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Die Traumende Knaben is an original modern rare book illustrated by Oskar Kokoschka (Pöchlarn, 1886 – Montreux, 1980) in 1908 . Original First Edition. Published by Wiener Werkstä...

Pair of Maiolica Plates with Pagodas, Felice Clerici Manufacture, Milan, c. 1750-1770 Rare pair of 18th-century Milanese maiolica plates, attributable to the Felice Clerici manufact...

Victorian Unsigned Watercolour a Naive Ship Portrait of a Chiliean Packet in traditional Maple Frame. Watercolour painted on paper laid on board, mounte...

Cristallerie – Vase with dragonflies by Emile GALLE (1846-1904) Glass vase known as "Cristallerie by Gallé", in form of a goblet ornated with dragonflies, stylized flowers and folia...

Our company has been present on this platform for many years, with numerous sales made and just as many excellent reviews received that you can under our Furniture account. Mid-Centu...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Edition of 115 copies with additional proofs including a suite of 6 original printed in color lithographs by Marie Laurencin, numbered and signed by the artist. One of 90 copies on H...

A delightful 1767 sampler depicting the alphabet and floral motif. Signed and dated. Presented in a dark wooden frame. On cotton.

Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 9.5 x 5.5 inches P...

Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 9.5 x 5.5 inches P...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Neda Dana-Haeri Green Fields of Sky, 2021 Oil and Acrylic on canvas 75 x 75 cm 29 1/2 x 29 1/2 in

AACOV AGAM — AMERICAN FLAG — 1976 Work created to commemorate the bicentennial of the United States. TECHNIQUE: Silkscreen on mirror / Agamograph EDITION: 22/75 Signed in pen DIMENSI...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Untitled XXXII is a unique oil on free-standing canvas painting by contemporary artist Ferle, dimensions are 200 cm × 140 cm (78.7 × 55.1 in). The artwork is signed, sold unframed an...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

The artwork "The Gates - New York Central Park" by the artist Christo is extraordinary and an eye-catcher for every room Color offset on heavy paper B...

A Rare Jacobean Portrait of Lady Elizabeth Wheeler (née Cole), 1623 Attributed to Cornelius Johnson (1593–1661) This remarkably rare early oil on panel, presented by Titan Fine Art, has emerged as far more than an anonymous “Portrait of a Lady.” Preserved in outstanding condition—its surface retaining exceptional clarity in the lace and textiles—it has only recently been reunited with the identity of its sitter: Elizabeth Cole (1607–1670), later Lady Elizabeth Wheeler, a Westminster gentlewoman whose later life brought her into intimate royal service as laundress for His Majesty’s person. That combination—high quality, uncommon survival, a newly identified sitter, and a life that intersects directly with the last acts of Charles I—places this portrait in a category of genuine rarity. It is not simply a beautiful Jacobean likeness; it is a rediscovered historical document - legible and compelling. The sitter is presented half-length against a dark ground, enclosed within a painted sculpted oval surround that functions like an architectural frame. This device, fashionable in the 1620s, concentrates the viewer’s attention and heightens the sense of social presentation: the sitter appears both physically and symbolically “set apart,” as if viewed through a refined aperture. The portrait’s immediate power, however, lies in the costume—an ensemble of striking modernity for c. 1623 and rendered with a precision that survives with remarkable crispness. She wears a deep green gown—a fitted overgown with open sleeves—over a finely embroidered linen jacket (a stiffened bodice/waistcoat garment). The sleeves form pronounced “wings” at the shoulder, a structurally assertive fashion detail of the early 1620s that enlarges the silhouette and signals sophistication. Beneath the green overlayer, the white linen jacket is richly ornamented in gilt embroidery. The goldwork is arranged as scrolling foliate forms—looping, curling tendrils punctuated by seed-like stippling—organised into balanced compartments across the bodice and sleeves. The motifs read as stylised botanical forms with rounded fruit-like terminals and leaf elements: not literal naturalism, but controlled abundance. The technique is described with extraordinary intelligence, mimicking couched metallic thread through patterned, “stitched” marks, while tiny dots and short dashes create a lively tactile shimmer. This embroidered jacket sits above a newly fashionable high-waisted, sheer apron or overskirt. The translucent fabric falls in soft vertical folds and is articulated with narrow lace-edged bands, giving the skirt a crisp rhythm of alternating sheer and patterned strips. At the neck, a fine ruff frames the face: a disciplined structure of pleated linen finished with delicate lace. Draped diagonally across the torso are long gold chains, painted to suggest weight and metallic gleam; they function both as ornament and as a further signifier of status. The cumulative effect is controlled luxury: she is not overloaded with jewels, but clothed in textiles whose cost and craftsmanship speak unmistakably. The recent sitter’s identification rests on heraldic and genealogical analysis: the arms shown on the painting correspond to those recorded for several families in armorial sources, but when the lines of descent are tested against survival and chronology, the viable bearer by 1623 resolves to Cole, and—crucially—to the London branch. That resolution matters because it anchors the portrait to a very specific social world: London/Westminster civic gentry and Crown administration, the milieu in which portraiture served as both self-fashioning and social instrument. The recent identification of the sitter (the London Cole branch of the family) is not merely genealogical; it has direct implications for authorship. A London-based mercantile or civic-gentry family would have ready access to leading immigrant artists, familiarity with heraldic display conventions, and the means to commission oil on panel, still standard among Netherlandish-trained painters. In that context, the portrait’s age inscription and date become especially revealing. The painting states the sitter to be nineteen years of age. Yet Elizabeth Cole’s birth in 1607 suggests she would be younger if the portrait is dated as early as 1623. The key insight is that the “incorrect” age is best understood not as a mistake but as a deliberate social adjustment, a performative statement rather than a documentary one. The most persuasive explanation is strategic. Portraits of high-status unmarried women were frequently made in connection with marriage negotiations. In the early 1620s, Elizabeth’s future husband, William Wheeler, was resident abroad at Middelburg in Zeeland in the Dutch Republic. If a portrait was intended to support or facilitate a match with an educated, ambitious man—“a man of learning and letters,” —then presenting a seventeen-year-old as nineteen would subtly reposition her as more mature and more nearly a peer in age, Wheeler being around twenty-two. The portrait thus becomes an instrument of alliance, not merely a likeness: an image designed to persuade, reassure, and elevate. This reading aligns perfectly with the period’s wider conditions. The early 1620s in England were charged with anxiety and expectation: James I’s later reign was marked by court faction, diplomatic tension, and the pressures of European conflict. The so-called “art market” was inseparable from these dynamics. Portraiture flourished because it served multiple functions: it fixed lineage, advertised alliance, signalled readiness for marriage, and projected the stability of elite households in an uncertain world. For Westminster families whose power came through office, portraiture was also a declaration of belonging—proof that administrative elites possessed the cultural polish traditionally associated with older aristocratic rank. Elizabeth’s later life vindicates the portrait’s impression of steadiness. Although no record survives of her marriage ceremony to William Wheeler, wills suggest she had married him by the mid-1630s, and there are strong grounds—consistent with the portrait’s implications—for a union already in place by the early 1630s, possibly earlier. Wheeler himself rose rapidly. By 1639 he held a manor at Westbury Leigh in Wiltshire and sought letters of denization due to overseas birth, enabling him to stand as Member of Parliament for Westbury. He leased the principal manor of Westbury the following year, coinciding with his election. In government service he became Remembrancer of the Exchequer and held office across regime change, a testament to administrative skill and political pragmatism. It is Elizabeth, however, who makes this portrait exceptional. She became laundress for His Majesty’s person, responsible for the washing and oversight of the King’s personal linen—an office that, despite its domestic description, required unusual trust, discretion, and access. Her role becomes visible in 1643 when she was granted a warrant signed by the Speaker of the House of Commons to follow the King to Oxford with her servant after the outbreak of the Civil War. She continued to serve during the King’s captivity after 1646, and at Carisbrooke Castle in 1647 she and her maid were implicated in smuggling secret correspondence to and from Charles I, in service of escape plans. After the King’s failed attempt to escape in March 1648, she was removed—yet the King’s trust persisted: he was permitted to send her remaining jewels in an ivory casket...

Second painting in a series of three, showing three different postures of female figures resting and unwinding. The colours used are predominating blue with some pink and white sugge...

A oil Painting by Ben Carrivick :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Amlash JaAN is a contemporary symbolic figure, inspired by ancient mythological archetypes associated with prosperity and fertility. Evolving beyond its origins, it has developed int...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Manet is an original modern rare book written by Edmond Bazire (Rouen, 1846 - Paris, 1892) and illustrated after Edouard Manet (Paris, 1832 - Paris, 1883) in 1884. Original Edition....

Les Contes Drolatiques is an original modern rare book written by Honoré de Balzac (1799 – 1850) and illustrated by Gustave Doré (Strasbourg, 1832 – 23 January 1883) in 1861. Publis...

Art print on heavy paper. After the original from 1977. A beautiful artwork that looks good in every room and especially in the living room or bedroom. Can be framed accordingly. ...

Pablo Picasso (1881-1973) - Peintre et modèle Lithograph from 1965. Dimensions of work: 23 x 27 cm Reference: Cramer 130 The work is in Excellent condition. Fast and secure ship...

Portrait of a Gentleman in Blue Coat Standing by Curtain c.1695 Attributed to Constantyn Netscher (c.1668-c.1723), not signed The gentleman in this portrait has been depicted standi...

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

One of a kind work or art with a unique, somber, and overwhelming atmosphere. It recalls the legacy of the great Giorgio De Chirico (1888-1978), the foremost representative of the ...

After Andy Warhol. These lithographic prints feature an image of Mick Jagger - an iconic rock legend and the lead singer of the Rolling Stones. These unsigned postcard sized prints ...

Figurative ceramic sculpture with Shino glaze, textured carborundum surface and a porcelain head topped with an amanita-like form. This ceramic sculpture belongs to Óscar Aldonza’s E...

ANDY WARHOL (after) Marilyn Silver, 2010 Porcelain Edition of 49 51 x 51 cm (20.1 x 20.1 in.) Facsimile signature in glaze, numbered on the reverse on label In wooden box, accompanie...

Original Title: Pablo Picasso aus dem graphischen werk. Abbildungen nach Radierungen und Lithographien. Good conditions.

Outdoor light "Globe" for the garden or entrance area. This luminaire captivates by its unique shadow projection. The ball is supplied in Rostoptik. The built-in lamp part has an E2...

Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 9.5 x 5.5 inches P...

Early Twentieth Century Impressionist Landscape of Trees in a Wooded Landscape in Autumn with gold and rust coloured Leaves. This Impressionistic Unsigned Oil Painting on Canvas is ...

Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 8.5 x 5.5 inche...

This outdoor fire pit "Flame" is the eye-catcher in your garden. Due to good air supply, you can very quickly light a beautiful fire. (Optional prepared for natural gas to be instal...

Edmund Bristow - British Painter 1787 - 1876 Victorian Nineteenth Century Rural Landscape Oil Painting of Horse and Cattle in a Meadow. An unsigned Oil on Canvas, mounted on stretch...

Contemporary abstraction oil on canvas painting by Polish artist Iwona Delinska. Artwork is painted with different density paint which makes every layer of composition dynamic. Some ...

The Way Home is an original abstract painting by Janet Keith. The Way Home is an expressive, gestural painting evoking a feeling of movement, light and fresh air. The painting is bui...

This beautiful baluster-shaped vase features the vivid hypnotic Egyptian blue (which some call "turquoise", although it's not) Raoul Lachenal is most renowned for. Drop-shaped white...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. The included burner already contains individua...

Untitled (cat) By Nicolas Party Nicolas Party is a Swiss-born contemporary artist celebrated for his vibrant and visually striking works that span painting, drawing, and installati...

This fireball is the eye-catcher in your garden. Thanks to the good air supply, you can very quickly a beautiful fir. The base also serves as an ash container, has a central base, b...

Pumpkin sculpture with holes By Yayoi Kusama Yayoi Kusama is a Japanese contemporary artist known for her avant-garde and immersive installations, often featuring polka dots and mi...

Barking Dog YP x Keith Haring Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 50 x 30 cm Condition: Brand ...

Of all Andy Warhol's celebrity subjects, none seem more emblematic of how the artist perceived and synthesised America than Marilyn Monroe. The artist saw in her all the promises, th...

This outdoor fire pit "Globe" is the eye-catcher in your garden. Eligible for candles or, due to good air supply, you can very quickly light a beautif...

Kandide oder die beste Welt is an original modern rare book illustrated by Paul Klee (Münchenbuchsee, 1879 – Muralto, 1940) in 1920. Published by Wolff Verlag, Munchen. First Editi...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Autograph Custom Identification is hand-signed by Clark Gable realized in the 1960s. The form is written in Italian and belongs to Netherland Airlines Good conditions.

This outdoor lamp "Ikosaeder" is for the garden or entrance area. Customization possible and designed in 2010. Also available to order in stainless steel. This lamp impresses her un...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

2022 I – 6 is a unique textile (double weave, handwoven cotton stretched on frame) artwork by contemporary artist Christiane Maurer, dimensions are 112 × 92 cm (44.1 × 36.2 in). The...

A vibrant interplay of textures and colors evokes a moment of quiet emergence — where warmth rises through layers of memory and light begins to form shape. Golden ochres blend into...

This fireball is the eye-catcher in your garden. Thanks to the good air supply, you can very quickly a beautiful fir. The base also serves as an ash container, has a central base, b...

Depicted standing and shown frontally, the skeletal figure is largely concealed by a long, cinctured monastic habit. The hooded skull is inclined slightly to one side, and the figure...