Carl Frederick Gaertner Paintings

Wonderful mid century mixed media coastal/figurative in loose/painterly style by Irmal Gertrude Attridge (American, 1894-1962), circa 1950. Signed lower right. Presented in vintage frame under glass (included as-is). Image size: 9"H x 12"W. Irma Gertrude Attridge was born in Chicago and studied at Chouinard Art Institute in Los Angeles with Henry McFee and Oscar Van Young. Member of Calif. AC; AEA; Cal. WC. Soc.; Women Painters...

"Civil Rights." Evergood's early commentary on racial issues in the 1950s depicts four black men gagged, roped and hanging from a tree. In the background, imprisoned blacks look on through a barbed-wire fence. Whites watch in horror but do nothing to help. Meanwhile, a two-legged and three-headed serpent who symbolizes evil - wraps himself around the tree that physically and symbolically separates the races. This is an important work in the history of American art. It may be one of the very earliest examples of a major American painter doing a major work that challenges racial segregation and injustice at a time when no one else would. The title of the work is inspired by a Historic Supreme Court decision on racial segregation. The Little Rock...

Hello Sunshine by Nancy Franke is a luminous contemporary floral still life painting in oil on canvas, measuring 48 x 36 inches. This original artwork features a joyful bouquet of pa...

About this work: “Manchester-by-the-Sea” by Ann Sophia Towne Darrah (American, 1819-1881). Darrah was among the earliest American women to establish a professional reputation as a p...

Cornish coast by Rupert Aker [2022] original and hand Oil on canvas Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:30 cm x W:30 cm x D:2cm Frame Size: H:33 cm x ...

Nude Model is an original modern artwork realied by Artist of the mid-20th Century. Mixed colored oil painting. Signature of the artist on the lower margin. Fair conditions due to...

The penetration of a girl into your life, with all the ensuing consequences, looks exactly like this. sorry. "¦ the work is done in one layer :: Painting :: Fine Art :: This piece ...

Stephanie Amato, “The Collection” — Contemporary Still Life Oil Painting, 24” x 24” The Collection by Stephanie Amato is a beautifully composed contem...

‘Fabbriche di Careggine’ by Edmund John Niemann (1813-1876). Fabbriche di Careggine is the name of a Italian ghost village that today lies beneath Vagli di Sotto, a man-made lake in Tuscany. Prior to its flooding in 1953 the village was home to a community of subsistence farmers who raised sheep and Garfagnana goats. We only offer original antique artwork for sale in the finest condition it can be for its age having been professionally cleaned, conserved, and re-varnished. Clients should also note that tracked and signed for international tariff-free shipping is always complimentary. It is not uncommon for paintings by one member of famous family of artists to be mistakenly attributed to a relative; a picture by “the Elder” is erroneously credited as being by “the Younger” and the work of one brother is confused with another, and so on. In 19th century British art...

This artwork "Flowers Still Life with Vase" c.1950 is an oil painting on canvas by American floral artist Jennie Thatcher Crawford, 1890-1958. It is signed at the lower right corner by the artist. The canvas size is 24 x 20 inches, framed size is 30.5 x 26 inches. It is framed in original grey/beige and gold frame, with fabric liner. It is in excellent condition. About the artist: Born in St Louis, MO on Jan. 25, 1890. Crawford studied at the St Louis School of Fine Arts from 1907-20 and then moved to Los Angeles. She was active there as a lecurer and demonstator until her demise on March 25, 1958. Her specialty was floral still lifes. Exh: Palos Verdes Art...

World War II Invades Central Park, 1943, oil on canvas, signed lower right, 30 x 36 inches, literature: Barton, Phyllis, Cecil C. Bell, McGrew Color Graphics (Kansas City, MO, 1976),...

This watercolor is part of our exhibition America Coast to Coast: Artists of the 1930s Circus Wagons, 1927, watercolor on paper, signed and dated lower left, 10 x19 ¾ inches (sight), provenance includes Stary-Sheets Art Gallery (Gualala, CA); J. Ralph & Louis Stone Foundation; presented in a newer metal frame behind glazing About the Painting Millard Sheets was only twenty years old and in his third year of studies at the Chouinard Art Institute when he painted Circus Wagons. Despite his youth, Sheets was already an accomplished artist who had publicly exhibited his work and won prestigious prizes. Within several years, he would have his first solo exhibition at one of Los Angeles’ premiere galleries and become a painting instructor at his alma mater. In Circus Wagons we already see Sheets deft handling of the watercolor medium and his interest in the California Scene. In this case, Sheets captures a back lot view of a traveling circus, a subject he sometimes returned to, including in a color screen print in the collection of the National Gallery. Sheets made a career by painting what he knew and observed firsthand. This approach allowed Sheets to capture with authenticity the details of each narrative. Even with a narrowly limited palette and an economy of brushstrokes, Sheets effectively depicts the southern California scene with its strong and mysterious shadows, as well as the workers and circus animals. Seen through the hindsight of his six-decade long career, Circus Wagons offers a fascinating insight into the early development of California Scene painting which would by the mid-1930s become the best recognized style on the West Coast. About the Artist Millard Sheets was the dean of California watercolorists. His list of accomplishments is so extensive that his entry in Who was Who in American Art is over forty lines. Born in Pomona, California, Sheets became a painter at an early age, winning a prize at the Los Angeles County Fair in 1918. By the mid to late-1920s, Sheets became a regular at art exhibitions in the western part of the United States, winning several additional prizes before he reached the age of twenty-five. Sheets studied at the prestigious Chouinard Art Institute from 1925 through 1929 with Frank Tolles Chamberlin and Clarence Hinkle and had his first solo show with Los Angeles’ Dalzell Hatfield Gallery in 1929. During the 1930s, Sheets was invited to exhibit at almost every major American Museum and in many ways, his work came to represent the California watercolor school...