecle, Paris, in collaboration with Fernand Hazan, Paris; rendered by Daniel Jacomet, Paris; and printed by Daniel Jacomet et Cie, Paris, 1959. Oiseau au couchant (Bird at Sunset) reflects Braque’s meditative engagement with the motif of the bird—an enduring symbol of transcendence, freedom, and poetic solitude in his mature work. Through simplified form and muted harmony, the composition evokes the quiet passage of twilight, translating nature’s fleeting beauty into a timeless visual poem. Braque’s masterful integration of geometric abstraction with lyrical rhythm captures the balance between motion and stillness, light and silence. Executed as a lithograph and pochoir on velin d’Arches paper, this work measures 7.25 x 9.375 inches. Unsigned and unnumbered as issued. The edition exemplifies the technical excellence of Daniel Jacomet et Cie, Paris, produced in close collaboration with XXe siecle and Fernand Hazan, Paris. Artwork Details: Artist: After Georges Braque (1882–1963) Title: Oiseau au couchant (Bird at Sunset), from the album Georges Braque, Le Solitaire (The Solitary), 1959 Medium: Lithograph and pochoir on velin d’Arches paper Dimensions: 7.25 x 9.375 inches (18.42 x 23.81 cm) Inscription: Unsigned and unnumbered as issued Date: 1959 Publisher: XXe siecle, Paris, in collaboration with Fernand Hazan, Paris Printer: Daniel Jacomet et Cie, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Georges Braque, Le Solitaire, published by XXe siecle, Paris, in collaboration with Fernand Hazan, Paris; rendered by Daniel Jacomet, Paris; and printed by Daniel Jacomet et Cie, Paris, 1959 Notes: Excerpted from the album (translated from French): XXX examples of this work were printed on Arches paper, containing an original engraving by Georges Braque, numbered from I to XXX. CM examples, constituting the original edition, including CCC for F. Hazan, publisher in Paris, CCC for A. Zwemmer, publisher in London, and CCC for the New York Graphic Society, LX examples, marked H.C., are reserved for the Author and the Publisher. About the Publication: Georges Braque, Le Solitaire (The Solitary) was published in Paris in 1959 by XXe siecle in collaboration with Fernand Hazan and printed by the Atelier Daniel Jacomet et Cie. Conceived as both a visual and literary homage to one of the founding figures of Cubism, the volume represents one of the most refined art book productions of the postwar era. The publication was issued in conjunction with the journal XXe siecle, under the direction of G. di San Lazzaro, a central figure in promoting modern art through his collaborations with artists such as Picasso, Miro, Chagall, and Calder. Le Solitaire brought together Braque’s mature reflections on nature, still life, and metaphysical quietude, accompanied by critical essays and reproductions of his work. The pochoir and lithographic plates—executed by Daniel Jacomet, whose atelier was renowned for its exceptional color pochoirs—capture the texture and tonal depth of Braque’s original paintings with rare precision. About the Artist: Georges Braque (1882–1963) was a French painter, sculptor, and printmaker whose pioneering vision transformed the course of 20th-century art. A central figure in modernism and the co-founder of Cubism alongside Pablo Picasso, Braque redefined visual perception by breaking objects into geometric forms and reassembling them from multiple perspectives, creating a new visual language that bridged the gap between abstraction and reality. His early work was influenced by the vibrant colors and expressive energy of the Fauvist painters Henri Matisse and Andre Derain, before evolving toward the more analytical and structured compositions inspired by Paul Cezanne’s theories of form and perspective. Braque’s collaboration with Picasso between 1908 and 1914 marked one of the most fertile and revolutionary periods in art history, resulting in works that challenged traditional notions of space, depth, and illusion. Throughout his career, Braque maintained a deep interest in harmony, rhythm, and balance, infusing his still lifes, landscapes, and later reliefs with poetic subtlety and intellectual rigor. He moved among a brilliant circle of contemporaries including Pablo Picasso, Henri Matisse, Marc Chagall, Juan Gris, Fernand Leger, and Amedeo Modigliani—artists united in their pursuit of new modes of artistic expression. Braque’s influence extended well beyond his own era, shaping the creative approaches of later modernists such as Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, all of whom drew inspiration from his structural innovations and aesthetic integrity. His works are held in major museum collections worldwide, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to embody the essence of modern artistic thought and visual poetry. The highest price ever paid for a Georges Braque artwork is approximately 15 million USD, achieved in 2013 at Christie’s New York for Paysage a la Ciotat (1907). Georges Braque Oiseau...

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1950s Cubist Prints and Multiples

Materials

Lithograph

Fernand Leger, Untitled, from Circus, 1950
Fernand Leger, Untitled, from Circus, 1950

Fernand Leger, Untitled, from Circus, 1950

By Fernand Léger

Located in Southampton, NY

This exquisite lithograph by Fernand Leger (1881–1955), titled Sans titre (Untitled), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

Category

1950s Cubist Prints and Multiples

Materials

Lithograph

Pablo Picasso, Untitled, from Carmen, 1949
Pablo Picasso, Untitled, from Carmen, 1949

Pablo Picasso, Untitled, from Carmen, 1949

By Pablo Picasso

Located in Southampton, NY

This exquisite engraving by Pablo Picasso (1881–1973), titled Sans titre (Untitled), from the folio Picasso, Carmen (Picasso, Carmen), originates from the 1949 edition published by L...

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1940s Cubist Prints and Multiples

Materials

Engraving

Fernand Leger, Untitled, from Circus, 1950
Fernand Leger, Untitled, from Circus, 1950

Fernand Leger, Untitled, from Circus, 1950

By Fernand Léger

Located in Southampton, NY

This exquisite lithograph by Fernand Leger (1881–1955), titled Sans titre (Untitled), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

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1950s Cubist Prints and Multiples

Materials

Lithograph

Pablo Picasso, Dancer, from The Honeysuckle, 1943
Pablo Picasso, Dancer, from The Honeysuckle, 1943

Pablo Picasso, Dancer, from The Honeysuckle, 1943

By Pablo Picasso

Located in Southampton, NY

This exquisite zincograph by Pablo Picasso (1881–1973), titled Danseuse (Dancer), from the album Le Chevre-Feuille (The Honeysuckle), originates from the 1943 edition published by Ro...

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1940s Cubist Prints and Multiples

Materials

Lithograph

Pablo Picasso, Untitled, from Carmen, 1949
Pablo Picasso, Untitled, from Carmen, 1949

Pablo Picasso, Untitled, from Carmen, 1949

By Pablo Picasso

Located in Southampton, NY

This exquisite engraving by Pablo Picasso (1881–1973), titled Sans titre (Untitled), from the folio Picasso, Carmen (Picasso, Carmen), originates from the 1949 edition published by L...

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1940s Cubist Prints and Multiples

Materials

Engraving

Georges Braque, Seascape, from Varengeville, 1968 (after)
Georges Braque, Seascape, from Varengeville, 1968 (after)

Georges Braque, Seascape, from Varengeville, 1968 (after)

By Georges Braque

Located in Southampton, NY

This exquisite lithograph after Georges Braque (1882–1963), titled Marine (Seascape), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and printed by ...

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1960s Cubist Prints and Multiples

Materials

Lithograph

Fernand Leger, Woman Holding a Flower, from Derriere le miroir, 1955 (after)
Fernand Leger, Woman Holding a Flower, from Derriere le miroir, 1955 (after)

Fernand Leger, Woman Holding a Flower, from Derriere le miroir, 1955 (after)

By Fernand Léger

Located in Southampton, NY

This exquisite lithograph after Fernand Leger (1881–1955), titled Femme tenant une fleur (Woman Holding a Flower), from the folio Derriere le miroir, No. 79-81, originates from the 1955 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1955. This composition exemplifies Leger’s rhythmic balance of color, form, and movement, translating the mechanical vitality of modern life into a harmonious, humanized geometry. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Fernand Leger (1881–1955) Title: Femme tenant une fleur (Woman Holding a Flower), from the folio Derriere le miroir, No. 79-81 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1955 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 79-81, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1955 About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght's belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Fernand Leger (1881–1955) was a visionary French painter, sculptor, designer, and filmmaker whose groundbreaking fusion of modern industry, vivid color, and geometric form transformed the course of 20th-century art. Born in Argentan, Normandy, Leger began as an architectural draftsman before studying at the Academie Julian and the Ecole des Beaux-Arts in Paris, where he absorbed the lessons of Paul Cezanne’s structural rigor and the revolutionary ideas of Cubism. Alongside Pablo Picasso and Georges Braque, he became one of the leading innovators of the avant-garde, yet his work stood apart through its embrace of mechanical rhythm, bold contrasts, and industrial modernity—earning him the title “the painter of the machine age.” His art celebrated the beauty of technology, urban life, and the human form rendered in dynamic, interlocking cylinders and planes, evoking the pulse of the modern world. Immersed in the vibrant Parisian art scene, Leger worked in dialogue with peers and contemporaries such as Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, all of whom shared his commitment to innovation and the reimagining of artistic expression. Beyond painting, Leger’s creative reach extended into film, design, and monumental public art—his 1924 collaboration on Ballet Mecanique with Dudley Murphy and Man Ray remains a landmark of avant-garde cinema. His later works evolved toward greater clarity and monumentality, celebrating the unity of form, color, and humanity through large-scale murals and mosaics that bridged fine art and architecture. Leger’s synthesis of Cubism, Futurism, and abstraction paved the way for movements such as Pop Art and influenced generations of artists including Roy Lichtenstein, Ellsworth Kelly, Robert Indiana, and Alexander Calder, who admired his fusion of structure, energy, and optimism. Today, his works are prized by major museums and collectors worldwide for their bold visual power and enduring modernity. His highest auction record was achieved by La femme en rouge et vert (1914), which sold for 39,241,000 USD at Sotheby’s, New York, on May 7, 2008. After Fernand Leger Femme tenant une fleur 1955, Leger Derriere le miroir No. 79-81, Leger Mourlot...

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1950s Cubist Prints and Multiples

Materials

Lithograph

Pablo Picasso, Untitled, from In living memory, 1950
Pablo Picasso, Untitled, from In living memory, 1950

Pablo Picasso, Untitled, from In living memory, 1950

By Pablo Picasso

Located in Southampton, NY

This exquisite lithograph by Pablo Picasso (1881–1973), titled Sans titre (Untitled), from the folio De memoire d'homme (In living memory), originates from the 1950 edition published...

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1950s Cubist Prints and Multiples

Materials

Lithograph

Fernand Leger, Untitled, from Circus, 1950
Fernand Leger, Untitled, from Circus, 1950

Fernand Leger, Untitled, from Circus, 1950

By Fernand Léger

Located in Southampton, NY

This exquisite lithograph by Fernand Leger (1881–1955), titled Sans titre (Untitled), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

Category

1950s Cubist Prints and Multiples

Materials

Lithograph

Fernand Leger, Untitled, from Circus, 1950
Fernand Leger, Untitled, from Circus, 1950

Fernand Leger, Untitled, from Circus, 1950

By Fernand Léger

Located in Southampton, NY

This exquisite lithograph by Fernand Leger (1881–1955), titled Sans titre (Untitled), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

Category

1950s Cubist Prints and Multiples

Materials

Lithograph

Fernand Leger, Untitled, from Circus, 1950
Fernand Leger, Untitled, from Circus, 1950

Fernand Leger, Untitled, from Circus, 1950

By Fernand Léger

Located in Southampton, NY

This exquisite lithograph by Fernand Leger (1881–1955), titled Sans titre (Untitled), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

Category

1950s Cubist Prints and Multiples

Materials

Lithograph

Pablo Picasso, Untitled, from Carmen, 1949
Pablo Picasso, Untitled, from Carmen, 1949

Pablo Picasso, Untitled, from Carmen, 1949

By Pablo Picasso

Located in Southampton, NY

This exquisite engraving by Pablo Picasso (1881–1973), titled Sans titre (Untitled), from the folio Picasso, Carmen (Picasso, Carmen), originates from the 1949 edition published by L...

Category

1940s Cubist Prints and Multiples

Materials

Engraving

Pablo Picasso, Untitled, from Carmen, 1949
Pablo Picasso, Untitled, from Carmen, 1949

Pablo Picasso, Untitled, from Carmen, 1949

By Pablo Picasso

Located in Southampton, NY

This exquisite engraving by Pablo Picasso (1881–1973), titled Sans titre (Untitled), from the folio Picasso, Carmen (Picasso, Carmen), originates from the 1949 edition published by L...

Category

1940s Cubist Prints and Multiples

Materials

Engraving

Pablo Picasso, Untitled, from Carmen, 1949
Pablo Picasso, Untitled, from Carmen, 1949

Pablo Picasso, Untitled, from Carmen, 1949

By Pablo Picasso

Located in Southampton, NY

This exquisite engraving by Pablo Picasso (1881–1973), titled Sans titre (Untitled), from the folio Picasso, Carmen (Picasso, Carmen), originates from the 1949 edition published by L...

Category

1940s Cubist Prints and Multiples

Materials

Engraving

Pablo Picasso, Untitled, from In living memory, 1950
Pablo Picasso, Untitled, from In living memory, 1950

Pablo Picasso, Untitled, from In living memory, 1950

By Pablo Picasso

Located in Southampton, NY

This exquisite lithograph by Pablo Picasso (1881–1973), titled Sans titre (Untitled), from the folio De memoire d'homme (In living memory), originates from the 1950 edition published...

Category

1950s Cubist Prints and Multiples

Materials

Lithograph

Pablo Picasso, Untitled, from In living memory, 1950
Pablo Picasso, Untitled, from In living memory, 1950

Pablo Picasso, Untitled, from In living memory, 1950

By Pablo Picasso

Located in Southampton, NY

This exquisite lithograph by Pablo Picasso (1881–1973), titled Sans titre (Untitled), from the folio De memoire d'homme (In living memory), originates from the 1950 edition published...

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1950s Cubist Prints and Multiples

Materials

Lithograph

Pablo Picasso (after) 'Festival D'Avignon, Le Corsaire' 1970- Lithograph Mourlot
Pablo Picasso (after) 'Festival D'Avignon, Le Corsaire' 1970- Lithograph Mourlot

Pablo Picasso (after) 'Festival D'Avignon, Le Corsaire' 1970- Lithograph Mourlot

By Pablo Picasso

Located in Brooklyn, NY

This poster, titled Festival d'Avignon, was produced in 1970 and features the image Le Corsaire, engraved by Henri Deschamps and printed by Mourlot on BFK Rives paper. Although the p...

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1970s Cubist Prints and Multiples

Materials

Lithograph

National Day - Lithograph, Mourlot
National Day - Lithograph, Mourlot

National Day - Lithograph, Mourlot

By Roger de la Fresnaye

Located in Paris, IDF

Roger de la Fresnaye National Day Stone lithograph after a painting Printed in Mourlot workshop Printed signature in the plate On Arches vellum 65 x 50 cm (c. 26 x 20 inch) Excelle...

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1960s Cubist Prints and Multiples

Materials

Lithograph

Albert Gleizes, The Bathers, 1929 (after)
Albert Gleizes, The Bathers, 1929 (after)

Albert Gleizes, The Bathers, 1929 (after)

By Albert Gleizes

Located in Southampton, NY

This exquisite lithograph and pochoir after Albert Gleizes (1881–1953), titled Les Baigneuses (The Bathers), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (C...

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1920s Cubist Prints and Multiples

Materials

Lithograph, Stencil

Cover for Derrière Le Miroir - Lithograph After George Braque - 1963

Cover for Derrière Le Miroir - Lithograph After George Braque - 1963

By George Braque

Located in Roma, IT

Derrière Le Miroir is a lithograph realized after George Braque in 1963, cover for Derrière Le Miroir no.138, 'Papiers collés 1912-1914' The description is on the lower in French and on the rear. Good conditions. Georges Braque (1882-1963) was a French Fauve painter who began to rethink his own painting style after admiring Picasso’s Les Demoiselles...

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1960s Cubist Prints and Multiples

Materials

Lithograph

Fernand Leger, Untitled, from Circus, 1950
Fernand Leger, Untitled, from Circus, 1950

Fernand Leger, Untitled, from Circus, 1950

By Fernand Léger

Located in Southampton, NY

This exquisite lithograph by Fernand Leger (1881–1955), titled Sans titre (Untitled), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

Category

1950s Cubist Prints and Multiples

Materials

Lithograph

Fernand Leger, Untitled, from Circus, 1950
Fernand Leger, Untitled, from Circus, 1950

Fernand Leger, Untitled, from Circus, 1950

By Fernand Léger

Located in Southampton, NY

This exquisite lithograph by Fernand Leger (1881–1955), titled Sans titre (Untitled), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

Category

1950s Cubist Prints and Multiples

Materials

Lithograph

Le Groupe
Le Groupe

Le Groupe

By Alexander Archipenko

Located in Fairlawn, OH

Le Groupe Lithograph, 1963 Signed and numbered in pencil, lower right Edition: 75 (68/75) see photo Publisher: Erker Presse, St. Gallen blindstamp lower left. see photo From the suit...

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1960s Cubist Prints and Multiples

Materials

Lithograph

Two faces : The Lovers - Original lithograph - 399 copies
Two faces : The Lovers - Original lithograph - 399 copies

Two faces : The Lovers - Original lithograph - 399 copies

By Georges Braque

Located in Paris, IDF

Georges BRAQUE Two Faces : the Lovers Lithograph (Art-Litho workshop) Printed signature in the plate On Arches vellum 18 x 23" (58 x 45 cm) INFORMATION: Limited edition of 399 cop...

Category

Late 20th Century Cubist Prints and Multiples

Materials

Lithograph

Les Marguerites (Daisies)
Les Marguerites (Daisies)

Les Marguerites (Daisies)

By George Braque

Located in San Francisco, CA

Artist: George Braque – French (1882-1963) Title: Les Marguerites (Daisies) Year: circa 1952 Medium: Color etching and aquatint Publisher: Maeght, Paris (bears Maeght blindstamp in ...

Category

1950s Cubist Prints and Multiples

Materials

Paper, Etching, Aquatint

1956 Fernand Leger Mourlot Exhibition Poster
1956 Fernand Leger Mourlot Exhibition Poster

1956 Fernand Leger Mourlot Exhibition Poster

By Fernand Léger

Located in Wilton Manors, FL

76 x 52 cm. Printed by Fernand Mourlot on rag paper watermarked "Mourlot." A condition. Not in Saphire. .Fernand Mourlot was born in Paris in 1895. He grew up in the family print shop but it wasn't until he took over in the early 1920s that he would change the fabric of printing forever. His influence fostered a resurgence of lithography, revealing it as a new avenue for expression and a new realm of possibilities for likes of Pablo Picasso, Henri Matisse, Marc Chagall, Joan Miró, Georges Braque, Fernand Léger, and Alberto Giacometti to enrich their own work as well as fine art in general. Fernand cultivated the lithograph as a painter's medium and the family studio on Rue Chabrol became a hub where he could invite artists to work directly on the stone, as if creating a poster. In 1937, the studio produced two posters (based on paintings by Matisse...

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Mid-20th Century Cubist Prints and Multiples

Materials

Paper, Lithograph

Le Char De Médée - after Georges Braque - Lithograph - 1988 - Figurative Print
Le Char De Médée - after Georges Braque - Lithograph - 1988 - Figurative Print

Le Char De Médée - after Georges Braque - Lithograph - 1988 - Figurative Print

By (after) Georges Braque

Located in Sint-Truiden, BE

Color lithograph after a gouache by Georges Braque from the edition of 398 published by Armand & Georges Israel in 1988. Printed signature. Artwork entirely made in France: from th...

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1980s Cubist Prints and Multiples

Materials

Lithograph

Jacqueline au Chevalet (Jacqueline at the Easel) - Ceramic Plate, 40/200, 1956
Jacqueline au Chevalet (Jacqueline at the Easel) - Ceramic Plate, 40/200, 1956

Jacqueline au Chevalet (Jacqueline at the Easel) - Ceramic Plate, 40/200, 1956

By Pablo Picasso

Located in Palm Desert, CA

Pablo Picasso's Jacqueline au Chevalet (1956) belongs to his revolutionary Madoura ceramics period, the two-decade span in Vallauris during which he produced more than 3,500 ceramic ...

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Mid-20th Century Cubist Prints and Multiples

Materials

Ceramic, Glaze

Fernand Leger, Soldiers Playing Cards, from War Drawings 1915-16, 1956 (after)
Fernand Leger, Soldiers Playing Cards, from War Drawings 1915-16, 1956 (after)

Fernand Leger, Soldiers Playing Cards, from War Drawings 1915-16, 1956 (after)

By Fernand Léger

Located in Southampton, NY

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Soldats jouant aux cartes (Soldiers Playing Cards), from the album Fernand Leger, Dessins de Guerre 1915...

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1950s Cubist Prints and Multiples

Materials

Lithograph

Brooklyn Bridge No. 6 (Swaying)

Brooklyn Bridge No. 6 (Swaying)

By John Marin

Located in New York, NY

John Marin (1870-1953), Brooklyn Bridge No. 6 (Swaying), 1913, Etching. Z112. Edition c. 12 (Steiglitz); 1924, unknown but small (New Republic). Signed in pencil. Signed and dated...

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1910s Cubist Prints and Multiples

Materials

Etching

Human Faces Abstract Collection - HFC 29 - Limited Edition Textured Canvas Print
Human Faces Abstract Collection - HFC 29 - Limited Edition Textured Canvas Print

Human Faces Abstract Collection - HFC 29 - Limited Edition Textured Canvas Print

By Irena Orlov

Located in Los Angeles, CA

Faces Abstract Collection by Irena Orlov Introducing "Abstract Cubist Portrait - Human Faces Abstract Collection - HFC 29" - Limited Edition Textured Canvas Print "Abstract Cubist ...

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2010s Cubist Prints and Multiples

Materials

Canvas, Paint, Cotton Canvas, Mixed Media, Acrylic, Digital, Inkjet, Giclée

Juan Gris 'Portrait of Josette Gris' 1992- Serigraph Mid Century
Juan Gris 'Portrait of Josette Gris' 1992- Serigraph Mid Century

Juan Gris 'Portrait of Josette Gris' 1992- Serigraph Mid Century

By Juan Gris

Located in Brooklyn, NY

Reproduction of Juan Gris’s Portrait of Josette Gris, printed in Italy by Acte III in Florence. This silkscreen edition is produced on thick, textured fine-art paper, reflecting the ...

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1990s Cubist Prints and Multiples

Materials

Screen

Picasso "60 Years of Graphic Works' 1966- ORIGINAL LITHOGRAPH

Picasso "60 Years of Graphic Works' 1966- ORIGINAL LITHOGRAPH

By Pablo Picasso

Located in Brooklyn, NY

This original color lithograph, designed by Pablo Picasso, was created for the opening of the Los Angeles County Museum of Art (LACMA) in 1966. Printed by the renowned Mourlot printi...

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20th Century Cubist Prints and Multiples

Materials

Lithograph

Jacob Heller “Tropical Mexico”
Jacob Heller “Tropical Mexico”

Jacob Heller “Tropical Mexico”

Located in San Francisco, CA

Fabulous cubist wood cut of a Mexican village. It is titled tropical Mexico and is by the artist Jacob Heller. Really kool sky with lines for rain and ovals for clouds.There is not m...

Category

Mid-20th Century Cubist Prints and Multiples

Materials

Woodcut

Cubist prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Cubist prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, yellow, green and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Pablo Picasso, (after) Pablo Picasso, Jean-Emile Laboureur, and (after) Georges Braque. Frequently made by artists working with Lithograph, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Cubist prints and multiples, so small editions measuring 2.13 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $88 and tops out at $265,000, while the average work sells for $2,443.