Jane Peterson Art

An impressionistic depiction of a figure in the snow with cars and buildings in the busy City Streets. The Empire State Building is portrayed in the background as the snow filled str...

Beautiful mid century landscape of a historic California mission, highlighting its iconic architectural details such as a columned arches, white was...

"Figures, Boats, and House - Cape May Point, NJ" is a Pennsylvania Beach Scene by American Impressionist painter Albert Van Nesse Greene. The ...

Leigh Ann Van Fossan's "Cove" is an original, handmade oil painting that depicts bright teal colored cove where water meets the shore and the atmospheric pastel sky reflects in the b...

Edwin Child Hillside Landscape, 1896 Signed and dated lower right Oil on canvas 18 x 28 inches Edwin Burrage Child was a prominent New England portraitis...

Small-scale yet bold multi-colored abstracted figurative landscape of a horse rider in a canyon (a study after Edgar Payne’s works) by Tiffanie Mang (Ameri...

Don Hatfield (American, born 1947) "Mothers and Children on the Beach" Unknown Oil paint, canvas, stretcher bars Signed on the bottom right of the painting. Don Hatfield’s 'Mothers ...

Leigh Ann Van Fossan's "Le Jardin de Monet, III" is an original, handmade oil painting that depicts an impression of a lily pond. Van Fossan was born in Vail, Colorado, and began o...

Ben Foster Autumn Landscape Signed lower right Oil on canvas 18 x 22 inches Ben Foster was a late bloomer. For financial reasons, he did not begin his career as a painter until he ...

"Eastern Plains of Colorado" by Sparky LeBold (US and Portugal based) is a beautiful handmade oil painting that depicts a view of the hills of Colorado, with the famed sunset sky cas...

Henry August Schwabe Saranac, New York, 1902 Signed, titled, and dated lower left Oil on canvas 12 x 16 inches Provenance Private Collection, Vermont A painter, designer, and teac...

Edward Dufner (1872 - 1957) Monhegan Island, Maine Watercolor on paper Sight 16 x 20 inches Signed lower right With a long-time career as an art teacher and painter of both 'light' and 'dark', Edward Dufner was one of the first students of the Buffalo Fine Arts Academy to earn an Albright Scholarship to study painting in New York. In Buffalo, he had exchanged odd job work for drawing lessons from architect Charles Sumner. He also earned money as an illustrator of a German-language newspaper, and in 1890 took lessons from George Bridgman at the Buffalo Fine Arts Academy. In 1893, using his scholarship, Dufner moved to Manhattan and enrolled at the Art Students League where he studied with Henry Siddons Mowbray, figure painter and muralist. He also did illustration work for Life, Harper's and Scribner's magazines. Five years later, in 1898, Dufner went to Paris where he studied at the Academy Julian with Jean-Paul Laurens and privately with James McNeill Whistler. Verification of this relationship, which has been debated by art scholars, comes from researcher Nancy Turk who located at the Smithsonian Institution two 1927 interviews given by Dufner. Turk wrote that Dufner "talks in detail about Whistler, about how he prepared his canvasas and about numerous pieces he painted. . . A great read, the interview puts to bed" the ongoing confusion about whether or not he studied with Whistler. During his time in France, Dufner summered in the south at Le Pouleu with artists Richard Emil Miller...