John Sloan Etchings

John Sloan (1871-1951) etching created 1916. Edition: 100 Titled: “McSorley’s Back Room” Plate size: 5 1/4" H x 7 " W Sheet size: 7 1/2" H x 10 3/8" W In excellent condition, unframe...

Original etching by John Sloan (1871-1951) In good condition, framed.

"Man Monkey" is an original etching by John Sloan. The artist signed the piece in the lower right.

John Sloan's Prints: A Catalogue Raisonné of the Etchings, Lithographs, and Posters.

John Sloan, 1871-1951 Shine, Washington Square, 1923 Etching 5 X 7 inches Sloan-5 Signed lower right: “John Sloan” and Titled by the artist lower center: “Shine, Washington Square”...

John Sloan etching Schuylkill River, 1894, signed, titled, annotated “100 proofs” [only 25 were printed], also signed by the printer “Peter Platt imp’ in pencil lower left margin.

"The Row at the Picnic" is an original etching by John Sloan. This piece depicts a fight that broke out in a park.

1920 Social Realism Etching by John French Sloan titled "Bandits Cave" Compelling etching by John Sloan (American 1871 - 1951), 1920 during first year of prohibition showing a estab...

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and published in 1938 in a limited edition of 1500 by the Yale Universi...

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and published in 1938 in a limited edition of 1500 by the Yale Universi...

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and published in 1938 in a limited edition of 1500 by the Yale Universi...

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and published in 1938 in a limited edition of 1500 by the Yale Universi...

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and published in 1938 in a limited edition of 1500 by the Yale Universi...

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and published in 1938 in a limited edition of 1500 by the Yale Universi...

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and published in 1938 in a limited edition of 1500 by the Yale Universi...

By John Sloan American Realist From the early 20th century Ashcan School which focused on capturing day to day life in New York City during that period.

John Sloan ((1871-1951), Westminster Abbey, c. 1891, the complete set of13 etchings, ribbon bound with ahand-painted gilt cover [many of the etchingssignedand variously annotated in ...

Sloan, John. ARCH CONSPIRATORS. Morse 183 Etching, 1917.Edition of 100.

Sloan, John. GREETINGS, 1915 or MOTHER AND CHILD AT THE WINDOW.

Sloan, John. INVITATION TO STUDIO PARTY. Morse 200.

Sloan, John. TURNING OUT THE LIGHT. M. 134. Etching, 1905. 5 x 7 inches; 127 x 178 mm.

Sloan, John. MAN, WIFE AND CHILD. Morse 135. Etching, 1905.

(Sloan, John). FIRE CAN. Etching, 1920. m. 199. 95 x 61mm; 3 3/4" x 2 3/8", signed and inscribed in pencil: Of the usual edition of 100, only 45 were printed.

Sloan, John (American, 1871-1951). NIGHT WINDOWS.

Sloan, John. BARBER SHOP. Etching and aquatint, 1915, (Morse 173), 3rd (final) state, Only 35 were printed, by Sloan.

John Sloan (1871-1951), “Up the Line, Miss?”, etching, 1930, signed, titled and inscribed 100 proofs [also signed in the plate].

Sloan, John. FUN, ONE CENT. Etching, 1905. Morse 131. 2d (published) state.

Sloan, John. HEAD WITH NECKLACE. Morse 163. Etching, 1913.

Reference: Peter Morse, John Sloan's Prints: A Catalogue Raisonne of the Etchings, Lithographs, and Posters (New Haven and London: Yale University Press, 1969), 197 iii/III Boys p...

John Sloan (1871-1951), Anshutz on Anatomy, etching, 1912, signed titled and inscribed “100 proofs” by the artist, and also signed “Ernest Roth imp” by the printer.

John Sloan (1871-1954), The Green Hour (or Angna Enters in “The Green Hour”), etching, 1930, signed in pencil lower right, inscribed “100 proofs” lower left [with the signature and d...

John Sloan (1871-1951), Romany Marye in Christopher Street, 1922, etching, signed in pencil lower right, titled, dated and inscribed 100 proofs bottom margin.

John Sloan (1871-1954), Barbershop, 1915, etching and aquatint, signed in pencil lower right, inscribed in pencil “For John Quinn, Esq. – John Sloan” lower left margin, (also signed ...

Sloan, John. SEEING NEW YORK. M.188. Etching, 1917.

Sloan, John. MAN MONKEY. M.130. Etching, 1905. Edition of 100, Signed by Sloan.

Sloan was so fond of this composition that he made a painting after the etching ten years after its completion, in 1943.

John Sloan (1871-1951), Nude on Stairs, etching, 1930, signed in pencil lower right margin, titled in pencil center, inscribed “100 proofs” lower left [also signed in the plate lower...

John Sloan (1871-1951), Subway Stairs, etching, 1926, signed, titled and inscribed “working proof 1;” also with the notation “JS imp” in pencil bottom margin [with the name and date ...

John Sloan (1871-1954) etching, James B. Moore, Esq., signed in pencil lower right and inscribed “100 proofs” lower left (although only 25 were printed).

Sloan, John (American, 1871-1951). FRANKIE AND JOHNNIE. or HIM Morse 236.

Sloan, John. SHINE, WASHINGTON SQUARE. Morse 206.

John Sloan (1871-1951), Hell Hole, 1917, etching and aquatint, signed bottom right, titled bottom center, and inscribed “100 proofs”.

John Sloan (American 1871 – 1954), Fashions of the Past, etching and aquatint, 1926, signed and titled by the artist in pencil (Morse 224 IV/IV), also signed by the printer.

Invitation to a party on the occasion of John and Dolly Sloan's twenty-fifth wedding anniversary.

Sloan, John. SISTERS AT THE WINDOW. Etching, 1923 (M. 208). 5" x 4", signed and titled in pencil and inscribed "100 Proofs," of which only 76 were printed this being one of 25 early ...

John Sloan, 'New Year's Eve and Adam', etching, 1918, edition 100, (only 85 printed), Morse 190.

1928. Etching. Morse catalog 235. state ii. Image: 9 3/4 x 7 (sheet 17 1/4 x 11 3/8). From the first printing of 100 proofs by Peter Platt. There were an additional 10 printed by Er...

Boston: Frederick J. Quinby Company, 1904. Etching on cream wove paper, 5 3/8 x 4 1/4 inches (135 x 107 mm), signed in the plate, lower right. Third state (of 3), from the novel The ...

Etching on cream wove paper, 5 3/8 x 4 1/4 inches (135 x 107 mm), signed in the plate, lower right. Third state (of 3), from the novel The Flower Girl, vol. 2. by Paul de Kock. In go...

(as Storm Sky, Palisades) Philadelphia, Wanamaker Galleries, Retrospective Exhibition: John Sloan, Paintings, Etchings and Drawings, January 8-29, 1940, n.p., no. 58.

Sloan, John. RENDEZVOUS (Small). Morse 227. Etching, 1926.

Wake on the Ferry. 1949. Etching. Morse catalog 313. state v. 5 x 7 (sheet 8 3/4 x 11 7/8). Edition of 350: 200 for the Art Students League and 150 for the artist. A fine impression ...

Man, Wife and Child Etching, 1905 Signed and titled in pencil by the artist below image (see photo) Annotated in pencil by the artist "100 proofs" Signed and dated in the plate lower...

Roofs, Summer Night. 1906. Etching. Morse catalog 137 state ii. 5 1/4 x 7 (sheet 9 1/2 x 12 1/8). Series: New York City Life. A fine impression on cream laid paper on the full sheet...

Fifth Avenue Critics. 1909. Etching. Morse 128.x/xi. 6 x 8 (sheet 9 3/4 x 12 1/4). Edition 100 in this state (few proofs in earlier states, and a large unsigned edition printed for t...