Skip to main content

Post-Impressionist Prints and Multiples

POSTIMPRESSIONIST STYLE

In the revolutionary wake of Impressionism, artists like Vincent van Gogh, Georges Seurat, Paul Cézanne and Paul Gauguin advanced the style further while firmly rejecting its limitations. Although the artists now associated with Postimpressionist art did not work as part of a group, they collectively employed an approach to expressing moments in time that was even more abstract than that of the Impressionists, and they shared an interest in moving away from naturalistic depictions to more subjective uses of vivid colors and light in their paintings.

The eighth and final Impressionist exhibition was held in Paris in 1886, and Postimpressionism — also spelled Post-Impressionism — is usually dated between then and 1905. The term “Postimpressionism” was coined by British curator and art critic Roger Fry in 1910 at the “Manet and the Postimpressionists” exhibition in London that connected their practices to the pioneering modernist art of Édouard Manet. Many Postimpressionist artists — most of whom lived in France — utilized thickly applied, vibrant pigments that emphasized the brushstrokes on the canvas.

The Postimpressionist movement’s iconic works of art include van Gogh’s The Starry Night (1889) and Seurat’s A Sunday on La Grande Jatte (1884). Seurat’s approach reflected the experimental spirit of Postimpressionism, as he used Pointillist dots of color that were mixed by the eye of the viewer rather than the hand of the artist. Van Gogh, meanwhile, often based his paintings on observation, yet instilled them with an emotional and personal perspective in which colors and forms did not mirror reality. Alongside Mary Cassatt, Cézanne, Henri Matisse and Gauguin, the Dutch painter was a pupil of Camille Pissarro, the groundbreaking Impressionist artist who boldly organized the first independent painting exhibitions in late-19th-century Paris.

The boundary-expanding work of the Postimpressionist painters, which focused on real-life subject matter and featured a prioritization of geometric forms, would inspire the Nabis, German Expressionism, Cubism and other modern art movements to continue to explore abstraction and challenge expectations for art.

Find a collection of original Postimpressionist paintings, mixed media, prints and other art on 1stDibs.

to
809
1,074
201
106
47
21
Overall Width
to
Overall Height
to
20,790
19,864
10,658
6,059
5,288
2,700
1,631
1,608
943
892
505
387
187
169
43
41
28
20
71
1,339
42
15
17
210
62
314
339
123
93
24
7
980
461
7
681
414
333
271
219
166
131
94
85
74
40
33
31
31
25
24
24
20
19
18
921
212
121
121
121
135
118
1,117
330
Style: Post-Impressionist
"Arc de Triomphe" lithograph

"Arc de Triomphe" lithograph

By (after) Pierre Bonnard

Located in Henderson, NV

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, The Sorrow of the King, from Verve, Revue Artistique, 1953
Henri Matisse, The Sorrow of the King, from Verve, Revue Artistique, 1953

Henri Matisse, The Sorrow of the King, from Verve, Revue Artistique, 1953

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph by Henri Matisse (1869–1954), titled La tristesse du roi (The Sorrow of the King), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originat...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

"Salomé" pochoir

"Salomé" pochoir

By (after) André Derain

Located in Henderson, NV

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1955 by l'Imprimerie Nationale de Monaco and published by Fermier...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

Henri Matisse, Decoupage, from XXe Siecle 1954 (after)
Henri Matisse, Decoupage, from XXe Siecle 1954 (after)

Henri Matisse, Decoupage, from XXe Siecle 1954 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph after Henri Matisse (1869–1954), titled Decoupage (Decoupage), from the album XXe Siecle, Nouvelle serie N°4 (double) Janvier 1954, originates from the 1954 edition published by Societe Internationale dArt XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Mourlot Freres, Paris, 1954. Decoupage reflects Matisses late career mastery of distilled form, harmonious contour, and poetic abstraction. Executed as a lithograph on velin paper, this work measures 12.5 x 9.75 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris Artwork Details: Artist: After Henri Matisse (1869–1954) Title: Decoupage (Decoupage) Medium: Lithograph on velin paper Dimensions: 12.5 x 9.75 inches (31.75 x 24.77 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1954 Publisher: Societe Internationale dArt XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album XXe Siecle, Nouvelle serie N°4 (double) Janvier 1954, published by Societe Internationale dArt XXe Siecle, Paris; printed by Mourlot Freres, Paris, 1954 About the Publication: Gualtieri di San Lazzaros XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs, linocuts, and pochoirs printed by the foremost ateliers of Paris, Milan, and New York, including Mourlot, Curwen, Atelier Lacouriere, and Amilcare Pizzi, creating a uniquely rich dialogue between text and image. The 1954 issue, Nouvelle serie N°4 (double), stands among the journals landmark mid century editions. Today, XXe Siecle remains an essential record of 20th century modernism, celebrated for its seamless integration of fine art, literature, and design. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later cut out compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy peers who, like him, sought to expand the expressive potential of color and composition. Matisses influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately 80.8 million USD, achieved in 2018 at Christies New York for Odalisque couchee aux magnolias (1923). Henri Matisse Decoupage...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, Icarus, from Jazz, Special Edition for MoMA, 1983 (after)
Henri Matisse, Icarus, from Jazz, Special Edition for MoMA, 1983 (after)

Henri Matisse, Icarus, from Jazz, Special Edition for MoMA, 1983 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite heliogravure after Henri Matisse (1869–1954), titled Icare (Icarus), from Henri Matisse, Jazz, originates from the 1983 second edition published by George Braziller, I...

Category

1980s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, Untitled, from Apollinaire, 1952
Henri Matisse, Untitled, from Apollinaire, 1952

Henri Matisse, Untitled, from Apollinaire, 1952

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph by Henri Matisse (1869–1954), titled Sans titre (Untitled), from the album Apollinaire, Henri Matisse (Apollinaire, Henri Matisse), originates from the 1952...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Matisse, Mille et une Nuit, Derrière le miroir (after)
Matisse, Mille et une Nuit, Derrière le miroir (after)

Matisse, Mille et une Nuit, Derrière le miroir (after)

By Henri Matisse

Located in Southampton, NY

Lithograph on vélin paper. Paper Size: 15 x 33 inches, with bifold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Derrière le miroir, ...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, Heart of Love Enamored, from Verve, Revue, 1949 (after)
Henri Matisse, Heart of Love Enamored, from Verve, Revue, 1949 (after)

Henri Matisse, Heart of Love Enamored, from Verve, Revue, 1949 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph after Henri Matisse (1869–1954), titled Coeur d’amour epris (Heart of Love Enamored), from Verve, Revue Artistique et Litteraire, Vol. VI, No. 23, originate...

Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri de Toulouse-Lautrec, The Flying Trapeze, 1967 (after)
Henri de Toulouse-Lautrec, The Flying Trapeze, 1967 (after)

Henri de Toulouse-Lautrec, The Flying Trapeze, 1967 (after)

By Henri de Toulouse-Lautrec

Located in Southampton, NY

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Le Trapeze Volant (The Flying Trapeze), from the folio Henri de Toulouse-Lautrec, A Suite of Color Drawi...

Category

1960s Post-Impressionist Prints and Multiples

Materials

Lithograph

Andre Derain, In the Garden of Allah, from Verve, Revue Artistique, 1938
Andre Derain, In the Garden of Allah, from Verve, Revue Artistique, 1938

Andre Derain, In the Garden of Allah, from Verve, Revue Artistique, 1938

By André Derain

Located in Southampton, NY

This exquisite lithograph by Andre Derain (1880–1954), titled Au Jardin d'Allah (In the Garden of Allah), from Verve, Revue Artistique et Litteraire, Vol. I, No. 4, originates from t...

Category

1930s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, Miss M.A., from Portraits by Henri Matisse, 1954 (after)
Henri Matisse, Miss M.A., from Portraits by Henri Matisse, 1954 (after)

Henri Matisse, Miss M.A., from Portraits by Henri Matisse, 1954 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph after Henri Matisse (1869–1954), titled Mademoiselle M.A. (Miss M.A.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates f...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

'Still Life with Guitar', Musee Moderne, Paris, Salon d'Automne, NY MOMA, LACMA
'Still Life with Guitar', Musee Moderne, Paris, Salon d'Automne, NY MOMA, LACMA

'Still Life with Guitar', Musee Moderne, Paris, Salon d'Automne, NY MOMA, LACMA

By Marcel Mouly

Located in Santa Cruz, CA

Signed lower right, "M. Mouly" for Marcel Mouly (French, 1918-2008). Inscribed lower left with number and limitation, '106/300'. Previously with: Park West Gallery, Southfield, Michi...

Category

1980s Post-Impressionist Prints and Multiples

Materials

Paper, Lithograph

Raoul Dufy, Still Life, from Letter to My Painter Raoul Dufy, 1965 (after)
Raoul Dufy, Still Life, from Letter to My Painter Raoul Dufy, 1965 (after)

Raoul Dufy, Still Life, from Letter to My Painter Raoul Dufy, 1965 (after)

By Raoul Dufy

Located in Southampton, NY

This exquisite lithograph after Raoul Dufy (1877–1953), titled Nature morte (Still Life), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), originates...

Category

1960s Post-Impressionist Prints and Multiples

Materials

Lithograph

'Erinnerung (Remembrance)' — Turn-of-the Century Romanticism
'Erinnerung (Remembrance)' — Turn-of-the Century Romanticism

'Erinnerung (Remembrance)' — Turn-of-the Century Romanticism

By Max Klinger

Located in Myrtle Beach, SC

Max Klinger, 'Erinnerung' (Remembrance), original etching with aquatint, 1896. A fine, richly inked impression on off-white, wove paper, with full margins (1 3/4 to 3 1/8 inches), in...

Category

1890s Post-Impressionist Prints and Multiples

Materials

Etching, Aquatint

Henri de Toulouse-Lautrec, Untitled, from Derriere le Miroir, 1966 (after)
Henri de Toulouse-Lautrec, Untitled, from Derriere le Miroir, 1966 (after)

Henri de Toulouse-Lautrec, Untitled, from Derriere le Miroir, 1966 (after)

By Henri de Toulouse-Lautrec

Located in Southampton, NY

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Sans titre (Untitled), originates from the 1966 folio Derriere le Miroir, No. 158–159, published by Maeg...

Category

1960s Post-Impressionist Prints and Multiples

Materials

Lithograph

The Fall of Icarus, from Verve, Revue Artistique, 1945
The Fall of Icarus, from Verve, Revue Artistique, 1945

The Fall of Icarus, from Verve, Revue Artistique, 1945

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph by Henri Matisse (1869–1954), titled La Chute d’Icare (The Fall of Icarus), from Verve, Revue Artistique et Litteraire, Vol. IV, No. 13, originates from the...

Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Decheance de al Buveuse d'Eau(Downfall of a Lady Teetotaler)

Decheance de al Buveuse d'Eau(Downfall of a Lady Teetotaler)

By Raoul Dufy

Located in Laguna Beach, CA

“My eyes were made to erase all that is ugly”. -Raoul Dufy Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being sp...

Category

1930s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri de Toulouse-Lautrec, Tightrope Dancer, from The Circus, 1952 (after)
Henri de Toulouse-Lautrec, Tightrope Dancer, from The Circus, 1952 (after)

Henri de Toulouse-Lautrec, Tightrope Dancer, from The Circus, 1952 (after)

By Henri de Toulouse-Lautrec

Located in Southampton, NY

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Danseuse de corde (Tightrope Dancer), originates from the 1952 album The Circus of Toulouse-Lautrec. Pub...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Toulouse Lautrec Original Lithograph Famous Political 1800s Collection Signed
Toulouse Lautrec Original Lithograph Famous Political 1800s Collection Signed

Toulouse Lautrec Original Lithograph Famous Political 1800s Collection Signed

By Henri de Toulouse-Lautrec

Located in Milwaukee, WI

"Lautrec Book: From Au Pied du Sinai written by Georges Clemenceau" lithographs created by the legendary Henri de Toulouse-Lautrec. This book, Au Pied...

Category

1890s Post-Impressionist Prints and Multiples

Materials

Lithograph, Mulberry Paper

Henri Matisse Etching, Post-Impressionist, 1920, Portrait of Mlle Marguerite
Henri Matisse Etching, Post-Impressionist, 1920, Portrait of Mlle Marguerite

Henri Matisse Etching, Post-Impressionist, 1920, Portrait of Mlle Marguerite

By Henri Matisse

Located in Washington, DC

Artist: Henri Matisse Medium: Etching Title: Portrait of Mlle. Marguerite Matisse Portfolio: Cinquante Dessins Year: 1920 Edition: 367/1000 Framed Size: 21 1/8" x 18 1/8" Sheet Size:...

Category

Early 19th Century Post-Impressionist Prints and Multiples

Materials

Etching

Jean-Edouard Vuillard, Across the Fields, 1948 (after)
Jean-Edouard Vuillard, Across the Fields, 1948 (after)

Jean-Edouard Vuillard, Across the Fields, 1948 (after)

By Edouard Vuillard

Located in Southampton, NY

This exquisite lithograph after Jean-Edouard Vuillard (1868-1940), titled A travers champs (Across the Fields), from L'oeuvre grave de Vuillard (The Graphic Work of Vuillard), origin...

Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, The Codomas, from Jazz, Special Edition for MoMA, 1983 (after)
Henri Matisse, The Codomas, from Jazz, Special Edition for MoMA, 1983 (after)

Henri Matisse, The Codomas, from Jazz, Special Edition for MoMA, 1983 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite heliogravure after Henri Matisse (1869–1954), titled Les Codomas (The Codomas), from Henri Matisse, Jazz, originates from the 1983 second edition published by George B...

Category

1980s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, Creole Dancer, from Last Works of Matisse, 1958 (after)
Henri Matisse, Creole Dancer, from Last Works of Matisse, 1958 (after)

Henri Matisse, Creole Dancer, from Last Works of Matisse, 1958 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph after Henri Matisse (1869–1954), titled Danseuse Creole (Creole Dancer), from Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), Verve: Revue Artistique et Litteraire, Vol. IX, No. 35-36, originates from the July 28, 1958 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1958. This visionary composition reflects Matisse’s late mastery of form and color, translating his celebrated cut-out aesthetic into the lithographic medium with remarkable clarity and vibrancy. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the greatest modern masters of the 20th century. Artwork Details: Artist: After Henri Matisse (1869–1954) Title: Danseuse Creole (Creole Dancer) Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1958 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Duthuit, Claude. Henri Matisse: Catalogue raisonne des ouvrages illustres. Editions Claude Duthuit, Paris, 1988, illustration 139. Condition: Well preserved, consistent with age and medium Provenance: From Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), Verve: Revue Artistique et Litteraire, Vol. IX, No. 35-36, published by Editions de la revue Verve, Paris, 1958 Notes: Excerpted from the folio (translated from French), This double issue of VERVE is entirely devoted to the last works of Henri Matisse-1950-1954. These works, rendered in color litbography, were made by the artist, in gouache papers, cut with scissors and glued. They are accompanied by drawings executed during the same period or before. Matisse specially composed the cover of this album. Under his direction were drawn, during the year 1954, the first of these lithographic plates. The work was completed on July 28, 1958 by Mourlot Freres for lithography and by Master Printers Draeger Freres for heliogravures and typography. About the Publication: Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), published as Verve Vol. IX, No. 35-36 on July 28, 1958, represents one of the most important posthumous tributes to Henri Matisse’s final period of artistic production. Conceived and directed by the visionary publisher Teriade, this issue of Verve is entirely dedicated to the works Matisse created between 1950 and 1954, a period defined by his pioneering cut-out technique. Produced in Paris with exceptional technical precision, the publication brings together color lithographs faithfully reproducing Matisse’s gouache cut-outs alongside a selection of drawings executed during the same period or earlier. The lithographs were printed by Mourlot Freres, while Draeger Freres oversaw the heliogravures and typography, ensuring the highest level of craftsmanship. The project was initiated under Matisse’s direct supervision in 1954, with the artist guiding the early stages of translation from original cut paper compositions into lithographic form. As part of the broader legacy of Verve, one of the most influential artistic and literary publications of the twentieth century, this issue stands as a monumental record of Matisse’s final innovations, preserving the essence of his late style and affirming his enduring impact on modern art. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisses influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately 80.8 million USD, achieved in 2018 at Christies New York for Odalisque couchee aux magnolias (1923). Henri Matisse Danseuse...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

"Place Clichy" lithograph

"Place Clichy" lithograph

By (after) Pierre Bonnard

Located in Henderson, NV

Medium: lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According to the publisher,...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Marquet, Composition, Présence de Marquet (after)
Marquet, Composition, Présence de Marquet (after)

Marquet, Composition, Présence de Marquet (after)

By Albert Marquet

Located in Southampton, NY

Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Présence de Marquet, 1962. Pu...

Category

1960s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, Miss M.B., from Portraits by Henri Matisse, 1954 (after)
Henri Matisse, Miss M.B., from Portraits by Henri Matisse, 1954 (after)

Henri Matisse, Miss M.B., from Portraits by Henri Matisse, 1954 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite heliogravure after Henri Matisse (1869–1954), titled Mademoiselle M.B. (Miss M.B.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri de Toulouse-Lautrec, Trainer Clown, from The Circus, 1952 (after)
Henri de Toulouse-Lautrec, Trainer Clown, from The Circus, 1952 (after)

Henri de Toulouse-Lautrec, Trainer Clown, from The Circus, 1952 (after)

By Henri de Toulouse-Lautrec

Located in Southampton, NY

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Clown dresseur (Trainer Clown), originates from the 1952 album The Circus of Toulouse-Lautrec. Published...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

"La Convalescente" original etching

"La Convalescente" original etching

By Édouard Manet

Located in Henderson, NV

Medium: original etching and aquatint. Catalogue reference: Harris 85 iii/iii. This is a fine impression from the 1884 Bazire edition, printed on laid paper. Plate size: 5 x 4 inches...

Category

1880s Post-Impressionist Prints and Multiples

Materials

Etching

Serene Cove Ripples, Mediterranean Seascape Diptych in Blue & White, Cyanotype
Serene Cove Ripples, Mediterranean Seascape Diptych in Blue & White, Cyanotype

Serene Cove Ripples, Mediterranean Seascape Diptych in Blue & White, Cyanotype

By Kind of Cyan

Located in Barcelona, ES

This is an exclusive handprinted limited edition cyanotype. "Serene Cove Ripples" is a gorgeous original cyanotype diptych showing calming sea ripples in a Mediterranean cove. Details: + Title: Serene Cove Ripples + Year: 2022 + Edition Size: 100 + Medium: Handmade Cyanotype Print on Watercolor Paper + Stamped and Certificate of Authenticity provided + Measurements : 100x140 cm (40 x 55.2 in.) Each paper measures 70x100 cm (28x 40 in.) each, a standard frame size + All cyanotype prints are made on high-quality Italian watercolor paper WHAT IS A CYANOTYPE? The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's. Cyanotypes were then made famous by Anna Atkins...

Category

2010s Post-Impressionist Prints and Multiples

Materials

Watercolor, Lithograph, Paper

Henri Matisse, Mrs. L.D., from Portraits by Henri Matisse, 1954 (after)
Henri Matisse, Mrs. L.D., from Portraits by Henri Matisse, 1954 (after)

Henri Matisse, Mrs. L.D., from Portraits by Henri Matisse, 1954 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph after Henri Matisse (1869–1954), titled Madame L.D. (Mrs. L.D.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates from th...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

"Scene de famille" lithograph

"Scene de famille" lithograph

By (after) Pierre Bonnard

Located in Henderson, NV

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Maurice Marinot, Interior, from Fauves, VII, 1972 (after)
Maurice Marinot, Interior, from Fauves, VII, 1972 (after)

Maurice Marinot, Interior, from Fauves, VII, 1972 (after)

Located in Southampton, NY

This exquisite lithograph after Maurice Marinot (1882–1960), titled Interieur (Interior), from the folio Fauves, VII (Fauves, VII), Collection Pierre Levy, 1972, originates from the ...

Category

1970s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, The Snail, from Last Works of Matisse, 1958 (after)
Henri Matisse, The Snail, from Last Works of Matisse, 1958 (after)

Henri Matisse, The Snail, from Last Works of Matisse, 1958 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph after Henri Matisse (1869–1954), titled L'Escargot (The Snail), from Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), Verve: Revue ...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Andre Derain, Port of Collioure, from Fauves, VII, 1972 (after)
Andre Derain, Port of Collioure, from Fauves, VII, 1972 (after)

Andre Derain, Port of Collioure, from Fauves, VII, 1972 (after)

By André Derain

Located in Southampton, NY

This exquisite lithograph after Andre Derain (1880–1954), titled Port de Collioure (Port of Collioure), from the folio Fauves, VII, Collection Pierre Levy, 1972, originates from the ...

Category

1970s Post-Impressionist Prints and Multiples

Materials

Lithograph

"Salomé" pochoir

"Salomé" pochoir

By (after) André Derain

Located in Henderson, NV

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...

Category

1930s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

"Scene de famille" lithograph

"Scene de famille" lithograph

By (after) Pierre Bonnard

Located in Henderson, NV

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

After Henri De Toulouse-Lautrec, Figurative, 1952, Color Cliché Print, Framed
After Henri De Toulouse-Lautrec, Figurative, 1952, Color Cliché Print, Framed

After Henri De Toulouse-Lautrec, Figurative, 1952, Color Cliché Print, Framed

By (After) Henri Toulouse Lautrec

Located in Barcelona, ES

Step into the vibrant world of Henri de Toulouse-Lautrec with this captivating color cliché print, meticulously edited by Editions du Chêne in Paris, France, in 1952. Encased in a be...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Paper

Henri Matisse, Mrs. Dorothy Parley, Portraits by Henri Matisse, 1954 (after)
Henri Matisse, Mrs. Dorothy Parley, Portraits by Henri Matisse, 1954 (after)

Henri Matisse, Mrs. Dorothy Parley, Portraits by Henri Matisse, 1954 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite heliogravure after Henri Matisse (1869–1954), titled Madame Dorothy Parley (Mrs. Dorothy Parley), from the album Portraits par Henri Matisse (Portraits by Henri Matiss...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Pierre Bonnard, Untitled, from Correspondances, 1944
Pierre Bonnard, Untitled, from Correspondances, 1944

Pierre Bonnard, Untitled, from Correspondances, 1944

By Pierre Bonnard

Located in Southampton, NY

This exquisite lithograph by Pierre Bonnard (1867–1947), titled Sans titre (Untitled), from the album Pierre Bonnard, Correspondances, originates from the 1944 edition published by E...

Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

'Hills at Baptiste Lake' Limited Edition Lithograph by Group of 7 Artist
'Hills at Baptiste Lake' Limited Edition Lithograph by Group of 7 Artist

'Hills at Baptiste Lake' Limited Edition Lithograph by Group of 7 Artist

By Alfred Joseph Casson

Located in Toronto, ON

After the original oil painting 'Hills at Baptiste Lake' this piece is one of 51 lithographs included in 'Casson's Cassons Vol. 1' printed in 1990 by Paul Duval and AJ Casson in Toro...

Category

20th Century Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, The Dance, from Verve, Revue Artistique, 1938
Henri Matisse, The Dance, from Verve, Revue Artistique, 1938

Henri Matisse, The Dance, from Verve, Revue Artistique, 1938

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph by Henri Matisse (1869–1954), titled La Danse (The Dance), from Verve, Revue Artistique et Litteraire, Vol. I, No. 4, originates from the 1938 issue publish...

Category

1930s Post-Impressionist Prints and Multiples

Materials

Lithograph

Kees van Dongen, The Seine, from Views of Paris, 1963
Kees van Dongen, The Seine, from Views of Paris, 1963

Kees van Dongen, The Seine, from Views of Paris, 1963

By Kees van Dongen

Located in Southampton, NY

This exquisite lithograph by Kees van Dongen (1877–1968), titled De Seine (The Seine), from Regards Sur Paris (Views of Paris), originates from the January 22, 1963 issue published b...

Category

1960s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri de Toulouse-Lautrec, Panel Work, from The Circus, 1952 (after)
Henri de Toulouse-Lautrec, Panel Work, from The Circus, 1952 (after)

Henri de Toulouse-Lautrec, Panel Work, from The Circus, 1952 (after)

By Henri de Toulouse-Lautrec

Located in Southampton, NY

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Travail de panneau (Panel Work), originates from the 1952 album The Circus of Toulouse-Lautrec. Publishe...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, The Sun, from Verve, Revue Artistique, 1948
Henri Matisse, The Sun, from Verve, Revue Artistique, 1948

Henri Matisse, The Sun, from Verve, Revue Artistique, 1948

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph by Henri Matisse (1869–1954), titled Le Soleil (The Sun), from Verve, Revue Artistique et Litteraire, Vol. VI, No. 21–22, originates from the 1948 issue pub...

Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

"Nature morte aux Poissons" lithograph

"Nature morte aux Poissons" lithograph

By (after) André Derain

Located in Henderson, NV

Medium: lithograph (after the 1939 Andre Derain painting). Printed in Paris on Arches paper at the Mourlot studio in 1970 in an edition of 1000 for the Collection Pierre Lévy deluxe ...

Category

1970s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, Bather in the Reeds, from Last Works of Matisse, 1958 (after)
Henri Matisse, Bather in the Reeds, from Last Works of Matisse, 1958 (after)

Henri Matisse, Bather in the Reeds, from Last Works of Matisse, 1958 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph after Henri Matisse (1869–1954), titled Baigneuse dans les Roseaux (Bather in the Reeds), from Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Jean-Edouard Vuillard, The Wave, 1966 (after)
Jean-Edouard Vuillard, The Wave, 1966 (after)

Jean-Edouard Vuillard, The Wave, 1966 (after)

By Edouard Vuillard

Located in Southampton, NY

This exquisite lithograph and pochoir after Jean-Edouard Vuillard (1868-1940), titled La Vague (The Wave), from the folio Vuillard, Douze Pastels (Vuillard, Twelve Pastels), originat...

Category

1960s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

Calming Sea Ripples in Blue, Hand Painted Nautical Blueprint, Mediterranean Sea
Calming Sea Ripples in Blue, Hand Painted Nautical Blueprint, Mediterranean Sea

Calming Sea Ripples in Blue, Hand Painted Nautical Blueprint, Mediterranean Sea

By Kind of Cyan

Located in Barcelona, ES

This is an exclusive handprinted limited edition cyanotype. "Calming Sea Ripples" is a handmade cyanotype print portraying the subtle movements and abstract ripples of the open sea. ...

Category

2010s Post-Impressionist Prints and Multiples

Materials

Emulsion, Monoprint, Rag Paper

Raoul Dufy, The Orchestra, from Letter to My Painter Raoul Dufy, 1965 (after)
Raoul Dufy, The Orchestra, from Letter to My Painter Raoul Dufy, 1965 (after)

Raoul Dufy, The Orchestra, from Letter to My Painter Raoul Dufy, 1965 (after)

By Raoul Dufy

Located in Southampton, NY

This exquisite lithograph after Raoul Dufy (1877–1953), titled L'Orchestre (The Orchestra), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), originat...

Category

1960s Post-Impressionist Prints and Multiples

Materials

Lithograph

Post-impressionist prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Post-Impressionist prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, purple, yellow and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Luc-Albert Moreau, Henri Matisse, (after) André Derain, and Maria Bertrán. Frequently made by artists working with Lithograph, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-Impressionist prints and multiples, so small editions measuring 3.55 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $50 and tops out at $250,000, while the average work sells for $761.