Impressionist Prints and Multiples

This exquisite engraving after Edgar Degas (1834–1917), titled Danseuse a la barre (Dancer at the Barre), originates from the celebrated album Degas Danse dessin (Degas Dance Drawing...

Savo Radulovic, Serbian American (1911 - 1991) - Sveti Stefan, Yugoslavia, Medium: Hand Colored Lithograph, signed, titled and numbered in pencil, Edition: 3/20, Image Size: 17 x 1...

Nachum Gutman was one of Israeli's leading impressionistic artists, who painted classic scenes of the landscape and images of the country. His works are in many museums and his work...

Delicate and detailed etching by Orpha Klinker (American, 1891-1964). At the edge of an old Adobe building, a staircase leads to the second floor. The stucco on the walls of the building is cracked, revealing the stonework below. Next to the building is a garden with Corkscrew Willow trees. One of her first projects with which Orpha impressed the public was a notable series of her large color portraits of California pioneers in the L.A.TIMES under the heading of "Speaking Of Pioneers." This led to another series on landmarks and famous tales of early California including oil paintings of historic adobes, buildings, and trees of California. Signed in plate, lower left. Paper size: 8.5"H x 10.5"W Mat size: 10"H x 12"W Orpha Klinker (American, 1891-1964) graduated from Polytechnic High School, L.A. and later studied at U.C.L.A. Art School and at the Cannon Art School. Artists Paul Lauritz and Anna A. Hills of Laguna Beach were her first art teachers. She continued her study of art at the Julian and Colarossi Academies in Europe. Some of her earliest work was in designing. Many pages of her fine pen work drawings appeared in Los Angeles newspapers, illustrating the fashions of the day, not only in clothes but in furniture and other things. Then for a time she did her work in New York City and later with the Ladies Home Journal in Philadelphia. One of her first projects with which Orpha impressed the public was a notable series of her large color portraits of California pioneers in the L.A.TIMES under the heading of "Speaking Of Pioneers." This led to another series on landmarks and famous tales of early California including oil paintings of historic adobes, buildings, and trees of California. From the Mexican border to Death Valley she roamed, meeting and painting portraits of such characters as Death Valley Scotty, Shoshone Johnny, the ancient Indian who supposedly saw the first white man come to Death Valley, Emanuel A. Speegle, "The Last of the 49'ers" (over 90 years of age) and others. Orpha was active in keeping alive the memory of one historical event in particular, the signing of the Treaty of Cahuenga ending the Mexican War...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...

Signed in pencil. A European town square with fountain and tower.

Original Vintage Spain Travel Poster – The Aqueduct of Segovia by Delpy, linen-backed. This is a stunning original vintage travel poster showcasing the ancient Roman Aqueduct of Seg...

Leonard Baskin, 'Iris ( 5 )', etching, 1988, artist proof before the edition of 10, outside the book edition. Signed and annotated 'proof' in pencil. A fine impression, with expertly...

Etching on Chine appliqué on Arches Velin paper, Edition of 25 Paper size: 28.5 x 38 cms (11 1/4 x 15 ins) Plate size: 14.9 x 19.6 cms (5 7/8 x 7 5/8 ins)

Artist: Vahe Yeremyan Work: Print on Paper, Subject: Grand Canyon, Framed Size: 1.5" x 20.5" x 0.5''inch, 42x52x2cm, Ready to Hang, Metal Frame with the Glass, Plastic Wrapped. A...

Georges Braque (after) Title: "Profil" from the Espace Portfolio Year: 1957 Year of Original: 1952 Medium: Pochoir (pigment print) on Richard de Bas, signed in the plate Edition: 26...

Medium:  Screenprint Year: 2025 ImageSize:  6.6 × 11.75 A luminous wooded landscape with reflective water and dense foliage rendered in layered tonal fields. Stephen Lawlor (born 1...

Vibrant screen print of people gathering around a pond by Jane Leddy (American, 1925-2019). People and various animals - including goats, ducks, and cows - ...

First Shadows Robert Kipniss, American (1931) Date: circa 1980 Lithograph, signed and numbered in pencil Edition of 164/250 Size: 8 x 6 in. (20.32 x 15.24 cm) Frame Size: 16.25 x 14....

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Portrait de femme (Portrait of a Woman), from the album Les Lithographies de Renoir (The Lithographs of Reno...

Jean-Marie Picard, French - Winter Tree, Medium: Lithograph on Arches, Image Size: 27 x 20 inches, Size: 22.5 x 29.75 in. (57.15 x 75.57 cm)

Aquatint on BFK Rives paper, Edition of 25 Paper size: 56 x 38 cms (22 x 15 ins) Image size: 34.8 x 27.7 cms (13 3/4 x 10 7/8 ins)

Joan Paley, a native of Connecticut, has studied Art at Connecticut College, the University of Hartford, and the Art Student's League of New York. The source of Paley's artistic insp...

Joan Paley, a native of Connecticut, has studied Art at Connecticut College, the University of Hartford, and the Art Student's League of New York. The source of Paley's artistic insp...

Joan Paley, a native of Connecticut, has studied Art at Connecticut College, the University of Hartford, and the Art Student's League of New York. The source of Paley's artistic insp...

Considered "the father of the contemporary movie poster," Bob Peak totally transformed the approach to movie advertising from basic collages of film stills or head shots to flamboyan...

Considered "the father of the contemporary movie poster," Bob Peak totally transformed the approach to movie advertising from basic collages of film stills or head shots to flamboyan...

Considered "the father of the contemporary movie poster," Bob Peak totally transformed the approach to movie advertising from basic collages of film stills or head shots to flamboyan...

Considered "the father of the contemporary movie poster," Bob Peak totally transformed the approach to movie advertising from basic collages of film stills or head shots to flamboyan...

Considered "the father of the contemporary movie poster," Bob Peak totally transformed the approach to movie advertising from basic collages of film stills or head shots to flamboyan...

Considered "the father of the contemporary movie poster," Bob Peak totally transformed the approach to movie advertising from basic collages of film stills or head shots to flamboyan...

Considered "the father of the contemporary movie poster," Bob Peak totally transformed the approach to movie advertising from basic collages of film stills or head shots to flamboyan...

Considered "the father of the contemporary movie poster," Bob Peak totally transformed the approach to movie advertising from basic collages of film stills or head shots to flamboyan...

Considered "the father of the contemporary movie poster," Bob Peak totally transformed the approach to movie advertising from basic collages of film stills or head shots to flamboyan...

Considered "the father of the contemporary movie poster," Bob Peak totally transformed the approach to movie advertising from basic collages of film stills or head shots to flamboyan...

Considered "the father of the contemporary movie poster," Bob Peak totally transformed the approach to movie advertising from basic collages of film stills or head shots to flamboyan...

Considered "the father of the contemporary movie poster," Bob Peak totally transformed the approach to movie advertising from basic collages of film stills or head shots to flamboyan...

Considered "the father of the contemporary movie poster," Bob Peak totally transformed the approach to movie advertising from basic collages of film stills or head shots to flamboyan...

Considered "the father of the contemporary movie poster," Bob Peak totally transformed the approach to movie advertising from basic collages of film stills or head shots to flamboyan...

Considered "the father of the contemporary movie poster," Bob Peak totally transformed the approach to movie advertising from basic collages of film stills or head shots to flamboyan...

Considered "the father of the contemporary movie poster," Bob Peak totally transformed the approach to movie advertising from basic collages of film stills or head shots to flamboyan...

Considered "the father of the contemporary movie poster," Bob Peak totally transformed the approach to movie advertising from basic collages of film stills or head shots to flamboyan...

Considered "the father of the contemporary movie poster," Bob Peak totally transformed the approach to movie advertising from basic collages of film stills or head shots to flamboyan...

Considered "the father of the contemporary movie poster," Bob Peak totally transformed the approach to movie advertising from basic collages of film stills or head shots to flamboyan...

LOVIS CORINTH (1858-1925) AUS DEM TIERGARTEN 1920 (Schwartz 397) Drypoint, signed and numbered 47/50. BEAUTIFUL IMPRESSION with RICH DRYPOINT. Plate 9 ½ x 12 ½ inches. Full margins...

Artist Name: Jean Vollet Year: 1999 Medium Type: Mourlot Lithograph Size-Width Size-Height: 38'' x 28.75'' Signed Edition Size: Signed in pencil and marked 199/299 Title: Venetia...

Considered "the father of the contemporary movie poster," Bob Peak totally transformed the approach to movie advertising from basic collages of film stills or head shots to flamboyan...

Robert Peak’s depiction of a herd of horses galloping across open plains while ominous clouds appear to follow them represents energy and physical endurance. Hand signed by Pele and...

Robert Peak’s rendering of children playing soccer in a grassy field while the light of sunset shines through autumn-tinted trees was created as a commemoration of the fifteenth anni...

With the sun shining through the canyon, the ragged cliffs overlook the river running below. Splashing water alludes to the figure to the lower left, running through the water as an...

Considered "the father of the contemporary movie poster," Bob Peak totally transformed the approach to movie advertising from basic collages of film stills or head shots to flamboyan...

This print by Robert Peak features a figure running along the beach with waves crashing in the background, serving as a commemoration for the fifteenth anniversary of the Special Oly...

This winter scene featuring a forest of birch trees with a snow-covered ground and several icy streams is emblematic of Robert Peak’s work created in commemoration of the fifteenth a...

Claude Monet (after) Woman with the Fan Exhibition poster printed in offset, with some color in lithograph and metallic ink Signature printed in the plate 119 x 84 cm (c. 48 x 34 in...

JOHN MARIN (1872 -1953) CANAL BRIDGE AMSTERDAM, 1906 (Zigrosser 13 i/ii) Etching, drypoint and plate tone. A PROOF IMPRESSION of the 1st state, Annotated...

John Beerman, American (1958 - ) - 3 Mile Harbor, East Hampton, Medium: Poster, signed in ink, Image Size: 17 x 25 inches, Size: 24 x 32 in. (60.96 x 81.28 cm), Printer: Syliva R...

Original vintage poster: Very rare original 1923 vintage archival linen backed poster: This Way Out! Pick your Exit - Now. Which way out will you take should a fire occur here today? Don't wait for the emergency and then start to run. Decide how and where to get out now. The poster is in B condition and has had restoration on the lower left border. Wear consistant with its age in the lower left as well. See images for more detail.. Original work motivaton or incentive poster. Mather Work...

Original San Francisco, California fun map vintage poster 1970. Archival linen backed in very fine condition, ready to frame. -Artist: Henry Hinton I don’t know how much more you could include in this detailed fun map of San Francisco...

This exquisite engraving after Edgar Degas (1834–1917), titled Etude de nu se massant la cheville (Study of a Nude Massaging the Ankle), originates from the celebrated album Degas Da...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 018 Subject: Red Wood Trees, Framed Size: 28'' x 20" x 0.8''inch, 71x51x3cm, Ready to Hang, Wooden Frame. Glass, Plastic W...

Original vintage poster Carthusia Capri (Italy) perfume vintage poster. Artist: Mario Laboccetta. "CARTHUSIA I PROFUMI DI CAPRI" Size 26.5" x ...

JAMES ABBOTT MCNEIL WHISTLER (1834 – 1903) THE SMITH’S YARD 1895 (Spink, Stratis & Tedeschi 124) lithograph, 1895, on wove paper, from the edition of 3000, published by The Inter...

Kerr Eby 'Hungerford Bridge, London', etching and sandpaper ground, 1929, edition 90, Giardina 144. Signed, titled, and annotated 'Ed 90' in pencil. Signed again in the bottom right sheet corner. A fine, atmospheric impression, with delicate plate tone, on cream wove paper; the full sheet with margins (1 1/2 to 1 5/8 inches), in excellent condition. Matted to museum standards, unframed. Hungerford Foot Bridge spans the River Thames in London, between Westminster Bridge and Waterloo Bridge. Eby visited Great Britain and France during 1924 and 1925. Impressions of this work are in the permanent collection of the following institutions: American Academy and Institute of Arts and Letters, Arizona State University, Boston Public Library, Davison Art Center (Wesleyan University), Herbert F, Johnson Museum of Art, Huntington Museum of Art, Hood Museum of Art (Dartmouth College), Metropolitan Museum of Art, Montgomery Museum of Fine Arts, National Museum of American Art, New York Public Library, Smithsonian Museum of American Art. ABOUT THE ARTIST Kerr Eby was born in 1890 in Tokyo, Japan, the son of Methodist missionaries from Canada. The family returned to Vancouver when Eby was only three, and he grew up studying art encouraged by his parents as his mother was from a family of prominent artists. By age twelve, he had lived in Vancouver, Kingston, Toronto and Bracebridge where he found work as a ‘printer’s devil’ on the local Bracebridge newspaper. After graduating from high school in 1907, Eby moved to New York City to study art, first at the Pratt Institute, and later at the Art Students League. He enrolled in art classes at Pratt Institute while working for a lithographic firm earning $4.00 a week. His pay barely covered his room and drawing supplies. Within a year, starving and feeling defeated, he returned to Canada and was employed by a surveying party in Northern Ontario. Eby gradually regained his dream of becoming an artist, and in his spare time, he began to draw the surrounding wilderness landscapes. By fall he had returned to New York to attend night classes at the Art Students League while working for another lithographic firm. He spent several more summers surveying in Northern Ontario before he was able to make a living as an illustrator. During this period he formed several friendships with influential artists including John Henry Twachtman and Childe Hassam and joined a summer artists' colony founded by them at Cos Cob, Connecticut. He supported himself by working as a magazine illustrator and at the American Lithographic Company. Through diligent study and practice, Eby refined both his drawing and printmaking techniques. In 1917, when the United States entered World War I, Eby joined the U.S. Army. Failing to obtain a commission as an artist, he was assigned first to ambulance duty and later as a sergeant in the 40th Engineers in France. He spent most of WWI on the front line as a camouflager of the field artillery ‘big guns”. On his time off duty, he would sketch everything he witnessed, from the explosive big guns and men in action to the dead soldiers in the field. He sent the drawings home each week, and upon his return from the war, they became the basis for his first successful group of etchings. He continued creating his war-related prints throughout the 1920s and '30s as his work became widely exhibited Frederick Keppel, the renowned print dealer and a relative of Eby, became the exclusive agent for many of his print editions. With another global conflict beginning in the mid-1930s, Eby wanted to show the world the true face of war...

This Winslow Homer woodcut engraving entitled "The Morning Walk, Young Ladies' School Promenading the Avenue", was published in Harper's Weekly in the...

General Washington Saying Farewell to His Officers in Fraunces Tavern, New York This etching, 'General Washington Saying Farewell to His Officers in Fraunces Tavern, New York', was ...