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Style: Post-Modern
'The Hours Spin Skull' (Orange/Pink/Green/White/Blue)
'The Hours Spin Skull' (Orange/Pink/Green/White/Blue)

'The Hours Spin Skull' (Orange/Pink/Green/White/Blue)

By Damien Hirst

Located in New York, NY

The skull is one of the recurring motifs in Damien Hirst’s artistic repertoire, symbolizing themes of mortality and the passage of time. In this exclusive edition, Hirst has partnere...

Category

Early 2000s Post-Modern Art

Materials

Plastic

Shes Watching Mixed Media Painting Collage Wall Construction FIgural Abstraction
Shes Watching Mixed Media Painting Collage Wall Construction FIgural Abstraction

Shes Watching Mixed Media Painting Collage Wall Construction FIgural Abstraction

By Francie Bishop Good

Located in Surfside, FL

"She's Watching" Mixed media collage, assemblage, gestural painting on masonite. Hand Signed in ink and titled verso. It does not appear to be dated. I am estimating it is from the 1980's. It has some Postmodern elements and similarities to Transavanguardia is the Italian version of Neo-expressionism. Francie Bishop Good (American, 1949-) Francie Bishop Good was raised in Allentown, Pennsylvania. She currently lives and works in South Florida and New York City. Her work has been exhibited nationally and internationally. Bishop Good is twice recipient of the South Florida Cultural Consortium Fellowship, and the State of Florida Individual Artist Fellowship. She completed her Graduate Studies at Maine Media College, Rockport, Maine, International Center of Photography, New York, New York, Master of Arts, Florida Atlantic University, Boca Raton, Florida, B.F.A. University of Colorado, Boulder, Colorado, Philadelphia College of Art, Philadelphia, Pennsylvania, William Allen High School, studies under James Musselman Her museum solo shows include the Allentown Art Museum, Allentown, PA, Museum of Art, Fort Lauderdale, FL, the Museum of Contemporary Art, Jacksonville, FL, Art and Culture Center, Hollywood, FL, and the Hilliard Museum, Lafayette, LA. Bishop Good's work has been shown at David Castillo Gallery, Mindy Solomon Gallery, Miami, FL. Griffin Museum of Photography, Bernice Steinbaum Gallery, and AMbrosino Gallery. Recent museum acquisitions include Museum of Fine Arts, Boston, MA The Wadsworth Atheneum, Hartford, CT, The Patricia & Philip Frost Art Museum at Florida International University, Miami, FL, Bass Museum of Art, Miami Beach, FL and the NSU Art Museum, Fort Lauderdale, FL. Selected Group and Invitational Exhibitions NSU Art Museum, Remember to React: 60 Years of Collection, Fort Lauderdale, FL Frost Art Museum, Connectivity: Selections from the Collection of the Frost Art Museum, Miami, FL Dual Roles, curated by Laura Marsh, Art and Culture Center of Hollywood FL David Castillo Gallery, gallery artists, in terms of collage, Miami Beach, FL Multidisciplinary, curated by Dimensions Variable, Open Source Gallery, Brooklyn, NY Cornell Museum, Artistically Speaking, Boca Raton Museum of Art, FL. People and Places, Photographs from the Collection, summer 2015 Frost Museum, FIU Miami FL, 25 Inches, The Faces of the Permanent Collection Locust Projects, Smash and Grab, November Annie Wharton Fine Art, Los Angeles group show, summer Museum of Art Fort Lauderdale ,The Art of Caring summer Women to Women, collaboration with Samantha Salzinger, Bakehouse Fredric Snitzer Gallery Boy oh Boy, Summer Show Miami A.I.R. Gallery, The Man I Wish I Was, curator Kharis Kennedy Photo Miami with Nina Arias, Miami, FL December Alva Gallery, New London, Ct Being Good: Women's Moral Values Art Basel with Ambrosino Gallery, Miami, FL 51st Venice Biennale, Italy Poles Apart / Poles Together, International Artists' Museum, White Box Norton Museum of Art, West Palm Beach, FL, FOCUS ON: New Photography, National Museum of Women in the Arts, FL Transitory Patterns Museum of Contemporary Art, Miami, FL Optic Nerve Selected Collections Museum of Fine Arts, Boston, Ma. Wadsworth Atheneum Museum of Art, Hartford, Ct. Bass Museum of Art, Miami Beach, FL Frost Museum of Art, Miami Florida Norton Museum of Art, West Palm Beach, Florida Museum of Contemporary Art, Jacksonville, Florida Boca Raton Museum of Art, Boca Raton, Florida Sagamore Hotel Collection, Miami Beach, Florida Museum of Art, Fort Lauderdale, Florida Refco Collection, Chicago, Illinois Allentown Art Museum, Allentown, Pennsylvania New World Symphony Residence, Miami, Florida Art in Public Places, Broward County, Florida Art and Culture Center of Hollywood, Florida William Gates III (Bill Gates) Monica and Richard Segal Saks Fifth Avenue Asides from being an exceptional artist she is also a passionate collector. Photographs by Cindy Sherman and the late feminist artist Ana Mendieta, collages by Kara Walker, a watercolor by Louise Bourgeois, Cecily Brown, Tracey Emin, Teresita Fernandez, Carrie Mae Weems, Nan Goldin, Barbara Kruger, Catherine Opie, Lorna Simpson, Kiki Smith, Mickalene Thomas, and Kara Walker. are among 100 works by leading contemporary artists donated by philanthropists David Horvitz...

Category

1990s Post-Modern Art

Materials

Masonite, Paper, Mixed Media, Oil

Jerusalem, Israel Western Wall Ed of 5 Vintage Silver gelatin Photograph Print
Jerusalem, Israel Western Wall Ed of 5 Vintage Silver gelatin Photograph Print

Jerusalem, Israel Western Wall Ed of 5 Vintage Silver gelatin Photograph Print

By Mikael Levin

Located in Surfside, FL

Photo Image taken in black & white of Western Wall (Wailing Wall) Kotel Hamaaravi in Jerusalem Israel. Hand signed, dated and titled. From very small edition of just 5 prints. (American-Israeli) Born in New York City, Mikael Levin grew up in Israel, the United States and France. He attended Williams College and received a B.A. in Film and Photography from Hampshire College in 1976 before studying at the Academy of Fine Arts in Stockholm. Levin's first published project was Silent Passage (1985), a series of romantic, reflective landscape photographs inspired by a pond in Sweden. This was followed by several other series, including Les Quatre Saisons du Territoire, a study of the changes in land use in western France; Borders, which focused on the political, practical, and conceptual transformation of national borders in contemporary Europe; and War Story, Levin's reconstruction of the journey his father, the war correspondent Meyer Levin, made while traveling with the photographer Eric Schwab during World War II. Meyer Levin wrote of these experiences in In Search (1950), which described his view of the final battles of World War II and the liberation of the Nazi concentration camps in 1944-45. Levin photographed sites his father and Schwab had visited as they appear today. These photographs and passages from the elder Levin's writings formed an installation work at ICP in 1997, and were also published as a book. Levin's most recent project, Common Places: Cultural Identity in the Urban Environment, considers the relationship between the past and present in the urban environments of four European cities: Katrineholm, Cambrai, Erfurt, and Thessaloniki. Although inflected differently in each series, Mikael Levin's photographs have in common their interest in the emotional, intellectual, and historical significance of landscape. His work ignites landscape's capacity simultaneously to recall and overwrite the events of the past, especially in works such as War Story and Common Places. His photographs represent a new approach to landscape photography that reinvigorates this traditional genre. Lisa Hostetler Handy et al. Reflections in a Glass Eye: Works from the International Center of Photography Collection, New York: Bulfinch Press in association with the International Center of Photography, 1999 Mikael Levin has been exhibited widely in the US and in Europe, including solo exhibitions at the Jewish Museum, Paris, 2010, the Berardo Museum, Lisbon, 2009, the Bibliotheque Nationale, Paris, 2003, the International Center of Photography, New York, 1997, and Fundación Mendoza, Caracas, 1980. His work was included in the Venice Biannual in 2003. Judaic, Judaica. SELECT GROUP EXHIBITS 2018 Marquee Projects...

Category

Early 2000s Post-Modern Art

Materials

Silver Gelatin

“Woman with Large Bird”
“Woman with Large Bird”

“Woman with Large Bird”

By Nahum Tschacbasov

Located in Southampton, NY

Oil, acrylic and drip painting on linen canvas by the well know Russian/American artist, Nahum Tschacbasov. Signed upper right and dated 1970. Signed and dated verso as well. Condit...

Category

1970s Post-Modern Art

Materials

Canvas, Oil, Acrylic

"Premonition"
"Premonition"

Nahum Tschacbasov"Premonition", 1982

$1,760Sale Price|20% Off

"Premonition"

By Nahum Tschacbasov

Located in Southampton, NY

Acrylic on black paper showing the death of an individual, most likely the artist himself. The lead figure top right is his wife Irene. This is one of the artist's last paintings as ...

Category

1980s Post-Modern Art

Materials

Paper, Acrylic

Israeli Judaica Original Painting, "Temptation" Dancing Polish Artist Arie Dubi
Israeli Judaica Original Painting, "Temptation" Dancing Polish Artist Arie Dubi

Israeli Judaica Original Painting, "Temptation" Dancing Polish Artist Arie Dubi

By Arie Dubi

Located in Surfside, FL

Dubi Arie (born Poland, 1939) "The Temptation" Image: 11 3/4" x 10" Original mixed media on paper painting, Hand signed and dated lower right and signed and titled on reverse. depi...

Category

20th Century Post-Modern Art

Materials

Paper, Oil Crayon, Mixed Media, Watercolor

Artistic Iridescent Glass Vase with Leaf-Shaped Handles. Italy, circa 1960-80
Artistic Iridescent Glass Vase with Leaf-Shaped Handles. Italy, circa 1960-80

Artistic Iridescent Glass Vase with Leaf-Shaped Handles. Italy, circa 1960-80

Located in Firenze, IT

Artistic Iridescent Glass Vase with Leaf-Shaped Handles - Italy, Second Half of the 20th Century H 28 cm x W 24 cm Decorative blown glass vase, crafted using a complex technique of ...

Category

20th Century Post-Modern Art

Materials

Glass, Blown Glass

“Summer Harvest”

“Summer Harvest”

By Megan Karlen

Located in Southampton, NY

Overall in silver leaf wood shadowbox frame 19.5 x 19.5 inches. Signed, titled and dated verso

Category

21st Century and Contemporary Post-Modern Art

Materials

Oil, Wood Panel

"Dancing in the Clouds"
"Dancing in the Clouds"

"Dancing in the Clouds"

By Irina Lavrova

Located in Southampton, NY

Oil on canvas Signed and dated 1988, 39 1/2 x 31 Provenance: Newton, MA estate

Category

1980s Post-Modern Art

Materials

Canvas, Oil

Bérangère with a Hat
Bérangère with a Hat

Bérangère with a Hat

By Patrick Brun

Located in Pasadena, CA

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

Category

2010s Post-Modern Art

Materials

Bronze

"Buried Standing Up"

"Buried Standing Up"

By Nahum Tschacbasov

Located in Southampton, NY

Oil on canvas, signed lower left Painting exhibited at the National Arts Club, New York Nahum Tschacbasov Retrospective, June 2013

Category

1970s Post-Modern Art

Materials

Oil, Canvas

Caprices et décors de ballets
Caprices et décors de ballets

Caprices et décors de ballets

Located in Saint-Ouen-sur-Seine, FR

This work captivates with its refined and poetic universe, where architecture, decoration, and imagination come together with great delicacy. Each detail invites discovery, unfolding...

Category

Late 20th Century Post-Modern Art

Materials

Ink, Gouache

The Floating City by Patrick Hughes
The Floating City by Patrick Hughes

The Floating City by Patrick Hughes

By Patrick Hughes

Located in New Orleans, LA

Patrick Hughes b. 1939 British The Floating City Oil and collage on panel Signed, titled, editioned and dated “The Floating City / 2/5 / Patrick Hughes / 2026” (en verso) Part pa...

Category

21st Century and Contemporary Post-Modern Art

Materials

Oil, Panel

Shes Watching Mixed Media Painting Collage Wall Construction FIgural Abstraction
Shes Watching Mixed Media Painting Collage Wall Construction FIgural Abstraction

Shes Watching Mixed Media Painting Collage Wall Construction FIgural Abstraction

By Francie Bishop Good

Located in Surfside, FL

"She's Watching" Mixed media collage, assemblage, gestural painting on masonite. Hand Signed in ink and titled verso. It does not appear to be dated. I am estimating it is from the 1980's. It has some Postmodern elements and similarities to Transavanguardia is the Italian version of Neo-expressionism. Francie Bishop Good (American, 1949-) Francie Bishop Good was raised in Allentown, Pennsylvania. She currently lives and works in South Florida and New York City. Her work has been exhibited nationally and internationally. Bishop Good is twice recipient of the South Florida Cultural Consortium Fellowship, and the State of Florida Individual Artist Fellowship. She completed her Graduate Studies at Maine Media College, Rockport, Maine, International Center of Photography, New York, New York, Master of Arts, Florida Atlantic University, Boca Raton, Florida, B.F.A. University of Colorado, Boulder, Colorado, Philadelphia College of Art, Philadelphia, Pennsylvania, William Allen High School, studies under James Musselman Her museum solo shows include the Allentown Art Museum, Allentown, PA, Museum of Art, Fort Lauderdale, FL, the Museum of Contemporary Art, Jacksonville, FL, Art and Culture Center, Hollywood, FL, and the Hilliard Museum, Lafayette, LA. Bishop Good's work has been shown at David Castillo Gallery, Mindy Solomon Gallery, Miami, FL. Griffin Museum of Photography, Bernice Steinbaum Gallery, and AMbrosino Gallery. Recent museum acquisitions include Museum of Fine Arts, Boston, MA The Wadsworth Atheneum, Hartford, CT, The Patricia & Philip Frost Art Museum at Florida International University, Miami, FL, Bass Museum of Art, Miami Beach, FL and the NSU Art Museum, Fort Lauderdale, FL. Selected Group and Invitational Exhibitions NSU Art Museum, Remember to React: 60 Years of Collection, Fort Lauderdale, FL Frost Art Museum, Connectivity: Selections from the Collection of the Frost Art Museum, Miami, FL Dual Roles, curated by Laura Marsh, Art and Culture Center of Hollywood FL David Castillo Gallery, gallery artists, in terms of collage, Miami Beach, FL Multidisciplinary, curated by Dimensions Variable, Open Source Gallery, Brooklyn, NY Cornell Museum, Artistically Speaking, Boca Raton Museum of Art, FL. People and Places, Photographs from the Collection, summer 2015 Frost Museum, FIU Miami FL, 25 Inches, The Faces of the Permanent Collection Locust Projects, Smash and Grab, November Annie Wharton Fine Art, Los Angeles group show, summer Museum of Art Fort Lauderdale ,The Art of Caring summer Women to Women, collaboration with Samantha Salzinger, Bakehouse Fredric Snitzer Gallery Boy oh Boy, Summer Show Miami A.I.R. Gallery, The Man I Wish I Was, curator Kharis Kennedy Photo Miami with Nina Arias, Miami, FL December Alva Gallery, New London, Ct Being Good: Women's Moral Values Art Basel with Ambrosino Gallery, Miami, FL 51st Venice Biennale, Italy Poles Apart / Poles Together, International Artists' Museum, White Box Norton Museum of Art, West Palm Beach, FL, FOCUS ON: New Photography, National Museum of Women in the Arts, FL Transitory Patterns Museum of Contemporary Art, Miami, FL Optic Nerve Selected Collections Museum of Fine Arts, Boston, Ma. Wadsworth Atheneum Museum of Art, Hartford, Ct. Bass Museum of Art, Miami Beach, FL Frost Museum of Art, Miami Florida Norton Museum of Art, West Palm Beach, Florida Museum of Contemporary Art, Jacksonville, Florida Boca Raton Museum of Art, Boca Raton, Florida Sagamore Hotel Collection, Miami Beach, Florida Museum of Art, Fort Lauderdale, Florida Refco Collection, Chicago, Illinois Allentown Art Museum, Allentown, Pennsylvania New World Symphony Residence, Miami, Florida Art in Public Places, Broward County, Florida Art and Culture Center of Hollywood, Florida William Gates III (Bill Gates) Monica and Richard Segal Saks Fifth Avenue Asides from being an exceptional artist she is also a passionate collector. Photographs by Cindy Sherman and the late feminist artist Ana Mendieta, collages by Kara Walker, a watercolor by Louise Bourgeois, Cecily Brown, Tracey Emin, Teresita Fernandez, Carrie Mae Weems, Nan Goldin, Barbara Kruger, Catherine Opie, Lorna Simpson, Kiki Smith, Mickalene Thomas, and Kara Walker. are among 100 works by leading contemporary artists donated by philanthropists David Horvitz...

Category

1980s Post-Modern Art

Materials

Masonite, Paper, Mixed Media, Oil

Man, Stick White Stripe

Man, Stick White Stripe

By Ralph Gibson

Located in Denton, TX

Edition 15/25 Gelatin silver print 16 x 20 in. Signed and dated in pencil on print verso by Ralph Gibson

Category

1970s Post-Modern Art

Materials

Silver Gelatin

Dawn ll

Dawn ll

By Paul Dempsey

Located in East Hampton, NY

the 12" x 24" on metal - Edition of 5 Colorful dawn photograph printed on metal About the artist: A computer programmer and Webmaster by trade, Paul describes himself as a fine art...

Category

2010s Post-Modern Art

Materials

Metal

"Venerable Truth - Breathe" Mixed Media Artwork, Chinese, Framed, Post-Modern
"Venerable Truth - Breathe" Mixed Media Artwork, Chinese, Framed, Post-Modern

"Venerable Truth - Breathe" Mixed Media Artwork, Chinese, Framed, Post-Modern

Located in Sag Harbor, NY

"Venerable Truth - Breathe" is a mixed media sculpture by David Saunders. For this series of works, he collected imported cans discarded near his studio in Soho, NY and constructed c...

Category

21st Century and Contemporary Post-Modern Art

Materials

Enamel, Gold Leaf

"365 Vessels", Mixed technique on tissue white paper, Fuck you, Brutalism
"365 Vessels", Mixed technique on tissue white paper, Fuck you, Brutalism

"365 Vessels", Mixed technique on tissue white paper, Fuck you, Brutalism

By Peter Kramer

Located in Carballo, ES

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

Category

21st Century and Contemporary Post-Modern Art

Materials

Organic Material, Adhesive, Ink, Mixed Media, Acrylic, Handmade Paper, T...

Castello di Govone II, Piemonte, Italy

Castello di Govone II, Piemonte, Italy

By Massimo Listri

Located in New York City, NY

Massimo Listri Unframed Chromogenic Print Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of 5 71 x 88.5 inches 180 x 225 cm Editi...

Category

2010s Post-Modern Art

Materials

Photographic Paper, C Print

Vintage Stark Cityscape W/ Lone Figure Oil Painting by R. Roberts C.1960
Vintage Stark Cityscape W/ Lone Figure Oil Painting by R. Roberts C.1960

Vintage Stark Cityscape W/ Lone Figure Oil Painting by R. Roberts C.1960

Located in San Francisco, CA

Vintage Stark Cityscape W/ Lone Figure Oil Painting by R. Roberts C.1960 Original oil on canvas Canvas dimensions 40" wide x 20" high The period frame measures 43.5" wide x 23.5" ...

Category

Mid-20th Century Post-Modern Art

Materials

Canvas, Oil

"365 Vessels", Mixed technique on tissue white paper, Red and black, 50 x 33 cm
"365 Vessels", Mixed technique on tissue white paper, Red and black, 50 x 33 cm

"365 Vessels", Mixed technique on tissue white paper, Red and black, 50 x 33 cm

By Peter Kramer

Located in Carballo, ES

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

Category

21st Century and Contemporary Post-Modern Art

Materials

Organic Material, Adhesive, Ink, Mixed Media, Acrylic, Handmade Paper, T...

"365 Vessels", Mixed technique on tissue white paper, Minimalist, 50 x 33 cm
"365 Vessels", Mixed technique on tissue white paper, Minimalist, 50 x 33 cm

"365 Vessels", Mixed technique on tissue white paper, Minimalist, 50 x 33 cm

By Peter Kramer

Located in Carballo, ES

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

Category

21st Century and Contemporary Post-Modern Art

Materials

Organic Material, Adhesive, Ink, Mixed Media, Acrylic, Handmade Paper, T...

"365 Vessels", Mixed technique on tissue white paper, Minimalist, 50 x 33 cm
"365 Vessels", Mixed technique on tissue white paper, Minimalist, 50 x 33 cm

"365 Vessels", Mixed technique on tissue white paper, Minimalist, 50 x 33 cm

By Peter Kramer

Located in Carballo, ES

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

Category

21st Century and Contemporary Post-Modern Art

Materials

Organic Material, Adhesive, Ink, Mixed Media, Acrylic, Handmade Paper, T...

"365 Vessels", Mixed technique on tissue white paper, Minimalist, 50 x 33 cm
"365 Vessels", Mixed technique on tissue white paper, Minimalist, 50 x 33 cm

"365 Vessels", Mixed technique on tissue white paper, Minimalist, 50 x 33 cm

By Peter Kramer

Located in Carballo, ES

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

Category

21st Century and Contemporary Post-Modern Art

Materials

Organic Material, Adhesive, Ink, Mixed Media, Acrylic, Handmade Paper, T...

"365 Vessels", Mixed technique on tissue white paper, Minimalist, 50 x 33 cm
"365 Vessels", Mixed technique on tissue white paper, Minimalist, 50 x 33 cm

"365 Vessels", Mixed technique on tissue white paper, Minimalist, 50 x 33 cm

By Peter Kramer

Located in Carballo, ES

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

Category

21st Century and Contemporary Post-Modern Art

Materials

Organic Material, Adhesive, Ink, Mixed Media, Acrylic, Handmade Paper, T...

"365 Vessels", Mixed technique on tissue white paper, Minimalist, 50 x 33 cm
"365 Vessels", Mixed technique on tissue white paper, Minimalist, 50 x 33 cm

"365 Vessels", Mixed technique on tissue white paper, Minimalist, 50 x 33 cm

By Peter Kramer

Located in Carballo, ES

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

Category

21st Century and Contemporary Post-Modern Art

Materials

Organic Material, Adhesive, Ink, Mixed Media, Acrylic, Handmade Paper, T...

French Gilt Gold Sculpture Sputnik Space Age Post Modern Pair Candlesticks
French Gilt Gold Sculpture Sputnik Space Age Post Modern Pair Candlesticks

French Gilt Gold Sculpture Sputnik Space Age Post Modern Pair Candlesticks

Located in Surfside, FL

Elegant gold gilt design metal candleholders, circa 1980, France. Signed Illegibly on bottom felt. It appears to be Elizabeth and then something else but it is not clear these candle...

Category

Late 20th Century Post-Modern Art

Materials

Metal

Large Colorful 1980s New York Abstract Expressionist Oil Painting Joan Thorne
Large Colorful 1980s New York Abstract Expressionist Oil Painting Joan Thorne

Large Colorful 1980s New York Abstract Expressionist Oil Painting Joan Thorne

By Joan Thorne

Located in Surfside, FL

This is a large colorful, bold, vibrant original oil painting on canvas, hand signed and dated 1989. It is titled Crete. Joan Thorne (1943-) is a New York artist nationally and internationally recognized. A third generation Abstract Expressionist woman artist who has exhibited works over the past 30 years. Her art has been shown in the Corcoran Gallery of Art, Washington, DC, the Whitney Museum’s Annual Exhibition, the Grand Palais in Paris, and Barbara Rose’s seminal exhibition American Painting: The Eighties at New York University’s Grey Gallery. Her recent shows in New York City have been reviewed by the New York Times, Art in America, ArtNews and The New Criterion among others. Her work has been compared to Elizabeth Murray work. It is colorful and has a 1980's, Memphis Milano feel to it. Thorne grew up in Greenwich Village. Her mother was a Ukrainian immigrant from a musical family, who became an English teacher; her father, a surgeon. Recognizing their daughter’s artistic talents early, they enrolled her at age six in the Little Red Schoolhouse on Bleecker Street in Greenwich Village. Founded in 1921 by Elisabeth Irwin, a pioneer in educational reform, the school has continued to maintain its reputation as a progressive and nurturing catalyst for creative children. Pete Seeger, the folk singer, performed there so frequently that Thorne remembered him as if he were one of the teachers. In 1971, Thorne met Faith Ringgold (b. 1930) and joined her as a teacher at the Women’s House of Detention on Rikers Island in a new program called “Art without Walls–Free Space.” The program, which had been born from the civil rights movement, was aimed at enriching the lives of the inmates. Thorne and her peers came of age struggling against sexism in the art establishment and its attendant lack of exhibition opportunities for women. Since 1985, this issue had been loudly exposed by the public protests of the Guerrilla Girls, whose members remain a well-kept secret. Her painting has been included in two Whitney Museum Biennials and various other museum group exhibitions both in the United States, Europe and Latin America. She has had numerous one person shows in galleries such as: Sideshow Gallery New York, Fischbach Gallery, New York City, Corcoran Gallery of Art, Washington D.C., Willard Gallery, New York, Graham & Sons Gallery, New York, The Clocktower, New York City, and the National Arts Club among others. Thorne has been awarded the Prix de Rome Fellowship to paint at the American Academy in Rome. She also received two National Endowment grants for painting and two Pollock Krasner Grants among others. "Since 1973, while myriad styles, movements and mediums have flourished briefly in turn, Joan Thorne has steadfastly developed one visual language-that of painterly surface, light, color and distilled form-which she finds best suited for her artistic project: intimating dreams. intuitions and the psychic consequences of travel. " "For there is something luxuriant and mysterious in Thorne's compositions. They have a classic modernist genealogy that encompasses Arthur Dove, Georgia O'Keeffe, Marsden Hartley, Milton Avery and Mark Tobey; yet each carries a hint of exoticism, " --Richard Vine, Art In America, Review, June 1998 Education Hunter College, New York, M.A. New York University, New York, B.S. Awards 2006 Adolf Gottlieb Foundation Grant in Painting 2003 Prize in Painting, Florence BiennaleInternazionale, Florence, Italy 2001 Pollock Krasner Foundation Grant in Painting 1986 Prix de Rome, American Academy in Rome Pollock Krasner Foundation Grant in Painting 1983 National Endowment for the Arts, Fellowship in Painting 1980 New York State Council on the Arts, Grant for Painting 1979 National Endowment for the Arts, Fellowship in Painting 1976 Grant in Painting, Rhode Island State Council on the Arts 1975 New York State Council on the Arts, Grant for Painting 1974 Grant in Painting, Rhode Island State Council on the Arts 1972 Artist of the Year, Aldrich Foundation Select Solo Exhibitions 2015 Black and White Into Color, National Arts Club, New York 2013 Sideshow Gallery, Williamsburg, NY 2005 Chris Winfield Gallery, Carmel, CA 2004 Klaus Steinmetz Arte Contemporaneo, San Rafael de Escazu, Costa Rica 2002 Feria de Arte International Arcale, Salamanca, España 2001 Andre Zarre Gallery, New York 2000 Retrospective: Museo Las Americas, San Juan, Puerto Rico 1998 A Retrospective: Museo Voluntariado De Las Casas Reales, Casa de Bastidas, Santo Domingo, Dominican Republic 1990 1985 Graham Modern , New York City, NY 1989 1986 Ruth Bachofen Gallery, Santa Monica, CA 1986 William Halsey Gallery, Simon Center for the Arts, College of Charleston, Charleston, SC 1983 Lincoln Center Gallery, Lincoln Center, New York City, NY Dart Gallery, Chicago, IL Gloria Luria Gallery, Bay Harbor Island, FL 1982 Nina Freudenheim Gallery, Buffalo, N 1980 Willard Gallery, New York 1979 The Clocktower: Institute for Art and Urban Resources, New York City, NY 1977 Galerie Veith Turske, Cologne Art Fair, Cologne, Germany 1974 Fischbach Gallery, New York City, NY 1973 Corcoran Gallery of Art, Washington, DC Select Group Exhibitions 2019 Art On Paper, March 2019, New York, NY 2018 Sideshow Gallery, The Greatest Show On Earth, Williamsburg, NY 2015 Outside The Lines/Modernist Drawings, National Arts Club, NY 2014 "National Arbor Day Show", National Arts Club, New York, NY ArtHamptons Fair, July 10-13, East Hampton, NY Tribal and Contemporary Art, June 12 - July 28, New York, NY 2012 Art Southampton, International and Contemporary Modern Art Fair, Hollis Taggart 2010 Janet Kurnatowsky Gallery, New York 2003 Biennale Internazionale Dell' Arte Contemporanea, Florence, Italy 2002 Gallery Uno 'Spazio Su Misura, Milan, Italy 1991 Andre Emmerich Gallery, "Abstract Painting of the 90's", curated by Barbara Rose. New York Stock Exchange, Invitational 1989 Graham Modern, "Synthesis" 1986 Graham Modern, "Diptychs, Triptychs, Polyptychs" Sidney Janis Gallery, "American Women Artists", New York City, NY Nina Freudenheim Gallery, Buffalo, NY N.Y.C.W.C.A., "Abstract Painting: Painting by Women Artists...

Category

1980s Post-Modern Art

Materials

Canvas, Acrylic Polymer, Oil

Abstract Floating Overlapping Shapes, Black and White Painting, Pastel Gestures
Abstract Floating Overlapping Shapes, Black and White Painting, Pastel Gestures

Abstract Floating Overlapping Shapes, Black and White Painting, Pastel Gestures

By Ryan Rivadeneyra

Located in Barcelona, ES

This is a hand-painted acrylic painting on high-quality 300g paper by artist Ryan Rivadeneyra. These painting, influenced by modernist artists of the 50's, 60's, and 70's, explore ab...

Category

2010s Post-Modern Art

Materials

Oil Crayon, India Ink, Handmade Paper

Leg Split
Leg Split

Leg Split

By Patrick Brun

Located in Pasadena, CA

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

Category

2010s Post-Modern Art

Materials

Bronze

"Galerie Maeght, " Graphic Color Lines Lithograph Poster
"Galerie Maeght, " Graphic Color Lines Lithograph Poster

"Galerie Maeght, " Graphic Color Lines Lithograph Poster

Located in Milwaukee, WI

"Galerie Maeght" lithograph poster. This poster holds Bazine's name in harsh orange lines near the top of the piece. Diagonally bisecting the b and a in Bazaine is a teal line. Bellow this horizontally against the white backgrounds are two lines, one painted yellow and the other blue. Unsigned. Image: 29 x 21 in Jean Bazaine was a French painter, designer of stained glass windows, and writer. He was the great great grandson of the English Court portraitist Sir George Hayter. In 1949/1950 he had his first major one man show at the Galerie Maeght, who remained his art dealer thenceforth. From then on it was a steady progress of major exhibitions: Bern, Hanover, Zürich, Oslo... 1987 a retrospective exhibition in Galerie Maeght, 1988 a retrospective of his drawings in the Musée Matisse and finally in 1990 the Exposition Bazaine in the Galeries Nationales du Grand Palais, Paris., which was accompanied by the reissue of his major texts on painting in art theory as Le temps de la peinture (Paris, Aubier 1990). "The motley crowds of international tourists and souvenir-shoppers who fill the ancient streets of the Latin Quarter in Paris spend most of their time admiring the open-air displays of seafood outside the Greek restaurants in the rue de la Huchette. They ignore the beautiful church of St Severin in the same street, for have they not already "done" Notre Dame? So they miss one of the most wonderful series of stained-glass windows in France: Jean Bazaine's vivid, dynamic works irradiating the sombre ambulatory and apsidal chapels. These windows represent the seven sacraments of the Church, portrayed as essential forms from nature in all its glory and symbolising Water, Fire and Light, sacred emblems of Divine Grace. An appropriate biblical verse is inscribed beneath each. Only Pierre Soulages with his "luminous black" windows at l'Abbaye de Conques (1998) can stand comparison with the majesty of these contemporary works by Bazaine, created between 1965 and 1970. Bazaine was fortunate in his friends. He received at an early stage in his student career support and advice from another master colourist, Pierre Bonnard. In his youth he knew Leger, Braque, James Joyce and Marcel Proust. One of his great personal friends was Jean Fautrier, with whom he shared his first exhibition in 1930. His work gradually developed as a form of bold tachisme - brilliantly composed but well-controlled "splashes" of sumptuous colour. He rejected the term "abstract" which he considered a denial of the essentially intimate relationships between art and reality. He quoted his friend Braque: "The canvas must efface the idea behind it." In 1941, during the Nazi occupation, at a time when Hitler was destroying many works of modern art, Bazaine had the courage to organise in Paris a first "avant-garde" exhibition of 20 French artists. In 1948, he wrote his first book, an unpedantic, unacademic view of contemporary painting, Notes sur la peinture d'aujourd'hui. He quotes Braque on Cezanne: "He's a painters' painter - other people think it's unfinished." Bazaine, too, reverenced Cezanne: Three lines drawn by Cezanne overturn our whole concept of the world, proclaim the liberty of man, his courage. The great painters have never had any other aims. The painter says: "I exist, therefore you exist. I am free, therefore you are free. Or at least he tries to. It's his one aim in life." After the Second World War, Bazaine produced vast compositions with virtuoso colour structures, mostly with references to nature, like the breathtaking Vent de mer (1949, now in the Museum of Modern Art, Paris) and Orage au jardin (1952, now in the Van Abbemuseum at Eindhoven). His Earth and Sky (1950) is in the Maeght Foundation at Saint Paul de Vence. One of his greatest works, L'Arbre tenebreux (1962), was sold to the Sonja Henie...

Category

1970s Post-Modern Art

Materials

Lithograph

Aldo Luongo "Windy Beach II" Serigraph c.1990 Signed / Numbered
Aldo Luongo "Windy Beach II" Serigraph c.1990 Signed / Numbered

Aldo Luongo "Windy Beach II" Serigraph c.1990 Signed / Numbered

By Aldo Luongo

Located in San Francisco, CA

Aldo Luongo "Windy Beach II" Serigraph c.1990 Signed / Numbered Beautiful vintage serigraph by listed Argentinian / American artist Aldo Luongo (b. 1941) The scene is windy beach in the dunes, with reeds blowing in the wind. This is a large serigraph...

Category

Late 20th Century Post-Modern Art

Materials

Screen

Plant and Lamp (B+Y; Y+B)

Plant and Lamp (B+Y; Y+B)

By John Baldessari

Located in New York, NY

In order to subvert common associations, Baldessari calls one’s attention to minute details, absurd juxtapositions, and obscured or fragmented portions of imagery.

Category

1990s Post-Modern Art

Materials

Lithograph

French Modernist Post Impressionist Provence Mod Women Jean Sardi Oil Painting
French Modernist Post Impressionist Provence Mod Women Jean Sardi Oil Painting

French Modernist Post Impressionist Provence Mod Women Jean Sardi Oil Painting

Located in Surfside, FL

Attributed to Jean Sardi, French (b. 1947) Painting, Oil on Board "Seated Woman". Apparently not signed. Dimensions: Sight- 30.5" x 24.5", Frame- 31.25" x 25.25". Jean Sardi is a French Postwar & Contemporary painter who was born in 1947. His meeting in 1980 with the Toulon painter Jacques Bartoli...

Category

20th Century Post-Modern Art

Materials

Oil

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