Michal Sikorski Art

"Lady with Books 2", 39x23in / 100x60cm. Original painting. Shipped as it is, stretched, ready for hanging, framed. Framed size 41.5x25.7in. Free shipping with 1stDibs code This p...

Within the Radiance Size: 120×97 cm (overall size with stretching 130×107 cm) Year: 2026 Materials: acrylic on canvas Shipping: rolled This painting is part of the series “Past Pass...

Contemporary Figurative Painting of Female Figure by British Artist Simon Bradley Art measures 24 x 30 inches Frame measures 29 x 35 inches

Size: 97×97 cm (overall size with stretching 107×107 cm) Year: 2026 Materials: acrylic on canvas Shipping: rolled This painting is part of the series “Past Passing Me By”. The figu...

This piece is an abstract composition done with mixed media, oil and acrylic paints on linen. The artist explores an incredible world filled with color and expressive brush strokes. ...

Some things arrive before they are ready. A branch finds its direction. A petal opens before the light is right. Colour appears where silence was. Frequency I is the beginning of som...

"Lady with Books 3", 39x23in / 100x60cm. Shipped as it is, stretched, framed from Florida. Framed size 41.5x25.7in Free shipping with 1stDibs code This particular piece is in my s...

Jack Hooper "Green Nude 2" c. 1980s Acrylic paint on magazine page 9"x11.5", black wood gallery frame float mount 11"x14" Signed in pencil lower right Hooper's distinctive approach to artistry is exemplified by his ingenious use of acrylic paint on a magazine page, where elements of the original page subtly peek through the layers of vibrant color. This technique adds an intriguing depth to the composition, blurring the boundaries between reality and abstraction. Jack Meredith Hooper (August 26, 1928 - January 24, 2014) was an American painter, muralist, sculptor, printmaker and art educator. Hooper was a major figure on the Southern California art scene, belonging to that generation of Los Angeles painters...

As is generally the case with my paintings, this work proceeded from a place of unknowing. The specificity of imagery and technique belie the non-specific character of the ideas and narratives presented. The imagery is not tied to any pre-existent source (textual or other). It is not preconceived by the artist, rather it is produced spontaneously in the process of painting. That said, it seems both easy and sensible to connect the imagery in this painting to common cultural material, especially that from very ancient sources. The central figure is very much like a totemic Neolithic goddess- the sort of which seem to be among the most ancient artistic works, examples are extant from eras stretching back tens of thousands of years. A lot has been written about figures of that kind but of course no one can reasonably claim to truly understand them. Here the great goddess appears with wings and entwined serpents. Crowned also with a glowing orb she has become an emblem of a matristic hermetica. The smaller figure may be less evidently archetypical. She is a younger goddess, a daughter like Persephone to Demeter. She lifts the breasts of her mother signifying perhaps how the presence of the child evokes the nurturing qualities of the mother or how Persephone’s seasonal ascent from the underworld awakens in her mother the impulse to again give life to the world. The cluster of gynomorphic figures contained by the crescent moon at the center of the painting refer to the balanced transformations of the lunar cycle and their mysteriously harmonic physical manifestation in the vital cycles of a woman’s body. At their axis is the cycloptical abdomen of the figure enthroned on the moon. The entire totem rises from a terrestrial gateway into an open landscape. In the background megaliths obscure the horizon. They represent a first boundary in time- the beginning of history. Below is the gateway, the opening to an inner earth...

A pair of paintings by American contemporary artist Bruce Adams. Art is the R&D for culture. Artists Conduct the R&D for society. In the late twentieth century painting was rejec...

Maura Petersen (American, born 1956) "Open Figure" 2019 Acrylic paint on stretched canvas Signed on the back of the canvas. “Open Figure” is a dynamic figurative painting that empha...

Artist: Julius Njau – Tanzanian (1961- ) Title: Untitled Year: 1987 Medium: Acrylic on Canvas Sight size: 27.5 x 36.5 inches. Framed size: 29 x 38 inches Signature: Signed, dated lower right Condition: Very good Frame: Framed in original frame. Frame in fair condition This colorful painting of figures is by the well-known Tanzanian artist Julius Njau. It is in very good condition and signed “Julius N” and dated 1987 in the lower right. The frame is simple unfinished wood. It has a few small scratches Tanzanian artist Julius Njau was born in 1961 Marangu, Moshi in Tanzania. He attended the Primary School Kilimanja. In 1972, a serious fracture of the leg caused him to spend two years in hospital where he began to paint and his career as an artist commenced. Julius was encouraged by a Finnish radiology specialist who supplied him with material and purchased his works. She also organized his first exhibition in Finland in 1983. The first works of Njau are very representative, inspired by the nature and the traditional aspects of his country. In 1984 his technique changed and his style transformed. Julius Njau paintings are characterised by the interaction of primary colors and the mixture of forms. Julius Njau's artworks works are part of the collection of Osaka Prefecture and Toyama Museum of Modern Art in Japan. They are also in the Frankfurt Museum of Ethnology (fur Volkerkunde), in the ZAK Gallery (Zeitgenossische afrikanische Kunst), Furth in Germany, in the Amos Anderson Helsinki Gallery, Finland, and in the 5th British Museum in England. In 2002, Julius Njau received a Nagoya City Hall Award and in 2003 the Grand Prize at the Toyama Prefecture International Competition at the "Sukiyaki Encounter the World" Poster Design Festival. Julius Njau is President and a founding member of the Marafiki group. EXHIBITIONS 1983 'Julius Njau One Man Show' Amos Anderson Museum, Helsinki, Finland 1984 'Group Exhibition' Gallery of Denmark 1985 'Julius Njau One Man Show' Danish Volunteer Training Centre, Tanzania 1985 'Julius Njau One Man Show' Tynset, Norway 1985 'Julius Njau One Man Show' Gallery of Sweden 1986 'Julius Njau One Man Show' Danish Volunteer Training Centre, Tanzania 1987 'Julius Njau One Man Show' Gallery Watatu, Nairobi, Kenya 1988 'Julius Njau One Man Show' Vogue Gallery, Nairobi, Kenya 1988 'Julius Njau One Man Show' Centre culturel francais, Nairobi, Kenya 1989 'Julius Njau One Man Show' National Museum of Kenya, Nairobi, Kenya 1990 'Into the Nineties' Gallery Watatu, Nairobi, Kenya 1990 'Portraits of Kenya' Gallery Watatu, Nairobi, Kenya 1991 'Gallery Artists' Gallery Watatu, Nairobi, Kenya 1991 'The Custodian's View' Gallery Watatu, Nairobi, Kenya 1991 'Julius Njau One Man Show' Nairobi Safari Club, Kenya 1991 'Julius Njau One Man Show' Nagoya City Network Centre, Nagoya, Japan 1991 'Julius Njau One Man Show' National Museum of Kenya, Nairobi, Kenya 1991 'Julius Njau One Man Show' The German Culture Centers, Goethe Institut, Nairobi, Kenya 1992 'Julius Njau One Man Show' International Gallery, Madrid, Spain 1992 'Through the Artists' Eyes' Gallery Watatu, Nairobi, Kenya 1992 'Rafiki wa zamani' Gallery Watatu, Nairobi, Kenya 1992 'Kenya Art...