Europe - More Art

Portrait of a Lady, in a Black Dress with Red Satin Sleeves and Pearls English School c.1660–1680 Circle of Sir Peter Lely (1618-1680) This striking portrait is a compelling exampl...

Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 8.5 x 5.5 inches P...

Modern Impressionist Ballet Oil Painting showing Ballet Dancers in their tutus backstage at the theatre. A Signed and Framed Oil on Canvas on stretchers, it has a choice of a modern...

Henri Matisse (1869-1954) - Jeune fille Photogravure from 1937. Dimensions of work: 35.5 x 26.4 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Portrait of Lady Diana Bruce in a Blue Dress with Cut Sleeves c.1660-1670 Circle of Sir Peter Lely (1616-1680) Presented by Titan Fine Art is a captivating portrait of the noble Lad...

Portrait of Sir John Wentworth, 1st Baronet, and Mary, Lady Wentworth née Lowther c.1695–1705 Attributed to Michael Dahl (c.1659–1743) and Attributed to Thomas Murray (1663–1735) T...

Edition of 50 copies. Copy number 41, signed by the author. Collection of etchings, each of them numbered and hand signed by the artist. Includes introduction in french by Alain Jou...

Important signed Nino Caffè, painting on paper, mixed media. “Vestizione di un pretino” (Vestments of a Young Priest) Signed bottom center: Caffè. Young ...

A pair of Meiji period, late 19th Century Lacquerware (漆器, shikki) miniature cabinets on stands. The decorative panels are of very fine quality. The cabinets are a 'true pair' that i...

DONALD JUDD (1928-1994) Bookshelf 60 2017 Traffic black, RAL 9017 100 x 100 x 50 cm 39.37 x 39.37 x 19.69 inches Inscribed "Donald Judd TM

Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 8.5 x 5.5 inches P...

Original Mosaic on cement panel. Ref.: Domus 1948, p. IX and p. 29. An awesome and beautiful example on Campigli's Art of creating imaginative characters following his creativity,...

Portrait of a Royalist Officer in Armour, with a Horse and Groom Beyond, c.1650–1665 Follower of Sir Anthony van Dyck (Anglo-Flemish School) (1599-1641) This commanding portrait bel...

A charming George III framed needlepoint sampler by Catharine Mouds, aged 10. Dated, 1797.The sampler displays alphabet numbers and a biblical verse with floral detail to bottom edge...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet ...

Synthesis M 2 is a wall sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, acrylic, steel, dimensions are 52 × 6 × 6.5 cm (20.5 × 2.4 × 2.6 in). Tom ...

Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 8.5 x 5.5 inches P...

Le Dur Désir de Durer is an original Modern Rare book and written by Paul Éluard (Saint-Denis, 1895 – Charenton-le-Pont, 1952) and illustrated by Marc Chagall (Lëzna, 1887 – Saint-Pa...

Nineteenth Century Victorian Oil Landscape Painting of Spaniel Dog flushing a Pheasant in Woodlands. A typical oil painting by the Nineteenth Century Sporting Artist Jean Langlois. ...

Miniature with Tulips by DAUM Miniature in the shape of a goblet with tulip decoration verrerie dite parlante (speaking glass) "Paix et peu" Blue blown-molded glass Frosted backgro...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

bone china with lustre rim 21 cm diameter Grayson Perry hallmark on the back. These decorative plates are inspired by the artwork The Great Beauty, 2024. The original piece is a cab...

Victorian Oil Painting of Street Scenes showing William Shakespeare's Birth Place in Stratford on Avon, England. Oil on Panel, Signed with monogram showing timber framed houses and Horse and Cart in a rural setting. This is one of a Pair of Oil Paintings, please see a picture (below) of both of them together. This is the sweetest pair of Oil Paintings of Shakespeare's birthplace and Anne Hathaways Cottage...

The Diorama was in a private collection for more than 20 years and is said to have been exposed at the China Exposition 1902 in Copenhagen.This group of Chinese polychromed-decorate...

German Steel Fireplace "Globe" with base, is available in different sizes, and also available in stainless steel on request. Please contact us. This fireplace globe is the eye-catch...

This marble bust unites worldly refinement and death in a single figure. The carefully carved costume and jewelry suggest social status and personal identity, while the skull replace...

This exquisite late seventeenth-century portrait is a beautifully preserved example of the small-scale courtly cabinet likeness: intimate in format, jewel-like in finish, and unusual...

2022 I – 9 is a unique textile (double weave, handwoven cotton stretched on frame) artwork by contemporary artist Christiane Maurer, dimensions are 112 × 92 cm (44.1 × 36.2 in). The...

Snowflakes fall like confetti as the forest applauds its most fashionable guest. This fox, draped in a voluminous coat and radiant self-confidence, turns a quiet clearing into a cele...

In this captivating mid 18th century portrait, presented by Titan Fine Art, a young English lady is presented in a luminous white satin gown trimmed with intricate lace and blue ribb...

A Modern and traditional Impressionist Oil Painting of Ballet Dancers dressed in Tutus backstage before a performance. A Signed Oil on Canvas, mounted on stretchers and Framed in a ...

Bechtold Original vintage 1978 Oversize size gallery exhibitions poster. 35.1 x 50.1 cm Sold as seen rolled - excellent condition. Exhibition detailed : Bechtold 10 Aiguaforts i...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. In Perched #3, Elizabeth Rickert focuses on a single bird resting gracefully atop a stack of timeworn books, creating a moment of quiet observation. Painted in oil on canvas, the artwork combines the precision of wildlife realism with the calm structure of a traditional still-life composition. The bird appears alert yet relaxed, its presence bringing a sense of gentle movement to the otherwise still arrangement. Rickert’s brushwork carefully captures the fine details of the bird’s plumage and the textures of the aged book covers beneath it. Each book feels tactile and familiar, their worn edges and subtle lettering suggesting years of stories and history. The simplicity of the composition allows the viewer to focus on the delicate balance between subject and setting. The colour palette is warm and earthy, with soft reds, mossy greens, muted blues and warm ochres appearing throughout the stacked books. The bird’s feathers introduce striking accents of dark charcoal and glowing orange, providing a vivid focal point within the otherwise calm composition. Executed in oil on canvas, this original artwork highlights Elizabeth Rickert’s talent for combining wildlife realism with intimate storytelling. This original work is available for sale at Signet Contemporary Art and online. Artist Biography: Elizabeth Rickert is an award-winning contemporary realist artist based in the United States whose work is inspired by the quiet poetry of the natural world. Originally trained as a sculptor, she began her artistic career working in ceramics before expanding into drawing and painting. Over time, she explored pastels and eventually transitioned to oil painting, which has become her primary medium. Elizabeth’s background in sculpture continues to influence her artistic approach. Even as a painter, she observes nature with a sculptor’s eye—carefully studying the interplay of shape, form, light, and shadow. This sensitivity to structure and atmosphere is reflected in her compositions, which often feature detailed impressions of birds...

KAWS, the renowned contemporary artist, has collaborated with Netflix and AllRightsReserved to reinterpret "Chul-Su," from the popular series Squid Game. This collaboration has res...

This oil painting captures the quiet reverence of a French priest standing within the hallowed walls of a church, bathed in the warm glow of golden light filtering through stained-gl...

Cog (Naples) is a fired clay constructed and painted sculpture by Patricia Volk, dimensions are 34 × 50 × 50 cm (13.4 × 19.7 × 19.7 in). It is a unique signed piece and comes with a...

Portrait of a Gentleman in Armour and Azure Cloak with Diamond Brooch c.1700 Attributed to Joseph Vivienne (1657-1735) The sitter in this superb portrait, offered by Titan Fine Art...

February, The Happy Year Harry Bunce Published 2017 as an edition of 365 worldwide (one for each day of the year) + 31 unique hand-embellished pieces. 31.5 x 28 cm Artist signed/ti...

Synthesis L1 is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, patinated mild steel, acrylic and LED, dimensions are 85 cm × 117.5 cm × 40 cm (33...

Early 19th century European folk art painted wood wedding, hope or bridal chest. A superb example of a European hope or wedding chest in remarkable condition Of characteristic dome ...

DEEP INSIDE is an original middle size abstract oil painting inspired by the quiet horizon where sea and sky meet. Soft gradients create a feeling of infinity, while a thin horizon l...

A "Tristesse" vase by Émile Gallé (1846-1904) An exceptional and extremely rare vase known as "Vase de tristesse" ("Vase of Sadness"), raised on a molded foot. Made of double-layere...

Portrait of Mary Hammond in Sumptuous Attire, Jewels and Lace c.1618-22 Circle of Cornelius Johnson (1593-1661) This portrait of a lady, presented by Titan Fine Art, is an exquisite example of early seventeenth-century portraiture, remarkable both for the lavishness of its subject’s attire and for the distinguished provenance that has accompanied it across four centuries that adds a rich layer of historical significance. It was once part of the notable collection of Sir William Temple, 1st Baronet (1628–1699) at Moor Park, a stately mansion in Hertfordshire. Temple was a diplomat, essayist, philosopher, and the patron of Jonathan Swift. He was a key participate at an important period in English history, helping not only to negotiate the Triple Alliance, but also the marriage between William of Orange and Princess Mary. His collection at Moor Park was well known in its day, reflecting both his cultivated taste in art and literature and his international connections. Its fabulous attire, rendered with almost microscopic attention, is not merely decorative but emblematic of a world in which visual display was a language of power. Its provenance, stretching from the English country house and Enlightenment scholarship to modernist circles, forms a microcosm of cultural exchange across four centuries. Thus, the portrait of Mary Hammond stands as both a masterpiece of early seventeenth-century craftsmanship and a witness to the grand narrative of collecting and connoisseurship—a testament to the enduring fascination of beauty, status, and history intertwined. By tradition the portrait depicts Mary Hammond (born c.1602), who was Sir William Temple’s mother, and the daughter of the royal physician who served James I, Dr John Hammond (c.1555–1617) and whose family owned Chertsey Abbey in Surrey. The woman appears between 18 and 25 years old, and Mary would be about 18–20 when the portrait was painted circa 1620, therefore this matches the apparent age of the sitter and the fashion perfectly. Mary stood at the intersection of learned/courtly and gentry worlds. On 22 June 1627 she married her first cousin (a common practice for consolidating family wealth and influence during that era.) Sir John Temple (1600-1677) at St Michael, Cornhill in the City of London. The couple resided nearby, at Blackfriars. Her marriage to Sir Temple placed her at the heart of the social and political circles that shaped British history. The couple had at least five children, and they became highly significant historical figures: The eldest son, Sir William Temple, 1st Baronet, became a distinguished diplomat, statesman, and essayist, famous for his role in the Triple Alliance and as a patron and mentor to the writer Jonathan Swift – our portrait was in his collection. Their daughter, Martha Temple, later Lady Giffard, was a notable figure in her own right. She became her brother William's first biographer and a respected letter-writer, providing a rare female perspective on the events and high society of the time. Another son, also named Sir John Temple, became Attorney General for Ireland and was involved in the turbulent politics surrounding the English Civil War and the Act of Settlement in Ireland. Mary died in November 1638 after giving birth to twins and was buried at Penshurst, Kent. The family's connection to Penshurst Place is a major point of interest as this historic manor was the seat of the Sidney family, a major aristocratic and literary dynasty. The portrait was in the collection of the Mary’s son, Sir William Temple. From there it descended to his daughter, and then to her nephew, the Reverend Nicholas Bacon of Spixworth Park, Norfolk (his mother was Dorothy Temple who died in 1758). Indeed, by this time, many Temple relics were in the collection at Spixworth including the engagement ring of the illustrious Dorothy Osborne, Lady Temple, wife of Sir William Temple. The portrait thus linked two prominent English families—the Temples and the Bacons—for generations. It is listed in a Spixworth Park inventory of 27 October 1910 by the local collector and art historian, Prince Duleep Singh. He described it with characteristic precision as: “No. 69. Lady Half Length, body and face turned towards the sinister, hazel eyes upwards to the dexter, red hair dressed low and over the ears, a jewelled coronet behind, pearl ear-rings tied with black strings. Dress: black, bodice cut low and square, with lace all round the opening and over shoulders, sleeves with double slashes showing red lining and lace under, falling thin pleated lace collar, black strings tied behind it, a jewel suspended on a black string round the neck, and a double row of agate and silver beads all round to the shoulders. M. In brown veined stone frame. Age 30. Date c.1620. It is called ‘Dutch portrait from Moor Park, mentioned by Nicholas Bacon of Coddenham and Shrubland as a very valuable painting.’ A few years later, when Robert Bacon Longe’s executors sold the contents of Spixworth Park (19–22 May 1912), the portrait appeared as lot 262, described as: “A very valuable half-length portrait on panel, ‘Dutch Lady, with deep lace collar and pearl and amethyst necklace, pendant, and ear-rings, and auburn hair, with coronet’ Early Dutch School 1620.” Following this sale the painting entered the collection of David and Constance Garnett, prominent literary figures of the early twentieth century, before being gifted to Andre Vladimervitch Tchernavin by 1949, and subsequently passed by him to the present owners in 1994. The two great houses associated with the painting, Moor Park and Spixworth Park, further underscore its pedigree. Moor Park, in Hertfordshire, was among the grandest country estates of seventeenth-century England—its gardens famously redesigned by Sir William Temple himself and later influencing landscape design across Europe. Sir William's Temple's secretary was Jonathan Swift, who lived at Moor Park between 1689 and 1699. Swift began to write "A Tale of the Tub" and "The Battle of the Books" at Moor Park. Spixworth Park, near Norwich, was an Elizabethan country house in Spixworth, Norfolk, located just north of the city of Norwich. It was home to successive generations of the Bacon family, one of Norfolk’s most distinguished dynasties (later, the Bacon Longe family), who were considerable land owners (owning Reymerston Hall, Norfolk, Hingham Hall, Norfolk, Dunston Hall, Norfolk, Abbot's Hall, Stowmarket, and Yelverton Hall, Norfolk). Spixworth Hall and the surrounding parkland remained in the Longe family for 257 years until 1952, when it was demolished. Rendered with meticulous precision and sumptuous detail, the painting depicts an elegantly dressed woman—her poise, costume, and jewels all communicating a message of wealth, refinement, and social rank. Every brushstroke conveys an artist deeply attuned to the textures of luxury and the nuances of feminine dignity. The sitter’s attire is nothing short of magnificent. Her bodice and sleeves are fashioned from the finest black silk or satin, the fabric absorbing and reflecting light in equal measure, suggesting both depth and lustre. Around her shoulders lies an opulent lace ruff—a deep, radiating lace collar worked in such intricate detail that it testifies to both the artist’s technical skill and the sitter’s extravagant taste. Lace of this quality, especially Venetian or Flemish bobbin lace, was one of the costliest materials available in early seventeenth-century Europe, its weight worth more than gold, and was a marker of prestige that rivalled jewels in value. The painter has taken great care to delineate every loop and scallop of the lace, achieving an almost tactile realism. Pale skin was also a desired beauty standard, sometimes accentuated with contrasting black ribbons or strings. Her jewels amplify this display of affluence. Matching earrings and a delicate coronet or jewelled hair ornament with a feather adorn her hair, which is styled in the modest yet fashionable manner of the time. These details are far from decorative excess—they serve as visual emblems of social standing, refinement, and lineage. Portraits of this kind were statements of both identity and aspiration, intended to project a family’s prosperity and moral virtue to posterity. The portrait was most likely painted in London around 1618-1622. The low-cut, décolletage-revealing neckline was fashionable in the courts of England and France during the late Elizabethan and Jacobean eras (c. 1590s-1610s), this style did not prevail in the public fashion of the Low Countries at this time. This style of lace ruff — delicate needle lace with geometric openwork — was fashionable from c.1615 to 1622, and the jewelled caul (hair net) and lace edging over a stiffened coif are consistent with high-status English women’s portraiture between 1610–1620. The puffed sleeve slash and the use of pink satin beneath black velvet belong squarely to the late Jacobean...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Flying Dutchman" by Roman Goss is an original abstract painti...

A contemporary painting by British Artist Alec Cumming. Alec Cumming 'Splash" 70cm x 69cm - canvas 2015 Signed and dated verso with a Gallery for Art 1821 A contemporary oil on c...

Please, don’t look. I’m not offering you this moment. I’m not hiding — I’m just not performing. ? I turn away, and in that gesture, I become mine again. Please, D...

Condom holder with clip, an original by artist Keith Haring, created in 1987. Limited edition from the “Pop Shop” merchandise line, New York (1987). Signed and dated on the plate, on...

A beautifully ornate oval picture frame with water gilding. The frame is adorned with delicate floral details and sports a foliate cartouche. This would have been originally presente...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

6.00 x 4.00 in (15.2 x 10.2 cm) Produced during Frieze 2021 week in London (for Air Mail) in a limited quantity (believed to be around 300). Sold in mint condition.

KAWS, the renowned contemporary artist, has collaborated with Netflix and AllRightsReserved to reinterpret "Young-Hee," the iconic doll from the popular series Squid Game. This col...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Mosaic realized by Tommaso Cascella in 1990s. Mounted on a wooden panel. Excellent condition.

Andrew Scott, Hangtime 2024 Hand-varnished giclée with finishing by hand with string. 45 x 33 cm (17 7/10 × 13 in) Edition 239 of 250 Framed in open-grain black wood Signed and num...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Vase "Marquetry with Water lilies" by Emile GALLE (1846-1904) A rounded vase with a narrow neck, Multi-layered blown-molded glass, An inlaid decor of Water lilies, then finely work...

Twentieth Century Untitled Abstract Limited Edition Stone Lithograph by Joan Miro. Originally in a catalogue and consequently there is slight evidence of a fold in the centre. We h...