Impressionist Prints and Multiples

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 056 Subject: Sedona, Framed Size: 17" x 21" x 0.8''inch, 23x53x2cm, Ready to Hang, Wooden Frame. Glass, Plastic Wrapped ...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 019 Subject: Autumn, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame, Glass. All works ar...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Subject: Summer Field, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. All works are copyrighted...

JOSEPH PENNELL (1857- 1926) UP TO THE WOOLWORTH 1915 (Wuerth 673) Etching, signed in pencil. Early state before additional work, especially before extensive darkening in the sky. I...

"Road Landscape" is an original etching and aquatint by Felix Bracquemond. This piece depicts a shadowy path through the foliage. The artist signed the piece in the lower right and i...

SIR FRANCIS SEYMOUR HADEN (British 1818 -1910) SUNSET IN IRELAND 1863 (Schneiderman 47 - Appears to be an undescribed state between XI and XII) Etching and drypoint, signed in penci...

Artist: Ronald Julius Christensen – American (1923-1999) Title: Moon Mist Year: circa 1980 Medium: Color Lithograph on BFK Rives paper Image size: 21 x 27.5 inches. Sheet size: 22.5 x 30 inches Signature: Signed lower right Edition size: 295 This one: 240/295 Condition: Good Unframed This exceptional vivid lithograph is by noted artist Ronald Julius Christensen (1923-1999). It makes use of vivid colors and bold strokes. The print is in good, never-framed condition with a faint crease in the upper right margin and a faint stain 4" x 1/2" in the upper left margin, both far from the image. Born in Quincy, Massachusetts, Ronald Christensen established a fine-art career as a printmaker, painter and muralist in Boston where he had studied at the Boston Museum School of Fine Art and the Vesper George School of Art. He became a teacher in Color Theory at the New England School of Art in Boston in 1963. Exhibition venues included the National Academy of Design (1965) and the Rhode Island Art...

Substantially framed contemporary limited edition giclée print on canvas of a beautiful plein air impressionist landscape painting by California artist Donald R. Britton (American, b.20th Century), 2007. Some small areas of oil paint highlights added to canvas print by the artist. The landscape features a calm mountain stream flowing past large boulders and yellow autumn trees, with tall majestic mountains in the background. Hand signed lower right "DR Britton" with the edition number 11/100. Signed and dated in the print "DR Britton '07", lower left. Displayed in a custom rustic style contemporary wood frame with linen liner and gold trim. Canvas size: 20"H x 16"W. Don Britton is a contemporary representational landscape painter of the western US with focus on the southwest, the Pacific coast and the Sierras. Recent Awards and Publications: 2019: Juror's Purchase Award, "Pacific Bluffs" at Art for Heaven's Sake Annual Art Festival, Redlands, CA 2016: First Place,"Land Put to A Higher Use", The 9th Annual Ralph Love Plein Air Competition in Temecula, CA 2014: "Canyon Clouds" and "Carmel Wetlands" were juried in to the Museum of the Art Institute Regional Show in San Diego 2012: "View from Mather Point" was selected for installation in the US Embassy in Sri Lanka. 2011: "On the Rocks" selected as a finalist in the Artist's Magazine annual national competition. 2010 - "Your Composition Should Evoke an Emotion" feature article in International Artist, pp 52-59, vol 70, 2010 2010 - "Morning Becomes the Valley" and "Lamoille Canyon" selected for installation in the US Embassy in Yemen 2010 - Grant from Nevada Arts Council 2008 - Grant from Nevada Arts Council 2007 - Paint America National Competition Top 50 Miniatures 2007 - First Place, Oil Painting, Carson Valley Art Association Annual Exhibit Artist’s Statement: I have been surrounded by artists virtually all my life. I received my first drawing instruction at the age of six from my father. We were living in New Mexico at the time and he was an avid amateur landscape painter there. Although I dabbled in painting off and on for years, my first career took a different path. Following a BA from the University of Colorado and a PhD from The Ohio State University I entered a career in neuroscience research. However, in 2004, I committed to painting full time and was almost immediately rewarded with the joy of recreating scenes I loved. I am indebted to numerous mentors along the way including Mark Tompkins, Skip Whitcomb, William Scott Jennings, Jim Wilcox...

Collotype in colors on paper. Unsigned. Title and copyright info in typeset lower margin. Artwork is in excellent condition. All reasonable offers will be considered.

Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Forest, Medium: Lithograph, Image Size: 17 x 20 inches, Size: 21 x 30 in. (53.34 x 76.2 cm)

The Lady of Shallott, Signed Digital Photographic Landscape Print, 2020 30" x 20" x 0.5" (HxWxD) Digital Print on Metal Hand-signed by the artist. An almost abstracted seascape color photograph by artist Amanda Lomax...

Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Vase de Fleurs, Medium: Lithograph on Arches (unsigned), Image Size: 21 x 17 inches, Size: 29 x 22 in. (73.66 x 55.88 cm)

Jean-Baptiste-Camille Corot, After, French (1796 - 1875) - Quai Des Paquis, Geneva, Medium: Poster, Size: 12 x 17.5 in. (30.48 x 44.45 cm), Frame Size: 16.5 x 22 inches

Herman Hyneman (American, 1849-1907) Untitled, c. 1880 Engraving Sight: 13 x 8 1/2 in. Framed: 26 1/2 x 20 1/2 x 3/4 in. Signed bottom The following is from Peter Jung who credits "a friend named Jeff Gold on Long Island." Herman N. Hyneman (1849 - 1907) was born in 1849 to one of the most prominent Jewish families in Philadelphia. Unlike most Jewish families of the time, his embraced and encouraged his artistic talent. In 1874, Hyneman followed his first cousin Moses Ezekiel, National Academy member, to Europe to study. They first went to Germany and then to France where Hyneman began eight years of study with Leon Bonnat, the French Master. In Paris, the twenty-five year old Hyneman resided in a studio building at 75 Boulevard Clichy, with expatriates Frederic Arthur Bridgeman, Charles Sprague Pearce, Milne Ramsey, and Edwin Blashfield. Hyneman was clearly exposed to the works of these more experienced artists, as well as that of Walter Gay. In 1879, one of Hyneman's genre paintings, entitled "Desdemona", was accepted into the Paris Salon. That painting received favorable reviews both in Europe, and later in Philadlephia where it was exhibited alongside the works of other Philadelphia Artists exhibiting at the Salon that included Thomas Eakins, Pearce, Edward May...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 011 Subject: Autumn Palette, Framed Size: 20.5" x 28.5" x 0.8''inch, 51x71x3cm, Ready to Hang, Wooden Frame. Glass, Plasti...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 013 Subject: Aspen, Framed Size: 28.5'' x 21" x 1.5''inch, 73x53x5cm, Ready to Hang, Wooden Frame. Glass, Plastic Wrapped ...

Original poster, lithograph, linen-backed, Nathan Hale poster reading," I only regret that I have but one life to lose for my country." Step into history with this 1939 Kelly Read & Co. Rochester (NY) poster, a testament to the principles our patriots died for. This very rare original poster is the only documented copy remaining. Archival linen-backed and ready to frame. The poster features a stylized image of Nathan Hale, an American Revolutionary War soldier...

Highly detailed figurative landscape lithograph of a street in London with a towering cathedral, old buildings, and figures walking the street below by E. Mary Shelley (English, late...

Hank Laventhol, American (1927 - 2001) - Mountain Village, Year: circa 1980, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 300, AP XXXV, Image Size: 16.5 x 24...

Gymkhana Umbrella Races Rockaway Hunting Club is from the portfolio entitled Sporting Incidents: Being a Collection of sixteen plates done in color..representing the most important events of the track...

There is a something about being a child on the beach where the sheer exuberance of running into the waves transcends the normal social barriers, and the shared exhilarance allows fo...

Jean Baptiste Camille COROT (after) After the Bath, 1873 Original Etching Engraved by Boilevin under the supervision of COROT Printed sig...

This artwork "Three Children" c.1995 is an original color serigraph by Israeli artist Zamy Steynovitz, 1951-2000. It is hand signed and numbered 83/300...

Pulled from Volume II of the Lithographs of March Chagall. Published by Mourlot on 1960 Éditions André Sauret, Monte-Carlo. Unsigned and unnumbered, as issued Artist: Marc Chagall, Russian (1887 - 1985) Title: Angel Bay Year: 1960 Medium: Lithograph Size: 12 in. x 9 in. (30.48 cm x 22.86 cm) Frame: 20 x 17 inches Editor: Andre Sauret Publisher: George Braziller...

Sentimental is the adjective to describe this beautiful portrait of a mother with her innocent child. This is a beautifully framed limited edition lithograph (100/295) on paper sign...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a warm, earth-toned palette. Printed on canvas, this giclee ships framed in a warm si...

Andre Minaux "Tete de Femme" Original Lithograph c.1960s From a limited edition of only 90. This lithograph is pencil signed and numbered by the artist. Dimensions 22" x 29 1/2". T...

This artwork titled " Paris, Place De La Concorde" c.1980, is an original colors lithograph on Arches paper by French artist Urbain Huchet, 1930-2014. It is hand signed and numbered ...

Fisherman with Windmill - Antique Monotype Impressionistic monotype of a fisherman with nets in front of a windmill by John J. Witcombe (British, b. 1872 d. 1918.) Visible brushstro...

Lithograph in colors on paper. Hand signed lower right margin by Norman Rockwell. Hand numbered AP lower left margin (there is also a main edition of 200). Image size: 23 x 17 inc...

Joan Paley, a native of Connecticut, has studied Art at Connecticut College, the University of Hartford, and the Art Student's League of New York. The source of Paley's artistic insp...

This artwork titled " Paris, Place De La Bastille" c.1980, is an original colors lithograph on Arches paper by French artist Urbain Huchet, 1930-2014. It is hand signed and numbered ...

"Killers from Space", Original vintage theater linen backed with original fold marks restored vintage movie poster. Very good to excellent condition and ready to frame. RKO Pictures. NSS 54/76 Killers From Space, the 1954 W. Lee Wilder giant-insect-alien science fiction (sci-fi) thriller ("Earth Attacked!"; "Astounding drama as bulb-eyed men invade Earth from flying saucers! ... The Last Word In Science-Fiction Sensation!"; "The last word in science-fiction thrills!"; "See the space killers plan to wipe out the human race! See strange monsters, flying saucers, giant creatures... SENSATIONAL!"; "Attack by monsters from another planet!"; "INVASION from another planet!"; "Staggering scenes, astounding sensations... As bulb-eyed monsters in flying saucers attack earth! An astounding science-fiction thrill!"; "From a story by Myles Wilder") starring Peter Graves...

Collotype in colors on paper. Unsigned. Title and copyright info in typeset lower margin. Artwork is in excellent condition. All reasonable offers will be considered.

John Beerman, American (1958 - ) - Blue Hour, Year: 1994, Medium: Color Etching Aquatint, signed and numbered in pencil, Edition: 1/45, Image Size: 15.5 x 25.5, Size: 22 x 31.5 ...

Lola De Valence is a black and white etching realized by Edouard Manet (1832-1883) in 1862. Image dimensions: 18x26 cm. Etching and aquatint, 6th state, the first to be published, ...

Headland IV by Gordon Cook (American, 1927-1985). 1963. Signed on verso "gordon cook/ Headland IV 1963." Detailed etching based on a natural shore scene by Gordon Cook. Printed on ...

Title: Zion Subject: Various biblical images depicting Creation and prayer 1922 Medium: woodcut Frame: 14" x 18" Image: 12.5" x 16.75" Provenance: owned and signed verso by Peter Keil. Central panel shows the Jewish star over a crown, with inscription in Hebrew: "When God comforts Zion, He will comfort all its ruins and make its deserts look like Eden," and "You have sanctified the seventh day, the goal of creation of Heaven and Earth." This is flanked by a Palestinian farmer pioneer on the left and a Jew praying on the right. The lower tier shows six vignettes of the days of creation from Genesis. Hermann Fechenbach was born in 1897 in Württemberg, Germany. He grew up in Bad Mergentheim where his parents had an inn, which served as a meeting place for the local Jewish community. He left school early and through family connections with clothing retailers received training in window dressing. His skill with brush writing was quickly recognised by a big firm in Dortmund where he was responsible for the displays in 10 large windows. He received his conscription papers in 1916 and recalls “being as patriotic as any other fool”. In August 1917 he was involved in a grenade attack in which he was the sole survivor. With serious injuries to both legs he struggled to safety and was eventually transported to a front line “slaughterhouse” where the first of a series of amputations was performed which led to the loss of his left leg. As a result of his injuries his father dropped his opposition to him becoming an artist. His formal art education started in 1918 with training at a Stuttgart handcraft school for invalids. He attended the Academies in Stuttgart and Munich to learn painting and restoration for 3 years. He was influenced at this time by Max Liebermann. He has been compared to Kathe Kollwitz and was a contemporary of Jakob Steinhardt and hermann Struck. In 1923 he went to Florence for a year. While in Florence he started to produce a series of miniature wood engravings to illustrate the stories of Genesis. This was followed by periods in Pisa, Venice, Vienna and Amsterdam. In 1924 he returned to Stuttgart to paint in the contemporary style “Die Neue Sachlichkeit”. (The New Objectivity was a movement in German art that arose during the 1920s Weimar republic as a reaction against expressionism. The term was coined by Gustav Friedrich Hartlaub, the director of the Kunsthalle in Mannheim, who used it as the title of an art exhibition staged in 1925 to showcase artists who were working in a post-expressionist spirit. These artists—who included Max Beckmann, Otto Dix, George Grosz, Christian Schad, Rudolf Schlichter and Jeanne Mammen) Every spring and autumn he exhibited at the “Kunstgebit” which served as the showcase for all serious artists of the period. His professional status “Kunstmaler und Grafiker” was recognised by Berlin in 1926. Practically all his work from this period was sold following exhibition. In 1926 he collaborated with an architect friend to build a bungalow in Hohenheim, a non-Jewish area and a suburb of Stuttgart. Hermann alternately lived in his country bungalow and his town studio, producing portraits for sale or barter and wood engravings for his own pleasure. In 1930 he married a non-Jewish professional photographer – Greta Batze. They had a studio in Stuttgart, which was used to teach art to a group of 12 students. In 1933 the Nazi influence removed his name from the official state register together with the right to exhibit. By spending most of his time in his bungalow out of the Jewish quarter the Fechenbachs escaped being registered by the Nazis for some years. They were ostracised and abused by their non-Jewish neighbours. Hermann made weekly visits to friends in town to teach them the practical skills they would need assuming they were to escape from Germany. His energies were directed towards protection and survival. Ultimately the Nazi persecution forced the Fechenbachs to flee their homeland. They moved to Palestine for 3 months in 1938, but found the political and physical environment unsustainable. Greta arrived in England penniless in January 1939 to work as a domestic servant and to find a guarantor for her husband. Hermann arrived in May 1939. They moved to Blackheath a few months later. Hermann resumed his painting and engraving as a means of earning a living. He raised enough money to get his parents out of Germany to join his brothers in Argentina but was unable to save his twin sister Rosa who died in a Nazi concentration camp. In 1940 Hermann was interned in Bury as a suspect alien. He protested about his treatment by starting a hunger strike. Because of his persistence he was moved to a prison in Liverpool. From Liverpool he was moved to the Hutchinson Camp in the Isle of Man with fellow artist Kurt Schwitters. Arrangements were made for Greta to be accommodated near by. While interned he commenced work on “Refugee Impressions”, a series of linocut prints (no wood was available). In 1941 when released from internment the Fechenbachs came under the sponsorship of Dr. Bela Horovitz, the Austrian art publisher who in turn made an introduction to Professor Tancred Borenius. They were offered lodgings with a family in Oxford. Hermann had his first public exhibition for many years in a small gallery in Oxford in 1942. A second exhibition of oils, pencil drawings, coloured linocut and woodblock prints held later in the year was opened by the mayor of Oxford and critically acclaimed. In 1944 the first London exhibition took place at the Anglo-Palestinian club in Piccadilly. There were two exhibitions at the Ben Uri Art gallery during this period. In 1948 a second exhibition at the Anglo Palestinian club was inaugurated by a member of the Rothschild family and several members of Parliament. This was a great success. In 1944 the Fechenbachs moved to a top floor studio flat in Colet Gardens. Open exhibitions were held each Spring at the Embankment from 1946 to 1951. Movietone News produced a short feature on the artist, which was shown in cinemas in England and Germany. In 1969 he published the Genesis story in a hard back volume containing 137 prints. He started to research the fate of the entire Jewish community of Bad Mergentheim during the period of the second world war, liaising with historian Dr. Paul Sauer and Professor Max Miller, historian and theologian. In 1972 Kohlhammer published his partly autobiographical book “The last Jews of Mergentheim”. He exhibited at the Anglo-Palestinian Club & the Ben Uri Gallery in the 1940s. His works only came to prominence during the last year of his life when he exhibited at Blond Fine Art. Peter Keil part of the Junge Wilde. In 1978, the Junge Wilde painting style arose in the German-speaking world in opposition to established avant garde, minimal art and conceptual art. It was linked to the similar Transavanguardia movement in Italy, USA (neo-expressionism) and France (Figuration Libre). They were also known as the Neue Wilde. Artists included; Austria: Siegfried Anzinger, Erwin Bohatsch, Herbert Brandl, Gunter Damisch, Hubert Scheibl, Hubert Schmalix...

David Lee, Chinese (1944 - ) - White Herons, Year: circa 1985, Medium: Lithograph, signed and numbered in pencil, Edition: 100, Size: 21 x 29 in. (53.34 x 73.66 cm), Descriptio...

Firmada a lápiz por el artista en la parte inferior y con tiraje 13/250 En buen estado de conservación Sin enmarcar Medidas: 58 cm x 49 cm.

Bill Sullivan, American (1942 - ) - Stony Creek Sunset, Medium: Lithograph, Signed in Pencil, Edition: 50, Size: 30 in. x 44 in. (76.2 cm x 111.76 cm), Description: Overlooking t...

A black cat playing with a Snowman, from Le Chat Noir Gillotage chromotype, 1898 Signed in the image lower right (see photo) Cats were a symbol of freedom and bohemia in Montmartre, ...

This etching with aquatint was created by French printmaker Manuel Robbe. Robbe’s innovative techniques, along with his sense of color harmony and his choice of subjects: stylish wom...

This artwork "After Lunch" 1994 is an original etching by French/Canadian artist Pierre Roland Renoir b.1958 (Grand son of the famous impressionist artist Pierre Auguste Renoir) It i...

John Beerman, American (1958 - ) - View from Porch, Medium: Lithograph, signed and numbered in pencil, Edition: PP, Image Size: 18 x 23.75 inches, Size: 21.25 x 27 in. (53.98 x...

Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Édouard Manet, Letters with Aquarelles, 1944. Published by Pantheon Books, New York; rendered and printed by Raymond and...

Mounts Bay Mood. Limited Edition etching from the well collected studio of Ian Laurie. Signed and numbered 14 of 50. Each one of the 25 is slightly different in tone and color Image...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a cool blue palette with warm orange and pink accents throughout. Printed on canvas, ...

"Conquering The Wilderness" - Lewis and Clark Expedition Original Etching Original 1932 black and white etching titled "Conquering The Wilderness" by Robert Hogg Nisbet (American, ...

This lithograph titled Le Prince de Joinville reçu à bord d'une frégate anglaise is part of the book Lettre à mon Peintre by Marcelle Oury. The lithograph is printed on high-quality ...

This colorful abstract landscape piece is a Limited-Edition giclee print by Ken Elliott with an edition of 195. Printed on canvas, this giclee ships framed in a silver floater frame ...

This luminous serigraph by Howard Behrens captures the timeless beauty of Italy’s Lake Como, where architecture, water, and mountain landscapes merge in a scene of quiet elegance. Su...

Bill Sullivan, American (1942 - ) - Low Tide 7, Year: circa 1985, Medium: Hand Colored Lithograph, signed in pencil, Edition: 25, Size: 35 x 50 in. (88.9 x 127 cm), Description...

This artwork "Under the Rain" 1992 is an original etching by French/Canadian artist Pierre Roland Renoir b.1958 (Grand son of the famous impressionist artist Pierre Auguste Renoir) I...

This artwork titled "Kabalat Shabbat" c.1990 is an original color serigraph by Israeli artist Zamy Steynovitz, 1951-200. It is hand signed and numbered 170/300 in pencil by the artist. The image size is 27.5 x 19.5 inches, framed size is 43.5 x 34 inches. Custom framed in a wooden gold frame, with gold color bevel and black fabric matting. It is in excellent condition. About the artist: Zamy Steynovitz was born in Liegnitz, Poland in 1951 and at a very early age he aspired to be a painter. He won first prize in an art competition for children before immigrating to Israel in 1957. Formally educated at the Art School in Tel-Aviv and the Royal Academy in London, he completed his studies and began artistic pursuits in earnest. Zamy established his place in the art world after displaying his work in one-man exhibitions around the world. His art subjects has been strongly influenced by Jewish tradition and folklore. Additionally, his work presents general themes such as Paris cafes, still lives, flowers, circuses and landscapes. In the early stages of his work, he used rich pastels and light brush strokes. When he visited South America in the early 1980’s, his work reflected his new surroundings and were further enhanced by local brightness and colorfulness. His paintings are a reflection of his Eastern-European Jewish heritage, and they are enhanced by a rich choice of warm tones and colors He became known in the circles of the Nobel Institute for Peace in Norway, and consequently was acquainted with many Nobel prize winners, such as Anwar Sadat, Menahem Begin, the Dalai Lama, Itzhak Rabin, Shimon Peres, Elie Wiesel, Desmond Tutu, Oscar Arias Sanchez, as well as many of the world’s greatest leaders and artists. He tragically passed away in September of 2000. The work of Zamy Steynovitz is held in numerous collections worldwide. Selected exhibitions 1970 – Museum – Ramat – Gan 1973 – Brussels – gallery L’Angle Aigu 1974 – London – International Gallery 1974 – Paris – Grand Palais Gallery 1975 – Milan – Brera Gallery 1976 – N.Y. Valentino Gallery – N.Y. Hilton 1977 – N.Y. Valentino Gallery – N.Y. Hilton 1978 – Basel - Aactual Gallery 1978 – Geneva – Bohren Gallery 1978 – Oslo – Nobel Peace Prize Exhibit 1979 – London – Hamilton Gallery 1979 – N.Y. – Canty Art Gallery 1979 – Amsterdam – Schipper Gallery 1979 – Washington – International Art Fair 1980 – Cleveland – Jewish Museum 1980 – Tel-Aviv – Habima National Art Fair 1981 – Abraham – Goodman House N.Y. 1981 – San Lucas Gallery – Bogotá 1981 – Petach-Tikva – Israel – Shelanu Gallery 1982 – Pedro Gerson Gallery – Mexico City 1983 – Simon Bolivar...

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Portrait de Auguste Renoir (Portrait of Auguste Renoir), from the album Les Lithographies de Renoir (The Lit...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a blue and green palette with vibrant yellow accents,...

Artist: Manuel Robbe (French, 1872-1936) Title: Marins et Femmes de Pecheurs Bretons sur les Quais Year: c.1930 Medium: Etching with aquatint Paper: B.F.K Rives Image (plate mark...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a blue and green palette with vibrant yellow accents, and captures an abstracted land...

John Beerman, American (1958 - ) - Yellow Field, Year: 1985, Medium: Monotype, signed and numbered in pencil, Edition: 1/1, Image Size: 18 x 23.5 inches, Size: 25.5 x 30 in. (64...