Impressionist Prints and Multiples

Self Portrait Marie Laurencin, French (1885–1956) Date: 1920 Lithograph, signed in pencil lower left Image Size: 8 x 5 inches Size: 13 x 9.75 in. (33.02 x 24.77 cm)

Wayne Ensrud, American (1934 - ) - Untitled Flowers 17, Year: 1980, Medium: Hand-Painted Lithograph, signed lower right, Edition: I/I, Size: 35 in. x 26 in. (88.9 cm x 66.04 cm)

The Ermine Scarf Lithograph, 1905 Signed in pencil Belleroche and initialed A.B. lower right Edition: 30 Reference: Belleroche K447 Albert Belleroche log of llithographs, AB164 Condition: Excellent Image size: 6 5/16 x 5 1/4 inches Frame size: 18 3/4 x 17 inches Provenance: Estate of the Artist Richard Reed...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 011 Subject: Aspen, Framed Size: 20'' x 28." x 0.8''inch, 51x71x3cm, Ready to Hang, Wooden Frame. Glass, Plastic Wrapped ...

Venise, Nina Etching and drypoint, 1923 Signed lower left (see photo) Titled lower right (see photo) Edition 100 Edition: 100 Printed on light green chine collee paper Condition: Exc...

Wayne Ensrud, American (1934 - ) - Flower Flight, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Image Size: 31 x 23 inches, Size: 36 in. x ...

Artist: Itzchak Tarkay (1935-2012) Title: Morning Tea Year: Circa 2000 Medium: Silkscreen on wove paper Size: 25.5 x 31.5 inches Edition: 126/199, plus pro...

Jean-Marie Picard, French - Paysage, Medium: Lithograph on Arches, signed in the plate lower right, Image Size: 19.5 x 26.75 inches, Size: 22 x 29.75 in. (55.88 x 75.57 cm)

Camille Pissarro (1830-1903), L’île Lacroix, à Rouen, etching, aquatint, maniere grise, drypoint, burnishing, c. 1887. Signed and numbered (No. 1) in pencil lower left, annotated 1er...

Artist: Philippe Noyer (1917-1985) Title: The Monkey Year: circa 1969 Medium: Lithograph on Arches paper Edition: 66/220, plus proofs Size: 29.75 x 22 inches Condition: Good Inscript...

Etching, 1888 (printed later). Initialed by the artist's son, Alden Twachtman, in lower margin "JHT per AT". Sheet size: 4.25 x6.38 inches, with full margins. Catalogue raisonné re...

Artist: Raoul Dufy, French (1877 - 1953) Title: The Band Year: 1949 Medium: lithograph, signed in the plate Size: 19 x 29.5 inches Frame Size: 25.5 x 36 inches Printed by Baynard Pr...

Limited edition etching on Arches paper by artist Harold Altman. Although title on the piece is unknown, there is a hand signature from Altman. The fram...

Raoul Dufy, French (1877 - 1953) - Le Boeuf Sur Le Toit, Year: 1920, Medium: Lithograph on wove paper, signed in the plate, Image Size: 11.5 x 9 inches, Size: 12.75 x 9.75 in. (32....

Artist: Vahe Yeremyan Work: Print on Satin Paper, Subject: Summer Field, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. All works are copyrighted...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 012 Subject: Red Boats, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. All works are co...

Artist: Maurice Utrillo (after), French (1883 - 1955) Title: Sur la Route de Village from Douze Contemporains Year: 1959 Medium: Lithograph with Pochoir on Wove paper, signed in the ...

Lon Megargee 1883-1960 "The Sheepherder" Wood block print Signed in plate, lower right Image size: 10 x 10 inches Frame size 22 x 22 inches Creator of Stetson's hat logo "Last Drop from his Hat" Lon Megargee 1883 - 1960 At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg, Arizona where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar R. . . and after a few years, was offered a job by Billy Cook of the T.T. Ranch near New River. By 1906, Megargee had learned his trade well enough to be made foreman of Cook’s outfit. Never shy about taking risks, Lon soon left Cook to try his own hand at ranching. He partnered with a cowpuncher buddy, Tom Cavness, to start the El Rancho Cinco Uno at New River. Unfortunately, the young partners could not foresee a three-year drought that would parch Arizona, costing them their stock and then their hard-earned ranch. Breaking with his romantic vision of cowboy life, Megargee finally turned to art full time. He again enrolled at the Pennsylvania Academy of Art and then the Los Angeles School of Art and Design during 1909 – 1910. The now well-trained student took his first trip to paint “en plein air” (outdoors) to the land of Hopi and Navajo peoples in northern Arizona. After entering paintings from this trip in the annual Territorial Fair at Phoenix, in 1911, he surprisingly sold his first oil painting to a major enterprise – the Santa Fe Railroad . . . Lon received $50 for “Navajos Watching the Santa Fe Train.” He soon sold the SFRR ten paintings over the next two years. For forty years the railroad was his most important client, purchasing its last painting from him in 1953. In a major stroke of good fortune during his early plein-air period, Megargee had the opportunity to paint with premier artist, William R. Leigh (1866 – 1955). Leigh furnished needed tutoring and counseling, and his bright, impressionistic palette served to enhance the junior artist’s sense of color and paint application. In a remarkable display of unabashed confidence and personable salesmanship, Lon Megargee, at age 30, forever linked his name with Arizona art history. Despite the possibility of competition from better known and more senior artists, he persuaded Governor George Hunt and the Legislature in 1913 to approve 15 large, historic and iconic murals for the State Capitol Building in Phoenix. After completing the murals in 1914, he was paid the then princely sum of roughly $4000. His Arizona statehood commission would launch Lon to considerable prominence at a very early point in his art career. Following a few years of art schooling in Los Angeles, and several stints as an art director with movie studios, including Paramount, Megargee turned in part to cover illustrations for popular Western story magazines in the 1920s. In the 1920s, as well, Lon began making black and white prints of Western types and of genre scenes from woodblocks. These prints he generally signed and sold singly. In 1933, he published a limited edition, signed and hard-cover book (about 250 copies and today rare)containing a group of 28 woodblock images. Titled “The Cowboy Builds a Loop,” the prints are noteworthy for strong design, excellent draftsmanship, humanistic and narrative content, and quality. Subjects include Southwest Indians and cowboys, Hispanic men and women, cattle, horses, burros, pioneers, trappers, sheepherders, horse traders, squaw men and ranch polo players. Megargee had a very advanced design sense for simplicity and boldness which he demonstrated in how he used line and form. His strengths included outstanding gestural (action) art and strong figurative work. He was superb in design, originality and drawing, as a study of his prints in the Hays collection reveals. In 1944, he published a second group of Western prints under the same title as the first. Reduced to 16 images from the original 28 subjects, and slightly smaller, Lon produced these prints in brown ink on a heavy, cream-colored stock. He designed a sturdy cardboard folio to hold each set. For the remainder of his life, Lon had success selling these portfolios to museum stores, art fairs and shows, and to the few galleries then selling Western art. Drawing on real working and life experiences, Lon Megargee had a comprehensive knowledge, understanding and sensitivity for Southwestern subject matter. Noted American modernist, Lew Davis...

Artist: LeRoy Neiman, American (1921 - 2012) Title: Prince Charles at Windsor Year: 1982 Medium: Screenprint, signed and numbered in pencil Edition: 300...

David Lee, Chinese (1944 - ) - Purple Flowers (21), Year: circa 1985, Medium: Lithograph, signed and numbered in pencil, Edition: 100, Size: 21 in. x 29 in. (53.34 cm x 73.66 cm)...

David Lee, Chinese (1944 - ) - Fleurs et Papillon, Year: circa 1985, Medium: Poster, Image Size: 18 x 26 inches, Size: 22.75 x 31 in. (57.79 x 78.74 cm), Description: David Le...

Wayne Ensrud, American (1934 - ) - Venice Rialto, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP 300, Image Size: 25.5 x 18 inches, Size: 28.5 in. x ...

Bucolique Moderne Color woodcut, 1901 Edition of 550 impressions on Holland paper (as here) and an edition of 200 impressions printed on Japan paper signed in pencil by the artist. References And Exhibitions: Published in Di Gesellschaft fur vervielfältigende Kunst à Vienne Reference: Lotz Brissonneau 271 v/V Illustrated: Musee D'Orsay, Auguste Lepere ou lerenouveau de bois grave, No. 20 Vital, Auguste Lepere 1849-1918, No. 171. Illustrated: Musee de le Vendee, no. 171 (see photo) Musee D'Orsay, Auguste Lepere ou lerenouveau de bois grave, No. 20 Vital, Auguste Lepere 1849-1918, No. 171. Auguste Louis Lepère...

Artist: Itzchak Tarkay (1935-2012) Title: Sisters Year: Circa 2000 Medium: Silkscreen on wove paper Size: 11.25 x 11.75 inches Edition: 219/750, plus 100 Remarques Condition: Excelle...

Marc Chagall, Russian (1887 - 1985) - Self Portrait, Medium: Etching on Papier A La Main, Image Size: 9.5 x 7.25 inches, Size: 19.25 x 13 in. (48.9 x 33.02 cm), Description: From t...

Henri Matisse created Blue Nude with Green Stockings as part of his cut-out series, which he began later in his life, during the 1940s. Specifically, his cut-out technique became pro...

Four in One Robert Kipniss, American (1931) Date: circa 1980 Lithograph, signed and numbered in pencil Edition of 6/150 Frame Size: 17.5 x 14.5 inches

Ancel Nunn (1928-1999) Austin, Tyler, Palestine Artist Medium: Lithograph Image Size: 12 x 17.5 Frame Size: 18 x 24 "Mystical Beast" Buffalo Bison Biography Ancel Nunn (1928-1999)...

Renzo Vespignani, Italian (1924 - 2001) - Spiaggia di Nettuno, Year: circa 1970, Medium: Etching, signed and numbered in pencil, Edition: AP, Image Size: 4.5 x 10.75 inches, Size: 1...

'Le Pecheur' is an excelletn example of the aquatints of Manuel Robbe, a French artists working during the turn of the 20th century. The image draws upon th...

Raoul Dufy, French (1877 - 1953) - The Serpent, Year: c. 1911, Medium: Woodcut on laid paper, Image Size: 8 x 7.5 inches, Size: 11.25 x 8.75 in. (28.58 x 22.23 cm), Description: Fr...

Pencil signed lithograph by Costa Rican Master Francisco Zuniga (1921-1998) Works by Zuniga are instantly recognizable. He is mostly known for his paintings of rural indigenous wome...

Michael Sanders Sparkling Beach Limited Edition Giclee Print Edition of 250 Image Size: H 40cm x W 40cm Mount Size: H 60cm x W 60cm x D 0.5cm Sold Unframed Please note that insitu im...

By J. Torrents Llado 35" x 24" Serigraph, Edition 53/75 Signed, bottom right. Unframed This brilliant and expressive serigraph captures a dynamic view of a creek within a densely f...

"Marche a la Volaille, a Gisors" is an original etching by Camille Pissarro. It depicts a dense crowd in black and white. This is edition 34/43 from Loys Delteil 98, 2nd State. 14" ...

Marc Chagall, Russian (1887 - 1985) - Les Ames Mortes Vignette Plate 11, Year: 1948, Medium: Etching on Arches, Image Size: 9.25 x 7.25 inches, Size: 15 x 11 in. (38.1 x 27.94 cm),...

Softish Sea, Signed Digital Photographic Landscape Print, 2020 30" x 20" x 0.5" (HxWxD) Digital Print on Metal Hand-signed by the artist. A gradient sky...

Untitled (Venice canal, man departing the gondola) Drypoint, c. 1930-1931 Signed in pencil lower right (see photo) Annotated in the lower margin: "Just a souvenir made ___ Monclair L...

Barges, Dordrecht Etching, c. 1886 Signed in the plate with the butterfly Edition: One of 10 known impressions of this image. VERY RARE Provenance: Frederick Keppel & Co. with their ...

Howard Terpning Image Size: 10.5 x 13.5 Frame Size: 18 x 21 Medium: Print Dated 1980 "Shoshonis Indians" #962 of 1000

Medium: Silkscreen Year: 2022 Image Size: 11.24 x 9.88 inches Edition Size: 30 In Rose Without a Thorn, Stephen Lawlor reimagines the tradition of Renaissance portraiture through a...

Gerald Geerlings (1897-1998), Black Magic, etching and aquatint, 1929, signed in pencil lower right, titled and annotated (New York, 1928) lower left margi...

Gerald Brockhurst (1890-1978) Pencil Signed Etching "Fabian" c.1921 Fine etching by noted artist Gerald Brockhurst. Titled "Fabian" from an edition of 76. This etching is in excel...

A very good, dark and evenly-printed impression of this scarce lithograph on cream laid paper. From the edition of approximately 50.

Peloton by Robyn Forbes [2020] limited edition Screen print on paper Edition of 20 Image size: H:20 cm x W:29 cm Complete Size of Unframed Work: H:29....

Abstract animal lithograph of a kangaroo. The work is framed in a gold frame with a white matte. It is signed, dated and titled by the artist. Paul Sprohge is a Houston, Texas artist...

PRODUCT DETAILS Notley Abbey in England canvas print by Simon Kozhin. Bring your artwork to life with the texture and depth of a stretched canvas print. The image gets printed onto ...

Artist: Michel Delacroix (1933) Title: La Sortie du Chenil Year: 1988 Edition: LXXVII/CL; 150 Arabic Numerals on Rives paper, 150 Roman Numerals on Japon pap...

Hand signed numbered by the artist. Artwork image size 20.25 x 27 inches. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 300. All reasonable off...

Olga Poloukhine, French/American - Marsh Land, Medium: Aquatint Etching, Signed and Numbered in Pencil, Edition: 200, Size: 22 in. x 29.5 in. (55.88 cm x 74.93 cm)

Old Houses, Milbank Grosvenor Road London 1906 This an etching of Grosvenor Road Old Houses, done in 1906 by American printmaker and Whistler biographer Joseph Pennell (American, 18...

Collotype in colors on paper. Unsigned. Published in 1972. Copyright info in typeset lower margin. Artwork is in excellent condition. All reasonable offers will be considered.

3 Brothers 2005., a/e, linocut, paper, 23x12 cm. The linocut technique involves carving a design into a block of linoleum and then transferring ink onto p...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a light green, blue, and mint green palette. Printed ...

John Beerman, American (1958 - ) - Light and Darkness, Year: 1990, Medium: Monotype, signed and numbered in pencil, Edition: 1/1, Image Size: 6 x 9.5 inches, Size: 13.5 x 22 in....

Jacques Villon (1875-1963) etching, aquatint, and drypoint, Minne Playing with a Cat (Minne Jouant avec un Chat),1907, signed in pencil and numbered (12/30)(Ginestet and Pouillon 192...

Monet’s Years at Giverny: Beyond Impressionism, presented at the Metropolitan Museum of Art in 1978, is widely regarded as one of the earliest true museu...

This abstract landscape limited edition print by Ken Elliott features a cool blue and violet palette, capturing hills underneath thick clouds, with contrasting accents of warm yellow...

Considered "the father of the contemporary movie poster," Bob Peak totally transformed the approach to movie advertising from basic collages of film stills or head shots to flamboyan...

Artist: Tony Minartz (French, 1873-1944) Title: "L'Avant-Foyer de l'Opera" Portfolio: Revue de l'Art Ancien & Moderne *Issued unsigned Year: 1903 Medium: Original Etching on cream laid paper Limited edition: Unknown Printer: Unknown Publisher: Revue de l'Art Ancien & Moderne, Paris, France Framing: Recently framed in a traditional gold and black moulding with 100% cotton rag matting Framed size: 18.63" x 16.38" Sheet size: 12" x 9" Image size: 9" x 7.25" Condition: In excellent condition Notes: Printed in one color: bistre. This review was founded in 1897 in the continuity of the review Les Beaux-Arts published between 1861 and 1865; Jules Comte, the founder, entitled his first issue Les Beaux-Arts - Revue nouvelle then changed the title to La Revue de l'art ancien et moderne. Jules Comte directed the review until his death in 1912. Raymond Woog took over , who was provisional director until the start of the war in July 1914. In 1919, André Dezarrois took over this review and was its director until December 1937, date of last issue (published in January 1938). In the meantime, it publishes the Bulletin of ancient and modern art, which has gained a certain notoriety in the community. Biography: Tony Minartz, pseudonym of Antoine Guillaume, born 8 April 1873 to Cannes and died in that city on 13 December 1944 Is a painter, draftsman , illustrator and engraver French. Painter autodidact , Tony Minartz starts to become known in 1896 by exhibiting paintings at the Salon of the National Society of Fine Arts , and then decorates the Pompadour theater of painted panels for fashion shows " Grand Guignol ", directed by L. Darthenay. In 1903, Henri Béraldi , with whom he worked, praised him in The Journal of ancient and modern art, writing that "it was thirty years ago," and he has received advice from Paul Renouard to be formed the technique of etching ; Béraldi adds that his favorite subjects are "Paris at night Paris at night, always." Minartz also gives them some high-remarkable in The Journal of ancient and modern art until 1910: balls, cafe concerts, Parisian in their most beautiful dresses, but also music-halls, music halls, restaurants, large and small theaters, are the preferred settings of his compositions. Its fertile period seems to end in 1914. In addition to the National Salon, Minartz exhibited in Paris at the gallery Bartholomew (1903), the Independent Living (1905, 1906) and the gallery Devambez (1909) and received the Academic Palms . He occasionally collaborates with periodic illustrated as The Almanac Sports (Ollendorff, 1899), or satirical as Gil Blas...